Vigilantia
Pieter Laurens Mol · 1996
Gelatin silver print distressed with red lead paint
Untitled (Doors)
Toba Khedoori · 1995
Oil, wax, and pencil on three sheets of paper
Plate (folio 12) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Study for Laboratory
Pat Andrea · 1971
Pencil, colored pencil, gouache, and crayon on paper
Plate (folio 6) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 14) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 8) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 4) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 10) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
Plate (folio 2) from One Day
Eduard Flor · 1971
Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts
One Day
Eduard Flor · 1971
Portfolio of seven soft ground etchings and screenprinted reproductions with texts
Flinders Island
Fred Williams · 1968
Gouache and synthetic polymer paint on paper
Study for Metermaid
Pat Andrea · 1968
Colored pencil, pencil, and crayon on paper
Aboriginal Graves, Tibooburra, No. 1
Fred Williams · 1967
Synthetic polymer paint on paper
