Pablo Picasso, Head of a Man, Céret spring 1913, Cut-and-pasted newspaper, colored paper, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37687 Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Jacobus Houbraken, Adriaen van Ostade, 1698, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8008 Nicolaes Berchem, Cow Drinking, 1680, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4603 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Theo van Doesburg, Study for Composition VIII (The Cow) (recto); Untitled (verso), c. 1917, Gouache, oil, and charcoal on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35396 Willem Kalf, Wineglass and a Bowl of Fruit, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138359 Jan J. Schoonhoven, T76 M2, 1976, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34182 Gerard ter Borch the Younger, The Suitor's Visit, c. 1658, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/65 Alberto Giacometti, [Untitled], (1965), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37264 Pablo Picasso, Taureau, 1938, Ink on transparent graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33717 Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448 Louis Soutter, Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive ), c. 1930–35, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37518 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Louis Soutter, Esthètes juifs distants, c. 1930–1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37524 Cornelis Dusart, Markedsdag med festende bønder i en landsby, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19879 Jacob Isaacksz. van Ruisdael, Wasserfall in einer Vorgebirgslandschaft ("Norwegischer Wasserfall"), c. 1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1147 Vincent van Gogh, Bauernhaus in Nuenen, 1885, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1423 Ossenbeeck, Jan van, Israelitterne samler manna i ørkenen, 1656–1660, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19813 Cornelis Dusart, Vi er syv. Tre tosser, en ugle, et æsel og en gris, 1695, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19883 Ossenbeeck, Jan van, Cephalus og Procris, 1656–1660, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19812 Theo van Doesburg, Study for a Composition, 1923, Gouache and ink on tissue paper and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38206 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Sonja Sekula, Untitled (Sketchbook), 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34743 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (midterste del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/2 Nicolaes Maes, Bildnis einer Dame in einem schwarzen Kleid, c. 1668–1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/13 Adriaen van Ostade, Maleren, 1667, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2212 Johannes Lingelbach, Marktszene auf der Piazza Navona in Rom, c. 1657–1658, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1325 Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Emanuel de Witte, Interior of a Church, c. 1680, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145450 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Johann Heinrich Müntz, A Thems whery at London, c. 1760, Aquarell über Grafitstift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8215 Eduard Flor, Plate (folio 12) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9082 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 Cornelis Dusart, Dansende par. En sømand, der berøves af sin dansepartner, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19884 Pat Andrea, Study for Laboratory, 1971, Pencil, colored pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35825 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Lucebert, The Centipede, 1965, Gouache and pasted paper on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34509 Enrique Brinkmann, Procession, 1962, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33713 Willem Kalf, Stillleben mit Orangen, c. 1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2082 Salvador Dalí, Frontispiece for Second Surrealist Manifesto, 1930, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37430 Julio González, Study for Woman Combing Her Hair, 1936, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38769 Julio González, Self-Portrait, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33850 Theo van Doesburg, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31866 Jan Steen, The Dancing Couple, 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1220 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Gerrit Adriaensz Berckheyde, Das Stadthaus in Amsterdam, c. 1674, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1042 Attributed to Bartholomeus van der Helst, Portrait of a Burgomaster, c. 1665–70, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.106 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 Pablo Picasso, Maquette for the cover of the journal Minotaure, 1933, Assemblage of corrugated cardboard, metal foil, ribbons, printed paper, paper doily, artificial plant, tacks, and pencil on paper on wood with charcoal additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34095 Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315 Juan Muñoz, Untitled (3 Balconies with Time), 1984, Oilstick on plastic sheet over a paper envelope on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38713 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242 Pablo Picasso, Four Dancers, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34480 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Pablo Picasso, Two Dancers, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35077 Francisco José de Goya y Lucientes, Maja and an officer; folio 22 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334724 Alberto Giacometti, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36478 Cornelis Dusart, Synssansen, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19893 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463 Rembrandt van Rijn, The Apostle Paul, c. 1657, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1198 Pablo Picasso, Two Figures on a Beach, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37725 Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111 Rembrandt van Rijn, Die Frau mit dem Pfeil, 1661, Radierung, Kaltnadel und Kupferstich, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5212 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Florence