Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Jean Dubuffet, Personnage (Femme nue), (1951), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35735 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Eugène Atget, Rues Clovis et Descartes, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39670 Fernand Léger, Study for Cinematic Mural, Study I, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37922 Cadavre Exquis, Figure, 1934, Composite drawing of pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36772 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Fernand Léger, Study for a mural, 1938, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34588 Eugène Atget, Rue de la Montagne-Sainte-Geneviève, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39489 Pablo Picasso, Taureau, 1938, Ink on transparent graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33717 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512 Georges Rouault, Trial proof for Man Is A Wolf To Man, plate XXXVII from Miserere, 1926, Aquatint and drypoint over photogravure, with pen and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16734 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Jean Dubuffet, Figure, Black Background (Personnage fond noir), 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33659 Aleksandr Rodchenko, Abstract Drawing, (1941), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36326 Alexandra Exter, Robot, 1926, Cardboard, fabric, wood, glass, and string, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76277 Jean Dubuffet, Letter from El Goléa, (1948), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36865 Eugène Atget, Avenue des Gobelins, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39446 Jean Dubuffet, Landscape (Paysage), 1952, Ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33572 Henri Matisse, Branch of a Judas Tree, 1942, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34713 Henri Matisse, Reclining Nude, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36071 Jean Dubuffet, Desert and Bedouin, 1948, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35465 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Georges Rouault, Trial proof for Face To Face, plate XL from Miserere, 1926, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16736 Jean Hélion, Ile de France, 1935, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38221 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Eugène Atget, Rue des Saules, Auberge du Lapin Agile, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40983 Robert Delaunay, Study for backdrop for the ballet Triomphe de Paris (The Triumph of Paris), 1928, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36073 Eugène Atget, Boulevard Saint-Denis, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39660 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Henri Matisse, The Necklace (Le collier), 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34539 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Georges Méliès, Project for Théâtre de Verdure, Orly, 1935, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33225 Eugène Atget, Coiffeur, avenue de l'Observatoire, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40965 Max Ernst, Sun and Forest (Soleil et forêt), 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36573 Enrique Brinkmann, Procession, 1962, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33713 Salvador Dalí, Frontispiece for Second Surrealist Manifesto, 1930, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37430 Julio González, Study for Woman Combing Her Hair, 1936, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38769 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Vasily Kandinsky, Plate (folio 12) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19637 Julio González, Self-Portrait, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33850 Pablo Picasso, Maquette for the cover of the journal Minotaure, 1933, Assemblage of corrugated cardboard, metal foil, ribbons, printed paper, paper doily, artificial plant, tacks, and pencil on paper on wood with charcoal additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34095 Juan Muñoz, Untitled (3 Balconies with Time), 1984, Oilstick on plastic sheet over a paper envelope on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38713 Vasily Yakovlovich Sitnikov, Hillock, 1962, Oil and colored crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36759 Henri Matisse, Reclining Nude, 1938, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33693 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242 Eugène Atget, Saint Jacques du Haut-Pas, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40907 Eugène Atget, Boulevard Auguste-Blanqui, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41792 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38365 Eugène Atget, Rue des Gobelins, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39589 Jean Dubuffet, Subway (Métro), 1949, Incised ink on gesso on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33541 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Cadavre Exquis, [Untitled], 1935, Composite collage of cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33175 Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463 Cadavre Exquis, Figure, c. 1927, Cut-and-pasted printed paper and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35778 Pablo Picasso, Two Figures on a Beach, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37725 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Cadavre Exquis, Landscape, c. 1933, Composite drawing of colored pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35963 Henri Michaux, [Untitled], 1946–48, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38706 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Jean Dubuffet, Figure in a Landscape, 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33625 Marc Chagall, Eiffel Tower from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32007 Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585 Jean Dubuffet, Baba Solstice, May 1, 1961, Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38570 Dmitri M. Shashurin, Elements of Life, 1962, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33224 Henri Matisse, Dahlias and Pomegranates, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33133 Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Jean Dubuffet, Joë Bousquet in Bed (Joë Bousquet au lit), 1947, Incised