Philip Galle, Justice, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5279 Lucas van Leyden, The Tribute Money, c. 1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4755 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Lucas van Leyden, Abraham and the Three Angels, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8534 Corneille de Lyon, Portrait of a Man, c. 1540–50, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435951 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Nikolai Suetin, [Untitled], (1922–24), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36506 Aleksei Kruchenykh, Valia Zdanevich, 1923, Collage with photograph, pencil and watercolor manuscript text., The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9072 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Lucas van Leyden, Joseph Interprets His Dream to Jacob, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8585 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 Lucas van Leyden, Saint Joachim Embracing Saint Anna, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8579 Nikolai Suetin, Study for Composition, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38358 Ivan Kudriashov, Suprematist Composition, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38248 Aleksandr Rodchenko, Abstract Drawing, (1941), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36326 Johannes van Doetechum the Elder, Magdalena Poenitens (The Penitent Magdalene), c. 1555/1557, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5282 Willem van Swanenburgh, Andromeda, 1610, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22235 Alexandra Exter, Robot, 1926, Cardboard, fabric, wood, glass, and string, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76277 Lucas van Leyden, The Baptism of Christ in the Jordan, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8543 Lucas van Leyden, Abraham Repudiating Hagar, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8586 Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8783 Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205 Lucas van Leyden, The First Prohibition, 1529, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8592 Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776 Lucas van Leyden, Saint Christopher at the Border of a River, c. 1505/1506, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8619 Corneille de Lyon, Charles de Cossé (1506–1563), Comte de Brissac, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435946 Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248 Lucas van Leyden, The Fool and the Woman, 1520, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8594 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Master S, Saint Barbara, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8757 Ivan Kliun, Composition, (1920), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38240 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Lucas van Leyden, Hector of Troy, Alexander of Macedon, Julius Caesar, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8631 Ivan Kudriashov, Suprematist Composition, 1921, Pencil, watercolor, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38246 Gerard David, The Adoration of the Magi, c. 1520, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436104 Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766 Natalia Goncharova, Portrait, c. 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36004 Lucas van Leyden, Solomon's Idolatry, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8625 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Conrad Goltzius, Johannes Døberen i ørkenen, 1588–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20907 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Vasily Yakovlovich Sitnikov, Hillock, 1962, Oil and colored crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36759 Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8591 Lucas van Leyden, Temperancia (Temperance), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8566 Natalia Goncharova, Spanish Dancer, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38215 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38365 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 Lucas van Leyden, David Praying, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8580 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Gerard David, The Nativity with Donors and Saints Jerome and Leonard, c. 1510–15, Oil on canvas, transferred from wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436099 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Petrus Christus, The Nativity, c. 1450, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/47 Master with the Banderoles, The Stoning of Saint Stephen, c. 1470/1475, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3417 Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33825 Dmitri M. Shashurin, Elements of Life, 1962, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33224 Lucas van Leyden, The Scoffing of Christ, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8539 Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794 Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185 Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909 Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303 Lucas van Leyden, Caritas (Charity), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8569 Léon Bakst, Panel (Dress or Furnishing Fabric), Designed 1922; produced 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11887 Liubov Popova, [Untitled], 1917, Cut-and-pasted colored paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37265 Corneille de Lyon, Portrait of a Young Woman, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435957 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Lucas van Leyden, Potiphar's Wife Accusing Joseph, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8583 Johannes van Doetechum the Elder, Nundinae Rusticorum (Rustic Market), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/727 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793 Lucas van Leyden, Christ and the Woman of Samaria, 1521/1523, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8622 Gerard David, The Saint Anne Altarpiece: Saint Anthony of Padua [right panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1156 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Lucas van Leyden, Saint Sebastian, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8616 Lucas van Leyden, Saint Anthony, c. 