Pablo Picasso, Head of a Man, Céret spring 1913, Cut-and-pasted newspaper, colored paper, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37687 Philip Galle, Justice, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5279 Joan Miró, The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10878 Lucas van Leyden, The Tribute Money, c. 1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4755 Joan Miró, Plate VII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10900 Lucas van Leyden, Abraham and the Three Angels, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8534 Corneille de Lyon, Portrait of a Man, c. 1540–50, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435951 Pablo Picasso, Taureau, 1938, Ink on transparent graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33717 Lucas van Leyden, Joseph Interprets His Dream to Jacob, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8585 Francisco Goya, Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter), published 1799, etching, aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7451 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 Francisco Goya, Modo de volar (A Way of Flying), published 1864, etching, aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7629 Lucas van Leyden, Saint Joachim Embracing Saint Anna, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8579 Francisco Goya, The Garroted Man, in or before 1780, etching and (burin?) on smooth wove paper [second edition impression printed about 1830], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7448 Johannes van Doetechum the Elder, Magdalena Poenitens (The Penitent Magdalene), c. 1555/1557, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5282 Willem van Swanenburgh, Andromeda, 1610, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22235 Lucas van Leyden, The Baptism of Christ in the Jordan, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8543 Lucas van Leyden, Abraham Repudiating Hagar, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8586 Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8783 Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205 Lucas van Leyden, The First Prohibition, 1529, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8592 Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776 Lucas van Leyden, Saint Christopher at the Border of a River, c. 1505/1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8619 Corneille de Lyon, Charles de Cossé (1506–1563), Comte de Brissac, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435946 Francisco de Zurbarán, Christ and the Virgin in the House at Nazareth, c. 1640, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136217 Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248 Lucas van Leyden, The Fool and the Woman, 1520, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8594 Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987 Bartolomé Esteban Murillo, Two Women at a Window, c. 1655/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1185 Francisco Goya, Volaverunt (They Have Flown), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7479 Francisco Goya, Y esto tambien (And This Too), published 1863, etching, aquatint or lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7593 Joan Miró, Table of plates from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10893 Francisco Goya, Y son fieras (And They Are Like Wild Beasts), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7550 Lucas van Leyden, Hector of Troy, Alexander of Macedon, Julius Caesar, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8631 Gerard David, The Adoration of the Magi, c. 1520, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436104 Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766 Enrique Brinkmann, Procession, 1962, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33713 Salvador Dalí, Frontispiece for Second Surrealist Manifesto, 1930, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37430 Julio González, Study for Woman Combing Her Hair, 1936, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38769 Lucas van Leyden, Solomon's Idolatry, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8625 Julio González, Self-Portrait, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33850 Conrad Goltzius, Johannes Døberen i ørkenen, 1588–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20907 Francisco Goya, Yo lo vi (I Saw It), published 1863, etching, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7590 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Pablo Picasso, Maquette for the cover of the journal Minotaure, 1933, Assemblage of corrugated cardboard, metal foil, ribbons, printed paper, paper doily, artificial plant, tacks, and pencil on paper on wood with charcoal additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34095 Juan Muñoz, Untitled (3 Balconies with Time), 1984, Oilstick on plastic sheet over a paper envelope on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38713 Diego Velázquez, Bildnis des Kardinals Gaspar de Borja y Velasco, 1643–1645, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1036 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34242 Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8591 Pablo Picasso, Four Dancers, 1925, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34480 Francisco Goya, Por que? (Why?), published 1863, etching, lavis, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7554 Pablo Picasso, Two Dancers, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35077 Lucas van Leyden, Temperancia (Temperance), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8566 Gil de Siloé, Enthroned Virgin and Child, c. 1480, alabaster with traces of gilding and polychromy, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/166195 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 Francisco José de Goya y Lucientes, Maja and an officer; folio 22 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334724 Lucas van Leyden, David Praying, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8580 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34463 Pablo Picasso, Two Figures on a Beach, 1933, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37725 Pablo Picasso, Head of a Woman, spring 1909, Gouache, watercolor, and black and ochre chalks, manipulated with stump and wet brush, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/53111 Gerard David, The Nativity with Donors and Saints Jerome and Leonard, c. 1510–15, Oil on canvas, transferred from wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436099 Petrus Christus, The Nativity, c. 1450, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/47 Joan Miró, Plate XIX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10888 Master with the Banderoles, The Stoning of Saint Stephen, c. 1470/1475, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3417 Lucas van Leyden, The Scoffing of Christ, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8539 Luis Quintanilla, University City, Cancer Research Institute, Madrid, (1937), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37684 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794 Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185 Alonso Sánchez Coello, Portrait of Infante Ferdinand of Spain, c. 1574 (Renaissance), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.551 Joan Miró, Drawing - Collage, 1936, Crayon and decals on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35199 Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909 Bartolomé Esteban Murillo, Laban Searching for His Stolen Household Gods, c. 1665–70, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141929 Joan Miró, The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series), 1941, Gouache, oil wash, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33050 Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303 Lucas van Leyden, Caritas (Charity), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8569 Corneille de Lyon, Portrait of a Young Woman, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435957 Pablo Picasso, The Pool, January 30, 1968, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34830 Pablo Picasso, Burning Logs, January 4, 1945, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34805 Joan Miró, Rope and People, I, Barcelona, March 27, 1935, Oil on cardboard mounted on wood, with coil of rope, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33621 Lucas van Leyden, Potiphar's Wife Accusing Joseph, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8583 Eduardo Chillida, Around the Void II (Alrededor del vacio II), 1965, Forged steel, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/93444 Pablo Picasso, La belle qui passe, (1904), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36462 Johannes van Doetechum the Elder, Nundinae Rusticorum (Rustic Market), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/727 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793 Lucas van Leyden, Christ and the Woman of Samaria, 1521/1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8622 Luis de la Cruz y Rios, Princess María Francisca de Asis de Borbón and Her Son Infante Carlos Luis María Fernando de Borbón, 1818, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436059 Antonio Saura, Crucifixion, 1960, Collage and ink on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33329 Gerard David, The Saint Anne Altarpiece: Saint Anthony of Padua [right panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1156 Pablo Picasso, Nessus and Dejanira, September 9, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35124 Francisco Goya, Überfall auf eine Frau, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1964 Lucas van Leyden, Saint Sebastian, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8616 Lucas van Leyden, Saint Anthony, c. 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8615 Corneille de Lyon, Portrait of a Man with a Black-Plumed Hat, c. 1535–40, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435956 Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585 Pablo Picasso, The Mill at Horta, (Summer 1909), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34794 Lucas van Leyden, Ecce Homo, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8577 Joan Miró, Plate XVIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10887 Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895 Lucas van Leyden, Saint Mary Magdalene in the Desert, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8613 Netherlandish 16th Century, The Triumph of Christ ("The Mazarin Tapestry"), c. 1500, tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1606 Julio González, [Untitled], 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33811 Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004 Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083 Spanish (Castile), Massacre of the Firstborn and Egyptian Darkness, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3930 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Corneille de Lyon, Portrait of a Man, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435958 Eduardo Chillida, [Untitled], (1966), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33342 Joan Miró, Plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10899 Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571 Lucas van Leyden, Ornament with Two Sphinxes and a Winged Man, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8604 Lucas van Leyden, Pallas Athene, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8610 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38000 Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805 Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969 Gerard David, The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1155 Joan Miró, Collage, 1934, Corrugated cardboard, felt, gouache, and pencil on sandpaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34034 Pablo Picasso, Head of a Woman, Spring 1909, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33130 Pablo Picasso, Seated Female Nude, summer 1909, Watercolor and gouache, over graphite, on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79377 Lucas van Leyden, The Dentist, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8605 Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8550 Rogier van der Weyden, The Crucifixion with a Carthusian Monk, 1460, oil and gold on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112856 Antonio López García, The Staircase, 1967, Pencil and wax on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34492 Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982 Joan Miró, Plate II from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10889 Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555 Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657 Jusepe de Ribera, Saint Jerome, c. 1638–40, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136680 Lucas