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The collection

18 works match your filters.

Medium:Painting13 Drawing2

Image

With image18
All18
Metadata only0

Year range

to

Decade

1660s2
1640s2
1630s6
1620s3
1610s3
1570s1

Medium

Painting13
Drawing2

Institution

Städel Museum6
Cleveland Museum of Art5
The Metropolitan Museum of Art3
Nationalmuseum2
Minneapolis Institute of Art1
National Gallery of Art1

Nationality

- Europe
Dutch135
Italian26
Flemish18
German6
Spanish6
Papal States4
Southern Netherlands4
French3
Habsburg Netherlands2
Kingdom of Naples1

Movement

Baroque painting29
Baroque18
Flemish Baroque painting18

Related

Dutch Golden Age painting

Flemish Baroque painting

Baroque painting

Exhibition History

Has exhibition record5

Last exhibited before

Exhibited in decade

Coverage currently skews to AIC and Cleveland works.

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View:Works Exhibitions5 works

Mercury Departing from Antwerp. Fragment of a larger painting, Peter Paul Rubens, 1667

Mercury Departing from Antwerp. Fragment of a larger painting

Peter Paul Rubens · 1667

Public domain

Samson and the Lion. Study, Peter Paul Rubens, 1663

Samson and the Lion. Study

Peter Paul Rubens · 1663

Public domain

The Conversion of Saul with Christ and the Cross, Jacob Jordaens, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

The Conversion of Saul with Christ and the Cross

Jacob Jordaens · c. 1645–47

brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

Cleveland Museum of Art

CC0

16 shows

Susannah Crouching, Jacob Jordaens, c. 1640/1645, black and red chalk with watercolor, heightened with white

Susannah Crouching

Jacob Jordaens · c. 1640/1645

black and red chalk with watercolor, heightened with white

National Gallery of Art

Public domain

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), Peter Paul Rubens, c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)

Peter Paul Rubens · c. 1637–38

pen and brown ink, with black and red chalk, touched with white gouache

Cleveland Museum of Art

CC0

21 shows

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Study for "The Bear Hunt" (for the Alcázar, Madrid)

Peter Paul Rubens · c. 1639

oil on wood

Cleveland Museum of Art

CC0

3 shows

The Garden of Love (left portion), Peter Paul Rubens, c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Garden of Love (left portion)

Peter Paul Rubens · c. 1633–35

Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint

The Metropolitan Museum of Art

CC0

The Garden of Love (right portion), Peter Paul Rubens, c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Garden of Love (right portion)

Peter Paul Rubens · c. 1633–35

Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk

The Metropolitan Museum of Art

CC0

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34, Oil on gessoed wood (oak) panel

The Union of England and Scotland (Charles I as the Prince of Wales)

Peter Paul Rubens · 1633–34

Oil on gessoed wood (oak) panel

Minneapolis Institute of Art

CC0

Hélène Fourment, Peter Paul Rubens, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier

Hélène Fourment

Peter Paul Rubens · c. 1632

Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier

Public domain

Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, Peter Paul Rubens, 1628, Öl auf Eichenholz

Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe

Peter Paul Rubens · 1628

Öl auf Eichenholz

Public domain

Zwei Reiterkämpfe, Peter Paul Rubens, 1627–1628, Öl auf Eichenholz

Zwei Reiterkämpfe

Peter Paul Rubens · 1627–1628

Öl auf Eichenholz

Public domain

Portrait of Isabella Brant, Peter Paul Rubens, c. 1620–25, oil on wood

Portrait of Isabella Brant

Peter Paul Rubens · c. 1620–25

oil on wood

Cleveland Museum of Art

CC0

7 shows

Die Heilige Familie, Jacob Jordaens, c. 1619–1620, Öl auf Eichenholz

Die Heilige Familie

Jacob Jordaens · c. 1619–1620

Öl auf Eichenholz

Public domain

Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe, Peter Paul Rubens, c. 1616 (c. 1646–1650), Öl auf Eichenholz (originaler Bildträger unten und links erweitert)

Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe

Peter Paul Rubens · c. 1616 (c. 1646–1650)

Öl auf Eichenholz (originaler Bildträger unten und links erweitert)

Public domain

Diana and Her Nymphs Departing for the Hunt, Peter Paul Rubens, c. 1615, oil on canvas

Diana and Her Nymphs Departing for the Hunt

Peter Paul Rubens · c. 1615

oil on canvas

Cleveland Museum of Art

CC0

2 shows

Susanna, Peter Paul Rubens, 1577, Pen and brown ink, brush and brown wash

Susanna

Peter Paul Rubens · 1577

Pen and brown ink, brush and brown wash

The Metropolitan Museum of Art

CC0

Hirtenanbetung, Jacob Jordaens, Öl auf Leinwand

Hirtenanbetung

Jacob Jordaens

Öl auf Leinwand

Public domain