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8615 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Corneille de Lyon, Portrait of a Man with a Black-Plumed Hat, c. 1535–40, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435956 Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585 Aleksandr Rodchenko, Line Construction, 1921, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33392 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Lucas van Leyden, Ecce Homo, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8577 Solomon Telingater, Foto-monter Dzhon Khartfil'd (The Photomontager John Heartfield), 1931, Pamphlet, letterpress printed, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16674 Jean Pougny (Ivan Puni), Study for Relief Sculpture, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38314 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895 Lucas van Leyden, Saint Mary Magdalene in the Desert, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8613 Netherlandish 16th Century, The Triumph of Christ ("The Mazarin Tapestry"), c. 1500, tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1606 Alexei Jawlensky, Large Meditation (Grosse Meditation), 1936, Oil on cloth-textured paper over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37587 Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Corneille de Lyon, Portrait of a Man, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435958 Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571 House of Fabergé, Miniature Chair, 1896–1906, gold, silver gilt, enamel, rubies, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142748 Lucas van Leyden, Ornament with Two Sphinxes and a Winged Man, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8604 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Lucas van Leyden, Pallas Athene, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8610 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Aleksandr Rodchenko, Maquette for a handbill announcing the film Potemkin, (1925), Gelatin silver print and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37965 Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805 Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969 Gerard David, The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1155 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Lucas van Leyden, The Dentist, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8605 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8550 Rogier van der Weyden, The Crucifixion with a Carthusian Monk, 1460, oil and gold on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/112856 Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Natan Al'tman, Maquette for illustrations for Solntsa Potselui. Stikhi (Kiss of the Sun: Verse), 1914, Pastel, gouche, and ink on cut-and-pasted paper mounted on cut and pasted green construction paper mounted on red construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9226 Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555 Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657 Lucas van Leyden, The Dance of Saint Mary Magdalene, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8551 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Gerard David, The Annunciation, 1506, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436096 Lucas van Leyden, Christ in Gethsemane (Agony in the Garden), 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8542 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624 Lucas van Leyden, The Virgin and Child on the Crescent, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8573 Albert Bouts, The Annunciation, c. 1480, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122338 Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821 Henrik Wigström, Miniature Bathroom Chair (Bidet), 1908–17, gold, nephrite, enamel, pearls, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142749 Lucas van Leyden, Venus and Cupid, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8563 Aleksandr Rodchenko, Study for Perpetuum Mobile, 1922, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33229 Hieronymous Wierix, Circumcision, before 1573, Engraving print in black ink on off-white antique laid paper, darkened and soiled, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/250377 Lucas van Leyden, Saint John the Baptist in the Desert, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8618 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381 Lucas van Leyden, The Two Couples in the Forest, c. 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8595 Léon Bakst, Costume design for the ballet The Firebird ( L'Oiseau de feu ), 1913, Gouache, watercolor, metallic paint, and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33017 Natalia Goncharova, The Flight into Egypt, for Liturgy, 1915, Watercolor, gouache heightened with gelatin and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33931 Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057 Liubov Popova, Composition, c. 1920, Gouache, watercolor, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38308 Lucas van Leyden, The Mouth of Truth, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8626 Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944 Lucas van Leyden, Saint Francis of Assisi Receiving the Stigmata, c. 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8614 Lucas van Leyden, Christ Carrying the Cross, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8558 Jan Wellens de Cock, The Stragglers, c. 1520–1530, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8627 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Lucas van Leyden, Adam and Eve, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8623 Jan van Eyck, Lucca-Madonna, c. 1437, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/937 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32958 Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515 Gerard David, The Rest on the Flight into Egypt, c. 1512–15, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436101 House of Fabergé, Flower Study of a Wild Rose, c. 1885–1915, gold, silver, enamel, diamond, jade, rock crystal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142731 Lucas van Leyden, A Nobleman and a Lady Seated in a Landscape, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8609 Gerard David, Virgin and Child, c. 1520, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436103 Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966 Philip Galle, Hope, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5280 Jan Gossaert, Cain Killing Abel, c. 1525, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7443 Netherlandish 16th Century, Christ and the Woman Taken in Adultery, c. 1500/1599, tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1605 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Corneille de Lyon, Portrait of a Man with a Pointed Collar, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435954 Lucas van Leyden, Prudencia (Prudence), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8568 Varvara Stepanova, Letterhead for the journal Za rubezhom (Abroad), 