Pablo Picasso, Head of a Man, Céret spring 1913, Cut-and-pasted newspaper, colored paper, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37687

Philip Galle, Justice, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5279

Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878

Lucas van Leyden, The Tribute Money, c. 1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4755

Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900

Lucas van Leyden, Abraham and the Three Angels, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8534

Corneille de Lyon, Portrait of a Man, c. 1540–50, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435951

Pablo Picasso, Taureau, 1938, Ink on transparent graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33717

Lucas van Leyden, Joseph Interprets His Dream to Jacob, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8585

Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451

Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629

Lucas van Leyden, Saint Joachim Embracing Saint Anna, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8579

Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448

Johannes van Doetechum the Elder, Magdalena Poenitens (The Penitent Magdalene), c. 1555/1557, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5282

Willem van Swanenburgh, Andromeda, 1610, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22235

Lucas van Leyden, The Baptism of Christ in the Jordan, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8543

Lucas van Leyden, Abraham Repudiating Hagar, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8586

Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8783

Lucas van Leyden, The First Prohibition, 1529, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8592

Lucas van Leyden, Saint Christopher at the Border of a River, c. 1505/1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8619

Corneille de Lyon, Charles de Cossé (1506–1563), Comte de Brissac, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435946

Francisco de Zurbarán, Christ and the Virgin in the House at Nazareth, c. 1640, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136217

Lucas van Leyden, The Fool and the Woman, 1520, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8594

Bartolomé Esteban Murillo, Two Women at a Window, c. 1655/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1185

Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479

Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593

Master S, Saint Barbara, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8757

Persia (Iran), Bowl or Money Bank, c. 1200, Stonepaste with turquoise glaze over molded decor, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.430

Persia (Iran), Ewer (water pitcher), late 12th–early 13th century, before 1220, Glazed stonepaste with golden luster-painted decoration, Kashan ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.437

Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893

Spanish 14th Century, Ciborium, c. 1330/1350, gilded copper and champlevé enamel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1439

Persia (Iran), Aquamanile (Ram-shaped Ewer), 13th–14th century, Stonepaste with clear turquoise glaze, black underglaze-painted decor, Kashan ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.451

Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550

Lucas van Leyden, Hector of Troy, Alexander of Macedon, Julius Caesar, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8631

Gerard David, The Adoration of the Magi, c. 1520, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436104

Enrique Brinkmann, Procession, 1962, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33713

Salvador Dalí, Frontispiece for Second Surrealist Manifesto, 1930, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37430

Julio González, Study for Woman Combing Her Hair, 1936, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38769

Lucas van Leyden, Solomon's Idolatry, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8625

Julio González, Self-Portrait, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33850

Conrad Goltzius, Johannes Døberen i ørkenen, 1588–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20907

Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590

Pablo Picasso, Maquette for the cover of the journal Minotaure, 1933, Assemblage of corrugated cardboard, metal foil, ribbons, printed paper, paper doily, artificial plant, tacks, and pencil on paper on wood with charcoal additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34095

Juan Muñoz, Untitled (3 Balconies with Time), 1984, Oilstick on plastic sheet over a paper envelope on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38713

Diego Velázquez, Bildnis des Kardinals Gaspar de Borja y Velasco, 1643–1645, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1036

Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242

Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8591

Pablo Picasso, Four Dancers, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34480

Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554

Pablo Picasso, Two Dancers, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35077

Lucas van Leyden, Temperancia (Temperance), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8566

Gil de Siloé, Enthroned Virgin and Child, c. 1480, alabaster with traces of gilding and polychromy, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/166195

Francisco José de Goya y Lucientes, Maja and an officer; folio 22 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334724

Lucas van Leyden, David Praying, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8580

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463

Pablo Picasso, Two Figures on a Beach, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37725

Persia (Iran), Bowl, 12th-13th century, Glazed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.32.11

Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111

Gerard David, The Nativity with Donors and Saints Jerome and Leonard, c. 1510–15, Oil on canvas, transferred from wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436099

Persia (Iran), Pen Box with ink well, c. 1200, Stonepaste with turquoise-blue glaze over molded decor, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.442a%2C%20b

Petrus Christus, The Nativity, c. 1450, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/47

Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888

Master with the Banderoles, The Stoning of Saint Stephen, c. 1470/1475, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3417

Persia (Iran), Bowl Depicting Ladies on Horseback, c.1180–1220, Earthenware with overglaze polychrome colors, Mina'i ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.432

