Pablo Picasso, Head of a Man, Céret spring 1913, Cut-and-pasted newspaper, colored paper, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37687 Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Wenceslaus Hollar, Ciuis vel Artificis Londinensis Vxor, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7966 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Wenceslaus Hollar, Mulier Bernensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7930 Pablo Picasso, Taureau, 1938, Ink on transparent graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33717 Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7990 Wenceslaus Hollar, Garden of Eden, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7798 Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448 Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883 Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205 Wenceslaus Hollar, Albrecht Durer, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7780 Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776 Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7837 Wenceslaus Hollar, Jesus Confronting His Detractors, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7782 Francisco de Zurbarán, Christ and the Virgin in the House at Nazareth, c. 1640, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136217 Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248 Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987 Bartolomé Esteban Murillo, Two Women at a Window, c. 1655/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1185 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Wenceslaus Hollar, Matrona Bernensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7929 Wenceslaus Hollar, Mulier Wiennensis Austri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7890 Wenceslaus Hollar, Count, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7808 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7856 Wenceslaus Hollar, Mulier ex Virginia, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7976 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7835 Wenceslaus Hollar, Mulier Generosa Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7939 Wenceslaus Hollar, Ornamentation for a Dagger and Scabbard, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6255 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Wenceslaus Hollar, Execution of Thomas Wentworth, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7996 Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766 Wenceslaus Hollar, Four Caterpillars and a Snail, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7864 Wenceslaus Hollar, Matrona Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7934 Enrique Brinkmann, Procession, 1962, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33713 Salvador Dalí, Frontispiece for Second Surrealist Manifesto, 1930, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37430 Julio González, Study for Woman Combing Her Hair, 1936, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38769 Wenceslaus Hollar, Mercatoris Francofurtensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7918 Wenceslaus Hollar, Waggoner, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7822 Wenceslaus Hollar, Matrona Argentinensis Caenam Dni Accedens e des Nymphs), 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7922 Julio González, Self-Portrait, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33850 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Pablo Picasso, Maquette for the cover of the journal Minotaure, 1933, Assemblage of corrugated cardboard, metal foil, ribbons, printed paper, paper doily, artificial plant, tacks, and pencil on paper on wood with charcoal additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34095 Wenceslaus Hollar, Nobilis Mulier Brabantica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7905 Juan Muñoz, Untitled (3 Balconies with Time), 1984, Oilstick on plastic sheet over a paper envelope on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38713 Wenceslaus Hollar, Mulier Wiennensis in Domo, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7891 Diego Velázquez, Bildnis des Kardinals Gaspar de Borja y Velasco, 1643–1645, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1036 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242 Wenceslaus Hollar, Nuremberg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7832 Pablo Picasso, Four Dancers, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34480 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Pablo Picasso, Two Dancers, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35077 Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7946 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 Wenceslaus Hollar, Mulier Generosa Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7911 Francisco José de Goya y Lucientes, Maja and an officer; folio 22 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334724 Wenceslaus Hollar, Ornate Goblet, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7983 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463 Pablo Picasso, Two Figures on a Beach, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37725 Wenceslaus Hollar, Mulier Nobilis Hispanica (Spanish Noblewoman), 1649, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7949 Wenceslaus Hollar, Virgo Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7933 Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111 Wenceslaus Hollar, Frankfort, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7841 Wenceslaus Hollar, Nobilis Mulier Aulica Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7953 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Wenceslaus Hollar, Mulier Generosa Italica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7947 Wenceslaus Hollar, Ciuis Londinensis Melioris Qualitatis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7963 Wenceslaus Hollar, Mulier ex Ducatu Wirttembergensi, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7900 Wenceslaus Hollar, Matrona Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7921 Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7846 Wenceslaus Hollar, Merchant, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7819 Wenceslaus Hollar, Civis Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7965 Luis Quintanilla, University City, Cancer Research Institute, Madrid, (1937), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37684 Wenceslaus Hollar, Nobilis Mulier Anglica, in Vestitu Hiemali, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7955 Wenceslaus Hollar, Man with Beard Looking Right (Hans Holbein?), 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7988 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794 Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185 Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7838 Wenceslaus Hollar, Six Insects, a Caterpillar, and a Snail, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7878 Joan Miró, Drawing - Collage, 1936, Crayon and decals on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35199 Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909 Bartolomé Esteban Murillo, Laban Searching for His Stolen Household Gods, c. 1665–70, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141929 Joan Miró, The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series), 1941, Gouache, oil wash, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33050 Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303 Pablo Picasso, The Pool, January 30, 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34830 Pablo Picasso, Burning Logs, January 4, 1945, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34805 Joan Miró, Rope and People, I, Barcelona, March 27, 1935, Oil on cardboard mounted on wood, with coil of rope, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33621 Eduardo