1930, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14236 Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8536 Lucas van Leyden, Saint Luke, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8621 Lucas van Leyden, Joshua, David, Judas Maccabees, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8630 Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689 Lucas van Leyden, The Last Supper, 1521, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8578 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Netherlandish 16th Century, Saint Jerome, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4591 Corneille de Lyon, Jean d'Albon de Saint-André (1472–1549), 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435947 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and crayon on paper; with ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38135 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37182 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Mikhail Larionov, Still Life, (c. 1906), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36047 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8785 Kazimir Malevich, Houses of the Future Leningrad: Pilot's House, 1924, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35590 Lucas van Leyden, The Musicians, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8607 Peter Maes, Hercules and Antaeus, 1577, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8775 Netherlandish 16th Century, Christ in the Wine Press, 16th century, woodcut, hand-colored in burgundy red, pink, dull green, dull orange, brown, tan and white on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3945 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38143 Arent van Bolten, A Fantastic Creature, late 16th–early 17th century, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334690 Lucas van Leyden, Two Boys with a Helmet and a Standard, 1527, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8603 Gerard David, The Nativity, early 1480s, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436100 Lucas van Leyden, Saints Peter and Paul with the Vernicle, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8620 Hans Memling, Portrait of a Man with an Arrow, c. 1470/1475, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/49 Lucas van Leyden, Mars, Venus, and Cupid, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8564 Lucas van Leyden, The Pilgrims, in or before 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8593 Léon Arthur Tutundjian, [Untitled], 1928, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38366 Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345 Master of the Mansi Magdalen, Rest on the Flight into Egypt, 1515–1525 (Renaissance), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.389 Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed and painted paper, gelatin silver prints, ink, and crayon on paper with ink and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38138 Lucas van Leyden, Spes (Hope), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8548 Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794 Lucas van Leyden, Jael Killing Sisera, 1516/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8624 Corneille de Lyon, Portrait of a Widow, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435960 House of Fabergé, Flower Study of a Lily of the Valley, c. 1885–1915, pearls, diamonds, jade, rock crystal, silver, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142734 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Ivan Kliun, Sketch for Turnir Poetov (Tournament of Poets), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14384 Lucas van Leyden, The Flagellation, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8538 Lucas van Leyden, Lot and His Daughters, 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8533 Kazimir Malevich, Untitled (Suprematist Cross), 1920, printed 1973, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9069 Gerard David, The Crucifixion, c. 1495, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436098 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Corneille de Lyon, Anne de Pisseleu (1508–1576), Duchesse d'Étampes, c. 1535–40, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435945 Léon Bakst, Nijinsky, 1909, Oil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36546 Master S, Lucretia, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8755 Mikhail Evlampievich Perkhin, Parrot from the Parrot on a Perch, 1896–1903, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142739 Juan de Flandes, The Birth and Naming of John the Baptist, 1496–99, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148301 Lucas van Leyden, Christ Crowned with Thorns, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8537 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11884 Master S, Saint Mary Magdalene and Saint John the Evangelist, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8756 Michel Sittow, Portrait of Diego de Guevara (?), c. 1515/1518, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/53 Master S, The Entombment, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8753 Lucas van Leyden, The Captivity, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8541 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37188 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Master of the Horse Heads, Upright Ornament with Two Sirens, 1453, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8759 Lucas van Leyden, The Fall of Man, c. 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8535 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932 Petrus Christus, Saint John the Baptist in a Landscape, c. 1445, oil on panel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149768 Alexei Jawlensky, Stillleben mit violetter Schale, 1912, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2110 Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659 Olga Rozanova, Untitled (Futurist Landscape), 1913, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9120 Varvara Rodchenko, Printer's proof for cover for Neokonchennye spory (Unfinished Argument), c. 1978, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27529 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33948 El Lissitzky, Study for the book About Two Squares: A Suprematist Tale of Two Squares in Six Constructions (Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh), 1920, Watercolor and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37650 Johannes van Doetechum the Elder, Milites Requiescentes (Soldiers at Rest), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5283 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Rogier van der Weyden, Medici-Madonna, c. 1453–1460, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/846 