van Leyden, The Dance of Saint Mary Magdalene, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8551 Joan Miró, Plate XIV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10883 Gerard David, The Annunciation, 1506, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436096 Lucas van Leyden, Christ in Gethsemane (Agony in the Garden), 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8542 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34213 Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624 Lucas van Leyden, The Virgin and Child on the Crescent, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8573 Salvador Dalí, Cavalier of Death, 1934, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33037 Albert Bouts, The Annunciation, c. 1480, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122338 Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821 Lucas van Leyden, Venus and Cupid, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8563 Hieronymous Wierix, Circumcision, before 1573, Engraving print in black ink on off-white antique laid paper, darkened and soiled, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/250377 Francisco Goya, Nada (Nothing), 1810/1820, etching, aquatint and lavis with burnishing (proof) on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7635 Pablo Picasso, The Swineherd, 1906, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35015 Lucas van Leyden, Saint John the Baptist in the Desert, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8618 Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872 Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381 Lucas van Leyden, The Two Couples in the Forest, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8595 Pablo Picasso, Sheet of Studies, 1908, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33305 Lucas van Leyden, The Mouth of Truth, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8626 Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944 Lucas van Leyden, Saint Francis of Assisi Receiving the Stigmata, c. 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8614 Lucas van Leyden, Christ Carrying the Cross, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8558 Jan Wellens de Cock, The Stragglers, c. 1520–1530, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8627 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Manuel Salvador Carmona, The Tender Desire (Le Tendre désir), c. 1761, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2983 Lucas van Leyden, Adam and Eve, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8623 Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515 Gerard David, The Rest on the Flight into Egypt, c. 1512–15, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436101 Pablo Picasso, Brooding Woman (recto); Three Children (verso), 1904, Watercolor on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33008 Lucas van Leyden, A Nobleman and a Lady Seated in a Landscape, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8609 Gerard David, Virgin and Child, c. 1520, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436103 Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38004 Philip Galle, Hope, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5280 Joan Miró, Plate VIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10901 Jan Gossaert, Cain Killing Abel, c. 1525, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7443 Francisco Goya, No se convienen (They Do Not Agree), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7586 Netherlandish 16th Century, Christ and the Woman Taken in Adultery, c. 1500/1599, tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1605 Corneille de Lyon, Portrait of a Man with a Pointed Collar, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435954 Francisco Goya, Si amanece; nos vamos (When Day Breaks We Will Be Off), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7509 Pablo Picasso, Martin Fabiani, 1943, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35584 Lucas van Leyden, Prudencia (Prudence), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8568 Pablo Picasso, Portrait of Fernande Olivier, 1906, Drypoint with plate tone on copper in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/41433 Francisco Goya, Duendecitos (Hobgoblins), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7520 Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8536 Pablo Picasso, Nude Woman, Standing, (1912), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33833 Pablo Picasso, Head, (1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36990 Pablo Picasso, Two Nudes, Standing, fall 1906, Graphite, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/51364 Lucas van Leyden, Saint Luke, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8621 Pablo Picasso, The Harvesters, (1919), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36531 Lucas van Leyden, Joshua, David, Judas Maccabees, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8630 Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689 Diego Velázquez, The Needlewoman, c. 1640/1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/88 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34490 Lucas van Leyden, The Last Supper, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8578 Netherlandish 16th Century, Saint Jerome, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4591 Corneille de Lyon, Jean d'Albon de Saint-André (1472–1549), 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435947 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8785 Lucas van Leyden, The Musicians, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8607 Peter Maes, Hercules and Antaeus, 1577, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8775 Netherlandish 16th Century, Christ in the Wine Press, 16th century, woodcut, hand-colored in burgundy red, pink, dull green, dull orange, brown, tan and white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3945 Arent van Bolten, A Fantastic Creature, late 16th–early 17th century, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334690 Lucas van Leyden, Two Boys with a Helmet and a Standard, 1527, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8603 Gerard David, The Nativity, early 1480s, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436100 Lucas van Leyden, Saints Peter and Paul with the Vernicle, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8620 Hans Memling, Portrait of a Man with an Arrow, c. 1470/1475, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/49 Pablo Picasso, The Cock (Le Coq), 1938, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33706 Fernando Yáñez de la Almedina, Madonna and Child with the Infant Saint John, c. 1505, oil and tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/447 Juan Gris, Still Life, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33870 Francisco Goya, Bartolomé Sureda y Miserol, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/985 Joan Miró, Plate IX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10902 Lucas van Leyden, Mars, Venus, and Cupid, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8564 Julio González, Figures and Heads (Personnages et têtes), 1938, Pencil, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36966 Pablo Picasso, Sleeping Peasants, 1919, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34774 Lucas van Leyden, The Pilgrims, in or before 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8593 Francisco Domingo y Marqués, Portrait of an Old Man, 1882, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436206 Juan Gris, Drawing for Mouchoir de Nuages, 1925, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14346 Julio González, Three Studies of Self-Portrait, 1938–40, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36195 Pablo Picasso, Woman with Flowered Hat, 1921, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37004 Joan Miró, Plate XIII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10882 Master of the Mansi Magdalen, Rest on the Flight into Egypt, 1515–1525 (Renaissance), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.389 Lucas van Leyden, Spes (Hope), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8548 Pablo Picasso, Woman Washing Her Feet, July 10, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35140 Pablo Picasso, Man in a Bowler Hat, 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36618 Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794 Lucas van Leyden, Jael Killing Sisera, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8624 Corneille de Lyon, Portrait of a Widow, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435960 Gerardo Pita, Pomegranates, (July 1978), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38313 Juan Muñoz, Untitled (Balcony with Awning and Sketch below), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38712 Francisco Goya, Y no hai remedio (And There's No Help for It), published 1863, etching, drypoint, burin, and burnisher, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7580 Francisco Goya, El amour y la muerte (Love and Death), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7480 Julio González, Study for Head of Montserrat Crying No. 2, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33820 Lucas van Leyden, The Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8538 Joan Miró, Maquette for dust jacket for Joan Miró by James Thrall Soby, 1958, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37858 Lucas van Leyden, Lot and His Daughters, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8533 Pablo Picasso, [Untitled], 1969, Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35587 Francisco Goya, Que viene el coco (Here Comes the Bogey-Man), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7459 Pablo Picasso, The Flower Girl, (1906), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33908 Gerard David, The Crucifixion, c. 1495, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436098 Pablo Picasso, Frank Perls as Père Tanguy, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34919 Joan Miró, Wrapper front from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching, drypoint, and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10895 Corneille de Lyon, Anne de Pisseleu (1508–1576), Duchesse d'Étampes, c. 1535–40, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435945 Juan de Flandes, The Birth and Naming of John the Baptist, 1496–99, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148301 Lucas van Leyden, Christ Crowned with Thorns, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8537 Joan Miró, Plate IV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10897 Francisco José de Goya y Lucientes, Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334725 Francisco Goya, Bullfight in a Divided Ring, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/746 Michel Sittow, Portrait of Diego de Guevara (?), c. 1515/1518, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/53 Lucas van Leyden, The Captivity, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8541 Master of the Horse Heads, Upright Ornament with Two Sirens, 1453, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8759 Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8535 Antonio Saura, Señorita, 1960, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37185 Francisco Goya, Tanto y mas (Even Worse), published 1863, etching, lavis, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7601 Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932 Francisco Goya, Gewaltszene gegen zwei Frauen, 1810–1812, Kiefernholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1965 Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659 Pablo Picasso, Figures, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36254 Juan Gris, Glass, Siphon and Checkerboard, 1917, Charcoal, with stumping on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/82027 Manuel Angeles Ortiz, Sketch for lithograph In the Open Country, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37996 Francisco José de Goya y Lucientes, Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), 1810, Etching, drypoint (proof impression), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334723 Johannes van Doetechum the Elder, Milites Requiescentes (Soldiers at Rest), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5283 Rogier van der Weyden, Medici-Madonna, c. 1453–1460, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/846 Francisco Goya, Quien lo creyera! (Who Would Have Thought It!), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7482 Lucas van Leyden, Esther before Ahasuerus, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8546 Petrus Christus, Madonna mit Kind und den Heiligen Hieronymus und Franziskus, 1457, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/914 Julio González, Two Figures, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36959 Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20901 Francisco Goya, Isabel de Borbon, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7446 Joan Miró, Collage (Study for Painting, June 13, 1933), 1933, Cut-and-pasted photomechanical reproductions and graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34537 Hans Memling, Madonna and Child with Angels, after 1479, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/48 Joan Miró, Man with a Moustache, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37144 Joan Miró, Plate XV from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10884 Lucas van Leyden, Triton and Siren in Tendrils, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8601 Joan Miró, Final study for Portrait of Mistress Mills in 1750, 1929, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34521 Lucas van Leyden, The Temptation of Saint Anthony, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8552 Pablo Picasso, Head (Study for Les Demoiselles d'Avignon), 1906, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36610 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33705 Lucas van Leyden, The Adoration of the Magi, 1513, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8544 Francisco Goya, Dibersion de España (Spanish Entertainment), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/745 Lucas van Leyden, The Savior Standing with the Globe and Cross in His Left Hand, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8598 Pablo Picasso, Guitar, Paris, December 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33508 Joan Miró, Plate XXII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Drypoint and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10892 Juan Muñoz, Untitled (Balcony with heavy black vertical line), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38711 Pablo Picasso, Casket, Cup and Apple, (Winter 1909), Ink wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37795 Pablo Picasso, Study for a Construction, Paris or Sorgues, spring or summer 1912, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37977 Lucas van Leyden, Justicia (Justice), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8567 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33122 Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368 Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/865 Julio González, Study for Head, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36978 Juan Gris, Still Life with Bottle and Funnel, 1911, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36672 Jusepe de Ribera, Der Heilige Jakobus der Ältere, c. 1615–1616, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/111304 Lucas van Leyden, Arthur, Charles the Great (Charlemagne), Godfry of Bouillon, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8629 Pablo Picasso, Head of a Man with a Hat, 1912, Cut-and-pasted newspaper and colored paper, ink, and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35867 Bartolomé Esteban Murillo, Der gute Hirte, c. 1675–1682, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2037 Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446 Francisco Goya, Nadie nos ha visto (No One Has Seen Us), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7454 Juan Gris, Portrait of Max Jacob, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33741 Pablo Picasso, Studies of a Rooster, c. 1896, Colored chalk on beige antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5361 Diego Velázquez, Portrait of the Jester Calabazas, c. 1631–32, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141549 Spanish 14th Century, Ewer and Cover, 14th century (crystal); c. 1600 (mounts); before 1905 (spout), rock crystal and gilded silver and copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1463 Francisco Goya, Por que fue sensible (Because She Was Susceptible), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7469 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33157 Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142 Joan Miró, Plate XVII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10886 Francisco Goya, El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/743 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34176 Lucas van Leyden, The Poet Virgil Suspended in a Basket, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/748 Lucas van Leyden, Saint Catherine, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8612 Francisco Goya, Thérèse Louise de Sureda, c. 1803/1804, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/991 Antonis Mor, Portrait of a Gentleman, 1569, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/59 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38746 Francisco Goya, No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7613 Joan Miró, Plate V from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10898 Francisco Goya, Fuerte cosa es! (That's Tough!), published 1863, etching, burnished aquatint, and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7551 Pablo Picasso, Family with a Crow, (1905), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36614 Francisco Goya, Linda maestra! (Pretty Teacher!), published 1799, etching, burnished aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7500 Pablo Picasso, Cubist Study, (1912), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37973 Philip Galle, Prudence, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5275 Master d, Saint Matthias and Saint Jude with Articles from the Credo, 1450/1460, metalcut, hand-colored in olive green, dull red lake and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3921 Lucas van Leyden, Saint John, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8570 Netherlandish 16th Century, The Masquerade of Ourson and Valentin, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/730 Francisco Goya, A caza de dientes (Out Hunting for Teeth), published 1799, etching, burnished aquatint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7486 Jan Baptist de Wael, Den fortabte søns hjemkomst, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19594 Francisco de Herrera, the Elder, Study of a Seated Nude, Bearded Man in Half-Length, 1610–54, Pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334775 Julio González, Study for Sculpture, 1936, Watercolor, ink, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38214 Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024 Joan Miró, The Escape Ladder (from the Constellation series), 