William Blake, The Circle of the Traitors; Dante's Foot Striking Bocca degli Abbate, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8460

Richard Long, A Line Made by Walking, 1967, Photograph, gelatin silver print on paper with graphite on board, Tate, London. https://dartabase.art/cite/tate/AR00142

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686

Nigel Hall, Drawing #229, 1981, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38219

David Hockney, Eine (Part I), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20134

Richard Long, In the Cloud, 1991, Screenprint on board, Tate, London. https://dartabase.art/cite/tate/AR00143

Eduardo Paolozzi, Tortured Life, 1964, Cut-and-pasted printed paper with cut-and-pasted gelatin silver prints and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33290

Joseph Mallord William Turner, Venice: The Dogana and San Giorgio Maggiore, 1834, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1224

Joseph Mallord William Turner, Mortlake Terrace, 1827, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/116

F. L. Griggs, Landscape with Castle, 1921, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7431

William Holman Hunt, Mary Walker Waugh, 1868, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151969

Robert Charles Dudley, Landing at Newfoundland, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436227

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737

Francis Seymour Haden, Isleworth, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7661

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8318

Eduardo Paolozzi, Wittgenstein as Soldier, 1964, Cut-and-pasted gelatin silver prints on transparentized paper over cut-and-pasted printed paper and gelatin silver prints on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38802

David Hockney, 4. The Drinking Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07035

Joseph Mallord William Turner, Approach to Venice, 1844, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/117

Lucian Freud, Two Plants, 1977–80, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03105

Eduardo Paolozzi, The Offspring of Eos, (c. 1961), Cut-and-pasted printed paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34724

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/798

Lucian Freud, Standing by the Rags, 1988–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T05722

David Hockney, My Bonnie Lies Over the Ocean, 1961–2, Etching, aquatint and stamp on paper, Tate, London. https://dartabase.art/cite/tate/P07353

David Hockney, Très (End of Triple), 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20133

Max Beerbohm, Ford Madox Brown being Patronized by Holman Hunt, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01043

David Hockney, Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34018

William Blake, The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, 1827, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8319

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Gouache and ink on transparentized paper over synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33923

Lucian Freud, Head of a Man, 1986, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33435

William Roberts, The Wedding, (c. 1920), Watercolor, ink, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37768

Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183

Gilbert & George, Faith Drop, 1991, 15 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00176

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748

Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695

F. L. Griggs, St. Anne's Church from Southover, 1903, pen and black ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7433

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687

David Hockney, 1. The Arrival, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07029

David Hockney, Tyler Dining Room, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20122

Max Beerbohm, The Man from Hymettus. Mr Frederick Leighton, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01057

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7655

Bridget Riley, Study for Painting, (12011-DG), 1965, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38326

Francis Seymour Haden, Self-Portrait at the Easel, 1880, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7391

Elisabeth Frink, Study for Judas, 1963, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37261

David Hockney, Kaisarion and All his Beauty, 1961, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11376

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7651

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704

Joseph Mallord William Turner, The Burning of the Houses of Lords and Commons, 16 October 1834, 1835, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122351

David Hockney, Queen, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11495

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01063

F. L. Griggs, Garden House, 1909, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7427

David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T01515

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01062

John Northcote Nash, The Storm, (1914), Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34672

David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751

Rachel Whiteread, Drawing for Water Tower, III, 1997, Graphite, varnish, gouache and ink on graph paper with cut-and-pasted color photo copy, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38722

Francis Seymour Haden, Breaking Up of the Agamemnon (The Second Plate), 1886, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7652

David Hockney, White Lines Dancing in Printing Ink, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20130

Richard Hamilton, Study for The Solomon R. Guggenheim, 1965, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33192

Joe Tilson, Ziggurat, 1966, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33350

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7648

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673

Max Beerbohm, The Small Hours in the ‘Sixties at 16 Cheyne Walk, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01048

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747

Gilbert & George, Hunger, 1982, 16 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00173

F. L. Griggs, North Marston Church, 1909, pen and black ink with brown wash on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7429

Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681

Francis Seymour Haden, Opposite the Inn, Purfleet, in or after 1869, etching with drypoint (zinc) in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7664

Alexander Bogomazov, Woman, 1914, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33196

John Constable, Branch Hill Pond, Hampstead, 1828, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147017

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746

Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691

Lucian Freud, Leigh Bowery, 1991, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T06834

Frederick G. Smith, Earth, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.2

David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565

John Linnell, Noah:  The Eve of the Deluge, 1848, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/146416

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756

Richard Long, Nile (Papers of River Muds), 1990, Book, Tate, London. https://dartabase.art/cite/tate/AR00599

Graham Sutherland, Thorn Head, 1945, Gouache, chalk, and ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34449

Leon Kossoff, Pilar No. 1, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35229

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749

Anish Kapoor, [Untitled], (1990), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37293

Alexander Bogomazov, Studies for Constructivist Compositions, 1920–22, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38183

Max Beerbohm, Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01050

David Hockney, Lillies, 1970–1, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06290

David Hockney, Amaryllis in Vase, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20105

David Hockney, Mise-en-scène for the opera The Rake's Progress, 1975, Ink, felt-tip pen, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35969

Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690

Max Beerbohm, Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01056

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757

Samuel Palmer, The Sleeping Shepherd; Early Morning, 1857, etching, hand-colored with watercolor and opaque white with gold highlights, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9505

Samuel Palmer, The Morning of Life, 1860/1861, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9506

Alexander Bogomazov, Ukrainian Peasants at the Market (recto); Untitled (verso), c. 1920, Ink on paper (recto); Ink on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36476

Reg Butler, Head and Shoulders, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34026

David Hockney, The Perspective Lesson, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20104

Lucian Freud, Girl with a Fig Leaf, 1947, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P77265

David Hockney, Tea Painting in an Illusionistic Style, 1961, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07075

David Hockney, Portrait of Peter, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38597

Lynn Chadwick, Studies for Balanced Sculpture, (1952), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33065

Max Beerbohm, British Stock and Alien Inspiration, 1849, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01039

Walter Richard Sickert, Cafe Interior, November 15, 1893, Graphite on beige modern laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5493

Vanessa Bell, Composition, c. 1914, Gouache, watercolor, and colored paper on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33091

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723

Aubrey Beardsley, Caricature of J.M. Whistler, 1872, pen and black ink on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4598

Richard Deacon, [Untitled], 1990, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37150

Gilbert & George, CRUSADE, 1980, 16 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00172

David Hockney, House Doodle, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20108

Edward Burra, Bal des Pendus, 1937, Watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35434

Bridget Riley, Study, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38162

Alexander Bogomazov, Landscape, c. 1917–19, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36542

Henry Moore, Sculpture and Red Rocks, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33081

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693

Ken Kiff, Sequence 68: Visiting Hell in a Boat, (1973), Synthetic polymer paint and Kraft paper tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36919

David Hockney, Billy Wilder, 1976, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P07239

Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678

Robert Charles Dudley, Landing the Shore End of the Atlantic Cable, 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436223

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702

Alexander Bogomazov, Three Figures of Woodcutters, c. 1927–28, Watercolor and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36471

Daniel Greatbatch, Bottle, c. 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/644

David Hockney, Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford, 1972, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T11897

Wyndham Lewis, Roman Actors, (1934), Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33170

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740

Max Beerbohm, Blue China, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01047

Bridget Riley, Scale Study for Cataract Series, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38161

David Hockney, Portrait of Mother I, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20124

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752

David Hockney, Portrait of Mother II, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20123

David Hockney, Study for Dollboy, 1960, Chalk on paper, Tate, London. https://dartabase.art/cite/tate/T11898

David Hockney, Woman with a Sewing Machine, 1954, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P13001

Wyndham Lewis, Cover design for The Enemy No. 1, (1926), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38828

David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726

Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669

Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263

Hamish Fulton, Mountain Skyline Fourteen Days Walking Fourteen Nights Camping Wind River Range Wyoming 1989, 1989, Pencil and soil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37307

