Johann Theodor de Bry, Fountain of Youth, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6472 Anonymous Artist, Infant Bacchanalians, 1597, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1356 Johann Theodor de Bry, Army Train and Death, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6475 Gerard de Lairesse, Hermes Ordering Calypso to Release Odysseus, c. 1670, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156420 Jacob Jordaens, Susannah Crouching, c. 1640/1645, black and red chalk with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8069 Peter Paul Rubens, The Garden of Love (left portion), c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334653 Paul Bril, Landscape with Men Playing 'Mail à la Chicane', 1624, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.3 Crispijn de Passe (I), Satire over hygiejne, 1589–1688, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20983 Sir Anthony van Dyck, Bildnis des Hendrick van Steenwyck des Jüngeren, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19199 Flanders (Tournai), The Ship of Virtues, c. 1528–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.15 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6457 Anonymous Artist, Judas Leaving the High Priest, 1606, pen and brown ink with brown and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1847 Anonymous Artist, David, c. 1530, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1242 Adriaen Collaert, Christ and the Woman of Samaria, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4622 Anonymous Artist, Portrait of a Young Man, c. 1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/89 Anonymous Artist, Hercules Carrying the Erymanthian Boar, c. 1575/1675, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1260 Peter Paul Rubens, The Garden of Love (right portion), c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334654 Sir Anthony van Dyck, Virgin and Child with Saint Catherine of Alexandria, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436262 Luis Fernando Benedit, Study for Proyecto Multiple, 1971, Felt-tip pen and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35706 Anonymous Artist, Mercury, c. 1780/c. 1850, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/138 Anonymous Artist, Lamp, Upper Portion, c. 1800/1899, gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1289 Anonymous Artist, Judith with the Head of Holofernes, c. 1480, pen and dark brown ink with black chalk and white heightening on olive-brown prepared paper laid down on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/319 Gaspar de Crayer, The Meeting of Alexander the Great and Diogenes, 1605, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436048 Adriaen Collaert, Design for a Pendant with a Winged Sea-Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5983 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6462 Anonymous Artist, Christ on Tomb with Two Angels, late 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1364 Sir Anthony van Dyck, Study Head of a Young Woman, c. 1618–20, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436259 Sir Anthony van Dyck, A Man Mounting a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436263 Anonymous Artist, Andrea de' Franceschi, late 16th or early 17th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/42 Jan Rombouts the Elder, The Holy Family in a Landscape, c. 1520/1535, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8765 Master FVB, Saint Simon, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3410 Adriaen Collaert, The Good Shepherd, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4623 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6447 Paul Bril, Landschaft bei Tivoli, c. 1595–1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2127 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36968 Pieter van der Borcht (I), Gud åbenbarer sig for Abraham i skikkelse af en engel, og Abraham rejser, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1502 Sir Anthony van Dyck, Sir Peter Paul Rubens (1577–1640), 1600, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436265 Anonymous Artist, Alexandre Brongniart, c. 1910, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1264 Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6454 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune on an Urn Flanked by a River-God with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5982 Studio of Marcus Gheeraerts the Younger, Portrait of Robert Devereux, Second Earl of Essex, 1599, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.24 Anonymous Artist, The Smiling Girl, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/62 Theodor de Bry, Venus, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4357 Sir Anthony van Dyck, Philip, Lord Wharton, 1632, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/57 Anonymous Artist, Pope Innocent X, c. 1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/87 Sir Anthony van Dyck, Portrait of a Man, c. 1618, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436254 Anonymous Artist, The Madonna of the Rosary, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1387 Anonymous Artist, Madonna and Child, c. 1470, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1189 Anonymous Artist, The Betrothal of the Holy Virgin, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1849 Anonymous Artist, The Lacemaker, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/61 Pieter Pannemaker I, The Crucifixion, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1608 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890 Jan Frans van Bloemen, Landscape of the Roman ""Compagna"", c. 1700–1740 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1143 Anonymous Artist, Christ with Saint John the Baptist as Children, probably 1855/1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/122 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36955 Theodor de Bry, Sun, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4356 Master FVB, Saint Judas Thaddaeus, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3411 Pieter Serwouters, Bakkus' triumftog til Theben, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21524 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6455 Pieter Balten, The Dissolute Household, 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4593 Master of the Boccaccio Illustrations, The Resurrection, c. 1470/1475, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8737 Sir Anthony van Dyck, A Genoese Lady with Her Child, c. 1623–25, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131819 Adriaen Collaert, The Parable of the Two Sons and the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4636 Sir Anthony van Dyck, Marchesa Balbi, c. 