Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1602 Gerard de Lairesse, Hermes Ordering Calypso to Release Odysseus, c. 1670, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156420 Bian Wenyu, Scenic Beauty Along Rivers and Mountains, 1614, Ink and colors on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.38.1 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1748 W. Koenigstein, A Rather Ordinary, Vulgar Thought, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36924 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1779 Jacob Jordaens, Susannah Crouching, c. 1640/1645, black and red chalk with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8069 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1663 Peter Paul Rubens, The Garden of Love (left portion), c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334653 Chinese Qing Dynasty, Duck on Lotus Leaf, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1780 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1734 Chinese Qing Dynasty, Vase in the Shape of a Double Gourd, 18th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1730 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1760 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 China, Bottle, 1736–1795, Porcelain with pale celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.41 Paul Bril, Landscape with Men Playing 'Mail à la Chicane', 1624, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.3 Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1677 Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205 China, Vase, 1662–1722, Porcelain with starch blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.146 Heinrich Kühn, Frau vor dem Spiegel, 1906, Gummidruck in Rotbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102608 Crispijn de Passe (I), Satire over hygiejne, 1589–1688, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20983 Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Sir Anthony van Dyck, Bildnis des Hendrick van Steenwyck des Jüngeren, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19199 Chinese Qing Dynasty, Bowl with "Rice Grain" Decoration, probably Qianlong period, 1736/1795, porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1729 Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1709 Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1699 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1808 China, Bottle, 1662–1722, Porcelain with apple green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.203 Johann Jacob Eybelwieser, Jacob and the Angel, late 17th–mid-18th century, Pen and brown ink and watercolor over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334714 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1793 Adriaen Collaert, Christ and the Woman of Samaria, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4622 China, Bottle, 1736–1795, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.43 China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1816 Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1824 Chinese Qing Dynasty, Vase, probably Yongzheng period, 1723/1735, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1728 Peter Paul Rubens, The Garden of Love (right portion), c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334654 Sir Anthony van Dyck, Virgin and Child with Saint Catherine of Alexandria, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436262 Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1739 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1796 Gaspar de Crayer, The Meeting of Alexander the Great and Diogenes, 1605, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436048 Adriaen Collaert, Design for a Pendant with a Winged Sea-Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5983 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1750 China, Snuff bottle, 1750–1850, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.1.79a-c China, Bottle, 1736–1795, Porcelain with aubergine glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.134 Lee Chun-Yi (Li Junyi) 李君毅, Rain-Swept Peaks, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5673 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1798 Hans Gasser, Recto:Nude Female Figure in a Niche Verso: Study for a Fountain, 1830–68, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334857 Alfred Kubin, The Emperor of China, (c. 1910), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37547 Sir Anthony van Dyck, Study Head of a Young Woman, c. 1618–20, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436259 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343 China, Vase, 1723–1735, Porcelain with camellia leaf-green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.141 Sir Anthony van Dyck, A Man Mounting a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436263 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1724 Adriaen Collaert, The Good Shepherd, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4623 Gustav Klimt, Three Courtesans (Drei stehende Frauenakte), c.1907–10, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33119 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 Paul Bril, Landschaft bei Tivoli, c. 1595–1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2127 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1768 Dong Qichang, Mt. Qingbian, 1617, hanging scroll, ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149791 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1691 Pieter van der Borcht (I), Gud åbenbarer sig for Abraham i skikkelse af en engel, og Abraham rejser, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1502 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Sir Anthony van Dyck, Sir Peter Paul Rubens (1577–1640), 1600, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436265 China, Water coupe, 1723–1735, Porcelain with clair de lune glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.15 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1708 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1809 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1660 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1811 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794 Chinese Qing Dynasty, Vase, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1719 Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185 Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Lee Chun-Yi (Li Junyi) 李君毅, Dwelling in the Mountains, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5204 Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909 Chinese Qing Dynasty, Miniature Table, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1736 Alfred Kubin, Christ's Entry into Jerusalem (Der Einzug in Jerusalem), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37522 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1668 Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune on an Urn Flanked by a River-God with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5982 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1744 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1681 Chinese Qing Dynasty, Vase, Meiping Shape, second quarter 18th century, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1727 Alfred Kubin, Homecoming (Heimkehr), (c. 1924), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37536 Lee Chun-Yi (Li Junyi) 李君毅, Myriad Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5501 Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793 China, Vase, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.151 Chinese Qing Dynasty, Reticulated Box, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1746 Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991 Studio of Marcus Gheeraerts the Younger, Portrait of Robert Devereux, Second Earl of Essex, 1599, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.24 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1755 Sir Anthony van Dyck, Philip, Lord Wharton, 1632, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/57 Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1803 Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895 Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004 Sir Anthony van Dyck, Portrait of a Man, c. 1618, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436254 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks and Towering Pines Overlook Distant Paddy Fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5499 Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083 Alfred Kubin, Untitled (The Eternal Flame) (Die ewige Flamme), c. 1900, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37516 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571 Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271 Chinese Qing Dynasty, Vase, early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1721 Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805 Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969 Hermann Nitsch, [Untitled], 1991, Oil on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36236 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks, Enveloping Mists, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5525 Chinese Qing Dynasty, Vase, Meiping Shape, mid/late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1714 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1757 Jan Frans van Bloemen, Landscape of the Roman ""Compagna"", c. 1700–1740 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1143 Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1698 Chinese Qing Dynasty, Vase with Ringed Neck, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1679 Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555 Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657 Pieter Serwouters, Bakkus' triumftog til Theben, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21524 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1700 Sir Anthony van Dyck, A Genoese Lady with Her Child, c. 1623–25, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131819 Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1781 Chinese Qing Dynasty, Large Jar, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1807 Gustav Klimt, Two Reclining Nudes, 1905–1906, Colored pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334899 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1690 Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821 Adriaen Collaert, The Parable of the Two Sons and the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4636 Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872 Sir Anthony van Dyck, Marchesa Balbi, c. 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/56 Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253 André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551 Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381 Walter Pichler, Silo, 1972, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34121 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1774 Adriaen Collaert, The Angel Telling Joseph to Flee and the Flight into Egypt, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4633 Chinese Qing Dynasty, Vase in the Shape of an Archaic Bronze Fang Hu, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1791 Chinese Qing Dynasty, Shou Lao, the God of Longevity, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1770 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1731 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Bluff, Cascading Waterfall, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5222 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1801 Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1604 Chinese Qing Dynasty, "Beehive" Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1692 Adriaen Collaert, Design for a Pendant with a Sea-Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5985 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1733 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Frans Pourbus the younger, Portrait of a Noblewoman, 1617 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.377 Chinese Qing Dynasty, Covered Bowl, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1661 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1683 Peter Paul Rubens, The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34, Oil on gessoed wood (oak) panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.2 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1823 Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118 Gerard Edelinck, Nicolas de Blampignon, 1702, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6835 China, Throne Back Cover, c. 1800, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.165 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Figures, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5980 Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515 Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278 Alfred Kubin, In a Dream (Im Traum), c. 1903, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36916 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1819 Lee Chun-Yi (Li Junyi) 李君毅, Mists along a Mountain River, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5216 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1758 Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966 Gustav Klimt, Standing Woman (Stehende Schwangere mit reich ornamentiertem Gewand nach rechts), c. 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32979 Chinese Qing Dynasty, Square Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1794 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1678 Friedrich Amerling, The Young Eastern Woman, 1838, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155860 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1782 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1704 Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1742 Erika Giovanna Klien, Book, 1926, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38297 David Teniers, the Younger, The Prodigal Son, c. 1640, Oil on copper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.8 Designer: Flanders, Awaiting the Chase, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.1 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Thetis and a Man with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5979 Sir Anthony van Dyck, Isabella Brant, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/54 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1684 Egon Schiele, Standing Male Nude with Arm Raised, Back View, 1910, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35392 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1702 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Gustav Klimt, Two Women Reclining, c. 1905–06, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334902 Lee Chun-Yi (Li Junyi) 李君毅, Streams and Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4586 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1800 Chinese Qing Dynasty, Bottle Vase, late 17th/early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1713 Sir Anthony van Dyck, Filippo Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1232 Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277 Chinese Qing Dynasty, Young Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1772 Chinese Qing Dynasty, "Beehive" Water Pot, late 19th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1680 China, Vase, 