Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature)
Varvara Rodchenko · 1980
Lithograph
The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
The Breadwinner (The Pony) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
The Rich from Jehupez from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
The Wait (Hodl at the Window) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Anatewka (The Village) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Morning (The Room) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
In the Kitchen (The Diary) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore)
Joan Miró · 1957
Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching
On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Colophon from Tevia the Milkman, Volume II
Anatoli Lvovich Kaplan · 1957–61, published 1961
One from a portfolio of twenty-eight lithographs
Evening (Tevia's House) from Tevia the Milkman, Volume I
Anatoli Lvovich Kaplan · 1957–1961, published 1961
One from a portfolio of twenty-eight lithographs
