Plate (folio 6) from 10 Origin
Max Bill · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate (folio 14) from 10 Origin
Léo Leuppi · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate from 10 Origin
Sophie Taeuber-Arp · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Carco: La Rose au Balcon
Sonja Sekula · 1942
Pen and ink drawing and dedication by Francis Carco and 3 postcards
Plate (folio 16) from 10 Origin
Richard Paul Lohse · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Le catafalque sans pesanteur
Louis Soutter · c. 1937–1942
Fingermalerei in Schwarz auf geripptem Büttenpapier
Public domain
Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive )
Louis Soutter · c. 1930–35
Ink on paper
![Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], Louis Soutter, c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper](https://www.moma.org/media/W1siZiIsIjMyNzk2NCJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=efd1de5e6d465db1)
Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso]
Louis Soutter · c. 1930–35
Recto: Ink on paper; Verso: Oil and ink on paper
Selbstbildnis mit verschränkten Armen
Ottilie W. Roederstein · 1926
Öl auf Leinwand
Public domain
Construction bleu-rouge-noir
Florence Henri · 1923
Gouache on cut-and-pasted paper, ink, and pencil on paper
