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dartabase Play Browse Movements

Aboriginal and Torres Strait Islander peoples are advised that Dartabase may contain images, names, and works of people who have died.

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The collection

74 works match your filters.

Medium:Painting32 Drawing30 Print8

Image

With image74
All77
Metadata only3

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Decade

1990s3
1970s16
1960s12
1950s6
1940s22
1930s4
1920s2
1910s2
1900s4
1890s1

Medium

Painting32
Print8
Drawing30

Institution

The Museum of Modern Art74

Nationality

French5,213
British4,724
American3,367
German2,536
Italian1,545
Greece1,000
Dutch774
Chinese556
Spanish239
Russian226
Bohemian217
Swiss211
Netherlandish209
Flemish158
Australian120
Austrian102
Japanese85
Brazilian54
Unknown53
Mexican51
Argentine48
Greek45
Prussian39
Belgian36
Persian32
Giovanni31
Cuban30
Danish28
English27
Habsburg Netherlands25

Movement

abstract art12
Orphism12
Symbolism12
surrealism7

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Anniversary, José Toirac, 1999, Pencil and red wine on pasteboard, pins and suitcase with key

Anniversary

José Toirac · 1999

Pencil and red wine on pasteboard, pins and suitcase with key

The Museum of Modern Art

Proyecto de Acumulacion de Materiales (Project of Accumulation of Materials), Los Carpinteros, 1999, Watercolor and pencil on paper

Proyecto de Acumulacion de Materiales (Project of Accumulation of Materials)

Los Carpinteros · 1999

Watercolor and pencil on paper

The Museum of Modern Art

A los Ojos de la Historia, Kcho (Alexis Leyva Machado), 1992–95, Watercolor and charcoal on paper

A los Ojos de la Historia

Kcho (Alexis Leyva Machado) · 1992–95

Watercolor and charcoal on paper

The Museum of Modern Art

La Juventuo et Ala, Raúl Martínez, 1978, Gouache and ink on paper

La Juventuo et Ala

Raúl Martínez · 1978

Gouache and ink on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Tomas Rajlich, 1976, Cut-and-pasted printed paper with gesso on paper

Untitled

Tomas Rajlich · 1976

Cut-and-pasted printed paper with gesso on paper

The Museum of Modern Art

Untitled, Stanislav Kolibal, (1975), Ballpoint pen and ink on paper

Untitled

Stanislav Kolibal · (1975)

Ballpoint pen and ink on paper

The Museum of Modern Art

Untitled, Stanislav Kolibal, (1975), Ballpoint pen and ink on paper

Untitled

Stanislav Kolibal · (1975)

Ballpoint pen and ink on paper

The Museum of Modern Art

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

The Skull, Claudio Bravo, 1973, Conté crayon on paper

The Skull

Claudio Bravo · 1973

Conté crayon on paper

The Museum of Modern Art

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), Nemesio Antúnez, 1973, One from a portfolio with seven screenprints

Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges)

Nemesio Antúnez · 1973

One from a portfolio with seven screenprints

The Museum of Modern Art

Untitled, Agustín Fernández, 1972, Pencil on paper

Untitled

Agustín Fernández · 1972

Pencil on paper

The Museum of Modern Art

A Clean New Race, Juan Downey, 1970, Colored pencil, pencil, and gouache on board

A Clean New Race

Juan Downey · 1970

Colored pencil, pencil, and gouache on board

The Museum of Modern Art

Drawing for With Energy Beyond These Walls, Juan Downey, 1969, Pencil, crayon, and gouache on paper

Drawing for With Energy Beyond These Walls

Juan Downey · 1969

Pencil, crayon, and gouache on paper

The Museum of Modern Art

Untitled, Rodolfo Opazo, 1968, Colored pencil and pencil on paper

Untitled

Rodolfo Opazo · 1968

Colored pencil and pencil on paper

The Museum of Modern Art

Untitled, Agustín Fernández, 1967, Pencil on paper

Untitled

Agustín Fernández · 1967

Pencil on paper

The Museum of Modern Art

Untitled, Agustín Fernández, 1967, Pencil on paper

Untitled

Agustín Fernández · 1967

Pencil on paper

The Museum of Modern Art

White Package, Claudio Bravo, 1967, Chalk, conté crayon, and ink on paper

White Package

Claudio Bravo · 1967

Chalk, conté crayon, and ink on paper

The Museum of Modern Art

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