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The collection

182 works match your filters.

Medium:Print69 Painting58 Textile12 Sculpture4 Drawing2 Ceramics2

Image

With image182
All187
Metadata only5

Year range

to

Decade

2000s1
1960s1
1920s1
1750s2
1700s2
1680s1
1670s2
1660s3
1650s1
1640s5
1630s12
1620s23
1610s13
1600s4
1590s2
1580s28
1570s8
1560s4
1550s1
1530s1
1520s32
1510s2
1500s1
1490s5
1480s2

Medium

Painting58
Print69
Drawing2
Sculpture4
Ceramics2
Textile12

Institution

National Gallery of Art81
Minneapolis Institute of Art28
The Metropolitan Museum of Art22
Harvard Art Museums13
Cleveland Museum of Art11
Städel Museum8
Nationalmuseum7
Statens Museum for Kunst (National Gallery of Denmark)5
Walters Art Museum4
The Museum of Modern Art2
National Museum of African American History and Culture1

Nationality

French5,231
British4,734
American3,379
German2,539
Italian1,551
Greece1,000
Dutch786
Chinese556
Spanish240
Russian226
Bohemian217
Swiss212
Netherlandish209
Flemish165
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian40
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands26

Movement

Baroque painting29
Baroque18
Flemish Baroque painting18

Exhibition History

Has exhibition record9

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions9 works

Magnalite pot used by Chef Leah Chase at Dooky Chase restaurant, World Kitchen, after 2001, aluminum , metal; 6 × 9 3/4 × 8 in. (15.2 × 24.8 × 20.3 cm)

Magnalite pot used by Chef Leah Chase at Dooky Chase restaurant

World Kitchen · after 2001

aluminum , metal; 6 × 9 3/4 × 8 in. (15.2 × 24.8 × 20.3 cm)

National Museum of African American History and Culture

WHO? VII, Rafael Hastings, (1968), Gouache, pencil, and felt-tip pen on paper

WHO? VII

Rafael Hastings · (1968)

Gouache, pencil, and felt-tip pen on paper

The Museum of Modern Art

Threshing ( La Trilla ), Camilo Blas (José Alfonso Sánchez Urteaga), 1928, Oil on board

Threshing ( La Trilla )

Camilo Blas (José Alfonso Sánchez Urteaga) · 1928

Oil on board

The Museum of Modern Art

The Forge, Léonard Defrance, 1755, Oil on wood

The Forge

Léonard Defrance · 1755

Oil on wood

The Metropolitan Museum of Art

CC0

The Rope Dance, Léonard Defrance, 1755, Oil on wood

The Rope Dance

Léonard Defrance · 1755

Oil on wood

The Metropolitan Museum of Art

CC0

Nicolas de Blampignon, Gerard Edelinck, 1702, engraving

Nicolas de Blampignon

Gerard Edelinck · 1702

engraving

National Gallery of Art

Public domain

The Triumph of Neptune and Amphitrite, Abraham van Diepenbeeck, 1700

The Triumph of Neptune and Amphitrite

Abraham van Diepenbeeck · 1700

Public domain

Landscape of the Roman ""Compagna"", Jan Frans van Bloemen, c. 1700–1740 (Baroque), oil on panel

Landscape of the Roman ""Compagna""

Jan Frans van Bloemen · c. 1700–1740 (Baroque)

oil on panel

Walters Art Museum

Remi Du Laury, Gerard Edelinck, probably 1679, engraving

Remi Du Laury

Gerard Edelinck · probably 1679

engraving

National Gallery of Art

Public domain

Philippe de Champaigne, Gerard Edelinck, 1676, engraving

Philippe de Champaigne

Gerard Edelinck · 1676

engraving

National Gallery of Art

Public domain

Mercury Departing from Antwerp. Fragment of a larger painting, Peter Paul Rubens, 1667

Mercury Departing from Antwerp. Fragment of a larger painting

Peter Paul Rubens · 1667

Public domain

Hermes Ordering Calypso to Release Odysseus, Gerard de Lairesse, c. 1670, oil on canvas

Hermes Ordering Calypso to Release Odysseus

Gerard de Lairesse · c. 1670

oil on canvas

Cleveland Museum of Art

CC0

1 show

Samson and the Lion. Study, Peter Paul Rubens, 1663

Samson and the Lion. Study

Peter Paul Rubens · 1663

Public domain

Awaiting the Chase, Designer: Flanders, c. 1650, Wool, silk, tapestry weave

Awaiting the Chase

Designer: Flanders · c. 1650

Wool, silk, tapestry weave

Minneapolis Institute of Art

CC0

The Conversion of Saul with Christ and the Cross, Jacob Jordaens, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

The Conversion of Saul with Christ and the Cross

Jacob Jordaens · c. 1645–47

brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

Cleveland Museum of Art

CC0

16 shows

Susannah Crouching, Jacob Jordaens, c. 1640/1645, black and red chalk with watercolor, heightened with white

Susannah Crouching

Jacob Jordaens · c. 1640/1645

black and red chalk with watercolor, heightened with white

National Gallery of Art

Public domain

Cupid (?), Lucas Faydherbe, c. 1640/1650, bronze

Cupid (?)

Lucas Faydherbe · c. 1640/1650

bronze

National Gallery of Art

Public domain

The Prodigal Son, David Teniers, the Younger, c. 1640, Oil on copper

The Prodigal Son

David Teniers, the Younger · c. 1640

Oil on copper

Minneapolis Institute of Art

CC0

Charles-Maurice Le Tellier, Gerard Edelinck, 1640, engraving

Charles-Maurice Le Tellier

Gerard Edelinck · 1640

engraving

National Gallery of Art

Public domain

Catherine Howard, Lady d'Aubigny, Sir Anthony van Dyck, c. 1638, oil on canvas

Catherine Howard, Lady d'Aubigny

Sir Anthony van Dyck · c. 1638

oil on canvas

National Gallery of Art

Public domain

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

21 shows

Tavern Scene with Pipesmokers, David Teniers, the Younger, 1635

Tavern Scene with Pipesmokers

David Teniers, the Younger · 1635

Public domain

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens · c. 1639

oil on wood

Cleveland Museum of Art

CC0

3 shows

The Garden of Love (left portion), Peter Paul Rubens, c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Garden of Love (left portion)

Peter Paul Rubens · c. 1633–35

Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Metropolitan Museum of Art

CC0

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