Chillida, Around the Void II (Alrededor del vacio II), 1965, Forged steel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93444 Pablo Picasso, La belle qui passe, (1904), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36462 Wenceslaus Hollar, Mulier Matrisana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7952 Wenceslaus Hollar, Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7831 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793 Wenceslaus Hollar, Two Butterflies, a Wasp, and a Moth, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7867 Luis de la Cruz y Rios, Princess María Francisca de Asis de Borbón and Her Son Infante Carlos Luis María Fernando de Borbón, 1818, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436059 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7853 Wenceslaus Hollar, Mulier Primaria Antuerpiensis, in Ornatu Domestico, 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7907 Wenceslaus Hollar, Aula Veneris: Title Page, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7882 Wenceslaus Hollar, Mulier Hibernica vel Irlandica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7969 Wenceslaus Hollar, Nobilis Mulier Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7938 Antonio Saura, Crucifixion, 1960, Collage and ink on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33329 Pablo Picasso, Nessus and Dejanira, September 9, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35124 Francisco Goya, Überfall auf eine Frau, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1964 Wenceslaus Hollar, Mulier Calabra, Vulgo, Foretana di Napoli, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7948 Wenceslaus Hollar, The Peace of Munster, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7859 Wenceslaus Hollar, Five Butterflies, a Moth, a Beetle, and a Spider, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7871 Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585 Pablo Picasso, The Mill at Horta, (Summer 1909), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34794 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895 Julio González, [Untitled], 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33811 Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004 Wenceslaus Hollar, Three Moths, Two Butterflies, and a Bumble Bee, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7869 Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Eduardo Chillida, [Untitled], (1966), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33342 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38000 Wenceslaus Hollar, Peddler, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7820 Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805 Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969 Wenceslaus Hollar, Mercatoris Pragensis Vxor, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7885 Joan Miró, Collage, 1934, Corrugated cardboard, felt, gouache, and pencil on sandpaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34034 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7855 Pablo Picasso, Head of a Woman, Spring 1909, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33130 Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377 Wenceslaus Hollar, Mulier Nobilis aut Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7957 Wenceslaus Hollar, Rudesheim, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7842 Wenceslaus Hollar, Mulier Hebrea in Tracia, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7972 Antonio López García, The Staircase, 1967, Pencil and wax on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34492 Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555 Wenceslaus Hollar, Three Caterpillars, a Moth, and Four Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7876 Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657 Jusepe de Ribera, Saint Jerome, c. 1638–40, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136680 Wenceslaus Hollar, Advocate, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7816 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213 Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624 Wenceslaus Hollar, Ancilla Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7916 Salvador Dalí, Cavalier of Death, 1934, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33037 Wenceslaus Hollar, View of Lewenberg, 1643–1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7981 Wenceslaus Hollar, Swallow-tailed Butterfly and Twelve Other Insects, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7875 Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821 Wenceslaus Hollar, Mulier Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7897 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 Pablo Picasso, The Swineherd, 1906, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35015 Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872 Wenceslaus Hollar, On the Neckar, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7834 Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381 Pablo Picasso, Sheet of Studies, 1908, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33305 Wenceslaus Hollar, Summer: The Bathing Place, c. 1628/1629, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7991 Wenceslaus Hollar, Mercatoris Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7943 Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944 Wenceslaus Hollar, Mulier Franconiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7893 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Wenceslaus Hollar, Moth and Three Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7863 Wenceslaus Hollar, Mulier Generosa Viennensis Austri, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7889 Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983 Wenceslaus Hollar, Mercatoris Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7895 Wenceslaus Hollar, Empress, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7803 Wenceslaus Hollar, Civis Coloniensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7913 Wenceslaus Hollar, Mulier Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7908 Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515 Wenceslaus Hollar, Ciuis Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7894 Pablo Picasso, Brooding Woman (recto); Three Children (verso), 1904, Watercolor on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33008 Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7836 Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38004 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Wenceslaus Hollar, Cardinal, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7805 Pablo Picasso, Martin Fabiani, 1943, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35584 Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Wenceslaus Hollar, Bishop, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7807 Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7994 Pablo Picasso, Nude Woman, Standing, (1912), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33833 Pablo Picasso, Head, (1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36990 Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364 Pablo Picasso, The Harvesters, (1919), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36531 Wenceslaus Hollar, Moth, Butterflies, and Bees, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7877 Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689 Diego Velázquez, The Needlewoman, c. 1640/1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/88 Wenceslaus Hollar, Virgo Nuptialis Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7925 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490 Pablo Picasso, The Cock (Le Coq), 1938, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33706 Juan Gris, Still Life, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33870 Francisco