Henri, Construction bleu-rouge-noir, 1923, Gouache on cut-and-pasted paper, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38223 Cornelis Dusart, Siddende bonde, der læser et brev, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8449 Jan Lebenstein, Axial Figure, 1961, Felt-tip pen on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33172 Luis Quintanilla, University City, Cancer Research Institute, Madrid, (1937), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37684 Aert Schouman, Ein Rosalöffler (Platalea ajaja), um 1760–1780, Aquarell, über schwarzem Stift, auf geripptem Büttenpapier; allseitige Einfassungslinie mit der Feder in Dunkelbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17697 Eduard Flor, Plate (folio 6) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9079 Chris Hendrik Beekman, Composition, 1916, Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38177 Joan Miró, Drawing - Collage, 1936, Crayon and decals on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35199 Jan Lutma II, Jan Lutma the Elder, 1656, etching with punch engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8668 Piet Mondrian, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31863 Bartolomé Esteban Murillo, Laban Searching for His Stolen Household Gods, c. 1665–70, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141929 Joan Miró, The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series), 1941, Gouache, oil wash, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33050 Miriam Cahn, Lesen im Staub, D.W.L. (Das Wilde Leben),, 1984, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34063 Pablo Picasso, The Pool, January 30, 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34830 Pablo Picasso, Burning Logs, January 4, 1945, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34805 Joan Miró, Rope and People, I, Barcelona, March 27, 1935, Oil on cardboard mounted on wood, with coil of rope, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33621 Cornelis Dusart, Siddende bonde med en pibe, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19890 Eduardo Chillida, Around the Void II (Alrededor del vacio II), 1965, Forged steel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93444 Pablo Picasso, La belle qui passe, (1904), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36462 Luis de la Cruz y Rios, Princess María Francisca de Asis de Borbón and Her Son Infante Carlos Luis María Fernando de Borbón, 1818, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436059 Abraham Hondius, Hulepindsvin jagtet af hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19825 Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274 Antonio Saura, Crucifixion, 1960, Collage and ink on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33329 Pablo Picasso, Nessus and Dejanira, September 9, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35124 Francisco Goya, Überfall auf eine Frau, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1964 Reinier Zeeman, Indfaldsvejen til Saint Marceau nær Paris, 1656–1660, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19458 Eduard Flor, Plate (folio 14) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9083 Pablo Picasso, The Mill at Horta, (Summer 1909), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34794 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Louis Soutter, The Ascension (L'Ascension), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37346 Rembrandt van Rijn, Portrait of a Gentleman with a Tall Hat and Gloves, c. 1656/1658, oil on canvas transferred to canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1206 Julio González, [Untitled], 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33811 Cornelis Dusart, Alderdom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3731c Wobbe Alkema, [Untitled], 1928, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38171 Karel Appel, Beast, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32981 Ottilie W. Roederstein, Bildnis des Malers Jakob Nussbaum, 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2977 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Eduardo Chillida, [Untitled], (1966), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33342 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38000 Piet Mondrian, Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/109819 Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061 Alberto Giacometti, Man Reading a Book, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36488 Florence Henri, Black-White-Silver No. 11, 1921, Cut-and-pasted metallic foil and paper, pencil and gouache on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38222 Joan Miró, Collage, 1934, Corrugated cardboard, felt, gouache, and pencil on sandpaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34034 Cornelis Dusart, En skomager, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19876 Dirck de Bray, Solomon de Bray, 1664, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6477 Pablo Picasso, Head of a Woman, Spring 1909, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33130 Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377 Cornelis Dusart, Ungdom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3731b Alberto Giacometti, Annette, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37538 Cornelis Dusart, Fiolspiller i en krostue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19878 Antonio López García, The Staircase, 1967, Pencil and wax on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34492 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Chris Hendrik Beekman, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38178 Zbigniew Makowski, [Untitled], 1964, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38583 Jean Tinguely, Sketch for Homage to New York, 1960, Felt-tip pen and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33838 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213 Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37025 Adriaen van Ostade, Familie uden for et bondehus, moren med en trædukke i hånden, 1679, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2841 Salvador Dalí, Cavalier of Death, 1934, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33037 Karel Appel, [Untitled], 1959, Crayon on paper (recto); pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37614 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 Pablo Picasso, The Swineherd, 1906, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35015 Meindert