Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I
Sophie Taeuber-Arp · 1953 (original executed in 1932)
One from a portfolio of sixteen screenprint reproductions
Iacy from Maria 1946
Maria Martins · 1946
Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Without Echo (Sans-écho) from Maria 1946
Maria Martins · 1946
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Explanation III (Explication III) from Maria 1946
Maria Martins · 1946
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Implacable Place (Place à l'implacable) from Maria 1946
Maria Martins · 1946
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Like a Vine (Comme une liane) from Maria 1946
Maria Martins · 1946
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Explanation I (Explication I) from Maria 1946
Maria Martins · 1946
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Explanation IV (Explication IV) from Maria 1946
Maria Martins · 1946
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Wrapper front from Maria 1946
Maria Martins · 1946
Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Impossible from Maria 1946
Maria Martins · 1946
Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Maria 1946
Maria Martins · 1946
Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures
Explanation II (Explication II) from Maria 1946
Maria Martins · 1946
Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving
Plate (folio 6) from 10 Origin
Max Bill · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate (folio 14) from 10 Origin
Léo Leuppi · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate from 10 Origin
Sophie Taeuber-Arp · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Plate (folio 16) from 10 Origin
Richard Paul Lohse · 1942
Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph
Couple in the Mangue (Casal no Mangue) from Mangue
Lasar Segall · 1941, published 1943
Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions
Group from the Mangue (Grupo do Mangue) from Mangue
Lasar Segall · 1941, published 1943
Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions
Women of the Mangue (Mulheres do Mangue) from Mangue
Lasar Segall · 1941, published 1943
Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions
Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue
Lasar Segall · 1941, published 1943
Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions
Mangue
Lasar Segall · 1941, published 1943
Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions