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/56 Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253 Flanders (Bruges), Allegorical Millefleurs Tapestry with Animals, c. 1530–45, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.4 Flanders, Cuffs, 17th–18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.81a-d Adriaen Collaert, The Angel Telling Joseph to Flee and the Flight into Egypt, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4633 Adriaen Collaert, Design for a Pendant with a Sea-Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5985 Anonymous Artist, Madonna and Child with Saints, 1460, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1396 Frans Pourbus the younger, Portrait of a Noblewoman, 1617 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.377 Flanders, One of the Three Magi on a Millefleurs Ground, early 16th century, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.19.1 Peter Paul Rubens, The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34, Oil on gessoed wood (oak) panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.2 Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6441 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6444 Gerard Edelinck, Nicolas de Blampignon, 1702, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6835 Anonymous Artist, The Madonna of the Rosary, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1388 Victor Magariños, [Untitled], c. 1964, Watercolor and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37451 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Figures, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5980 Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37443 Anonymous Artist, Madonna and Child between Two Candelabra, 1386, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1422 Anonymous Artist, Miss Nelly O'Brien, early to mid nineteenth century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1215 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6459 Antonio Segui, Rower (Canotier), 1970, Pencil and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35975 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, pencil, and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36962 David Teniers, the Younger, The Prodigal Son, c. 1640, Oil on copper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.8 Designer: Flanders, Awaiting the Chase, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.1 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Thetis and a Man with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5979 Flanders (Brussels), Deer Hunt with the Story of Diana and Actaeon, c. 1580–1620, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.208 Sir Anthony van Dyck, Isabella Brant, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/54 Frans Crabbe van Espleghem, Christ as the Man of Sorrows, c. 1522–25, Engraving and etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334663 Anonymous Artist, Saint Jerome in the Wilderness, c. 1475, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/39 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6448 Sir Anthony van Dyck, Filippo Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1232 Anonymous Artist, Saint Jerome in the Wilderness, c. 1490/1500, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/423 Anonymous Artist, Paul II (Pietro Barbo, 1417-1471), Pope 1464 [obverse], 1470, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1300 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6461 Master FVB, The Judgment of Solomon, c. 1480, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3409 Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806 Adriaen Collaert, The Parable of the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1424 Sir Anthony van Dyck, Virgin and Child, c. 1620, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436261 Anonymous Artist, The Adoration of the Shepherds, c. 1625/1675, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/461 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6460 Anonymous Artist, Christ before Pilate, 1606, brush and brown ink on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1841 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6458 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6465 Anonymous Artist, Oval Dish with the Birth of Adonis, c. 1560, enamel painted on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1450 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6463 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36921 Ricardo Martinez, Colored Incomprehension, 1964, Colored ink and crayon on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35713 Jorge Tapia, Last Summer's Blues, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37912 Sir Anthony van Dyck, Study Head of an Old Man with a White Beard, c. 1617–20, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436260 Anonymous Artist, Kneeling Angel, 1470/1480, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/463 Johann Theodor de Bry, The Baggage Train with the Sergeant-Major, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6476 Adriaen Collaert, Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5984 Martin Rykaert, River Landscape with Mining, 1620–1629, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1730 Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6443 Anonymous Artist, The Dismissal of Hagar, c. 1640/1642, pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1837 Aquiles Badi, School Tableau, San Martin's Birthday, 1935, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37675 Giambologna, Fata Morgana, c. 1572, Marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/687583 Sir Anthony van Dyck, Catherine Howard, Lady d'Aubigny, c. 1638, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1234 Anonymous Artist, The Deposition, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1609 Jacob Jordaens, Hirtenanbetung, n.d., Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/143 Adriaen Collaert, The Parable of the Sower, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4635 Theodor de Bry, Saturn, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4353 Adriaen Collaert, The Plucking of Ears of Corn on Sabbath Day, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4607 Adriaen Collaert, The Parable of the Kingdom of Heaven, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4620 Anonymous Artist, Mother and Child, 1606, reed pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1850 Anonymous Flemish 15th Century, Christ in Tomb with Virgin and Saint John, 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1357 Gerard Edelinck, Remi Du Laury, probably 1679, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6836 Sir Anthony van Dyck, A Man Riding a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436264 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917 Adriaen Collaert, Title Plate with Designs for Pendants, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5988 Jorge Demirjian, De la Pata del Caballo (From the Horse's Leg), 1967, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38127 Sir Anthony van Dyck, Maddalena Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1233 Antonio Segui, [Untitled], 1967, Gouache, crayon, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38164 Ernesto Deira, [Untitled], (1963), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33086 Victor Magariños, [Untitled], c. 1964, Colored ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37465 Sir Anthony van Dyck, Portrait Bust of Inigo Jones, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.803 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6449 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6452 Anonymous Artist, Christ Appearing to the Virgin, c. 1475, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/52 Raquel Forner, Moons, 1957, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35671 Peter Paul Rubens, Diana and Her Nymphs Departing for the Hunt, c. 1615, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135661 Pieter van der Borcht (I), Jakob og det spættede kvæg, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1525 Emilio J. Renart, Bio Cosmica C, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35084 Adriaen Collaert, Jesus Calling the Apostles Among the Fishermen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4634 Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583 Roberto Aizenberg, [Untitled], 1967–68, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38093 Gaspar de Crayer, Philip IV (1605–1665) in Parade Armor, c. 1628, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436049 Anonymous Artist, Madonna and Child, 1460s or later, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/123 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6453 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Nereids, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5981 Anonymous Artist, An Old Scholar at His Desk, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1854 Flanders (Brussels), Edging, 18th century, Linen, needlelace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.16 Anonymous Artist, Paul II (Pietro Barbo, 1417-1471), Pope 1464 [reverse], 1470, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1301 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910 Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851 Flanders (Brussels), Lappet of Point d’Angleterre à vrai réseau, 18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.17 Flanders, The Journey and Temptations of the Prodigal Son, c. 1507–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/37.17 Adriaen Collaert, The Parable of the Barren Fig Tree, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4608 Victor Magariños, [Untitled], c. 1964, Colored ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37458 Héctor Basaldua, Expresso Villalonga (El Calle), 1937, Tempera on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37689 Norah Borges de Torre, Children (Niñas españolas), 1933, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38089 Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35717 Peter Paul Rubens, Hélène Fourment, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17126 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949 Anonymous Artist, Madonna and Child with God the Father and Cherubim, 1480/1490, glazed terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/130 Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169 Sir Anthony van Dyck, The Prefect Raffaele Raggi, c. 1625, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1229 Sir Anthony van Dyck, Giovanni Vincenzo Imperiale, 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1228 Pieter Serwouters, Merkur overdrager Bakkus til nymferne fra Nysa-bjerget, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21517 Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726 Anonymous Artist, Hannah Rejecting the Reproaches of the Prophet Eli, 1606, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1845 Peter Paul Rubens, Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe, c. 1616 (c. 1646–1650), Öl auf Eichenholz (originaler Bildträger unten und links erweitert), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1034 Peter Paul Rubens, Zwei Reiterkämpfe, 1627–1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2261 Adriaen Collaert, Titlepage, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4621 Sir Anthony van Dyck, The Virgin as Intercessor, 1628/1629, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1227 Norah Borges de Torre, Holy Week (Semana Santa), 1935, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38088 Sir Anthony van Dyck, Susanna Fourment and Her Daughter, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/55 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6450 Master of the First Prayerbook of Maximillian, Hours of Queen Isabella the Catholic, Queen of Spain, c. 1500, ink, tempera, and gold on vellum, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138885 Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738 Pieter Pannemaker I, The Garden of Gethsemane, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1607 Abraham van Diepenbeeck, Saint Cecilia, 1616, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436198 Johann Theodor de Bry, Country Fair, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6473 Horacio A. Butler, Orpheus. Design for scenery for the play, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33078 Unknown 19th Century, Portrait of a Lady, probably c. 