Hobbema, A Cottage in the Woods, c. 1662, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122345 Eduard Flor, Plate (folio 8) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9080 Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050 Pablo Picasso, Sheet of Studies, 1908, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33305 Cornelis Dusart, Barndom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19885 Salomon van Ruysdael, River Landscape with a Ferry, 1656, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.9 Cornelis Dusart, Leende kvinde med en flaske i hånden, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19891 Albert von Keller, Die Märtyrerin, c. 1892, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2891 Theo van Doesburg, Contra-construction in a Circle, c. 1923, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33496 Jan Baptist Weenix, Römischer Kesselflicker, c. 1656, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1048 Piet Mondrian, Church Facade 6, 1915, dated 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34630 Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983 Cornelis Dusart, Alderdom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19889 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Cornelis Dusart, En violinspiller, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1920 Pablo Picasso, Brooding Woman (recto); Three Children (verso), 1904, Watercolor on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33008 Meindert Hobbema, A Farm in the Sunlight, 1668, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/67 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38004 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Ossenbeeck, Jan van, De fire årstider. Vinter, 1656–1660, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19820 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Zbigniew Makowski, [Untitled], 1964, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37655 Pablo Picasso, Martin Fabiani, 1943, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35584 Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798 Pablo Picasso, Nude Woman, Standing, (1912), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33833 Pablo Picasso, Head, (1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36990 Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364 Abraham Hondius, Bjørn jagtet af hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5309 Barent Fabritius, Geburts und Namensgebung Johannes des Täufers, c. 1660–1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/90 Pablo Picasso, The Harvesters, (1919), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36531 Cornelis Dusart, Lirekassemand med en dansende hund, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2562 Aert de Gelder, Lot and His Family Leaving Sodom, 1661/1663, pen and light brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1848 Dutch 17th Century, Head of Saint Matthew, probably early 1660s, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1197 Zbigniew Makowski, [Untitled], 1965, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38584 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490 Gerard ter Borch the Younger, Dame mit Weinglas, c. 1656–1657, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1046 Edwaert Collier, Vanitas Still Life, 1662, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435918 Johannes Vermeer, Der Geograf, 1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1140 Ossenbeeck, Jan van, Flugten til Egypten, 1656–1660, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19814 Bart van der Leck, Study, (1916–17), Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38256 Gabriel Metsu, The Intruder, c. 1660, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/64 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Vincent van Gogh, The Large Plane Trees (Road Menders at Saint-Rémy), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125249 Jacob Isaacksz. van Ruisdael, Winterlandschaft bei Haarlem mit einem Laternenpfahl, c. 1670–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1100 Adriaen van Ostade, The Cottage Dooryard, 1673, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1187 Jacob van Strij, A Cooper, c. 1795–1800?, Transparent watercolor and graphite on cream antique laid paper, framing line in black ink, mounted to cream antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4931 Pablo Picasso, The Cock (Le Coq), 1938, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33706 Juan Gris, Still Life, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33870 Francisco Goya, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/985 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Julio González, Figures and Heads (Personnages et têtes), 1938, Pencil, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36966 Pablo Picasso, Sleeping Peasants, 1919, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34774 Francisco Domingo y Marqués, Portrait of an Old Man, 1882, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436206 Juan Gris, Drawing for Mouchoir de Nuages, 1925, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14346 Julio González, Three Studies of Self-Portrait, 1938–40, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36195 Pablo Picasso, Woman with Flowered Hat, 1921, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37004 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Meindert Hobbema, Eingang zum Wald, c. 1663–1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/782 Pablo Picasso, Woman Washing Her Feet, July 10, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35140 Pablo Picasso, Man in a Bowler Hat, 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36618 Jan Lebenstein, Figure, 1962, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37823 Gerardo Pita, Pomegranates, (July 1978), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38313 Juan Muñoz, Untitled (Balcony with Awning and Sketch below), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38712 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 César Domela-Nieuwenhuis, Plate (folio 10) from 10 Origin, 1942, Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19636 Jacob Ochtervelt, Kavalier im Fenster, 1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/606 Julio González, Study for Head of Montserrat Crying No. 2, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33820 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Pablo Picasso, [Untitled], 