Der besessene Forstadjunkt (The obsessed forester)

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

1913

Watercolor and charcoal on paper

The Museum of Modern Art

The End of the Day

c. 1919

Ink on paper

The Museum of Modern Art

Dispute by Moonlight (Disput bei Mondschein) (recto); Two Men (verso)

c. 1920

Ink on paper (recto and verso)

The Museum of Modern Art

Anna Peter

1926–27

Pencil on paper

The Museum of Modern Art

Nacht-café (für Dr Benn) (Night cafe (for Dr Benn))

1918

Lithograph on paper

Queensland Art Gallery and Gallery of Modern Art

Bürgerliche welt (World of the bourgeoisie) (from the illustrated book ‘Ecce Homo’)

1918

Photo-lithograph on paper

Queensland Art Gallery and Gallery of Modern Art

Lady Hamilton's schleiertanz (Lady Hamilton's veil dance)

1922

Photo-lithograph on paper

Queensland Art Gallery and Gallery of Modern Art

The Large Plane Trees (Road Menders at Saint-Rémy)

Vincent van Gogh · 1889

oil on fabric

Cleveland Museum of Art

CC0

Two Poplars in the Alpilles near Saint-Rémy

Vincent van Gogh · 1889

oil on fabric

Cleveland Museum of Art

CC0

Untitled (The Bird People) from VVV Portfolio

Max Ernst · 1942, published 1943

Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print

The Museum of Modern Art

The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art

The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan)

Max Ernst · 1950

Etching

The Museum of Modern Art

The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus)

Oskar Kokoschka · 1916 (executed 1913)

Lithograph from a portfolio of twelve lithographs

The Museum of Modern Art