Goya, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/985 Wenceslaus Hollar, Mulier ex inferiori Palainatu, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7920 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Julio González, Figures and Heads (Personnages et têtes), 1938, Pencil, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36966 Pablo Picasso, Sleeping Peasants, 1919, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34774 Francisco Domingo y Marqués, Portrait of an Old Man, 1882, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436206 Wenceslaus Hollar, Virgo Nuptialis Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7935 Juan Gris, Drawing for Mouchoir de Nuages, 1925, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14346 Julio González, Three Studies of Self-Portrait, 1938–40, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36195 Pablo Picasso, Woman with Flowered Hat, 1921, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37004 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Pablo Picasso, Woman Washing Her Feet, July 10, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35140 Pablo Picasso, Man in a Bowler Hat, 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36618 Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794 Gerardo Pita, Pomegranates, (July 1978), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38313 Juan Muñoz, Untitled (Balcony with Awning and Sketch below), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38712 Wenceslaus Hollar, Mulier Generosa Brabantica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7906 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 Julio González, Study for Head of Montserrat Crying No. 2, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33820 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Pablo Picasso, [Untitled], 1969, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35587 Wenceslaus Hollar, Coblentz, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7843 Wenceslaus Hollar, Mulier Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7924 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Pablo Picasso, The Flower Girl, (1906), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33908 Wenceslaus Hollar, Woman with White Veil and Black Hat (Mary Stuart?), 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7986 Pablo Picasso, Frank Perls as Père Tanguy, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34919 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Wenceslaus Hollar, Queen, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7804 Wenceslaus Hollar, Mulier Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7958 Wenceslaus Hollar, Duren, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7847 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Wenceslaus Hollar, Mulier Augustae Vindelicorum, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7896 Wenceslaus Hollar, Drachenfels, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7844 Francisco José de Goya y Lucientes, Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334725 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 Wenceslaus Hollar, Mulier Religiosa Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7910 Wenceslaus Hollar, Moth, Three Butterflies, and Two Beetles, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7865 Wenceslaus Hollar, Mulier Moguntiana, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7917 Antonio Saura, Señorita, 1960, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37185 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Wenceslaus Hollar, Mulier Svevica vel Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7898 Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932 Wenceslaus Hollar, Woman of Antwerp, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7984 Wenceslaus Hollar, Hanau, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7840 Francisco Goya, Gewaltszene gegen zwei Frauen, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1965 Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659 Wenceslaus Hollar, Nun, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7812 Pablo Picasso, Figures, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36254 Wenceslaus Hollar, Mulier Nobilis aut Generosa Gallica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7940 Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37996 Wenceslaus Hollar, Dni Maioris sive Praetoris Londinensis Vxoris Hab:, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7962 Wenceslaus Hollar, Mulier Coloniensis, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7914 Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723 Wenceslaus Hollar, Abbess, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7810 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Julio González, Two Figures, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36959 Wenceslaus Hollar, Four Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7870 Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446 Joan Miró, Collage (Study for Painting, June 13, 1933), 1933, Cut-and-pasted photomechanical reproductions and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34537 Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521 Pablo Picasso, Head (Study for Les Demoiselles d'Avignon), 1906, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36610 Wenceslaus Hollar, Rustica Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7941 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33705 Wenceslaus Hollar, Cives Hollandica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7901 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Pablo Picasso, Guitar, Paris, December 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33508 Wenceslaus Hollar, Mulier Westphalica ex Archiep Monasteri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7892 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Juan Muñoz, Untitled (Balcony with heavy black vertical line), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38711 Pablo Picasso, Casket, Cup and Apple, (Winter 1909), Ink wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37795 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37977 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33122 Wenceslaus Hollar, Old Woman, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7825 Wenceslaus Hollar, Mulier Moresca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7974 Wenceslaus Hollar, Dragonflies, a Bumble-Bee, and a Butterfly, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7866 Wenceslaus Hollar, Mulier Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7923 Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368 Julio González, Study for Head, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36978 Juan Gris, Still Life with Bottle and Funnel, 1911, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36672 Wenceslaus Hollar, Five Butterflies and a Moth, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7879 Jusepe de Ribera, Der Heilige Jakobus der Ältere, c. 1615–1616, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/111304 Pablo Picasso, Head of a Man with a Hat, 1912, Cut-and-pasted newspaper and colored paper, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35867 Bartolomé Esteban Murillo, Der gute Hirte, c. 1675–1682, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2037 Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741 Wenceslaus Hollar, Child, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7826 Pablo Picasso, Studies of a Rooster, c. 1896, Colored chalk on beige antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5361 Diego Velázquez, Portrait of the Jester Calabazas, c. 1631–32, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141549 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33157 Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176 Francisco