1969, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35587 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Pablo Picasso, The Flower Girl, (1906), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33908 Jan van der Heyden, Schloss Loenersloot in Holland, c. 1665–1670, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/590 Rachel Ruysch, Blumenstillleben, 1698, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/540 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 Pablo Picasso, Frank Perls as Père Tanguy, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34919 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Jan Steen, Esther, Ahasuerus, and Haman, c. 1668, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140152 Louis Marcoussis, Zither, Bottle, Pipe and Sheet Music, 1919, Watercolor, oil, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35042 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Theo van Doesburg, Composition, 1917, dated 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37350 Francisco José de Goya y Lucientes, Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334725 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 Cornelis Dusart, Lugtesansen, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19897 Louis Soutter, Servant's Clock, 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37762 Willem de Ridder, Paper Flux Work, late 1960s, Offset printed cards in envelope, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4676 Cornelis Dusart, To syngende bønder i en kro, 1685, Radering. Oval trykplade, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19867 Nicolaes Berchem, En hyrde vander sine dyr ved en tilgroet ruin, 1680, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1412 Cornelis Dusart, To syngende bønder i en kro, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1919 Antonio Saura, Señorita, 1960, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37185 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Theo van Doesburg, Study for Composition (The Cow), 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33340 Vincent van Gogh, Planteuse de pommes de terre, 1885, Schwarze Kreide und Kohle, gewischt, radiert und fixiert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/34500 Alberto Giacometti, Portrait of a Man, 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38594 Cornelis Dusart, Fiolspiller i en krostue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2325 Francisco Goya, Gewaltszene gegen zwei Frauen, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1965 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Pablo Picasso, Figures, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36254 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (venstre del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/1 Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027 Cornelis Dusart, Synssansen, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8451 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37996 Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723 Jan Steen, Ein Goldschmied schmilzt in Anwesenheit eines Notars den Schmuck einer Frau ein: "Der Alchemist", c. 1668–1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/892 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Pieter Laurens Mol, Vigilantia, 1996, Gelatin silver print distressed with red lead paint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35018 Julio González, Two Figures, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36959 Rembrandt van Rijn, Portrait of a Lady with an Ostrich-Feather Fan, c. 1656/1658, oil on canvas transferred to canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1207 Vincent van Gogh, Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887, Oil on canvas, mounted on pressboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27954 Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446 Joan Miró, Collage (Study for Painting, June 13, 1933), 1933, Cut-and-pasted photomechanical reproductions and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34537 Abraham Hondius, To hjorte, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19823 Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144 Meindert Hobbema, Hut among Trees, c. 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1169 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36480 Angelica Kauffmann, Female Figure Seated Beside an Urn, 1800, Pen and brown ink and brown wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334892 Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521 Louis Soutter, The Sun is Blackened (Le Soleil se noircit), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37342 Wobbe Alkema, [Untitled], 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38167 Pablo Picasso, Head (Study for Les Demoiselles d'Avignon), 1906, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36610 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33705 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Pablo Picasso, Guitar, Paris, December 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33508 Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted newspaper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38165 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Juan Muñoz, Untitled (Balcony with heavy black vertical line), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38711 Pablo Picasso, Casket, Cup and Apple, (Winter 1909), Ink wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37795 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37977 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33122 Eduard Flor, Plate (folio 4) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9078 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Philips Koninck, Holländische Flachlandschaft, c. 1660–1670, Öl auf Eichenholz (Cembalodeckel, nachträglich zum Querrechteck ergänzt), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/860 Theo van Doesburg, Design for a stained-glass window for Christian ULO School, Rehobôth te Drachten, 1922–23, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38207 Julio González, Study for Head, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36978 Juan Gris, Still Life with Bottle and Funnel, 1911, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36672 Bart van der Leck, [Untitled], 1917, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34792 Henryk Berlewi, First State of the Mechano-Faktura (I Stade de la Mécano-Facture), 1923, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38181 Pablo Picasso, Head of a Man with a Hat, 1912, Cut-and-pasted newspaper and colored paper, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35867 Ossenbeeck, Jan van, Diana hævner sig på Niobe, 1656–1660, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19822 Bartolomé Esteban Murillo, Der gute Hirte, c. 1675–1682, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2037 Hendrik Cornelisz. van Vliet, Das Innere der Oude Kerk zu Delft, c. 1660–1663, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1200 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (højre del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/3 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741 Adriaen van de Velde, Hirt und Hirtin mit ihrer Herde am Brunnen, 1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/165 Pablo Picasso, Studies of a Rooster, c. 1896, Colored chalk on beige antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5361 Piet Mondrian, Pier and Ocean 5 (Sea and Starry Sky), 1915, dated 1914, Charcoal and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33419 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33157 Aert van der Neer, Flusslandschaft mit Schiffen bei aufgehendem Mond, c. 1660–1670, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/507 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 Gustave Buchet, Construction, (c. 1920), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38185 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176 Johannes Vermeer, Girl with the Red Hat, c. 1669, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/60 Francisco Goya, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/991 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38746 Eduard Flor, Plate (folio 10) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9081 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Abraham Hondius, To vildsvin, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19826 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Pablo Picasso, Family with a Crow, (1905), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36614 Rembrandt van Rijn, Lucretia, 1666, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.19 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Rembrandt van Rijn, A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/84 Pat Andrea, Study for Metermaid, 1968, Colored pencil, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35811 Louis Soutter, Le catafalque sans pesanteur, c. 1937–1942, Fingermalerei in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17577 Pablo Picasso, Cubist Study, (1912), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37973 Sonja Sekula, Carco: La Rose au Balcon, 1942, Pen and ink drawing and dedication by Francis Carco and 3 postcards, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34580 Alberto Giacometti, The City Square, 1949, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38595 Piet Mondrian, Red Amaryllis with Blue Background, c. 1907, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38743 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Rembrandt van Rijn, Jan Lutma, Goldsmith, 1656, Etching and drypoint in black on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13119 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 Jan van Huchtenburg, Vilhelm III inspicerer tropperne ved Arnhem, 1691, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19837 Gerrit Dou, Self-Portrait, c. 1665, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436210 Cornelis Dusart, Mand med hat vendt mod højre, 1660–1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19880 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Julio González, Study for Sculpture, 1936, Watercolor, ink, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38214 Jacob van Walscapelle, Blumenstillleben, 1677, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/617 Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Job Andriesz. Berckheyde, Die Börse von Amsterdam, c. 1675–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/536 Andrzej J. Wroblewski, Instrument #3, 1962, Colored ink and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37075 Abraham Hondius, Ulv angrebet af to hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19827 Louis Soutter, Resurrection (Résurrection), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37349 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445 Piet Mondrian, Amstel River, 1907, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36627 Julio González, Study for Sculpture, 1937, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38216 Cornelis Dusart, To skrålende bønder i et vindue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5528 Pablo Picasso, Two Acrobats with a Dog, 1905, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35378 Alberto Giacometti, An Interior, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33753 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 Jan Weenix, Stillleben mit totem Hasen und Vögeln, 1681, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/859 Cornelis Dusart, Et beruset par, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19869 Cornelis Dusart, Village Festival, 1685, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6821 Pablo Picasso, Guitar, Céret, spring 1913, Cut-and-pasted newspaper, wallpaper, paper, ink, chalk, charcoal, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38359 Aleksander Kobzdej, Conflict, 1959, Casein and oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33730 Rembrandt van Rijn, Philemon and Baucis, 1658, oil on panel transferred to panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1204 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228 Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420 Pieter de Hooch, Portrait of a Family Playing Music, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128391 Pablo Picasso, Ricciotto Canudo, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33236 Miroslaw Balka, Moulting, 1988, Pencil, colored pencil, gesso, and pine needles on paper installed with pile of pine needles on floor, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38459 Magdalena Abakanowicz, Body 81F, 1981, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35178 Joan Miró, Drawing-Collage, 1933, Conté crayon, postcards, sandpaper, and cut-and-pasted printed paper on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36332 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Cornelis Dusart, Violin Player Seated in a Tavern, 1685, etching and roulette on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6822 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 Pablo Picasso, Bathers in a Forest, 1908, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33370 Cornelis Pietersz Bega, Wirtshausszene, c. 1660–1662, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1223 Joan Miró, The Statue, 1926, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33757 Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560 Friedrich Vordemberge-Gildewart, Intimately Silvered, (1923), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33446 Ferdinand Hodler, Figure (Study for die Empfindung), (1902–03), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34876 Julio González, Study for Cagoulard, 1935, Ink, crayon, and pencil on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33120 Thomas de Keyser, Bildnis eines Reiters mit zwei Hunden, c. 1660–1670, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/187 Meindert Hobbema, A Wooded Landscape, 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/68 Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Piet Mondrian, Chrysanthemum (recto) and Head in Profile (verso), 1906, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34486 Francisco Goya, Señora Sabasa Garcia, c. 1806/1811, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/95 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Francisco Goya, The Marquesa de Pontejos, c. 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/92 Pierre Haubensak, Study for Mauresque, 1965, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35192 Willem Drost, Young Woman with a Pearl Necklace, 1670, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436212 Jan Lebenstein, Axial Figure, 1960, Watercolor, ink, and ballpoint pen on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37821 Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Meindert Hobbema, Village near a Pool, c. 1670, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1171 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 Alberto Giacometti, [Untitled], 1949, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36473 Jan van Huchtenburg, Slaget ved Höchstädt, 1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19838 Pablo Picasso, Meditation (Contemplation), (late 1904), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33823 Alberto Giacometti, [Untitled], 1949, Sepia and black ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36483 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Vincent van Gogh, Adeline Ravoux, 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135299 Reinier Zeeman, Sint Antoniesmarkt med vejerboden. Titelblad til "Udsigter i Amsterdam", 1659–1662, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19445 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33141 Cornelis Dusart, Voksenliv, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19888 Godfried Schalcken, Bildnis eines Künstlers im Atelier, c. 1670–1675, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/166 Eduard Flor, Plate (folio 2) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9076 Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089 Salvador Dalí, Studies of Horsemen, 1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35278 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Cornelis Dusart, Et kyssende par, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19871 Juan Muñoz, Untitled (Facing Balconies), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38710 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Luis Quintanilla, Air Raid in Country District, 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37680 Augusto Giacometti, Color Abstraction, 1903, Pastel on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36786 Pablo Picasso, The Balcony, (1933), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33843 Rembrandt van Rijn, Portrait of a Man in a Tall Hat, c. 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1208 Louis Marcoussis, Stairway with Figure, 1930, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36794 Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742 Rembrandt van Rijn, The Circumcision, 1661, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1199 Chris Hendrik Beekman, Study in Black, Grey and White, (c. 1920), Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38179 Juan Gris, Glass and Bottle, 1913, Ink, gouache, watercolor, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34512 Francisco José de Goya y Lucientes, A young woman looking into a well; folio 46 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334726 Cornelis Dusart, Barndom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3731a Cornelis Dusart, Mand med en raket, omgivet af børn, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19894 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Rembrandt van Rijn, Christ and the Woman of Samaria: an Arched Print, 1658, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/856 Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952 Juan Gris, Breakfast (Le Petit déjeuner), 1914, Gouache, oil, and crayon on cut-and-pasted printed paper on canvas with oil and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35572 Joan Miró, Woman (Opera Singer), 1934, Pastel and pencil on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37242 Richard Boix, Da-Da (New York Dada Group), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34704 Pablo Picasso, Female Head, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33051 Julio González, Study for Head, 1936, Gouache, crayon, and ink on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38075 Vincent van Gogh, Two Poplars in the Alpilles near Saint-Rémy, 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135310 Alberto Giacometti, Study for The Palace at 4 a.m., 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35103 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 Meindert Hobbema, The Travelers, 166[2?], oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1170 Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504 Frans van Mieris d. Ä., Bildnis einer Frau mit Barett, 1658, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1224 Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160 Pablo Picasso, Two Nudes, 1906, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35372 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 Cornelis