Lucas van Leyden, The Scoffing of Christ, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8539

Luis Quintanilla, University City, Cancer Research Institute, Madrid, (1937), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37684

Persia (Iran), Bowl, 12th century, Earthenware painted in black under a transparent turquoise glaze, Rayy ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.420

Alonso Sánchez Coello, Portrait of Infante Ferdinand of Spain, c. 1574 (Renaissance), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.551

Joan Miró, Drawing - Collage, 1936, Crayon and decals on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35199

Bartolomé Esteban Murillo, Laban Searching for His Stolen Household Gods, c. 1665–70, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141929

Joan Miró, The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series), 1941, Gouache, oil wash, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33050

Lucas van Leyden, Caritas (Charity), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8569

Corneille de Lyon, Portrait of a Young Woman, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435957

Pablo Picasso, The Pool, January 30, 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34830

Pablo Picasso, Burning Logs, January 4, 1945, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34805

Joan Miró, Rope and People, I, Barcelona, March 27, 1935, Oil on cardboard mounted on wood, with coil of rope, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33621

Lucas van Leyden, Potiphar's Wife Accusing Joseph, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8583

Eduardo Chillida, Around the Void II (Alrededor del vacio II), 1965, Forged steel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93444

Pablo Picasso, La belle qui passe, (1904), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36462

Johannes van Doetechum the Elder, Nundinae Rusticorum (Rustic Market), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/727

Lucas van Leyden, Christ and the Woman of Samaria, 1521/1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8622

Luis de la Cruz y Rios, Princess María Francisca de Asis de Borbón and Her Son Infante Carlos Luis María Fernando de Borbón, 1818, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436059

Antonio Saura, Crucifixion, 1960, Collage and ink on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33329

Gerard David, The Saint Anne Altarpiece: Saint Anthony of Padua [right panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1156

Pablo Picasso, Nessus and Dejanira, September 9, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35124

Francisco Goya, Überfall auf eine Frau, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1964

Lucas van Leyden, Saint Sebastian, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8616

Lucas van Leyden, Saint Anthony, c. 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8615

Corneille de Lyon, Portrait of a Man with a Black-Plumed Hat, c. 1535–40, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435956

Pablo Picasso, The Mill at Horta, (Summer 1909), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34794

Lucas van Leyden, Ecce Homo, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8577

Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887

Lucas van Leyden, Saint Mary Magdalene in the Desert, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8613

Netherlandish 16th Century, The Triumph of Christ ("The Mazarin Tapestry"), c. 1500, tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1606

Julio González, [Untitled], 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33811

Spanish (Castile), Massacre of the Firstborn and Egyptian Darkness, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3930

Corneille de Lyon, Portrait of a Man, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435958

Eduardo Chillida, [Untitled], (1966), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33342

Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899

Lucas van Leyden, Ornament with Two Sphinxes and a Winged Man, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8604

Lucas van Leyden, Pallas Athene, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8610

Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38000

Gerard David, The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1155

Joan Miró, Collage, 1934, Corrugated cardboard, felt, gouache, and pencil on sandpaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34034

Pablo Picasso, Head of a Woman, Spring 1909, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33130

Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377

Lucas van Leyden, The Dentist, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8605

Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8550

Rogier van der Weyden, The Crucifixion with a Carthusian Monk, 1460, oil and gold on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112856

Antonio López García, The Staircase, 1967, Pencil and wax on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34492

Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889

Persia (Iran), Vase, 11th century, Earthenware with cream slip painted in blue with overglaze brown luster, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.17.108

Persia (Iran), Pitcher, late 17th century, Hamadan ware Earthenware with molded decor under a green glaze partly discolored to silver iridescence, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.443

Jusepe de Ribera, Saint Jerome, c. 1638–40, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136680

Lucas van Leyden, The Dance of Saint Mary Magdalene, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8551

Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883

Gerard David, The Annunciation, 1506, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436096

Lucas van Leyden, Christ in Gethsemane (Agony in the Garden), 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8542

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213

Lucas van Leyden, The Virgin and Child on the Crescent, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8573

Salvador Dalí, Cavalier of Death, 1934, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33037

Albert Bouts, The Annunciation, c. 1480, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122338

Lucas van Leyden, Venus and Cupid, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8563

Hieronymous Wierix, Circumcision, before 1573, Engraving print in black ink on off-white antique laid paper, darkened and soiled, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/250377

Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635

Pablo Picasso, The Swineherd, 1906, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35015

Lucas van Leyden, Saint John the Baptist in the Desert, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8618

Lucas van Leyden, The Two Couples in the Forest, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8595

Pablo Picasso, Sheet of Studies, 1908, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33305

Lucas van Leyden, The Mouth of Truth, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8626

Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–10, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135539

Lucas van Leyden, Saint Francis of Assisi Receiving the Stigmata, c. 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8614

Lucas van Leyden, Christ Carrying the Cross, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8558

Jan Wellens de Cock, The Stragglers, c. 1520–1530, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8627

Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983

Lucas van Leyden, Adam and Eve, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8623

Jan van Eyck, Lucca-Madonna, c. 1437, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/937

Gerard David, The Rest on the Flight into Egypt, c. 1512–15, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436101

Pablo Picasso, Brooding Woman (recto); Three Children (verso), 1904, Watercolor on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33008

Godefroid de Huy, Pendant with the Virgin and Child, c. 1160–1170, gilded copper, champlevé enamel; the reverse decorated in vernis brun, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108743

Lucas van Leyden, A Nobleman and a Lady Seated in a Landscape, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8609

Jean de la Huerta, Mourner from the Tomb of John the Fearless and Margaret of Bavaria, 1443–45, salins alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119143

Gerard David, Virgin and Child, c. 1520, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436103

Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38004

Philip Galle, Hope, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5280

Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901

Jan Gossaert, Cain Killing Abel, c. 1525, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7443

Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586

Netherlandish 16th Century, Christ and the Woman Taken in Adultery, c. 1500/1599, tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1605

Persia (Iran), Bowl with “Willow-tendril” motif, c.1200–1220, Stonepaste with underglaze black decor, Kashan ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.431

Corneille de Lyon, Portrait of a Man with a Pointed Collar, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435954

Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509

Pablo Picasso, Martin Fabiani, 1943, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35584

Lucas van Leyden, Prudencia (Prudence), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8568

Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433

Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520

Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8536

Pablo Picasso, Nude Woman, Standing, (1912), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33833

Pablo Picasso, Head, (1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36990

Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364

Lucas van Leyden, Saint Luke, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8621

Pablo Picasso, The Harvesters, (1919), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36531

Lucas van Leyden, Joshua, David, Judas Maccabees, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8630

Persia (Iran), Bowl, 11th-12th century, Earthenware with underglaze decor in brown slip on white engobe, Samarkand ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.438

Diego Velázquez, The Needlewoman, c. 1640/1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/88

Spanish 14th Century, Cassetta, c. 1375/1400, wood, painted and gilded gesso, and lead white (?); gilded brass handle; velvet lining, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1555

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490

Lucas van Leyden, The Last Supper, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8578

Netherlandish 16th Century, Saint Jerome, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4591

Corneille de Lyon, Jean d'Albon de Saint-André (1472–1549), 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435947

Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8785

Lucas van Leyden, The Musicians, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8607

Peter Maes, Hercules and Antaeus, 1577, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8775

Netherlandish 16th Century, Christ in the Wine Press, 16th century, woodcut, hand-colored in burgundy red, pink, dull green, dull orange, brown, tan and white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3945

Arent van Bolten, A Fantastic Creature, late 16th–early 17th century, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334690

Lucas van Leyden, Two Boys with a Helmet and a Standard, 1527, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8603

Gerard David, The Nativity, early 1480s, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436100

Lucas van Leyden, Saints Peter and Paul with the Vernicle, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8620

Hans Memling, Portrait of a Man with an Arrow, c. 1470/1475, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/49

Pablo Picasso, The Cock (Le Coq), 1938, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33706

Fernando Yáñez de la Almedina, Madonna and Child with the Infant Saint John, c. 1505, oil and tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/447

Juan Gris, Still Life, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33870

Francisco Goya, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/985

Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902

Lucas van Leyden, Mars, Venus, and Cupid, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8564

Julio González, Figures and Heads (Personnages et têtes), 1938, Pencil, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36966

Pablo Picasso, Sleeping Peasants, 1919, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34774

Lucas van Leyden, The Pilgrims, in or before 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8593

Francisco Domingo y Marqués, Portrait of an Old Man, 1882, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436206

Juan Gris, Drawing for Mouchoir de Nuages, 1925, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14346

