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The collection

150 works match your filters.

Medium:Painting64 Drawing58 Print24 Sculpture1

Image

With image150
All156
Metadata only6

Year range

to

Decade

1990s2
1980s3
1970s32
1960s23
1950s5
1940s2
1930s6
1920s8
1910s30
1900s15
1890s1
1860s3
1830s3
1820s1
1770s1
1750s1
1740s1
1730s1
1710s1
1700s1
1680s1
1640s1
1480s1
1450s1
1440s1

Medium

Painting64
Print24
Drawing58
Sculpture1

Institution

The Museum of Modern Art120
The Metropolitan Museum of Art18
Cleveland Museum of Art5
Städel Museum4
National Gallery of Art2
Minneapolis Institute of Art1

Nationality

French5,231
British4,734
American3,379
German2,539
Italian1,549
Greece1,000
Dutch786
Chinese556
Spanish240
Russian226
Bohemian217
Swiss212
Netherlandish209
Flemish165
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian40
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands26

Movement

Symbolism31
Expressionism25
Art Nouveau18
pictorialism1

Exhibition History

Has exhibition record4

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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Exhibitions4 works

Hangaround, Franz West, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame

Hangaround

Franz West · (1997)

Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame

The Museum of Modern Art

Untitled, Hermann Nitsch, 1991, Oil on paper on linen

Untitled

Hermann Nitsch · 1991

Oil on paper on linen

The Museum of Modern Art

Untitled, Hermann Nitsch, 1987, Oil on paper

Untitled

Hermann Nitsch · 1987

Oil on paper

The Museum of Modern Art

Wunde Punkte, Günter Brus, (1983), Mixed media on paper

Wunde Punkte

Günter Brus · (1983)

Mixed media on paper

The Museum of Modern Art

A Rather Ordinary, Vulgar Thought, W. Koenigstein, 1980, Pencil on paper

A Rather Ordinary, Vulgar Thought

W. Koenigstein · 1980

Pencil on paper

The Museum of Modern Art

Untitled (Kleinzeug #45), Arnulf Rainer, (1974), Oil pastel and crayon on gelatin silver print

Untitled (Kleinzeug #45)

Arnulf Rainer · (1974)

Oil pastel and crayon on gelatin silver print

The Museum of Modern Art

Jerusalem Faces, Oskar Kokoschka, (1973–1974, prints executed 1973), Portfolio of six lithographs

Jerusalem Faces

Oskar Kokoschka · (1973–1974, prints executed 1973)

Portfolio of six lithographs

The Museum of Modern Art

Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Dr. Shimon Agranat (plate 2) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Dr. Shimon Agranat (plate 2) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, Oskar Kokoschka, (1973–1974, executed 1973), One from a portfolio of six lithographs

Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces

Oskar Kokoschka · (1973–1974, executed 1973)

One from a portfolio of six lithographs

The Museum of Modern Art

Study for Labyrinth for White Mice, Luis Fernando Benedit, 1972, Felt-tip pen and pencil on paper

Study for Labyrinth for White Mice

Luis Fernando Benedit · 1972

Felt-tip pen and pencil on paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper

The Museum of Modern Art

Study for Labyrinth for White Mice, Luis Fernando Benedit, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper

Study for Labyrinth for White Mice

Luis Fernando Benedit · 1972

Synthetic polymer paint, felt-tip pen, and pencil on colored paper

The Museum of Modern Art

Silo, Walter Pichler, 1972, Pencil on paper

Silo

Walter Pichler · 1972

Pencil on paper

The Museum of Modern Art

Study for Labyrinth for White Mice, Luis Fernando Benedit, 1972, Felt-tip pen, pencil, and transfer type on paper

Study for Labyrinth for White Mice

Luis Fernando Benedit · 1972

Felt-tip pen, pencil, and transfer type on paper

The Museum of Modern Art

Artistic Branch, Walter Pichler, 1972, Pencil and charcoal on paper

Artistic Branch

Walter Pichler · 1972

Pencil and charcoal on paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper

The Museum of Modern Art

Drawing for Phytotron: Hydroponic Environment for Plants, Luis Fernando Benedit, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper

Drawing for Phytotron: Hydroponic Environment for Plants

Luis Fernando Benedit · 1972

Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper

The Museum of Modern Art

Study for Labyrinth for White Mice, Luis Fernando Benedit, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper

Study for Labyrinth for White Mice

Luis Fernando Benedit · 1972

Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper

The Museum of Modern Art

Study for Phytotron (Environment for Plants), Luis Fernando Benedit, 1972, Pencil, watercolor, felt-tip pen and typewriting on paper

Study for Phytotron (Environment for Plants)

Luis Fernando Benedit · 1972

Pencil, watercolor, felt-tip pen and typewriting on paper

The Museum of Modern Art

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