David Hockney, Zanzibar with Postcards, Sea, Tiresias and Husbands. Mise-en-scène for the opera Les Mamelles de Tirésias, 1979, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35120

Rachel Whiteread, Drawing for Water Tower, VII, (1997), Varnish and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38726

Francis Seymour Haden, Sunset on the Thames, in or after 1865, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7666

David Hockney, Red Celia, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20109

Peter De Francia, The Disparates, 1970, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38279

Gilbert & George, George the Cunt and Gilbert the Shit, 1969, 2 photographs, colour, on paper on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00170

Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1074

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768

David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564

Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178

Gary Hume, [Untitled], 1991, Oil and pencil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36624

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675

F. L. Griggs, St. Mary's College, St. David's, 1902, pen and black ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7420

Gilbert & George, Light Headed, 1991, 15 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00504

David Hockney, 2. Meeting the Good People (Washington), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07031

Cecil Stephenson, Composition I: Gray, Blue and Brown, 1939, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38352

Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174

Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/854

Lucian Freud, The Painter’s Mother, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07783

Lucian Freud, Bella in her Pluto T-Shirt, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20165

David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20137

Max Beerbohm, A Momentary Vision that Once Befell Young Millais, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01044

Rachel Whiteread, Drawing for Water Tower, IV, (1997), Color photographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38723

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7654

David Octavius Hill, Bildnis des Porträtmalers Robert Frain, c. 1845, Kalotypie auf Velinpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102519

David Hockney, Portrait of Mother III, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20119

Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33636

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705

F. L. Griggs, Cloitre St. Pierre, Avignon, 1922, red and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7430

Spencer Frederick Gore, Study for the painting Inez and Taki, (1910), Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33830

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714

David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575

Lucian Freud, The Painter’s Mother IV, 1973, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12619

Nicola Tyson, Untitled #7, 1997, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35105

David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074

Hugh O'Donnell, Body Echo 26, 1990, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37326

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Crayon, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33892

David Hockney, 5a. Viewing a Prison Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07038

F. L. Griggs, Topiary Archway, 1910, charcoal and graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7432

David Hockney, A Picture of Two Chairs, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20125

Wyndham Lewis, A Hand of Bananas, (c. 1938), Gouache, watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36768

Frederick Sandys, Susanna Anderson Rose, 1862, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149769

Samuel Prout, Sion, c. 1830, graphite with white heightening on gray paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/869

David Hockney, Cecil Hotel, 1963, Crayon, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36785

Rachel Whiteread, Drawing for Water Tower, II, (1997), Correction fluid, varnish, pencil, and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38721

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730

David Hockney, Table Flowable, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20135

David Hockney, Views of Hotel Well I, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20118

Frederick G. Smith, Air, from the series The Four Elements, c.1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.1

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729

Frank Auerbach, Head of Catherine Lampert VI, 1979–80, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36886

David Hockney, The Wave, A Lithograph, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20132

David Hockney, My Parents, 1977, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03255

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699

David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289

Richard Hamilton, Four Self Portraits - 05.3.81, 1990, Oil paint and enamel on cibachrome print on 4 canvases, Tate, London. https://dartabase.art/cite/tate/AR00141

David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563

Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672

Francis Seymour Haden, Encombe Woods (No.1), 1881, etching, retouched with pencil (crayon?), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7657

David Hockney, Hotel Acatlan: Two Weeks Later, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20121

Walter Richard Sickert, Pimlico, 1909, Charcoal, watercolor, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34956

David Hockney, Caribbean Tea Time, 1987, Lithograph, screenprint, printed paper and stencil on paper on 4 panels, Tate, London. https://dartabase.art/cite/tate/P20129

David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Oil, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33914

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684

Gilbert & George, To Be With Art Is All We Ask..., 1970, Triptych: Charcoal and wash on partially charred folding sheets of paper in cardboard box, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36585

Christopher Richard Wynne Nevinson, Study for The Departure of the Train de Luxe, (c. 1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36986

David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379

Roger Fenton, London: The British Museum, 1857, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102504