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Lucas van Leyden, Esther before Ahasuerus, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8546 Petrus Christus, Madonna mit Kind und den Heiligen Hieronymus und Franziskus, 1457, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/914 Liubov Popova, Architectonic Composition, 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38311 Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20901 Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207293 House of Fabergé, Flower Study of a Lowbush Cranberry or Lingonberry, c. 1885–1915, chalcedony, jade, rock crystal, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142737 Hans Memling, Madonna and Child with Angels, after 1479, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/48 Anatoly Timofeevich Zverev, Figure, (1955), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35943 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Lucas van Leyden, Triton and Siren in Tendrils, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8601 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Alexandra Exter, Alexandra Exter: Stage Sets (Alexandra Exter: Décors de théâtre), 1926–30, published 1930, Album of fifteen pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35529 Lucas van Leyden, The Temptation of Saint Anthony, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8552 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Natalia Goncharova, The City Square. Study for backdrop for the ballet Le Coq d'or (The Golden Cockerel), c. 1937, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36118 Iakov Chernikhov, Dimensional Curve Interlace, 1928–30, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14215 House of Fabergé, Kremlin Tower Clock, c. 1913, rhodonite, silver, enamel, emeralds, sapphires, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142773 Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1921–22, Book with fabric and paper collaged elements on gray-blue paper cover (discolored to buff at edges), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199560 Lucas van Leyden, The Adoration of the Magi, 1513, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8544 Lucas van Leyden, The Savior Standing with the Globe and Cross in His Left Hand, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8598 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Igor' Terent'ev, Invitation to Terent'ev's May Day soiree, c. 1920, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14225 Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564 Lucas van Leyden, Justicia (Justice), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8567 Varvara Rodchenko, Study for cover of Beloe-chernoe (White and Black), 1965, Relief halftone with embossing and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27005 Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368 Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/865 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Lucas van Leyden, Arthur, Charles the Great (Charlemagne), Godfry of Bouillon, 1515/1517, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8629 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32972 Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446 Sergei Eisenstein, Salome, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37168 Aleksandr Rodchenko, Line Construction, 1920, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38331 Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142 Lucas van Leyden, The Poet Virgil Suspended in a Basket, c. 1512, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/748 El Lissitzky, Proun Composition, c. 1922, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36682 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and pencil on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38132 Lucas van Leyden, Saint Catherine, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8612 Antonis Mor, Portrait of a Gentleman, 1569, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/59 Natalia Goncharova, The Nativity, for Liturgy, 1915, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33922 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Olga Rozanova, Untitled manuscript of verse, c. 1917, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14253 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Peter Carl Fabergé, Imperial Red Cross Easter Egg, 1915, gold, silver gilt, enamel, glass, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140001 Philip Galle, Prudence, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5275 Master d, Saint Matthias and Saint Jude with Articles from the Credo, 1450/1460, metalcut, hand-colored in olive green, dull red lake and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3921 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Master S, Pilate Washing His Hands, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8752 Lucas van Leyden, Saint John, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8570 Netherlandish 16th Century, The Masquerade of Ourson and Valentin, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/730 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Jan Baptist de Wael, Den fortabte søns hjemkomst, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19594 Ivan Kliun, Still Life, 1925, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34060 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Léon Bakst, Porphyrophore. Costume design for the ballet The Sleeping Princess, 1921, Metallic paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33029 Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Master S, Lot and His Daughters, 1440, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8754 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Corneille de Lyon, Portrait of a Man with a Gold Chain, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435953 Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490 Kazimir Malevich, Suprematist Elements: Squares, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38101 Pieter de Jode I, Den hellige familie, 1590–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1443 Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236 Lucas van Leyden, Christ Crowned with Thorns, 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8555 Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260 Lucas van Leyden, Pyramus and Thisbe, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8611 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 Lucas van Leyden, Solomon's Idolatry, 1514, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8547 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Lucas van Leyden, Saint Jerome in a Landscape, 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8617 Lucas van Leyden, Golgotha, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8554 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Il'ia Chashnik, Suprematist Design for a Plate, (1922–25), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38189 Alexandra Exter, Guardian of Energy. Costume design for the film Aelita by Yakov Protazanov, 1924, Ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36691 Philip Galle, Temperance, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5276 Lucas van Leyden, The Explusion from Paradise, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8590 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8781 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86363 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Alexei Jawlensky, Abstrakter Kopf: Sinfonie in Rosa, 1929, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1839 Lucas van Leyden, Cain Killing Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8589 Abraham de Bruyn, Venus, 1569, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5287 Lucas van Leyden, The Virgin in the Niche, c. 