Persia (Iran), Bowl, 11th-12th century, Earthenware with incised white slip, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.426

Julio González, Three Studies of Self-Portrait, 1938–40, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36195

Pablo Picasso, Woman with Flowered Hat, 1921, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37004

Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882

Master of the Mansi Magdalen, Rest on the Flight into Egypt, 1515–1525 (Renaissance), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.389

Lucas van Leyden, Spes (Hope), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8548

Pablo Picasso, Woman Washing Her Feet, July 10, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35140

Pablo Picasso, Man in a Bowler Hat, 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36618

Lucas van Leyden, Jael Killing Sisera, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8624

Corneille de Lyon, Portrait of a Widow, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435960

Gerardo Pita, Pomegranates, (July 1978), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38313

Juan Muñoz, Untitled (Balcony with Awning and Sketch below), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38712

Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580

Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480

Julio González, Study for Head of Montserrat Crying No. 2, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33820

Lucas van Leyden, The Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8538

Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858

Lucas van Leyden, Lot and His Daughters, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8533

Pablo Picasso, [Untitled], 1969, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35587

Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459

Pablo Picasso, The Flower Girl, (1906), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33908

Gerard David, The Crucifixion, c. 1495, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436098

Persia (Iran), Relief-carved Fragment from Persepolis, 486–465 BCE, Limestone, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.88

Pablo Picasso, Frank Perls as Père Tanguy, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34919

Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895

Corneille de Lyon, Anne de Pisseleu (1508–1576), Duchesse d'Étampes, c. 1535–40, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435945

Master S, Lucretia, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8755

Persia (Iran), Bowl, 13th century, Earthenware with underglaze-painted decor, Sultanabad ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.32.9

Juan de Flandes, The Birth and Naming of John the Baptist, 1496–99, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148301

Lucas van Leyden, Christ Crowned with Thorns, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8537

Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897

Francisco José de Goya y Lucientes, Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334725

Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746

Master S, Saint Mary Magdalene and Saint John the Evangelist, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8756

Michel Sittow, Portrait of Diego de Guevara (?), c. 1515/1518, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/53

Master S, The Entombment, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8753

Lucas van Leyden, The Captivity, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8541

Master of the Horse Heads, Upright Ornament with Two Sirens, 1453, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8759

Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8535

Antonio Saura, Señorita, 1960, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37185

Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601

Persia (Iran), Bowl with hare and dog motifs, late 12th– early 13th century, before 1220, Stonepaste with golden luster-painted decoration, Kashan ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.425

Persia (Iran), Molded Vessel in the form of a Mother and Child, c. 1200, Stonepaste with turquoise glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.446

Petrus Christus, Saint John the Baptist in a Landscape, c. 1445, oil on panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149768

Francisco Goya, Gewaltszene gegen zwei Frauen, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1965

Pablo Picasso, Figures, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36254

Robert Campin, Madonna and Child, c. 1430–1450 (Late Medieval), oil on wood, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.297

Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027

Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37996

Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723

Johannes van Doetechum the Elder, Milites Requiescentes (Soldiers at Rest), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5283

Rogier van der Weyden, Medici-Madonna, c. 1453–1460, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/846

Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482

Lucas van Leyden, Esther before Ahasuerus, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8546

Petrus Christus, Madonna mit Kind und den Heiligen Hieronymus und Franziskus, 1457, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/914

Julio González, Two Figures, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36959

Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20901

Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446

Joan Miró, Collage (Study for Painting, June 13, 1933), 1933, Cut-and-pasted photomechanical reproductions and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34537

Hans Memling, Madonna and Child with Angels, after 1479, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/48

Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144

Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884

Lucas van Leyden, Triton and Siren in Tendrils, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8601

Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521

Persia (Iran), Jar with Inscription, 13th century, Sultanabad ware Glazed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.452

Lucas van Leyden, The Temptation of Saint Anthony, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8552

Pablo Picasso, Head (Study for Les Demoiselles d'Avignon), 1906, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36610

Robert Campin, John the Baptist, c. 1410, oil on oak panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142476

Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33705

Lucas van Leyden, The Adoration of the Magi, 1513, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8544

Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745

Persia (Iran), A King Picnicking in the Mountains, c. 1560, Ink, colors, and gold on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.31.2

Lucas van Leyden, The Savior Standing with the Globe and Cross in His Left Hand, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8598

Pablo Picasso, Guitar, Paris, December 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33508