Dusart, Den bedragne ægtemand, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1921 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Pieter de Hooch, Woman and Child in a Courtyard, 1658/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1173 Salvador Dalí, Studies of a Nude, 1935, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38241 Cornelis Dusart, Kvinde, der behandles med kopsætning, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19874 Julio González, Head of Montserrat Grieving No. 2, 1938, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36181 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Jan van der Heyden, An einer Landstraße, c. 1666–1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1117 Johannes Lingelbach, Mediterrane Hafenszene, 1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1913 Pablo Picasso, Head of the Medical Student (Study for Les Demoiselles d'Avignon), 1907, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33169 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638 Jan van Huchtenburg, Slaget ved Höchstädt, 1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19841 Julio González, Standing Figure, c. 1941, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35448 Eduard Flor, One Day, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9077 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414 Caspar Netscher, Bildnis von Pieter Six (1655-1703) mit einem Diener mit Jagdbeute, 1677, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/880 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196 Julio González, Study for Woman Combing Her Hair, 1936, Pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38747 Rembrandt van Rijn, Lucretia, 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/83 Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted colored paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38169 Joan Miró, The Family, 1924, Charcoal, chalk, and conté crayon on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36647 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36486 Ferdinand Hodler, Profile of Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827 Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Aert de Gelder, Selbstbildnis als Zeuxis, der eine ältere Frau porträtiert, 1685, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1006 Cornelis Dusart, En landsbykirurg, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19875 Cornelis Dusart, Høresansen, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19896 Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144216 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Meindert Hobbema, A View on a High Road, 1665, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/69 Pablo Picasso, Guitar, Paris, early 1919, Oil, charcoal and pinned paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36613 Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126 Jean Tinguely, 50 RPM, 1965, Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35860 Dutch 17th Century, Girl with a Flute, c. 1669/1675, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1237 Piet Mondrian, Composition with Red, Yellow, and Blue, 1927, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143278 Johannes Vermeer, Woman Holding a Balance, c. 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1236 Abraham van Beyeren, Silver Wine Jug, Ham, and Fruit, c. 1660–66, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136509 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Pieter de Hooch, A Dutch Courtyard, 1658/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/63 Louis Soutter, Head (Tête), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37348 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Jan Steen, Wirtshaus mit Gast und Schankmagd ("Der aufdringliche Gast"), c. 1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/532 Jan Lebenstein, Axial Figure, 1960, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36323 Cornelis Dusart, Kvinde med en raket, 1695, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8450 Pieter de Hooch, The Bedroom, 1658/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1172 Cornelis Pietersz Bega, Zwei trinkende und rauchende Dirnen, 1663, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/641 Ludolf Backhuysen, Bildnis eines Mannes aus Emden, c. 1675–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/94 Pablo Picasso, Bather, 1908, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34049 Salomon van Ruysdael, Flusslandschaft mit einer Fähre, 1664, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/100 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665 Adam Pynacker, Italienischer Friedhof, c. 1660–1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/607 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560 Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057 Pablo Picasso, Pipe, Glass, Bottle of Rum, 1914, Cut-and-pasted colored paper, printed paper, and painted paper, pencil, and gouache on prepared board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36008 Rembrandt van Rijn, Self-Portrait, 1659, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/79 Jacob Isaacksz. van Ruisdael, Low Waterfall in a Wooded Landscape with a Dead Beech Tree, c. 1660–70, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143602 Meindert Hobbema, Wooded Landscape with Watermill, c. 1665, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.2 Julio González, Head of Montserrat Crying, No. 1, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36188 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 Julio González, Gold and Red Person, 1941, Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38217 Alberto Giacometti, The Studio (Two Pieces of Sculpture), 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38593 Pablo Picasso, Still Life with Fan, 1910, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35501 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Jan Weenix, Bildnis eines holländischen Kaufmanns, c. 1685–1688, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102 Juan Gris, Portrait of Pablo Picasso, January–February 1912, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8624 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744 Cornelis Dusart, Fordrukken trommeslager med en fakkel, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8452 Piet Mondrian, Landzicht Farm: Compositional Study, c. 1905, Fabricated charcoal on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88464