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8574 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Corneille de Lyon, Portrait of a Bearded Man in White, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435949 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Peter Carl Fabergé, Lapis Lazuli Easter Egg, c. 1885–90, gold, enamel, lapis lazuli, pearls, diamonds, rubies, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142723 Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Lucas van Leyden, The Crucifixion, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8557 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted paper, watercolor, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38141 Lucas van Doetechum, Euntes in Emaus (The Pilgrims to Emmaus), c.1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5285 Lucas van Leyden, The Surgeon, 1524, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8606 House of Fabergé, Sleeping Puppies on a Mat, c. 1895–1915, agate, chalcedony, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142745 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Aleksandr Rodchenko, Construction, 1920, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33112 Vaslav Nijinsky, [Untitled], c. 1916, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36007 Lucas van Leyden, Two Cupids Seated on Clouds in Two Circles, 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8600 Lucas van Leyden, The Virgin and Child with Two Angels, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8572 Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574 Alexandre Benois, Costume design for the opera Sadko, 1931, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38436 Lucas van Leyden, Adam and Eve Lamenting the Death of Abel, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8588 Corneille de Lyon, Portrait of a Man, c. 1545, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435950 Alexei Jawlensky, Stillleben mit Petroleumlampe, 1907, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128290 Alexandra Exter, Composition, c. 1916, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38209 Lucas van Leyden, The Triumph of Mordecai, 1515, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8545 Gerard David, Der heilige Hieronymus in der Wildnis, c. 1510, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1082 Aleksandr Vesnin, Proposal for a Monument to the Third International, 1921, Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38259 Rogier van der Weyden, Portrait of a Lady, c. 1460, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/51 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Gerard David, Virgin and Child with Four Angels, c. 1510–15, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436102 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37194 Gerard David, The Rest on the Flight into Egypt, c. 1510, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/50 Gerard David, Christ Taking Leave of His Mother, c. 1500, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436097 Corneille de Lyon, Portrait of a Bearded Man in Black, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435948 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Lucas van Leyden, Abraham Going to Sacrifice Isaac, 1517/1519, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8628 Jean Pougny (Ivan Puni), Flight of Forms, 1919, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33452 Workshop of Joachim Patinir, Rest on the Flight into Egypt and the Miraculous Field of Wheat, c. 1518–24, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.2 Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506 Netherlandish 16th Century, Christ at the Mount of Olives, after 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8556 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 Lucas van Leyden, The Fall of Man, 1529, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8587 Lucas van Leyden, The Virgin and Saint Anna, 1516, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8575 Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415 Lucas van Leyden, The Promenade, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8596 Natalia Goncharova, Composition, 1920, Watercolor and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33638 Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516 Lucas van Leyden, The Old Woman with Grapes, c. 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8608 Lucas van Leyden, Fides (Faith), 1530, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8549 Corneille de Lyon, Portrait of a Man, 1525, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435959 Cornelis Cort, The Triumph of the World, 1564, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5328 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8786 Philip Galle, Faith, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5277 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Corneille de Lyon, Portrait of a Man with Gloves, c. 1535, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435944 Mikhail Larionov, Rayonist Composition: Number 9, 1913, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33463 Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492 Natalia Goncharova, Electricity, 1912, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33786 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Lucas van Leyden, Jezebel and Ahab, 1517/1518, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/762 Henrik Wigström, Clock, 1908–17, nephrite, gold, enamel, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142771 El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130 Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506 Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568 Philip