gouache on gessoed board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33194 Luis Quintanilla, University City, Cancer Research Institute, Madrid, (1937), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37684 Jean Dubuffet, Beach with Bathers (Plage aux baigneurs), 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38564 Eugène Atget, Fête de Vaugirard, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41032 André Masson, Caribbean Landscape, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34762 Jean Dubuffet, Goat with a Bird (Chèvre à l'oiseau), 1954, Ink transfer and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33591 Joan Miró, Drawing - Collage, 1936, Crayon and decals on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35199 Robert Filliou, Video Models, (1969), a) Crayon, ink stamp, cut-and-pasted printed paper and transfer type on brown paper; b) Crayon, ink stamp, and pencil on brown paper; c) Crayon, ink stamp, cut-and-pasted printed paper on brown paper with cut-out on brown paper; d) Crayon, ink stamp, cut-and-pasted printed paper and pencil on brown paper with cut-out on brown paper; e) Crayon, ink stamp and pencil on brown paper with cut-outs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33179 Le Corbusier (Charles-Édouard Jeanneret), Chaise Longue, Designed 1928, made about 1933, Chrome-plated steel, replacement American Shorthorn upholstery, leather, and painted metal, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19159 Francis Picabia, Têtes-paysage, 1928, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26082 Jean Dubuffet, Subway (Métro), 1949, Incised ink on gesso on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33534 Joan Miró, The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series), 1941, Gouache, oil wash, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33050 Pablo Picasso, The Pool, January 30, 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34830 Fernand Léger, Fragment of a Nut, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36300 Pablo Picasso, Burning Logs, January 4, 1945, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34805 Joan Miró, Rope and People, I, Barcelona, March 27, 1935, Oil on cardboard mounted on wood, with coil of rope, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33621 Fernand Léger, Study for Cinematic Mural, Study V, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37925 Jean Crotti, Marcel Duchamp, possibly early 1950s (inscribed 1915), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34908 Eduardo Chillida, Around the Void II (Alrededor del vacio II), 1965, Forged steel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93444 Eugène Atget, Fête de Vaugirard, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41029 Eugène Atget, Boulevard Auguste-Blanqui, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41747 Vasily Kandinsky, Round Poetry (Runde Dichtung), 1933, Watercolor, opaque watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38631 Antonio Saura, Crucifixion, 1960, Collage and ink on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33329 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40201 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Max Ernst, Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), 1946–47, Gouache on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37044 Jacques Villeglé, bleu O noir, 1955, Torn-and-pasted paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34434 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 André Masson, Street Singer, 1941, Cut-and-pasted painted and printed paper with conté crayon, ink, pencil, gouache, leaf, insect wings, and sand on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34895 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Eugène Atget, Saint Sulpice, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40556 Solomon Telingater, Foto-monter Dzhon Khartfil'd (The Photomontager John Heartfield), 1931, Pamphlet, letterpress printed, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16674 Jacques Villon, Interior, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37662 Eugène Atget, Pont Marie, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39693 Jean Dubuffet, Le Vin de barbe, 1959, Torn-and-pasted paper with ink and ink transfer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35145 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Eugène Atget, Rue Mouffetard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40483 Jean Dubuffet, The Ballerina, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36946 Alexei Jawlensky, Large Meditation (Grosse Meditation), 1936, Oil on cloth-textured paper over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37587 Julio González, [Untitled], 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33811 Eugène Atget, Boulevard de Strasbourg, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40478 Robert Delaunay, Costumes for The Dance of Statues for Triumphe de Paris, 1928, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36078 Jean Dubuffet, Street and Sidewalk, July 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38566 Jean Dubuffet, Donkey and Cart, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33594 Eduardo Chillida, [Untitled], (1966), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33342 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Max Ernst, Forest and Sun, 1931, Graphite frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37053 Eugène Atget, Saint-Étienne-du-Mont, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40676 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38000 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Max Ernst, Maternity (Study for Surrealism and Painting), 1942, Pencil and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36973 Joan Miró, Collage, 1934, Corrugated cardboard, felt, gouache, and pencil on sandpaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34034 Eugène Atget, Fête de Vaugirard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41027 Eugène Atget, Quai d'Anjou, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39477 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Jean Dubuffet, Le Gommeux, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36939 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Jean (Hans) Arp, Plate (folio 4) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19631 Balthus (Baltusz Klossowski de Rola), Study for Nude with Cat, (c. 