René Magritte, Perspective, (1963), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36809

Victor Servranckx, Composition, c. 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37699

René Magritte, The Thought Which Sees, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35714

Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33976

Marcel Broodthaers, "M.B. M.B. M.B....", 1970, Ink on paper in artist's frames, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37802

Florent Willems, The Important Response, 19th century, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.140

Luc Tuymans, The Blue Oak (Die Blaue Eiche), 1998, Cut-and-pasted paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37545

Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5649

Théo van Rysselberghe, Self-Portrait, (1888–89), Pastel and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35486

Pierre Alechinsky, Outside James' Showcase, 1968, Ink on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32969

Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" followed by two seals of the artist reading "Tae Wŏn Kun Chang" and "Sŏk P'a"; and with an additional seal of the artist at the far left reading "Tam Tam Ryu Su Ŭi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5855

Kim Yu-sŏng (also known as Sŏ-am), Landscape, dated 1764, Hanging scroll; ink and light colors on silk; with signature of the artist reading "So-chung-hwa Sŏ-am sa", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5109

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35410

Luc Tuymans, Yzer-Tower, 1995, Watercolor on newsprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35400

Luc Tuymans, [Untitled], 1989, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36761

Joong Seop Lee, People Reading the Newspaper (Number 84), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33369

Fernand Khnopff, Der Jagdaufseher, 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1790

Korea, Bowl, 13th-14th century, Porcelaneous ware, inlaid celadon with cloud motif, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.10

Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, Set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" on the scroll at the far left; with one large seal of the artist on each scroll and with two additional seals of the artist following the signature on the scroll at the far left, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6260

Pierre Alechinsky, Study for The Snowman ([Étude] L'Homme des neiges), 1956, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35910

Yi Taek-gyun, Books and Scholars’ Accoutrements, late 1800s, ten-panel folding screen; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169545

George Minne, Kneeling Youth, 1896, dated 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36048

Chŏng Sul-wŏn (also known as Tu-san), Mountainous Landscape with a Scholar Riding a Donkey and Approaching a Village Nestled in a Grove of Trees, early-mid 20th century, One leaf from a set of six album leaves; ink and light colors on silk; with inscription and two seals of the artist, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5858

Henri Evenepoel, Im Café d'Harcourt in Paris, 1897, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1796

Korea, Bowl, 12th-13th century, Porcelaneous stoneware, celadon with inlaid designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.2

Octave Landuyt, Turtle, 1957, Ink, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37770

Joong Seop Lee, Fairyland (Number 57), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33357

Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33963

Georges Lemmen, Farmhouse in Flanders, 1890, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34891

Pierre Theunis, Namur Hrave les Autrichiens, 1913 (1914?), bronze; 2 3/4 in. (7.0 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-1

Pierre Alechinsky, Vanished in Smoke, 1962, Distemper, ink, gouache and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33616

James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448

Pierre Theunis, Duc et Duchess de Brabant, 1926, bronze; 2 3/4 in. (6.9 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-0

Paul Delvaux, Composition (The Siesta), 1947, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36694

Korea, Tea bowl, 12th-13th century, Porcelaneous stoneware with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.11

Pierre Alechinsky, One Day, the Night, 1960, Ink on transparentized paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37867

Jorelle Bags, Beaded purse used by Dinah Washington, 1930s, glass beads, metal, and silk satin; H x W x D: 5 3/4 x 7 1/2 x 1 in. (14.6 x 19.1 x 2.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975005409-0

Marcel Broodthaers, Journal d'un voyage utopique, 1973, Ink, colored ink, and lithograph on four pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33475

Luc Tuymans, A Flemish Intellectual, 1995, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35394

Georges Vantongerloo, 10 Origin, 1942, Portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19632

Georges Vantongerloo, XY = K Green and Red, 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35841

Joong Seop Lee, Family in Paradise (Number 50), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33348

James Ensor, Mädchen mit Masken (Kommunion), 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3321

Luc Tuymans, Untitled (Sculpture), 2000, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38540

Korea, Bowl, 12th-13th century, Porcelaneous stoneware with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.9

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35406

Pierre Alechinsky, The Complex of the Sphinx, 1967, Synthetic polymer paint, oil, and ink on Japanese paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37446

Georges Vantongerloo, Plate (folio 22) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19633

Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with one square, red, relief seal reading "Yang Tŭk Pu Saeng Il Se Ch'o", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6259

Belgium, Cap back, 18th century, Linen, bobbin lace (Point de Angleterre), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.7

Ung-no Lee, Sailing, 1957, Ink and colored ink on paper on scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33864

Ung-no Lee, Composition, (1959), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34154