Seated Couple (Back to Back)
William Kentridge · 1998
Charcoal on pasted book pages on paper
Drawing from Stereoscope
William Kentridge · (1998–99)
Charcoal, pastel, and colored pencil on paper
Chlorosis (Love sick)
Marlene Dumas · 1994
Ink, gouache, and acrylic on twenty-four sheets of paper
Untitled (3 Balconies with Time)
Juan Muñoz · 1984
Oilstick on plastic sheet over a paper envelope on paper
Untitled (Balcony with Awning and Sketch below)
Juan Muñoz · 1984
Oilstick on plastic sheet on brown paper
Untitled (Balcony with heavy black vertical line)
Juan Muñoz · 1984
Oilstick on plastic sheet on brown paper
Untitled (Facing Balconies)
Juan Muñoz · 1984
Oilstick on plastic sheet on brown paper
Around the Void II (Alrededor del vacio II)
Eduardo Chillida · 1965
Forged steel
Maquette for dust jacket for Joan Miró by James Thrall Soby
Joan Miró · 1958
Watercolor and ink on paper
The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching