Japan, Small Box in the Shape of a Firefly Cage, 19th century, Lacquer with sprinkled gold and silver designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.50.197a-c

Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038

Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883

Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205

Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776

Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248

Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987

José Luis Cuevas, Madman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35754

José Clemente Orozco, Composition study for Gods of the Modern World, (c. 1932–34), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33762

José Clemente Orozco, Feet (no. 2), (1923), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35173

Camilo Blas (José Alfonso Sánchez Urteaga), Threshing ( La Trilla ), 1928, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37703

Jesús Guerrero Galvan, Study for The Children, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33631

Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766

Francisco Toledo, Letter to Antonio Souza, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33721

Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858

Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242

Miguel Covarrubias, Fanny Brice and Nicholas Arnstein, c. 1925, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34081

José Clemente Orozco, Self-Portrait, 1940, Tempera on board, mounted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37551

Japan, Incense box decorated with butterflies, 19th century, Lacquer with sprinkled gold and silver designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.50.189a%2C%20b

Japan, Ewer with vines and peonies (katakuchi), 17th century, Black lacquer with sprinkled gold, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.34a%2C%20b

Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794

Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185

Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909

Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303

Alexander Bogomazov, Woman, 1914, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33196

Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793

Nopiloa artist, Figure, 500–799, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.16

Moche artist, Vessel, 5th-6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.43

Alexander Bogomazov, Studies for Constructivist Compositions, 1920–22, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38183

Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585

José Luis Cuevas, Madwoman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35767

Alexander Bogomazov, Ukrainian Peasants at the Market (recto); Untitled (verso), c. 1920, Ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36476

Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895

Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004

Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083

Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965

Moche artist, Vessel, c. 200 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.8

Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571

Alexander Bogomazov, Landscape, c. 1917–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36542

José Clemente Orozco, Head of Quetzalcoatl (Study for the Dartmouth College Mural, "An Epic of American Civilization"), (c. 1932–34), Crayon on transparentized paper over colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33751

Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805

Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969

Alexander Bogomazov, Three Figures of Woodcutters, c. 1927–28, Watercolor and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36471

Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982

Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555

Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657

Benjamín Molina, Madman, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37931

Japan, Plate with design of Chinese lion, 19th century, Porcelain with overglaze enamel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/49.26.1

Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624

Gabriel Orozco, XRTC 4, 1996, Rubbed graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34737

Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821

Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872

Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381

Nopiloa artist, Figure, c. 600–750 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.9

Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944

Japan, Incense box with flower and insects design, 19th century, Lacquer with sprinkled gold designs and mother-of-pearl inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.50.224a%2C%20b

Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293

Nopiloa artist, Head, 1st–5th century, Ceramic, chapopote, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.3.13

Gabriel Orozco, [Untitled], 1992, Pinched and rubbed notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35510

Miguel Covarrubias, H.L. Mencken, 1924, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34069

Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515

Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966

Moche artist, Vessel, 5th-6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.64

Lambayeque artist, Vessel in the form of vegetables, 6th-15th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.26

Xavier Guerrero, Two Mothers, 1945, Black crayon on orange red paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34575

Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689

Tebo (Ángel Torres Jaramillo), Portrait of My Mother, 1937, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38087

Nasca artist, Vessel, 1st century BCE - 6th century CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.3

Miguel Conde, [Untitled], 1971, Ink and ink transfer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34628

Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794

Tomotada, Wolf with deer leg, mid 19th century, Ivory, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.43

José Clemente Orozco, Legs, 1938, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37981

José Clemente Orozco, Crouching Model, (1947), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34685

Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932

Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659

Gabriel Orozco, Korean Air, 1997, Ink and colored pencil on cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34755

Guillermo Meza, Polyphemus, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34717

José Clemente Orozco, Clenched Fist, (1948), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34698

Inca artist, Vessel, 15th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.20

Diego Rivera, Woman with Two Children, (c. 1925), Red and black chalk on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35252

Diego Rivera, Nude with Braided Hair (Luz Jiménez), 1925, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35532