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722

Frederick G. Smith, Water, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.4

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719

Lucian Freud, Francis Bacon, 1952, Oil paint on metal, Tate, London. https://dartabase.art/cite/tate/N06040

David Hockney, Bob, London, 1964, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07295

Max Beerbohm, Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01054

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761

David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20138

F. L. Griggs, Apse of St.-Didier, Avignon, 1922, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7428

Frederic Leighton, David:  "Oh, that I had wings like a Dove!  For then would I fly away, and be at rest." Psalm 55:6, 1865, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/153389

David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20136

David Hockney, Mexican Hotel, Acatlan, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20107

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711

Colin Self, Sofa, 1964, Colored pencil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36820

David Hockney, For John Constable, 1976, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P03184

Rachel Whiteread, Drawing for Water Tower, VIII, (1997), Varnish and pencil on black and white photograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38727

David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Coloured pencil on paper, Tate, London. https://dartabase.art/cite/tate/T01517

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734

Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1073

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753

David Hockney, Pembroke Studio Interior, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20106

Francis Seymour Haden, A River in Ireland, 1864, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6065

David Hockney, Myself and my Heroes, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07352

Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668

David Hockney, An Image of Ken, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20120

Francis Seymour Haden, An Early Riser, 1897, mezzotint (with etching?) in green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7669

Ben Nicholson, Abstract Composition, 1936, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38296

Francis Seymour Haden, Mount's Bay, in or after 1868, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7659

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7649

F. L. Griggs, Sunset and Moonrise at Cilian-Aeron, 1902, pen and black ink with black chalk, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7436

Walter Richard Sickert, Jack Ashore, (c. 1910), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34963

Gilbert & George, Thirst, 1982, 16 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00174

Max Beerbohm, Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01052

Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177

Henry Moore, Ideas for Two-Figure Sculpture, 1942, dated 1944, Crayon, ink, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35057

David Hockney, Views of Hotel Well III, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20115

Daniel Greatbatch, Bottle, c. 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/645

Allen Jones, Study for Bus Series, (1966), Chalk, crayon, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33208

Lucian Freud, Girl with a Kitten, 1947, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12617

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735

Lucian Freud, Woman with an Arm Tattoo, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11508

Max Beerbohm, Spring Cottage, Hampstead, 1860, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01045

David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288

Wyndham Lewis, [Untitled], 1912, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34245

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728

David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269

Max Beerbohm, Rossetti’s Courtship, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01040

David Hockney, Ready Cleaners, 1966, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34032

David Hockney, Mirror, Mirror on the Wall, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11377

Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157

Max Beerbohm, The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01060

David Hockney, An Image of Celia, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20116

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677

Francis Seymour Haden, The Towing Path, 1864, etching and drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1078

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759

David Hockney, 8. Meeting the Other People, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07043

Robert Charles Dudley, Awaiting the Reply, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436224

Walter Richard Sickert, Le Marché aux Bestiaux, Dieppe, c. 1886, Oil on panel, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5211

Rachel Whiteread, Study for Wax Floor, 1992, Oil crayon, correction fluid, felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35122

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706

Eduardo Paolozzi, Week by Week, c. 1944, Cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36459

Francis Seymour Haden, A Lancashire River, 1881, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7653

Francis Frith, Der Kiosk des Trajan auf der Nilinsel Philae, 1857, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102508

Henry Moore, Studies for Sculpture, 1934, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33657

Anish Kapoor, [Untitled], 1988, Oil and emulsion on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37297

David Hockney, 3a. The Seven Stone Weakling, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07034

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682

John Byam Shaw, The Tempest, c. 1900, Watercolor, gouache, and chalk on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36085

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764

Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727

Francis Seymour Haden, Combe Bottom, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1069

Roger Fry, Vanessa Bell Painting, c. 1914, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33734

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763

Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180

Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689

Max Beerbohm, Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01051

Eduardo Paolozzi, Futurism at Lenabo, 1964, Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38801

Joseph Paul, Landscape with Picnickers and Donkeys by a Gate, c. 1830–1880, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1151