Goya, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/991 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38746 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Wenceslaus Hollar, The Mineral Spring, 1627–1636, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7857 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Pablo Picasso, Family with a Crow, (1905), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36614 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Wenceslaus Hollar, Lady with Ribbons on Curls, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7985 Wenceslaus Hollar, Mulier Generosa Hispanica (Spanish Gentlewoman), 1644, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7950 Wenceslaus Hollar, Mulier Belgica in Vestitu Domestico, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7904 Pablo Picasso, Cubist Study, (1912), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37973 Wenceslaus Hollar, Mercatoris Hollandici Vxor, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7902 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 Wenceslaus Hollar, Albrecht Durer's Father, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7860 Wenceslaus Hollar, Preacher, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7813 Wenceslaus Hollar, Nobilis Mulier Bohemica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7883 Wenceslaus Hollar, Title Page, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7829 Julio González, Study for Sculpture, 1936, Watercolor, ink, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38214 Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024 Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Wenceslaus Hollar, Johann Banfi Huniades, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7992 Wenceslaus Hollar, Mulier Danica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7937 Wenceslaus Hollar, Mulier Anglica Habitans in Pago, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7961 Wenceslaus Hollar, Paradise Lost, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7799 Wenceslaus Hollar, Summer, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7978 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490 Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445 Julio González, Study for Sculpture, 1937, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38216 Pablo Picasso, Two Acrobats with a Dog, 1905, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35378 Wenceslaus Hollar, Mulier Generosa Anglica, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7959 Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511 Pablo Picasso, Guitar, Céret, spring 1913, Cut-and-pasted newspaper, wallpaper, paper, ink, chalk, charcoal, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38359 Wenceslaus Hollar, Nobilis Mulier Anglica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7954 Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228 Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420 Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260 Pablo Picasso, Ricciotto Canudo, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33236 Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7926 Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7945 Joan Miró, Drawing-Collage, 1933, Conté crayon, postcards, sandpaper, and cut-and-pasted printed paper on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36332 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Wenceslaus Hollar, Gamesters, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7823 Pablo Picasso, Bathers in a Forest, 1908, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33370 Wenceslaus Hollar, Two Dragonflies and Five Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7874 Joan Miró, The Statue, 1926, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33757 Wenceslaus Hollar, Standing Figure, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7993 Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560 Julio González, Study for Cagoulard, 1935, Ink, crayon, and pencil on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33120 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Wenceslaus Hollar, Three Butterflies and Two Moths, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7872 Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270 Francisco Goya, Señora Sabasa Garcia, c. 1806/1811, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/95 Wenceslaus Hollar, Matrisana M., 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7951 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Wenceslaus Hollar, Matrona Parisiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7942 Wenceslaus Hollar, Mulier Austriae Superioris, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7888 Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261 Wenceslaus Hollar, Bride, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7818 Francisco Goya, The Marquesa de Pontejos, c. 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/92 Wenceslaus Hollar, Prospect of Oxford, 1652–1677, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7858 Wenceslaus Hollar, Rustica Bohemica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7884 Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495 Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 Pablo Picasso, Meditation (Contemplation), (late 1904), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33823 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Wenceslaus Hollar, Ciuis aut Mercatoris Antuerpiensis Vxor, 1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7909 Wenceslaus Hollar, Two Moths and Six Insects, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7868 Wenceslaus Hollar, Death's Coat of Arms, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7827 Wenceslaus Hollar, Title Page, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7873 Wenceslaus Hollar, Dragonfly, Ladybirds, and Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7880 Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574 Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7927 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33141 Wenceslaus Hollar, Mulier Aulica Turca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7970 Wenceslaus Hollar, Duchess of Lennox, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7987 Salvador Dalí, Studies of Horsemen, 1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35278 Bartolomé Esteban Murillo, The Virgin of the Immaculate Conception, c. 1660 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.286 Juan Muñoz, Untitled (Facing Balconies), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38710 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Wenceslaus Hollar, Virgo Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7936 Luis Quintanilla, Air Raid in Country District, 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37680 Pablo Picasso, The Balcony, (1933), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33843 Wenceslaus Hollar, Augsburg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7833 Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742 Juan Gris, Glass and Bottle, 1913, Ink, gouache, watercolor, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34512 Francisco José de Goya y Lucientes, A young woman looking into a well; folio 46 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334726 Wenceslaus Hollar, View of Shenckenschantz, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7995 Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415 Wenceslaus Hollar, Mercatoris Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7967 Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516 Wenceslaus Hollar, Emperor, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7802 Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952 Wenceslaus Hollar, Mulier Generosa Graeca in Civitate