1940, Gouache, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37949 Joan Miró, Plate I from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10877 Joan Miró, Variant of plate VI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint with pastel additions from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10894 Corneille de Lyon, Portrait of a Man with a Gold Chain, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435953 Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490 Francisco Goya, Isabel de Borbon, 1778, printed later, etching and drypoint on wove paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7445 Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1443 Julio González, Study for Sculpture, 1937, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38216 Pablo Picasso, Two Acrobats with a Dog, 1905, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35378 Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511 Pablo Picasso, Guitar, Céret, spring 1913, Cut-and-pasted newspaper, wallpaper, paper, ink, chalk, charcoal, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38359 Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236 Joan Miró, Study for Dutch Interior (I), 1928, Pencil and white chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34228 Pablo Picasso, Fernande Olivier, summer 1906, Charcoal, with stumping, on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/75420 Lucas van Leyden, Christ Crowned with Thorns, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8555 Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260 Lucas van Leyden, Pyramus and Thisbe, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8611 Pablo Picasso, Ricciotto Canudo, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33236 Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 Lucas van Leyden, Solomon's Idolatry, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8547 Lucas van Leyden, Saint Jerome in a Landscape, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8617 Lucas van Leyden, Golgotha, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8554 Joan Miró, Drawing-Collage, 1933, Conté crayon, postcards, sandpaper, and cut-and-pasted printed paper on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36332 Francisco Goya, Que valor! (What Courage!), published 1863, etching, aquatint, drypoint, engraving, and burnishing, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7556 Philip Galle, Temperance, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5276 Lucas van Leyden, The Explusion from Paradise, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8590 Pablo Picasso, Bathers in a Forest, 1908, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33370 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8781 Joan Miró, The Statue, 1926, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33757 Francisco José de Goya y Lucientes, Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, 1797/99, Etching, aquatint, drypoint and burin in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62560 Julio González, Study for Cagoulard, 1935, Ink, crayon, and pencil on cut-and-pasted paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33120 Lucas van Leyden, Cain Killing Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8589 Abraham de Bruyn, Venus, 1569, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5287 Lucas van Leyden, The Virgin in the Niche, c. 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8574 Francisco Goya, Tal para qual (Two of a Kind), in or before 1799, etching retouched with stumped black chalk on laid paper [proof before letters], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7637 Francisco Goya, Dios se lo pague a vsted (May God Repay You), probably c. 1804, etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7447 Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270 Corneille de Lyon, Portrait of a Bearded Man in White, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435949 Francisco Goya, Señora Sabasa Garcia, c. 1806/1811, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/95 Joan Miró, Plate XI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10880 Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261 Francisco Goya, The Marquesa de Pontejos, c. 1786, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/92 Lucas van Leyden, The Crucifixion, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8557 Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495 Joan Miró, Final study for Dutch Interior (I), 1928, Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34445 Joan Miró, Plate XX from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10890 Lucas van Doetechum, Euntes in Emaus (The Pilgrims to Emmaus), c.1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5285 Lucas van Leyden, The Surgeon, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8606 Francisco Goya, Asta su abuelo (And So Was His Grandfather), published 1799, lift-ground aquatint and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7490 Pablo Picasso, Meditation (Contemplation), (late 1904), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33823 Francisco Goya, No se puede saber por que (One Can't Tell Why), published 1863, etching, burnished lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7563 Lucas van Leyden, Two Cupids Seated on Clouds in Two Circles, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8600 Lucas van Leyden, The Virgin and Child with Two Angels, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8572 Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574 Lucas van Leyden, Adam and Eve Lamenting the Death of Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8588 Corneille de Lyon, Portrait of a Man, c. 1545, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435950 Julio González, Study for Head, 1935, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33141 Lucas van Leyden, The Triumph of Mordecai, 1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8545 Gerard David, Der heilige Hieronymus in der Wildnis, c. 1510, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1082 Salvador Dalí, Studies of Horsemen, 1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35278 Bartolomé Esteban Murillo, The Virgin of the Immaculate Conception, c. 1660 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.286 Juan Muñoz, Untitled (Facing Balconies), 1984, Oilstick on plastic sheet on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38710 Rogier van der Weyden, Portrait