Francis Seymour Haden, On the Test, in or after 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1079

Eduardo Paolozzi, Study for Sculpture, 1950, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35107

Francis Seymour Haden, Shere Mill Pond (The Larger Plate), in or after 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1075

David Hockney, Pembroke Studio with Blue Chairs and Lamp, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20111

Wyndham Lewis, Self-Portrait, (1920), Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36508

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708

David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315

David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566

David Hockney, 7. Disintegration, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07041

Joseph Mallord William Turner, The Death of Actaeon, with a Distant View of Montjovet, Val d’Aosta, c.1837, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/A00909

Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692

Eduardo Paolozzi, Wittgenstein in N.Y., 1964, Cut-and-pasted printed paper and cut-and-pasted gelatin silver prints on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38800

Max Beerbohm, Mr Morley ... introduces Mr John Stuart Mill, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01053

Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176

Rachel Whiteread, Drawing for Water Tower, V, (1997), Tape, ink, varnish and correction fluid on color photographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38724

Henry Moore, Seated and Reclining Figures, 1942, Watercolor, pencil, crayon, chalk, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34061

Lucian Freud, Narcissus, 1948, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T11793

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717

Rachel Whiteread, Drawing for Water Tower, VI, 1997, Varnish, ink, and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38725

Richard Long, River Avon Mud drawings, Ten Mud-dipped papers, 1988, 10 works on paper, mud, Tate, London. https://dartabase.art/cite/tate/AR00616

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769

David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571

Aubrey Beardsley, Tannhäuser, 1872, pen and black ink with gray wash heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4600

John Walker, Form as Hook, 1985–87, Synthetic polymer paint, chalk ,and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36453

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683

David Hockney, Drawing for Ubu Roi, Cave Scene, 1966, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38299

George Edward Eyre, Bible, 1847, Paper with composition covers, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/512

Lucian Freud, Naked Portrait, 1972–3, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01972

Richard Long, Cornish Slate Ellipse, 2009, Slate, Tate, London. https://dartabase.art/cite/tate/AR00703

Richard Long, Walking a Straight 10-Mile Line, Dartmoor, England, 1970, Typewriting on cut-and-pasted paper, cut-and-pasted printed map, and gelatin silver print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36644

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731

Robert Charles Dudley, Making the Splice between the Shore End and the Ocean Cable, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436228

Francis Seymour Haden, Breaking Up of the Agamemnon, 1870, etching (copper) in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7650

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676

David Hockney, 7a. Cast Aside, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07042

David Bomberg, Study for In the Hold, (1913), Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36905

David Hockney, Twelve Fifteen, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20139

William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750

David Hockney, 6. Death in Harlem, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07039

David Hockney, Patrick Procktor in New York, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38777

Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182

Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694

Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177

David Hockney, The Third Love Painting, 1960, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/T06468

Jacob Epstein, Study for The Rock Drill, (c. 1913), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37133

David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497

Lucian Freud, Boy Smoking, 1950–1, Oil paint on copper, Tate, London. https://dartabase.art/cite/tate/T12618

David Hockney, Walking Past Two Chairs, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20117

Francis Seymour Haden, Amalfi, in or before 1858, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7647

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765

Lucian Freud, Man Posing, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77182

Frederick G. Smith, Fire, from the series The Four Elements, c. 1888–89, Pen and ink, brush and wash over graphite, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/10.3

David Hockney, Two Pembroke Studio Chairs, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20103

Philip John Martin, Painting, Positano, 1953, Enamel on paper on canvas over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35567

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766

David Hockney, 4a. Marries an Old Maid, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07036

David Hockney, Père Ubu: Polish Army, 1966, Crayon, pencil and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38818

David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572

Francis Seymour Haden, An Early Riser, 1897, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1071

David Hockney, Celia, 1973, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11498

Lucian Freud, Woman Sleeping, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11507

Max Beerbohm, D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., 1916–7, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01038

David Hockney, Number One Chair, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20126

Ben Nicholson, [Untitled], 1962, Pencil and oil paint [?] on paper on painted masonite, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35177