Galle, Fortitude, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5278 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Jan Wellens de Cock, Johannes på Patmos, 1460–1521, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20278 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Hans Memling, Bildnis eines Mannes mit hoher roter Kappe, c. 1470–1475, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/938 Mikhail Larionov, Spiral, (1917) (dated 1915), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33444 Master with the Banderoles, Saint Augustine, c. 1450/1460, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8749 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Lucas van Leyden, Joseph Escaping Potiphar's Wife, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8584 Lucas van Leyden, Ecce Homo, c. 1513, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8576 Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Liubov Popova, Ohne Titel, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102027 Natalia Goncharova, The Forest, 1913, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38285 House of Fabergé, Parrot on a Perch, 1896–1903, silver, enamel, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142738 Lucas van Leyden, Two Naked Children Supporting a Blank Shield, c. 1519, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8602 Lucas van Leyden, Muhammed og munken Sergius, 1508, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20370 Corneille de Lyon, Portrait of a Man with Gloves, 1540–45, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435955 Lucas van Leyden, Christ before Annas, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8540 Lucas van Leyden, Emperor Maximilian I, 1520, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8562 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Adriaen de Vries, Empire Triumphant over Avarice, 1610, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1287 Lucas van Leyden, Joseph Interprets the Dreams in Prison, 1512, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8582 Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Aleksandr Rodchenko, The Worker’s Club (International Exhibition of Decorative Arts and Modern Industry, Paris), 1925, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237970 Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001 Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436 Master of the Horse Heads, Children Playing with a Bitch and Three Young Dogs, 1453, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4401 Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759 Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180 Lucas van Leyden, Ecce Homo, 1509, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8559 Lucas van Leyden, Saint Luke, 1518, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8571 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38364 Liubov Popova, Costume design for the play Romeo and Juliet, 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34795 Lucas van Leyden, A Young Man with Eight Armed Men, c. 1510, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8597 Corneille de Lyon, Portrait of a Man, 1533, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435952 Natalia Goncharova, [Untitled], c. 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14270 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8782 Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845 Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244 Mikhail Evlampievich Perkhin, Perch for the Parrot on a Perch, 1896–1903, Silver, enamel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142740 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Master of the Horse Heads, Ornament with a Cupid, a Satyr, and Grotesque Figures, 1453, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8758 Mikhail Larionov, Rayonist Composition: Number 8, c. 1913, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33457 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Master CR, Ornament with Grotesque, 1616, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8784 Varvara Stepanova, [Untitled], 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38351 Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628 Jan Baptist de Wael, Den fortabte søn som svinehyrde, 1658, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19593 Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499 Gerard David, The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1154 Willem van Swanenburgh, Neptun ridende på to delfiner, 1603–1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb3579 Gerard David, Verkündigung Mariens, c. 1509, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1086 Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 Kano Naonobu, Landscape with Full Moon, Edo period, 17th century, Hanging scroll; ink on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4927 El Lissitzky, Proun GK, c. 1922–23, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36937 Alexandra Exter, Set design for the play Romeo and Juliet, c. 1921, Gouache and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38210 El Lissitzky, Proun, 1920, Collage of various cut-and-pasted papers, including abrasive paper (prepared with gouache and silver metallic paint), on cream wove paper, laid down on tan laminate board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150814 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11877 Hans Memling, Virgin and Child, c. 1470–80, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/114684 Johannes van Doetechum the Elder, Euntes in Emaus (The Pilgrims to Emmaus), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/728 Philip Galle, Charity, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5281 Lucas van Leyden, Two Cupids in Two Circles, c. 1517, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8599 Aleksandr Rodchenko, Printer's proof of cover for Kniga o knigakh (Book about Books), no. 4, 1924, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14181 Alexei Jawlensky, Reclining Nude (Liegender Akt), 1912, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36983 Ivan Kudriashov, Suprematist Composition, 1919, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38244 Lucas van Leyden, David Playing the Harp before Saul, c. 1508, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8532 Aleksandr Rodchenko, Study for cover of Novyi LEF (New LEF), 1926, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14201 Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686 Pieter de Jode I, Neptune in his Chariot, late 16th–mid 17th century, Pen and brown ink, brown wash, over traces of black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334883 Marcellus Coffermans, The Adoration of the Shepherds, c. 1550, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435917