of a Lady, c. 1460, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/51 Gerard David, Virgin and Child with Four Angels, c. 1510–15, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436102 Gerard David, The Rest on the Flight into Egypt, c. 1510, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/50 Gerard David, Christ Taking Leave of His Mother, c. 1500, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436097 Francisco Goya, Ni por esas (Neither Do These), published 1863, etching, lavis, drypoint, and burin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7568 Corneille de Lyon, Portrait of a Bearded Man in Black, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435948 Luis Quintanilla, Air Raid in Country District, 1937, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37680 Pablo Picasso, The Balcony, (1933), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33843 Lucas van Leyden, Abraham Going to Sacrifice Isaac, 1517/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8628 Francisco Goya, Baco (Bacchus), 1778, etching on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/742 Workshop of Joachim Patinir, Rest on the Flight into Egypt and the Miraculous Field of Wheat, c. 1518–24, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.2 Juan Gris, Glass and Bottle, 1913, Ink, gouache, watercolor, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34512 Netherlandish 16th Century, Christ at the Mount of Olives, after 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8556 Francisco José de Goya y Lucientes, A young woman looking into a well; folio 46 (verso) from the Madrid Album "B", 1795–97, Brush and point of brush, carbon black washes, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334726 Spanish (Castile), Madonna and Child, c. 1475/1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3768 Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8587 Lucas van Leyden, The Virgin and Saint Anna, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8575 Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415 Lucas van Leyden, The Promenade, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8596 Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516 Lucas van Leyden, The Old Woman with Grapes, c. 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8608 Lucas van Leyden, Fides (Faith), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8549 Corneille de Lyon, Portrait of a Man, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435959 Cornelis Cort, The Triumph of the World, 1564, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5328 Joan Miró, Maquette for poster for Recent Works (Oeuvres récentes), Galerie Maeght, Paris, 1953, 1953, Gouache, oil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37952 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8786 Juan Gris, Breakfast (Le Petit déjeuner), 1914, Gouache, oil, and crayon on cut-and-pasted printed paper on canvas with oil and crayon, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35572 Philip Galle, Faith, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5277 Corneille de Lyon, Portrait of a Man with Gloves, c. 1535, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435944 Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492 Joan Miró, Woman (Opera Singer), 1934, Pastel and pencil on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37242 Richard Boix, Da-Da (New York Dada Group), 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34704 Pablo Picasso, Female Head, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33051 Lucas van Leyden, Jezebel and Ahab, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/762 Julio González, Study for Head, 1936, Gouache, crayon, and ink on cut-and-pasted paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38075 Francisco Goya, El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), published 1799, etching and aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7502 Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506 Joan Miró, Study for Dutch Interior, I, 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34427 Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568 Philip Galle, Fortitude, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5278 Jan Wellens de Cock, Johannes på Patmos, 1460–1521, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20278 Hans Memling, Bildnis eines Mannes mit hoher roter Kappe, c. 1470–1475, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/938 Joan Miró, Plate XII from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10881 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34160 Lucas van Leyden, Joseph Escaping Potiphar's Wife, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8584 Lucas van Leyden, Ecce Homo, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8576 Pablo Picasso, Two Nudes, 1906, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35372 Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352 Joan Miró, Plate X from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10879 Salvador Dalí, Studies of a Nude, 1935, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38241 Julio González, Head of Montserrat Grieving No. 2, 1938, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36181 Francisco Goya, No te escaparas (You Will Not Escape), published 1799, etching and burnished aquatint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7512 Pablo Picasso, Head of the Medical Student (Study for Les Demoiselles d'Avignon), 1907, Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33169 Lucas van Leyden, Two Naked Children Supporting a Blank Shield, c. 