Persia (Iran), Bowl Depicting a Seated King with Attendants, c. 1180–1220, Earthenware with overglaze polychrome colors, Mina’i ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.428

Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892

Juan Muñoz, Untitled (Balcony with heavy black vertical line), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38711

Pablo Picasso, Casket, Cup and Apple, (Winter 1909), Ink wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37795

Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37977

Lucas van Leyden, Justicia (Justice), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8567

Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33122

Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/865

Julio González, Study for Head, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36978

Juan Gris, Still Life with Bottle and Funnel, 1911, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36672

Jusepe de Ribera, Der Heilige Jakobus der Ältere, c. 1615–1616, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/111304

Lucas van Leyden, Arthur, Charles the Great (Charlemagne), Godfry of Bouillon, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8629

Pablo Picasso, Head of a Man with a Hat, 1912, Cut-and-pasted newspaper and colored paper, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35867

Bartolomé Esteban Murillo, Der gute Hirte, c. 1675–1682, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2037

Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454

Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741

Pablo Picasso, Studies of a Rooster, c. 1896, Colored chalk on beige antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5361

Diego Velázquez, Portrait of the Jester Calabazas, c. 1631–32, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141549

Spanish 14th Century, Ewer and Cover, 14th century (crystal); c. 1600 (mounts); before 1905 (spout), rock crystal and gilded silver and copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1463

Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469

Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33157

Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886

Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176

Lucas van Leyden, The Poet Virgil Suspended in a Basket, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/748

Lucas van Leyden, Saint Catherine, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8612

Francisco Goya, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/991

Antonis Mor, Portrait of a Gentleman, 1569, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/59

Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38746

Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613

Persia (Iran), Bit and Cheek Plaques, 899–400 BCE, Bronze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.408

Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898

Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551

Pablo Picasso, Family with a Crow, (1905), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36614

Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500

Pablo Picasso, Cubist Study, (1912), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37973

Philip Galle, Prudence, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5275

Master d, Saint Matthias and Saint Jude with Articles from the Credo, 1450/1460, metalcut, hand-colored in olive green, dull red lake and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3921

Master S, Pilate Washing His Hands, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8752

Lucas van Leyden, Saint John, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8570

Netherlandish 16th Century, The Masquerade of Ourson and Valentin, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/730

Persia (Iran), Shawl, c. 1870, Tapestry weave, wool, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.36

Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486

Jan Baptist de Wael, Den fortabte søns hjemkomst, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19594

Francisco de Herrera, the Elder, Study of a Seated Nude, Bearded Man in Half-Length, 1610–54, Pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334775

Julio González, Study for Sculpture, 1936, Watercolor, ink, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38214

Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949

Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877

Master S, Lot and His Daughters, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8754

Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–10, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135538

Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894

Corneille de Lyon, Portrait of a Man with a Gold Chain, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435953

Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445

Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1443

Julio González, Study for Sculpture, 1937, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38216

Pablo Picasso, Two Acrobats with a Dog, 1905, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35378

Pablo Picasso, Guitar, Céret, spring 1913, Cut-and-pasted newspaper, wallpaper, paper, ink, chalk, charcoal, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38359

Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228

Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420

Lucas van Leyden, Christ Crowned with Thorns, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8555

Lucas van Leyden, Pyramus and Thisbe, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8611

Pablo Picasso, Ricciotto Canudo, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33236

Lucas van Leyden, Solomon's Idolatry, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8547

Lucas van Leyden, Saint Jerome in a Landscape, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8617

Lucas van Leyden, Golgotha, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8554

Joan Miró, Drawing-Collage, 1933, Conté crayon, postcards, sandpaper, and cut-and-pasted printed paper on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36332

Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556

Philip Galle, Temperance, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5276

Lucas van Leyden, The Explusion from Paradise, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8590

Pablo Picasso, Bathers in a Forest, 1908, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33370

Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8781

Joan Miró, The Statue, 1926, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33757

Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560

Jan van Eyck, The Annunciation, c. 1434/1436, oil on canvas transferred from panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/46

Julio González, Study for Cagoulard, 1935, Ink, crayon, and pencil on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33120

Lucas van Leyden, Cain Killing Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8589

Abraham de Bruyn, Venus, 1569, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5287

Lucas van Leyden, The Virgin in the Niche, c. 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8574

Persia (Iran), Bowl with phoenix motifs, c. 1300, Stonepaste with underglaze-blue and black decor, Sultanabad ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.439

Claus de Werve, Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404), 1404–1410, vizille alabaster, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119132

Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637

Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447

Persia (Iran), Bowl with Courtly Scene, c. 1180–1220, Stonepaste with overglaze-painted polychromy and gold, Mina’i ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.32.7

Corneille de Lyon, Portrait of a Bearded Man in White, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435949

Francisco Goya, Señora Sabasa Garcia, c. 1806/1811, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/95

Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880

Francisco Goya, The Marquesa de Pontejos, c. 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/92

Lucas van Leyden, The Crucifixion, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8557

Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445

Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890

Lucas van Doetechum, Euntes in Emaus (The Pilgrims to Emmaus), c.1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5285

Lucas van Leyden, The Surgeon, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8606

Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490

Pablo Picasso, Meditation (Contemplation), (late 1904), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33823

Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563

Lucas van Leyden, Two Cupids Seated on Clouds in Two Circles, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8600

Lucas van Leyden, The Virgin and Child with Two Angels, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8572

Lucas van Leyden, Adam and Eve Lamenting the Death of Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8588

Persia (Iran), Bowl Depicting a Lady Riding an Elephant, c. 1180–1220, Earthenware with overglaze polychrome colors, Mina'i ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.434

Corneille de Lyon, Portrait of a Man, c. 1545, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435950

Persia (Iran), Two Youths under a Flowering Tree, 1450, Colors on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.31.3

Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33141

Lucas van Leyden, The Triumph of Mordecai, 1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8545

Gerard David, Der heilige Hieronymus in der Wildnis, c. 1510, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1082

Salvador Dalí, Studies of Horsemen, 1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35278

Bartolomé Esteban Murillo, The Virgin of the Immaculate Conception, c. 1660 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.286

Juan Muñoz, Untitled (Facing Balconies), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38710

Rogier van der Weyden, Portrait of a Lady, c. 1460, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/51

Gerard David, Virgin and Child with Four Angels, c. 1510–15, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436102

Gerard David, The Rest on the Flight into Egypt, c. 1510, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/50

Gerard David, Christ Taking Leave of His Mother, c. 1500, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436097

Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568

Corneille de Lyon, Portrait of a Bearded Man in Black, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435948

Luis Quintanilla, Air Raid in Country District, 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37680

Pablo Picasso, The Balcony, (1933), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33843

Lucas van Leyden, Abraham Going to Sacrifice Isaac, 1517/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8628

Persia (Iran), Bowl, 13th century, Earthenware with overglaze painted polychromy, Minai ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.387

Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742

Workshop of Joachim Patinir, Rest on the Flight into Egypt and the Miraculous Field of Wheat, c. 1518–24, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.2

Juan Gris, Glass and Bottle, 1913, Ink, gouache, watercolor, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34512

Netherlandish 16th Century, Christ at the Mount of Olives, after 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8556

Francisco José de Goya y Lucientes, A young woman looking into a well; folio 46 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334726

Spanish (Castile), Madonna and Child, c. 1475/1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3768

Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8587

Lucas van Leyden, The Virgin and Saint Anna, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8575

Lucas van Leyden, The Promenade, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8596

Persia (Iran), Mina'i ware Bowl, 1200–1299, Stone paste (fritware) with overglaze painted decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.422

Lucas van Leyden, The Old Woman with Grapes, c. 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8608

Lucas van Leyden, Fides (Faith), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8549

Corneille de Lyon, Portrait of a Man, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435959

Cornelis Cort, The Triumph of the World, 1564, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5328

Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952

Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8786

Juan Gris, Breakfast (Le Petit déjeuner), 1914, Gouache, oil, and crayon on cut-and-pasted printed paper on canvas with oil and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35572

Philip Galle, Faith, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5277

Corneille de Lyon, Portrait of a Man with Gloves, c. 1535, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435944

Joan Miró, Woman (Opera Singer), 1934, Pastel and pencil on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37242

Richard Boix, Da-Da (New York Dada Group), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34704

Pablo Picasso, Female Head, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33051

Lucas van Leyden, Jezebel and Ahab, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/762

Julio González, Study for Head, 1936, Gouache, crayon, and ink on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38075

Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502

Possibly Persia (Iran), Garden Scene with Princes and Attendants, 15th century, Ink, colors, and gold on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.58.2

Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427

Philip Galle, Fortitude, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5278

Jan Wellens de Cock, Johannes på Patmos, 1460–1521, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20278