1662–1722, Porcelain with mirror black glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.153 Lee Chun-Yi (Li Junyi) 李君毅, What a Glorious Land!, 2005, Handscroll; ink on paper; with signature in clerical script (lishu) reading "Li Junyi ling wu" (Li Junyi '05); with colophon by Liu Guosong (b. 1932) dated 2006, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1429 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Mountain Gorge from a Balustraded Terrace, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5502 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1752 Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794 Georg Raphael Donner, Kneeling Female Nude and Two Studies of Angels, early 18th century, Recto: pencil; margins ruled in red chalk at all four edges of paper Verso: black and brown chalk and pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334804 China, Lamaist priest hat, Kangxi period, 1662–1722, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.131 China, Set of four bowls and two cups, 1790, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.53.1a-f Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1667 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1778 Adriaen Collaert, The Parable of the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1424 Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1703 Lee Chun-Yi (Li Junyi) 李君毅, Sunrise on Towering Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5218 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1751 Walter Pichler, Artistic Branch, 1972, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34107 Alfred Kubin, The Last King (Der Letzte König), (c. 1900–03), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37543 Alfred Kubin, The Great Grandmother (Die Urgrossmutter), 1926, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34014 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1674 Anton von Maron, Judith with the Head of Holofernes, 18th century–early 19th century, Pen and brown ink and brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334921 Sir Anthony van Dyck, Virgin and Child, c. 1620, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436261 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1792 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1672 Wolfgang Paalen, Discovery of Infra-Space II, 1941, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37488 China, Box with lid, 1779, Cast and chased gold with rubies, sapphires and jade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.57.1a%2C%20b Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1682 Anonymous, Austrian, 18th century, Saints Peter and Paul, 18th century, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334780 Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932 China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7 Chinese Qing Dynasty, Hexagonal Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1765 Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1761 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1805 Sir Anthony van Dyck, Study Head of an Old Man with a White Beard, c. 1617–20, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436260 Lee Chun-Yi (Li Junyi) 李君毅, Melting-Glacier Water Cascading through a Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5144 Wang Yuanqi [Wang Yuan-ch'i], Free Spirits Among Streams and Mountains, 1684 (Qing), ink on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.198 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1673 China, Inkstick, Qianlong period, 1736–1795, Molded pine soot and animal glue, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.18.56 Adriaen Collaert, Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5984 Martin Rykaert, River Landscape with Mining, 1620–1629, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1730 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1662 Arnulf Rainer, Untitled (Kleinzeug #45), (1974), Oil pastel and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35292 Wang Rusheng, Greeting the New Year, 1734, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.4 China (Jingdezhen), “Arms of Liberty” punch bowl, c. 1770, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.27 Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247 Alfred Kubin, Polar Bear (Eisbär), 1901–02, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38778 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1812 Chinese Qing Dynasty, Large Fish Bowl, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1822 Johann Anton Eismann, Ruins on the Palatine in Rome, c. 1650, Brush and gray ink, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334711 Egon Schiele, Standing Girl Wrapped in Blanket, 1911, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34941 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 China, Daoist priest’s robe (jiangyi), Kangxi Period, 1662–1722, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.296 Sir Anthony van Dyck, Catherine Howard, Lady d'Aubigny, c. 1638, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1234 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1695 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1802 Chinese Qing Dynasty, Young Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1771 Egon Schiele, Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar), 1912, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33302 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1670 Adriaen Collaert, The Parable of the Sower, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4635 Lee Chun-Yi (Li Junyi) 李君毅, Forested Peaks, Distant Waterfall, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5215 Chinese Qing Dynasty, Bottle Vase, late 17th/early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1720 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1664 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1783 Adriaen Collaert, The Plucking of Ears of Corn on Sabbath Day, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4607 Adriaen Collaert, The Parable of the Kingdom of Heaven, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4620 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1745 China, Vase, 1723–1735, Porcelain with camellia green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.44 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1723 Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368 Gerard Edelinck, Remi Du Laury, probably 1679, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6836 Sir Anthony van Dyck, A Man Riding a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436264 Adriaen Collaert, Title Plate with Designs for Pendants, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5988 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1675 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1666 Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1759 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1747 Gustav Klimt, Standing Nude, 1906–07, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334898 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1753 Johann Baptist Hagenauer, Christ at the Column, 1756, gilt bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130553 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1817 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1799 Sir Anthony van Dyck, Maddalena Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1233 Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142 Sir Anthony van Dyck, Portrait Bust of Inigo Jones, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.803 China, Bottle, 1736–1795, Porcelain with imperial yellow glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.133 