David Hockney, Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash, 1978–80, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12116

Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866

Francis Seymour Haden, Yacht Tavern, Erith, 1865, etching (zinc), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7663

Eduardo Paolozzi, Composition, 1951, Collage of cut and pasted serigraphs, printed in dye, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35116

Allen Jones, The Empress's New Clothes. Costume design for the theatrical revue Oh! Calcutta!, May 1970, Colored pencil, ballpoint pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35982

David Hockney, 5. The Election Campaign (with Dark Message), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07037

Francis Seymour Haden, Harlech (No.2), 1880, mezzotint with etching and drypoint (copper) in brown-black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7658

Allen Jones, Studies for Lithographs, (1966), Ballpoint pen, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37964

William Scott, Still Life with Strainer, 1956, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36533

David Hockney, 1a. Receiving the Inheritance, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07030

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745

Richard Hamilton, The Solomon R. Guggenheim -- Architect's visual, 1965, Crayon, pastel, synthetic polymer paint, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38748

Peter Doig, Echo Lake, 1999, Oil and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36574

Max Beerbohm, Quis Custodiet Ipsum Custodem, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01058

Lucian Freud, Head and Shoulders of a Girl, 1990, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77472

David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573

David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716

David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T01516

Max Beerbohm, Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01042

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697

Lucian Freud, David Dawson, 1998, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11520

Francis Seymour Haden, Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7660

Lucian Freud, Head of a Woman, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07782

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1077

Daniel Greatbatch, Bottle, 1849–58, Mottled brown earthenware, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/646

Francis Seymour Haden, A By-Road in Tipperary, 1860, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7668

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718

Francis Seymour Haden, Early Morning - Richmond, 1859, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7665

Lucian Freud, Blond Girl, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77186

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744

Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671

Aubrey Beardsley, Withered Spring, 1872, pen and black ink heightened with white over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4599

Max Beerbohm, Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01055

Lucian Freud, Head of a Woman, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11510

Colin Self, Woman in a Fur Coat and Tulip, 1964, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38821

Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173

Francis Seymour Haden, Mytton Hall, 1859, drypoint in brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7667

Francis Seymour Haden, Griff, probably c. 1864, graphite on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6524

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701

Henry Moore, Girl Reading, 1947, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34646

Vanessa Bell, Decanter with Fruit, 1918, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33107

Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179

Henry Moore, Seated Figures, II, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33648

Colin Self, Drive, He Said, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34231

George Louis du Maurier, "Nincompoopiana", 1880, Wood engraving, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4727

Francis Seymour Haden, Kensington Gardens (The Larger Plate), 1860, etching with drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1072

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760

Max Beerbohm, Woolner at Farringford, 1857, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01046

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741

Walter Richard Sickert, R. W. Hanbury, 1890, Ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33683

Eduardo Paolozzi, He Must, So To Speak, Throw Away The Ladder, 1965, Collage of cut-and-pasted papers, and pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38798

David Hockney, An Image of Gregory, 1984–5, 2 lithographs on paper, Tate, London. https://dartabase.art/cite/tate/P20114

Max Beerbohm, John Singer Sargent, 1909, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35675

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713

F. L. Griggs, St. Ippolyts, No. 2, 1903, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7422

Lucian Freud, Girl with Leaves, 1948, Pastel on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35462

Lucian Freud, Man with a Thistle (Self-Portrait), 1946, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00422

Lucian Freud, Girl with a White Dog, 1950–1, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/N06039

Eduardo Paolozzi, Title Page, 1965, Collage of cut-and-pasted papers, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38803

David Hockney, Czar, 1966, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33360

Joseph Mallord William Turner, Flüelen, from the Lake of Lucerne, 1845, watercolor with gouache and scratch-away, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131338

David Hockney, White Porcelain, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20127

Lucian Freud, Large Head, 1993, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20141

Francis Frith, Der Tempel von Kom Ombo in Oberägypten, 1857, Albuminpapier auf Karton, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102507

Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33644

Gilbert & George, Existers, 1984, 28 photographs, gelatin silver print on paper with dye and silver leaf on board, Tate, London. https://dartabase.art/cite/tate/AR00505

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674

Rachel Whiteread, Drawing for Water Tower, I, 1997, Graphite with cut-and-pasted color photocopy, varnish and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38720

David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570

John Golding, Drawing 80/10, 1980, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35111

Eduardo Paolozzi, Wittgenstein at the Cinema Admires Betty Hutton, 1965, Collage of cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38799

Wyndham Lewis, Standing Figure, 1912, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35225

David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296

David Hockney, Four Flowers in Still Life, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20131

David Hockney, 40 Snaps of my House, August 1990, 1990, Digital print on paper, Tate, London. https://dartabase.art/cite/tate/P20140

David Hockney, An Image of Celia Study, 1986, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20128

Nicola Tyson, Untitled #13, 1997, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35113

David Hockney, 2a. The Gospel Singing (Good People) (Madison Square Garden), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07032

Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181

David Hockney, 6a. The Wallet Begins to Empty, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07040

Francis Seymour Haden, Challow Farm, in or after 1877, drypoint (copper), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1070

F. L. Griggs, The George Inn, Beaconsfield, 1908, pen and black ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7418

Gilbert & George, Fallen Leaves, 1980, 16 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00171

Raymond Mason, Studies For Sculpture, 1963, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38782

David Hockney, Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007, Oil paint on 50 canvases and 100 digital prints on paper, Tate, London. https://dartabase.art/cite/tate/T12887

Richard Long, [Untitled], 1992, Mississippi mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37189

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698

Lucian Freud, Kai, 1992, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20100

Bill Jacklin, Benedictine, 1970, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37444

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743

Richard Long, River Avon Book, 1979, Book with mud on paper, Tate, London. https://dartabase.art/cite/tate/AR00144

Francis Seymour Haden, The Test at Longparish, 1882, etching with drypoint in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7656

David Hockney, 3. The Start of the Spending Spree and the Door Opening for a Blonde, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07033

Stanley Spencer, In the Nursery, (1936), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38814

Robert Charles Dudley, Homeward Bound: "The Great Eastern", c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436226

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739

Francis Seymour Haden, Thames Fishermen, 1859, drypoint with etching in dark brown on chine colle, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7646

David Hockney, Mo with Five Leaves, 1971, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P07238

Francis Seymour Haden, Self-Portrait at the Easel, 1880/1886, etching with drypoint on laid paper [cancellation proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7645

Joseph Mallord William Turner, Keelmen Heaving in Coals by Moonlight, 1835, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1225

Francis Seymour Haden, Kensington Gardens (The Small Plate), 1859, etching in dark brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1076

David Hockney, Celia with Green Hat, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20110

Alfred Wallis, St. Ives Harbor, (c. 1932–33), Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38737

David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685

Alexis Gritchenko, Saltimbanques Turcs, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35449

Jacob Epstein, Study for The Rock Drill, (c. 1913), Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33682

Chris Ofili, Prince Amongst Thieves with Flowers, 1999, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36642

Alexander Bogomazov, .a) Man and Woman Carrying Large Baskets  .b) Untitled, c. 1927–28, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36466

Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688

Gilbert & George, Family Tree, 1991, 18 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00175

Peter De Francia, Illustration for Aimé Césaire's Diary of a Return to the Native Country, 1978, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38277

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742

Lucian Freud, Girl in a Striped Nightshirt, 1983–5, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T13719

F. L. Griggs, Stevenage, 1902, etching in black, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7423

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01061

Max Beerbohm, Topsy and Ned Jones Settled on the Settle in Red Lion Square, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01049

David Hockney, Hotel Acatlan: Second Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20113

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712

Lawrence Atkinson, Abstract Composition, c. 1914, Pencil and pastel on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32994

David Hockney, 8a. Bedlam, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07044

Jacob Epstein, Birth, 1913, Red crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37200

Robert Charles Dudley, Grappling for the Lost Cable, c. 1866, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436225

Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33653

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738

Max Beerbohm, The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01041