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1131 Sir Anthony van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436257 Humberto Rivas, Desperate Self-Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35091 Sir Anthony van Dyck, Self-Portrait, c. 1620–21, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436258 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6466 Master FVB, Saint Anthony, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3416 Anonymous Artist, Louis II de Bourbon, Prince de Condé, 1877/1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1249 Anonymous Artist, The Adoration of the Shepherds, 1606, pen and brown ink with gray-brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1838 Theodor de Bry, Jupiter, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4354 Anonymous Artist, An Oriental, 1606, pen and brown ink with brush and brown-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1851 Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35696 Antonio Segui, Portrait, 1970, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35967 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6464 Theodor de Bry, Mercury, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4358 Theodor de Bry, Jewelry Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6467 Antonio Segui, [Untitled], (1963–64), Pastel, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38163 Roberto Aizenberg, [Untitled], 1966, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38091 Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37472 Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6442 Anonymous Artist, Saint Bernard with Donor [obverse], probably early 20th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3200 Jorge de la Vega, Documentary, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38123 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896 Theodor de Bry, Mars, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4355 Peter Paul Rubens, Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/464 Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119 Peter Paul Rubens, Susanna, 1577, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334709 Anonymous Artist, Jacob's Dream, 1606, pen and brown ink with gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1846 Peter Paul Rubens, Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151517 Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836 Carlos Silva, Deyber, 1968, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38166 Unknown 18th Century, Benjamin West, c. 1776, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1133 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903 Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1231 Adriaen Collaert, The Virgin and Joseph at the Inn, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1425 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, crayon, pencil, colored pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36935 Frans Crabbe van Espleghem, The Adoration of the Shepherds, 1480, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5993 Jorge de la Vega, Parenthesis, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38125 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6445 Anonymous Artist, Moonlight, early 20th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3204 Anonymous Artist, Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/128 Anton Wierix II, The Crucifixion called the Sword Pommel of Maxmilian, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6658 Flanders (Tournai), Esther and Ahasuerus, c. 1460–85, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.721 Sir Anthony van Dyck, A Genoese Noblewoman and Her Son, c. 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1230 Anonymous Artist, Venus and Cupid in a Landscape, c. 1505/1515, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/283 Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928 Adriaen Collaert, The Parable of the Rich Fool, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4606 Sir Anthony van Dyck, Portrait of a Flemish Lady, probably 1618, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/573 Hendrik van Balen, The Trinity, c. 1620, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159488 Sir Anthony van Dyck, Portrait of a Woman, Called the Marchesa Durazzo, probably c. 1622–25, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436255 Sir Anthony van Dyck, Robert Rich (1587–1658), Second Earl of Warwick, c. 1632–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436256 Jacob Jordaens, Die Heilige Familie, c. 1619–1620, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1937 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6446 Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6456 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6451 Adriaen Collaert, Design for a Pendant with a Sphinx with the Body of a Fish Carrying a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5987 Anonymous Artist, Louise Brongniart, c. 1910, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1265 Theodor de Bry, Moon, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4359 Sir Anthony van Dyck, James Stuart (1612–1655), Duke of Richmond and Lennox, c. 1633–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436252 Adriaen Collaert, Design for a Pendant with a Fish Carrying Tobias and the Angel, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5986 Anonymous Artist, Writing Table with Mechanical Fittings (table à transformation), c. 1760/1770, altered extensively first half 19th century, veneered on oak with tulipwood, kingwood, sycamore, purplewood, boxwood, ebony, and other woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1581 Master FVB, Saint Philip, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3412 Gerard Edelinck, Philippe de Champaigne, 1676, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6837 Anonymous Artist, Madonna and Child before a Niche, mid 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1423 Anonymous Artist, Study of an Old Man, probably late 17th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1202 Anonymous Artist, The Young Saint John the Baptist, c. 1460, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1281