1949), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36570 Albert Gleizes, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1945), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31871 Eugène Atget, Quai d'Anjou, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39494 Antonio López García, The Staircase, 1967, Pencil and wax on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34492 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Henri Matisse, Cover design for exhibition catalogue Henri Matisse, 1951, Gouache on paper, cut-and-pasted, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36808 Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34088 Francis Picabia, A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31864 Henri Matisse, John Dewey, 1930, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34789 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213 Eugène Atget, Fête de Vaugirard, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41031 Salvador Dalí, Cavalier of Death, 1934, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33037 Georges Rouault, Trial proof for "They Have Ruined Even the Ruins," plate XXXIV from Miserere, 1926, Aquatint, lift ground aquatint, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14908 Jean Dubuffet, Black Earth (Terres noires), 1955, Cut-and-pasted paper with ink transfer on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33136 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 Eugène Atget, Boulevard Saint-Martin, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39665 Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057 Raoul Dufy, The Artist's Studio, (c. 1942), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34423 Jean Dubuffet, Meal for Four III, (May 2) 1962, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38575 Édouard Vuillard, Siesta, 1928, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36851 Fernand Léger, The Constructors, 1951, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38258 Jean Dubuffet, Bowery Bum, (December) 1951, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33562 Georges Méliès, Drawing of Scene 15: In The Interior of The Moon. The Giant Mushroom Grotto of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38318 Eugène Atget, Avenue des Gobelins, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40472 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Georges Mathieu, [Untitled], 1958, Colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37575 Hans Hartung, [Untitled], 1960, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34907 Balthus (Baltusz Klossowski de Rola), A Young Girl, 1947, Chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33043 Bernard Joubert, [Untitled], 1973, Chalk and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36030 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Jean-Michel Atlan, Realm (Royaume), 1957, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33712 Édouard Pignon, Ostend, 1948, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35818 Eugène Atget, Avenue des Gobelins. Bijouterie, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40479 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38004 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Gaston Chaissac, [Untitled], 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36775 Henri Matisse, Seated Woman with Vase of Tulips, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38096 Pablo Picasso, Martin Fabiani, 1943, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35584 Varvara Stepanova, Letterhead for the journal Za rubezhom (Abroad), 1930, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14236 Sonia Delaunay, Plate (folio 8) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19635 Jean Dubuffet, Table Laden with Objects (Table chargée d'objets), 1951, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33559 Eugène Atget, Fête de Vaugirard, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41028 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490 Balthus (Baltusz Klossowski de Rola), Study for the painting La Chambre Turque, 1963, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37888 Eugène Atget, Saint-Sulpice, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40574 Sam Szafran, Man Asleep, 1966, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35024 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37182 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Eugène Atget, Cour, Ruelle des Reculettes, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41701 Auguste Herbin, Jour (Day), 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38226 Eugène Atget, Luxembourg, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39551 Eugène Atget, Trianon, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39926 Pablo Picasso, The Cock (Le Coq), 1938, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33706 Takis, Plant and Rocket, 1960, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36322 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Oscar Domínguez, [Untitled], 1936–37, Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33503 Julio González, Figures and Heads (Personnages et têtes), 1938, Pencil, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36966 Léon Arthur Tutundjian, [Untitled], 1928, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38366 Julio González, Three Studies of Self-Portrait, 1938–40, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36195 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345 Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339 Pablo Picasso, Woman Washing Her Feet, July 10, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35140 Gerardo Pita, Pomegranates, (July 1978), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38313 Juan Muñoz, Untitled (Balcony with Awning and Sketch below), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38712 Jean Dubuffet, Pisseur à Droite X, 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33651 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Ivan Kliun, Sketch for Turnir Poetov (Tournament of Poets), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14384 Julio González, Study for Head of Montserrat Crying No. 2, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33820 Henri Matisse, Self-Portrait, 1945, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38159 Jean Dubuffet, Baptism of Fire (Baptême du feu), 1959, Pasted leaves with oil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37485 Max