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1960s Clear all

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World's Strongest Glue

H. C. Westermann · 1966

Solid cast bronze, brass, and paint

Go and Get Killed Comrade - We Need a Byron in the Movement from the portfolio Mahler Becomes Politics, Beisbol

R. B. Kitaj · 1966

One from a portfolio of fifteen screenprints

The Cultural Value of Fear, Distrust and Hypochondria from the portfolio Mahler Becomes Politics, Beisbol

R. B. Kitaj · 1966

One from a portfolio of fifteen screenprints

To Remain

David Hockney · 1966

Etching and aquatint on paper

The Beginning

David Hockney · 1966

Etching and aquatint on paper

Artists and Writers Protest against the War in Vietnam

Charles Hinman · 1966–67, published 1967

Portfolio of nine screenprints (two with collage additions, one with die-cut, one with punched holes), six lithographs (one with embossing), and one etching; plus supplemental volume of eighteen letterpress prints

One Night

David Hockney · 1966

Etching and aquatint on paper

In Despair

David Hockney · 1966

Etching on paper

The Shop Window of a Tobacco Store

David Hockney · 1966

Etching and aquatint on paper

Rotting Jet Wing

H. C. Westermann · 1966

Pine, plate glass, felt, and copper

His Every Poor, Defeated, Loser’s, Hopeless Move, Loser, Buried (Ed Dorn) from the portfolio Mahler Becomes Politics, Beisbol

R. B. Kitaj · 1966

Screenprint with collage from a portfolio of fifteen screenprints

+ 13 metadata-only matchesshow

Metadata only · no published image

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