People Reading the Newspaper (Number 84)
Joong Seop Lee · 1950–52
Incising and oil on metal foil on paper
Fairyland (Number 57)
Joong Seop Lee · 1950–52
Incising and oil on metal foil on paper
Family in Paradise (Number 50)
Joong Seop Lee · 1950–52
Incising and oil on metal foil on paper
Mountainous Landscape with a Scholar Riding a Donkey and Approaching a Village Nestled in a Grove of Trees
Chŏng Sul-wŏn (also known as Tu-san) · early-mid 20th century
One leaf from a set of six album leaves; ink and light colors on silk; with inscription and two seals of the artist
Orchids and Rocks
Yi Ha-ŭng (also known as Taewŏn’gun) · 1896–1898
One of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son"
Orchids and Rocks
Yi Ha-ŭng (also known as Taewŏn’gun) · 1896–1898
One of a set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" followed by two seals of the artist reading "Tae Wŏn Kun Chang" and "Sŏk P'a"; and with an additional seal of the artist at the far left reading "Tam Tam Ryu Su Ŭi"
Orchids and Rocks
Yi Ha-ŭng (also known as Taewŏn’gun) · 1896–1898
Set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" on the scroll at the far left; with one large seal of the artist on each scroll and with two additional seals of the artist following the signature on the scroll at the far left
Orchids and Rocks
Yi Ha-ŭng (also known as Taewŏn’gun) · 1896–1898
One of a set of four hanging scrolls; ink on silk; with one square, red, relief seal reading "Yang Tŭk Pu Saeng Il Se Ch'o"
Books and Scholars’ Accoutrements
Yi Taek-gyun · late 1800s
ten-panel folding screen; ink and color on silk
CC0
2 shows
Landscape
Kim Yu-sŏng (also known as Sŏ-am) · dated 1764
Hanging scroll; ink and light colors on silk; with signature of the artist reading "So-chung-hwa Sŏ-am sa"
Landscape of the Roman ""Compagna""
Jan Frans van Bloemen · c. 1700–1740 (Baroque)
oil on panel
Hermes Ordering Calypso to Release Odysseus
Gerard de Lairesse · c. 1670
oil on canvas
CC0
1 show
Awaiting the Chase
Designer: Flanders · c. 1650
Wool, silk, tapestry weave
CC0
The Conversion of Saul with Christ and the Cross
Jacob Jordaens · c. 1645–47
brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite
CC0
16 shows