Ernst, The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), 1950, Two etchings, one inkless, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12359 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Pablo Picasso, [Untitled], 1969, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35587 Takis, Animal and Rocket, 1960, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36316 Balthus (Baltusz Klossowski de Rola), Illustrations for Bronte: Wuthering Heights. a) "...The Room is Haunted! I'm Afraid of Being Alone!". b) "Miss Cathy Seized Him Again", (1933), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35526 Eugène Atget, Saint-Cloud, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39929 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Eugène Atget, Rue des Gobelins, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39592 André Masson, Myself Drawing Dante, 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34533 Eugène Atget, Luxembourg, July 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39553 Pablo Picasso, Frank Perls as Père Tanguy, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34919 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Jean Dubuffet, Tumultuous Landscape (Paysage agité), 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35630 Jean Dubuffet, Shadows Cast in the Pine Forest, June 3, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33507 Eugène Atget, Marché de La Madeleine, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40119 Fernand Léger, Study for Cinematic Mural, Study IV, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37918 André Masson, The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32010 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37188 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Antonio Saura, Señorita, 1960, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37185 Marcel Jean, Untitled (Woman's Profile), 1936, Decalcomania (ink transfer) on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33105 Eugène Atget, Place de la Concorde, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39240 Henri Michaux, Mescaline Drawing, 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38081 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Jean Dubuffet, Stone Transcription (Transcription aux pierres), 1958, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33611 Christian Bérard, Costume studies for the play The Madwoman of Chaillot, 1945, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33004 Jean Dubuffet, Personage, June 29, 1944, Ink on gessoed board with incising, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33512 Max Ernst, Loplop Introduces Members of the Surrealist Group (Loplop présente les membres du groupe surréaliste), 1931, Cut-and-pasted gelatin silver prints, cut-and-pasted printed paper, pencil, and pencil frottage on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35777 Pablo Picasso, Figures, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36254 Fernand Léger, The Accordionist, 1930, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38601 Varvara Rodchenko, Printer's proof for cover for Neokonchennye spory (Unfinished Argument), c. 1978, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27529 Sonia Delaunay, Étude de Robe No. 1284, 1926, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36102 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37996 Jean Dubuffet, Verbal Agreement: Six Figures, 1966, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38579 Emilio Terry, Fireplace with a Waterfall, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37022 Eugène Atget, Fête de la Villette, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41113 Eugène Atget, Port des Tuileries, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39694 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Julio González, Two Figures, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36959 Eugène Atget, Coiffeur, avenue de l'Observatoire, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39487 Eugène Atget, Pont Marie, Avril 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39789 Joan Miró, Collage (Study for Painting, June 13, 1933), 1933, Cut-and-pasted photomechanical reproductions and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34537 Auguste Herbin, Project for a Painting, c. 1955, Pencil, crayon, and ink on transparentized paper (recto); Pencil on transparentized paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38227 Vasily Kandinsky, Blue (Blau), 1927, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34925 Jean Dubuffet, Body of a Lady (Corps de dame), 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33550 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Anatoly Timofeevich Zverev, Figure, (1955), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35943 Jean Dubuffet, The Visitors Welcomed, August 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33529 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Jean Dubuffet, Costume for Cuckoo Bazaar, (1972), Ink on cut-and-pasted papers on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37561 Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Alexandra Exter, Alexandra Exter: Stage Sets (Alexandra Exter: Décors de théâtre), 1926–30, published 1930, Album of fifteen pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35529 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Natalia Goncharova, The City Square. Study for backdrop for the ballet Le Coq d'or (The Golden Cockerel), c. 1937, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36118 Iakov Chernikhov, Dimensional Curve Interlace, 1928–30, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14215 Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366 Fernand Léger, Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1919), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31861 Marcel Jean, Repas dans le désert, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33070 Max Jacob, Three Figures, 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33781 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Victor Vasarely, Study for Deuton RB, 1966, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33440 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Marcel Jean, L'Arbre à mains, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33089 Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564 Juan Muñoz, Untitled (Balcony with heavy black vertical line), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38711 Jean Dubuffet, Facade, 1951, Watercolor on gesso on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38742 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33122 Varvara Rodchenko, Study for cover of Beloe-chernoe (White and Black), 1965, Relief halftone with embossing and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27005 André Breton, Poème-Objet from VVV Portfolio, 1942, published 1943, Postcard, thread, sequins, and ink on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32001 Fernand Léger, Study for Cinematic Mural, Study III, 1938–39, Gouache, ink, colored pencil, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37948 Julio González, Study for Head, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36978 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Jean Ipoustéguy, Study for Man, 1963, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33403 Georges Méliès, Drawing of Scene 10: Flight of the Rocket Shell into the Moon. Appearance of the Earth From the Moon of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36891 Eugène Atget, Passage Moret, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40273 Sergei Eisenstein, Salome, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37168 Francis Picabia, Transparence - Tête et Cheval, (c. 1930), Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33525 Auguste Herbin, Composition, (1941), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38225 Jean Hélion, Untitled, No. 19, 1933–34, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38220 Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34111 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33157 Georges Rouault, Plus le coeur est noble, moins le col est roide (The Nobler the Heart, the Less Stiff the Collar) for the illustrated book Miserere, 1926, published 1948, Aquatint, drypoint and photogravure with ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16843 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38746 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Eugène Atget, Petit bar, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/41287 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Eugène Atget, Boulevard de Bonne-Nouvelle, Mai 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39667 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Jean Dubuffet, Woman Ironing a Shirt, I, (December 1951), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33581 Eugène Atget, Marché de La Madeleine, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40329 Eugène Atget, Cour, 3 ruelle des Reculettes, 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40274 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Jean Dubuffet, René Bertelé, (July-August) 1947, Ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34980 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Fernand Léger, Study for Cinematic Mural, Study VI, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37928 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Julio González, Study for Sculpture, 1936, Watercolor, ink, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38214 Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Henri Matisse, Odalisque with a Moorish Chair, 1928, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33393 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Jean Dubuffet, Cow, (December) 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33584 Eugène Atget, Coin du quai Voltaire et rue de Nevers, Mars 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40543 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Eugène Atget, Notre-Dame, Mars 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39706 Julio González, Study for Sculpture, 1937, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38216 Jean Dubuffet, Epidermis (Épiderme), 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38565 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 Georges Rouault, Trial proof for This Will Be The Last Time, Little Father!, plate XXXVI from Miserere, 1927, Aquatint and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16728 Jean Dubuffet, Algebra of Uncertainty (L’Algèbre des incertitudes), 1964, Synthetic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38576 André Masson, Prisoner of the Mirror: Transfiguring Your Death, (1939), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34912 Eugène Atget, Luxembourg, fontaine, Juillet 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39800 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Eugène Atget, Rue Descartes, April 1926, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39671 Jean Dubuffet, Cyclist with Five Cows, (July) 1943, Gouache, watercolor and brush and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38568 César (César Baldaccini), [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36136 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Fernand Léger, Circus Family, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37209 Joan Miró, Drawing-Collage, 1933, Conté crayon, postcards, sandpaper, and cut-and-pasted printed paper on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36332 Bernard Joubert, [Untitled], 1973, Chalk and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36023 Vasily Kandinsky, Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), 1931, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37596 Jean Dubuffet, Pollination of Palm Trees (Fécondation des palmiers), 1948, Distemper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38569 Eugène Atget, Bon Marché, rue de Sèvres, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40123 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Jean Dubuffet, Two Automobiles: Ford, Citroen, June 18, 1961, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38572 Joan Miró, The Statue, 1926, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33757 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Alexei Jawlensky, Abstrakter Kopf: Sinfonie in Rosa, 1929, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1839 Max Ernst, Untitled (The Bird People) from VVV Portfolio, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32008 Jean Cocteau, A Boy in Profile, c. 1930, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38121 Julio González, Study for Cagoulard, 1935, Ink, crayon, and pencil on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33120 Eugène Atget, Magasins du Bon Marché, 