Pera, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7971 Wenceslaus Hollar, Theatrum mulierum: Title Page, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7881 Juan Gris, Breakfast (Le Petit déjeuner), 1914, Gouache, oil, and crayon on cut-and-pasted printed paper on canvas with oil and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35572 Wenceslaus Hollar, Mulier Pragensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7886 Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492 Wenceslaus Hollar, Near Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7830 Wenceslaus Hollar, Sea Scene, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7850 Wenceslaus Hollar, Ciuis Coloniesis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7912 Joan Miró, Woman (Opera Singer), 1934, Pastel and pencil on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37242 Richard Boix, Da-Da (New York Dada Group), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34704 Pablo Picasso, Female Head, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33051 Julio González, Study for Head, 1936, Gouache, crayon, and ink on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38075 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 Wenceslaus Hollar, Old Man, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7824 Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506 Wenceslaus Hollar, Abbot, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7809 Wenceslaus Hollar, Miser, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7821 Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427 Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568 Wenceslaus Hollar, Duke, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7806 Wenceslaus Hollar, Doctor, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7814 Wenceslaus Hollar, Near Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7851 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160 Wenceslaus Hollar, Civis Londinensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7964 Pablo Picasso, Two Nudes, 1906, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35372 Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352 Wenceslaus Hollar, Delfshaven, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7849 Wenceslaus Hollar, Mulier Svevica Inferioris Conditionis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7899 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Wenceslaus Hollar, Winter, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7980 Wenceslaus Hollar, Bridal Pair, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7817 Salvador Dalí, Studies of a Nude, 1935, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38241 Julio González, Head of Montserrat Grieving No. 2, 1938, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36181 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Pablo Picasso, Head of the Medical Student (Study for Les Demoiselles d'Avignon), 1907, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33169 Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638 Julio González, Standing Figure, c. 1941, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35448 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Wenceslaus Hollar, Mulier Scotica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7968 Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414 Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7931 Wenceslaus Hollar, Katharine Furlegerin, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7828 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196 Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947 Julio González, Study for Woman Combing Her Hair, 1936, Pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38747 Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037 Pedro de Mena, Saint Peter of Alcántara, c. 1663–70, painted wood, with ivory and glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/168194 Wenceslaus Hollar, Knight, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7815 Joan Miró, The Family, 1924, Charcoal, chalk, and conté crayon on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36647 Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001 Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436 Wenceslaus Hollar, Spring, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7977 Wenceslaus Hollar, Title Page to "Philosophia Universia", 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7781 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7852 Wenceslaus Hollar, Ancilla Argentinensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7928 Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180 Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507 Wenceslaus Hollar, Monk, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7811 Wenceslaus Hollar, Six Insects, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7862 Wenceslaus Hollar, Mulier Habitans Algieri, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7973 Wenceslaus Hollar, Title Page, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7861 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915 Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7932 Wenceslaus Hollar, When Adam Delved, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7800 Wenceslaus Hollar, Opificis Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7944 Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144216 Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845 Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Pablo Picasso, Guitar, Paris, early 1919, Oil, charcoal and pinned paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36613 Wenceslaus Hollar, Nobilis Mulier Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7956 Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495 Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126 Wenceslaus Hollar, Mulier Coloniensis Exspatians, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7915 Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7854 Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628 Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499 Wenceslaus Hollar, The Pope, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7801 Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888 Wenceslaus Hollar, Navigatoris Hollandici Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7903 Pablo Picasso, Bather, 1908, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34049 Wenceslaus Hollar, Autumn, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7979 Wenceslaus Hollar, Mulier Generosa Anglica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7960 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560 Wenceslaus Hollar, Mercantoris Hanauiensis Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7919 Pablo Picasso, Pipe, Glass, Bottle of Rum, 1914, Cut-and-pasted colored paper, printed paper, and painted paper, pencil, and gouache on prepared board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36008 Julio González, Head of Montserrat Crying, No. 1, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36188 Julio González, Gold and Red Person, 1941, Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38217 Wenceslaus Hollar, Mulier Persiana, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7975 Pablo Picasso, Still Life with Fan, 1910, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35501 Wenceslaus Hollar, Wesel, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7848 Wenceslaus Hollar, Ciuis Pragensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7887 Juan Gris, Portrait of Pablo Picasso, January–February 1912, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8624 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744 Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7845 Wenceslaus Hollar, Speyer, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7839