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Untitled

Mira Schendel · 1964

Monotype on Japanese paper

What is a Comparison? from the portfolio Mahler Becomes Politics, Beisbol

R. B. Kitaj · 1964

One from a portfolio of fifteen screenprints

Plate one, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Plate (folio 11) from the portfolio Rose or Star (Rose oder Stern)

Otto Piene · 1964, published 1965

Screenprint on colored paper from a portfolio of texts and eight screenprints

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Plate (folio 8) from the portfolio Rose or Star (Rose oder Stern)

Otto Piene · 1964, published 1965

Screenprint on colored paper from a portfolio of texts and eight screenprints

Plate six, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Pacific Mutual Life

David Hockney · 1964

Lithograph on paper

Plate three, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Birmingham Race Riot

Andy Warhol · 1964

Screenprint on paper

Plate seven, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Cleanliness is Next to Godliness

David Hockney · 1964

Screenprint on paper

Untitled

Mira Schendel · 1964

Monotype on Japanese paper

Plate two, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

Plate five, from The Never Projected (Lo Nunca Proyectado)

Gego (Gertrud Goldschmidt) · 1964

Inkless intaglio on cream wove paper, folded

+ 9 metadata-only matchesshow

Metadata only · no published image

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