Hans Memling, Bildnis eines Mannes mit hoher roter Kappe, c. 1470–1475, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/938

Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160

Master with the Banderoles, Saint Augustine, c. 1450/1460, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8749

Lucas van Leyden, Joseph Escaping Potiphar's Wife, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8584

Lucas van Leyden, Ecce Homo, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8576

Pablo Picasso, Two Nudes, 1906, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35372

Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879

Persia (Iran), Ewer with bird, vegetal, and calligraphic motifs, 12th century, Stonepaste with molded decor under lapis-blue glaze, Kashan ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.429

Salvador Dalí, Studies of a Nude, 1935, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38241

Julio González, Head of Montserrat Grieving No. 2, 1938, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36181

Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512

Pablo Picasso, Head of the Medical Student (Study for Les Demoiselles d'Avignon), 1907, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33169

Lucas van Leyden, Two Naked Children Supporting a Blank Shield, c. 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8602

Lucas van Leyden, Muhammed og munken Sergius, 1508, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20370

Corneille de Lyon, Portrait of a Man with Gloves, 1540–45, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435955

Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638

Julio González, Standing Figure, c. 1941, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35448

Lucas van Leyden, Christ before Annas, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8540

Lucas van Leyden, Emperor Maximilian I, 1520, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8562

Adriaen de Vries, Empire Triumphant over Avarice, 1610, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1287

Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885

Lucas van Leyden, Joseph Interprets the Dreams in Prison, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8582

Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414

Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196

Julio González, Study for Woman Combing Her Hair, 1936, Pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38747

Pedro de Mena, Saint Peter of Alcántara, c. 1663–70, painted wood, with ivory and glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/168194

Joan Miró, The Family, 1924, Charcoal, chalk, and conté crayon on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36647

Master of the Horse Heads, Children Playing with a Bitch and Three Young Dogs, 1453, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4401

Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507

Francisco Goya, Quien mas rendido?  (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452

Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507

Lucas van Leyden, Ecce Homo, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8559

Lucas van Leyden, Saint Luke, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8571

Persia (Iran), Page from the Manafi al-Hayavan, 14th century, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.58.1

Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891

Lucas van Leyden, A Young Man with Eight Armed Men, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8597

Corneille de Lyon, Portrait of a Man, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435952

Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144216

Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8782

Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496

Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636

Pablo Picasso, Guitar, Paris, early 1919, Oil, charcoal and pinned paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36613

Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126

Master of the Horse Heads, Ornament with a Cupid, a Satyr,  and Grotesque Figures, 1453, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8758

Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8784

Jan Baptist de Wael, Den fortabte søn som svinehyrde, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19593

Gerard David, The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1154

Willem van Swanenburgh, Neptun ridende på to delfiner, 1603–1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb3579

Gerard David, Verkündigung Mariens, c. 1509, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1086

Spain, Dalmatic, 16th century, Linen, silk, metallic threads, embroidery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.65

Pablo Picasso, Bather, 1908, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34049

Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896

Hans Memling, Virgin and Child, c. 1470–80, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/114684

Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560

Pablo Picasso, Pipe, Glass, Bottle of Rum, 1914, Cut-and-pasted colored paper, printed paper, and painted paper, pencil, and gouache on prepared board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36008

Johannes van Doetechum the Elder, Euntes in Emaus (The Pilgrims to Emmaus), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/728

Julio González, Head of Montserrat Crying, No. 1, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36188

Julio González, Gold and Red Person, 1941, Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38217

Philip Galle, Charity, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5281

Persia (Iran), Painted tile with Qur’anic inscriptions, likely from a mosque or tomb, one of a pair, late 13th–early 14th century, Earthenware with relief calligraphy and underglaze painted in turquoise and blue with gold luster overglaze, Kashan ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.458

Lucas van Leyden, Two Cupids in Two Circles, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8599

Pablo Picasso, Still Life with Fan, 1910, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35501

Lucas van Leyden, David Playing the Harp before Saul, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8532

Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686

Juan Gris, Portrait of Pablo Picasso, January–February 1912, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8624

Pieter de Jode I, Neptune in his Chariot, late 16th–mid 17th century, Pen and brown ink, brown wash, over traces of black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334883

Persia (Iran), Bowl, 11th-12th century, Composite body with carved decor under clear glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.445

Marcellus Coffermans, The Adoration of the Shepherds, c. 1550, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435917

Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744