Nayarit artist, Figure, c. 100–200, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.30

Japan, Long-handled Censer, 18th-19th century, Silver with traces of gilding, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.92

Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368

Nayarit artist, House Group, c. 100–400, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.37

Kōshun, Buddha of Infinite Life and Light (Amida Nyorai), 1269, Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136319

Rafael Hastings, WHO? VII, (1968), Gouache, pencil, and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38696

Nasca artist, Cup, 3rd century BCE–6th century CE, Polychromed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.2

Benjamín Molina, Madman, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37943

Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446

Diego Rivera, Dead Horse, 1906, Charcoal and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38699

Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142

Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844

José Clemente Orozco, Male Torso, (1923), Crayon on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35180

Gabriel Orozco, Maria, Maria, Maria, 1992, Phone book page with erasures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35502

Francisco Toledo, Letter to an Unnamed Person, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33733

Martinez Pintao (Manuel Martinez Pintao), The Reaper, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37857

Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223

Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024

Diego Rivera, Man at the Crossroads, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34635

Japan, Small Box with Landscapes, 19th century, Lacquer with sprinkled gold design, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.28a-c

Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490

Moche artist, Vessel, 6th-8th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.73

Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511

Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236

Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260

Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670

Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942

José Luis Cuevas, A Certificate of Authenticity, 1973, Cut-and-pasted paper, watercolor, and ink on wood, on linen-covered mount, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33106

Nopiloa artist, Hacha, c. 600–900 CE, Basalt, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.6

Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270

Diego Rivera, Two Figures, (c. 1925), Chalk, wash, and pencil on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35246

Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261

Nasca artist, Bowl with Swimmer Motifs, 100 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.61.13

Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495

Jesús Guerrero Galvan, Girl Seated, 1939, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37809

Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574

Colima artist, Vessel in the form of a dog, 3rd century BCE–4th century CE, Ceramic, pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.21

Diego Rivera, Study for the mural Day of the Dead: The Offering at the Secretariat of Public Education, Mexico City (Estudio para el mural Día de Muertos: La Ofrenda en la Secretaría de Educación Pública, Ciudad de México), 1925, Colored chalk and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35547

Nasca artist, Vessel, 6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.5

Diego Rivera, Mother and Child, 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35231

Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415

Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516

Francisco Toledo, [Untitled], (n.d.), Watercolor, metallic paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38700

Japan, Ritual Chime, second half 14th century, Gilt bronze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.79

Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492

Chimú artist, Vessel, 11th-15th century, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.31

Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506

Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568

Nopiloa artist, Yoke, c. 600–900, Stone, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.72

Nasca artist, Vessel, 100 BCE– 600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.29

Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352

Japan, Miniature shrine (zushi), 19th century, Wood with pigments and gold, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.234a%2C%20b

Juan Soriano, Child with Bird, 1941, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38086

Japan, (Cosmetic box), 18th century, Black and gold lacquer, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.21.1a-c

Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947

Diego Rivera, Angeline Beloff, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33433

Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037

Japan, Incense box in the shape of a treasure ship, 19th century, Lacquer with sprinkled gold designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.29a%2C%20b

Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001

Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436

Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180

Diego Rivera, Building the Palace Of Cortez, 1930, Pencil on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35540

Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915

Nopiloa artist, Head, 600–800, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.40

Nasca artist, Vessel in the form of a man, 3rd century BCE–6th century CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.61.6

Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845

Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244

Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495

México (Jalisco), Warrior Figure, 100 BCE–500 CE, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.24

Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262

Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628

Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499

Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888

Kano Naonobu, Landscape with Full Moon, Edo period, 17th century, Hanging scroll; ink on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4927

Alexis Gritchenko, Saltimbanques Turcs, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35449

Alexander Bogomazov, .a) Man and Woman Carrying Large Baskets  .b) Untitled, c. 1927–28, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36466

Nasca artist, Vessel in the Form of a Fish, c. 100 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.59

Nayarit artist, Figure, 200 BCE–400 CE, Ceramic, pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.34