Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate X from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate III from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Theo van Doesburg · 1953 (original executed in 1924)
One from a portfolio of sixteen screenprint reproductions
Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Piet Mondrian · 1953 (original executed in 1921)
One from a portfolio of sixteen screenprint reproductions
Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953
Joan Miró · 1953
Gouache, oil, and ink on paper
Plate (folio 10) from 10 Origin
César Domela-Nieuwenhuis · 1942
Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series)
Joan Miró · 1941
Gouache, oil wash, and charcoal on paper
Sketch for lithograph In the Open Country
Manuel Angeles Ortiz · 1941
Ink on paper
Sketch for lithograph In the Open Country
Manuel Angeles Ortiz · 1941
Ink on paper
Study for Head of Montserrat Crying No. 2
Julio González · 1941
Pencil on paper