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8602 Lucas van Leyden, Muhammed og munken Sergius, 1508, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20370 Corneille de Lyon, Portrait of a Man with Gloves, 1540–45, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435955 Francisco Goya, Margarita de Austria, 1778, etching and drypoint on heavy laid paper [first edition impression printed in the Calcografia in 1778-79], National Gallery of Art, Washington. https://dartabase.art/cite/nga/7638 Julio González, Standing Figure, c. 1941, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35448 Lucas van Leyden, Christ before Annas, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8540 Lucas van Leyden, Emperor Maximilian I, 1520, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8562 Adriaen de Vries, Empire Triumphant over Avarice, 1610, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1287 Joan Miró, Plate XVI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint and engraving from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10885 Lucas van Leyden, Joseph Interprets the Dreams in Prison, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8582 Pablo Picasso, Woman with a Helmet of Hair, 1904, Gouache on tan wood pulp board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/68414 Joan Miró, Study for Dutch Interior (I), 1928, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34196 Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947 Julio González, Study for Woman Combing Her Hair, 1936, Pencil, crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38747 Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037 Pedro de Mena, Saint Peter of Alcántara, c. 1663–70, painted wood, with ivory and glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/168194 Joan Miró, The Family, 1924, Charcoal, chalk, and conté crayon on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36647 Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001 Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436 Master of the Horse Heads, Children Playing with a Bitch and Three Young Dogs, 1453, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4401 Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180 Salvador Dalí, [Untitled], 1927, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35507 Francisco Goya, Quien mas rendido? (Which of Them Is the More Overcome?), published 1799, etching, aquatint, and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7452 Joan Miró, Study for Portrait of Mistress Mills in 1750, 1929, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34507 Lucas van Leyden, Ecce Homo, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8559 Lucas van Leyden, Saint Luke, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8571 Joan Miró, Plate XXI from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Etching and aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10891 Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915 Lucas van Leyden, A Young Man with Eight Armed Men, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8597 Corneille de Lyon, Portrait of a Man, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435952 Bartolomé Esteban Murillo, Madonna Nursing the Christ Child, c. 1670–72, pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144216 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8782 Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845 Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244 Francisco Goya, Ni mas ni menos (Neither More nor Less), published 1799, etching, burnished aquatint, drypoint, and burin on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7496 Francisco Goya, Si quebro el cantaro (Yes He Broke the Pot), 1799, etching, aquatint and drypoint on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7636 Pablo Picasso, Guitar, Paris, early 1919, Oil, charcoal and pinned paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36613 Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495 Juan Gris, Compotier and Bottle, 1917, Conté crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36126 Master of the Horse Heads, Ornament with a Cupid, a Satyr, and Grotesque Figures, 1453, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8758 Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8784 Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628 Jan Baptist de Wael, Den fortabte søn som svinehyrde, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19593 Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499 Gerard David, The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1154 Willem van Swanenburgh, Neptun ridende på to delfiner, 1603–1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb3579 Gerard David, Verkündigung Mariens, c. 1509, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1086 Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888 Kano Naonobu, Landscape with Full Moon, Edo period, 17th century, Hanging scroll; ink on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4927 Pablo Picasso, Bather, 1908, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34049 Joan Miró, Plate III from The Ring of Dawn Suite (Suite la bague d'aurore), 1957, Aquatint from a portfolio of twenty-four aquatints (including wrapper and variant print) (five with etching, two with engraving, two with drypoint, and one with pastel additions) and one etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10896 Hans Memling, Virgin and Child, c. 1470–80, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/114684 Joan Miró, Collage, 1929, Conté crayon, gouache, ink, flocked paper, newspaper, abrasive cloth, and various papers on flocked paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38560 Pablo Picasso, Pipe, Glass, Bottle of Rum, 1914, Cut-and-pasted colored paper, printed paper, and painted paper, pencil, and gouache on prepared board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36008 Johannes van Doetechum the Elder, Euntes in Emaus (The Pilgrims to Emmaus), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/728 Julio González, Head of Montserrat Crying, No. 1, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36188 Julio González, Gold and Red Person, 1941, Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38217 Philip Galle, Charity, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5281 Lucas van Leyden, Two Cupids in Two Circles, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8599 Pablo Picasso, Still Life with Fan, 1910, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35501 Lucas van Leyden, David Playing the Harp before Saul, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8532 Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686 Juan Gris, Portrait of Pablo Picasso, January–February 1912, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8624 Pieter de Jode I, Neptune in his Chariot, late 16th–mid 17th century, Pen and brown ink, brown wash, over traces of black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334883 Marcellus Coffermans, The Adoration of the Shepherds, c. 1550, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435917 Francisco Goya, Picador Caught by a Bull, 1825, lithograph on wove paper [edition impression printed by Gaulon in Bordeaux in 1825], National Gallery of Art, Washington. https://dartabase.art/cite/nga/744