1926–27, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40125 Jacques Villeglé, 122 rue du temple, 1968, Torn-and-pasted printed paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35414 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Fernand Léger, Study for Cinematic Mural, Study II, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37932 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Georges Rouault, Trial proof for In These Dark Times Of Vainglory And Unbelief, Our Lady of Land's End Keeps Vigil, plate LVI from Miserere, 1927, Aquatint, etching, and drypoint with roulette over photogravure, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16927 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Jean Dubuffet, Limbour, (November-December 1946), Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33831 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Charles Hossein Zenderoudi, K+L+32+H+4. Mon père et moi (My Father and I), 1962, Felt-tip pen, colored ink, crayon, and metallic paint on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36253 André Fougeron, Studies of a Dead Cock, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35457 Jean Dubuffet, Evolving Portrait (Portrait aux développements), 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33567 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Jean Dubuffet, Cow, December 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33588 Zao Wou-ki, Sans titre (Untitled), 1980, Brush and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37853 Jean Dubuffet, Typewriter III, 1964, Felt-tip pen and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38577 Jean Dubuffet, Post at the Foot of a Wall (Pied du mur au poteau), 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33598 Alexandre Benois, Costume design for the opera Sadko, 1931, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38436 Fernand Léger, La partie de campagne, 1950, Gouache und Feder (?) in Schwarz, etwas Bleistift, über Quadrierung mit Bleistift, auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128569 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33141 Jean Dubuffet, Bedouin, Chevrier, 1948, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35138 Auguste Herbin, Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31872 Salvador Dalí, Studies of Horsemen, 1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35278 André Breton, [Untitled], 1935, Decalcomania (ink transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33058 Max Ernst, Alice in 1941, 1941, Oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38542 André Breton, Poème-Objet from VVV Portfolio, c. 1942, Postcard, thread, sequins, and ink on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33217 Juan Muñoz, Untitled (Facing Balconies), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38710 Eugène Atget, Hôtel Lambert, Quai d'Anjou, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/39695 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Max Ernst, Butterflies (Papillons), 1931, Cut-and-pasted printed and painted paper, cellophane, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35461 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37194 Luis Quintanilla, Air Raid in Country District, 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37680 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Balthus (Baltusz Klossowski de Rola), a) Study for Cathy Dressing b) Study for The Street, (1933), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35769 Jean Dubuffet, Landscape with Figure (Paysage avec personnage), 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33634 Pablo Picasso, The Balcony, (1933), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33843 Henri Matisse, Self-Portrait, 1945, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37669 Jean Dubuffet, Eater (Mangeur), 1954, Oil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37907 Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506 Jean Dubuffet, Michel Tapié, 1946, Gouache and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33523 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Sam Szafran, [Untitled], 1971, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34229 André Masson, Praying Mantis, c. 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37492 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 André Masson, Gérard de Nerval, 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34548 Jean Dubuffet, Jean Fautrier, (July-August) 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35459 Fernand Léger, Study for Cinematic Mural, Study VII, 1938–39, Gouache and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37944 Victor Vasarely, [Untitled], 1940, Collage of cut-and-pasted, black and painted wove papers on painted, ivory wove paper, laid down on tan board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196132 Tristan Tzara, [Untitled], 1936, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37057 Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952 André Masson, Pasiphaë, 1945, Pastel on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36754 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Henri Michaux, [Untitled], 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33256 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Henri Matisse, Maquette for Nuit de Noël, 1952, Gouache on paper, cut-and-pasted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36817 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Sonia Delaunay, Colored Rhythm, 1953, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38196 Joan Miró, Woman (Opera Singer), 1934, Pastel and pencil on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37242 Pablo Picasso, Female Head, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33051 Julio González, Study for Head, 1936, Gouache, crayon, and ink on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38075 Jean Dubuffet, Arab, 1948, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35443 André Masson, Werewolf, (1944), Pastel and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34438 Oscar Domínguez, [Untitled], 1936, Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37018 Jean Cocteau, Monroe Wheeler, 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38118 Henri Matisse, Nature morte (Stillleben mit Kupferkessel), 1941, Feder in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19809 Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427 Pierre Bonnard, Woman Bathing, c. 1942, Gouache with graphite on ivory wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/83638 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Oscar Domínguez, [Untitled], (1937), Decalcomania (gouache transfer) on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33498 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Georges Méliès, Drawing of Scene 12: The Dream: The Belies, The Great Bear, Phoebus, The Twin Stars, Saturn of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38324 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160 Robert Delaunay, Costume designs for the unrealized ballet Triomphe de Paris (The Triumph of Paris), 1928, Gouache and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36067 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Henri Matisse, Cover design for Matisse: His Art and His Public, 1951, Cut-and-pasted painted paper with ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36802 Victor Vasarely, CTA-104-E, 1965, Synthetic polymer and metallic paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35099 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Jean Dubuffet, Design for dust jacket for The Work of Jean Dubuffet, (1961), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34130 Max Ernst, The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), 1950, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10140 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Salvador Dalí, Studies of a Nude, 1935, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38241 Jean Dubuffet, Landscape with Three Figures, (November 26) 1961, Cut-and-pasted papers, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33666 Jean Dubuffet, Ties and Whys: Landscape with Figures (Liaisons et raisons: paysage avec personnages), 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33577 Julio González, Head of Montserrat Grieving No. 2, 1938, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36181 Jean Dubuffet, Body of a Lady (Corps de dame), 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33546 Jacques Prévert, The Window of Isis, 1957, Cut-and-pasted printed paper on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36034 Julio González, Standing Figure, c. 1941, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35448 Yves Klein, Untitled (fire-color painting), 1962, Charred dry pigment in synthetic resin with metallic paint on asbestos-coated paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34571 Eugène Atget, Port des Tuileries, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40582 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Julio González, Study for Woman Combing Her Hair, 1936, Pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38747 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Balthus (Baltusz Klossowski de Rola), Study for The Street, (1929), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37490 Jean Dubuffet, Figure with Hat in a Landscape (Personnage au chapeau dans un paysage), 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33642 Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759 Balthus (Baltusz Klossowski de Rola), Study for The Room, 1949, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35652 André Dunoyer de Segonzac, Landscape, c. 1928, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34151 Jean (Hans) Arp, Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31859 Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507 Sonia Delaunay, Gouache from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1950), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31870 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507 André Masson, Battle of the Fishes, (1927), Chalk, charcoal, conté crayon, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38251 Eugène Atget, Avenue des Gobelins, 1927, Gelatin silver printing-out-paper print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/40500 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38364 Jean Dubuffet, Message: "The Key is Under the Shutter" (Message: "La Clef est sous le volet"), (1944), Ink, colored ink, and oil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33881 Jean Dubuffet, Four Bedouins with an Overloaded Camel, January-April 1948, Glue tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38271 Georges Méliès, Drawing of Scene 9: Landing Right in the Moon's Eye!!! of the 1902 film A Trip to the Moon (Le Voyage dans la lune), c. 1930–31, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38327 Sonia Delaunay, Color Rhythm No. 1921-1973, 1973, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38198 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Camille Bryen, Imaginary Structure (Structure imaginaire), 1948, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35442 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34099 Balthus (Baltusz Klossowski de Rola), Study of a Nude, (1964), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37884 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 Marcel Jean, [Untitled], 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33143 Vasily Kandinsky, Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31873 Jean Dubuffet, Textural Transcription I (Transcription texturologique I), 1958, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33617 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560 Julio González, Head of Montserrat Crying, No. 1, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36188 Julio González, Gold and Red Person, 1941, Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38217 Jean Dubuffet, Gaston Chaissac, 1947, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37464 Marcel Jean, [Untitled], 1936, Decalcomania (gouache transfer) with gouache additions on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33124 Jacques Villon, Small Cubist Painting (Petite peinture cubiste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31867 Gaston Chaissac, [Untitled], 1945–46, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34433 Jean Dubuffet, Tree (L'arbre), 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33603 Jean Dubuffet, Stairs III, 1966, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38581 Fernand Léger, Face and Hands, 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33238 Jean Dubuffet, Six Characters, Landscape Background, 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35848 Jean Dubuffet, Body of a Lady (Corps de dame), 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33554