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Egon Schiele, Girl with Black Hair (Mädchen mit schwarzem Haar), 1911, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37567 Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Peter Paul Rubens, Diana and Her Nymphs Departing for the Hunt, c. 1615, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135661 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1694 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1756 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1707 Chinese Qing Dynasty, Vase, early/mid 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1716 Arnulf Rainer, [Untitled], (1969), Oilstick, crayon, and watercolor with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36645 Adriaen Collaert, Jesus Calling the Apostles Among the Fishermen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4634 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1600 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1659 Günter Brus, Informel Drawing (Informelle Zeichnung), 1960, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35597 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1754 Lee Chun-Yi (Li Junyi) 李君毅, Mountains Towering over Rural Village and Paddy fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5524 Oskar Kokoschka, Seated Woman, 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33539 Arnulf Rainer, Christus, (1969), Oilstick, charcoal, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36637 Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1766 Johann Jacobé, William Hayley, 1779, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8018 Johann Georg Platzer, The Artist's Studio, 1740s–50s, oil on copper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170235 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1737 Ferdinand Georg Waldmüller, Bäuerliches Liebespaar, 1863, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1383 Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024 Lee Chun-Yi (Li Junyi) 李君毅, The Great Wall Snaking through the Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4615 Gustav Klimt, Reclining Nude with Outstretched Left Arm, 1903–1904, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334896 Lee Chun-Yi (Li Junyi) 李君毅, Secluded Mountain Temple, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5217 China, Gallipot, 1723–1735, Porcelain with cherry red glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.166 Gustav Klimt, Profile of a Girl (Study for 'Thalia and Melpomene') (Brustbild eines Mädchens mit langem Haar im Profil nach links), 1898–99, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38245 Ferdinand Georg Waldmüller, Gräfin Tatischeff, c. 1838, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2818 Painter: Shao Mi, Bamboo, 1629, Ink on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.6 Chinese Qing Dynasty, Small Jar, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1722 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1687 Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490 Gaspar de Crayer, Philip IV (1605–1665) in Parade Armor, c. 1628, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436049 Chinese Qing Dynasty, Rectangular Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1789 Chinese Qing Dynasty, Hexagonal Trumpet Beaker Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1763 China, Plate, Kangxi period (1662–1722), Porcelain, famille verte, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.38 Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511 Zhu Sheng, Bamboo and Rocks, 1688, Ink on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.5 Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236 Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260 China, Bottle, 1662–1722, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.156 Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 China, Bottle, 1662–1722, Porcelain with midnight blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.147 China, Vase, 1662–1722, Porcelain with overglaze enamel decor, Famille verte ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.18a%2C%20b Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1740 Chinese Qing Dynasty, Vase, called "The Flame", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1706 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1818 Lee Chun-Yi (Li Junyi) 李君毅, Pines on Slender Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5219 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1711 Chinese Qing Dynasty, Bottle Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels and carved decoration, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1787 Chinese Qing Dynasty, Rectangular Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1790 Adriaen Collaert, The Parable of the Barren Fig Tree, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4608 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Falls from a Mountain Pavilion, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5368 China, Ruyi scepter, 1736–1795, Bronze with cloisonné enamel and coral inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.44.1 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1785 Peter Paul Rubens, Hélène Fourment, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17126 Gustav Klimt, Reclining Nude, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334906 China, “Peach bloom” vessel for a scholar’s desk, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.131.1a%2C%20b Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1784 Alfred Kubin, The Reciter (Der Rezitator), (c. 1923), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38685 Chinese Qing Dynasty, Large Fish Bowl, mid 19th century, porcelain with underglaze blue and famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1825 Oskar Kokoschka, Seated Girl, (1922), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34085 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1788 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1669 Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169 China, Vase, 1662–1722, Porcelain with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.143 Sir Anthony van Dyck, The Prefect Raffaele Raggi, c. 1625, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1229 Chinese Qing Dynasty, Gourd-Shaped Vase, late 17th/mid 18th century, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1657 Chinese Qing Dynasty, Hexagonal Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1764 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Dwelling, Majestic View, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5500 Sir Anthony van Dyck, Giovanni Vincenzo Imperiale, 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1228 Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270 Pieter Serwouters, Merkur overdrager Bakkus til nymferne fra Nysa-bjerget, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21517 Peter Paul Rubens, Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe, c. 1616 (c. 1646–1650), Öl auf Eichenholz (originaler Bildträger unten und links erweitert), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1034 Wolfgang Paalen, Fumage, 1944–45?, Oil and candle soot on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33314 Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261 Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846 Peter Paul Rubens, Zwei Reiterkämpfe, 1627–1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2261 Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495 Adriaen Collaert, Titlepage, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4621 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1815 Sir Anthony van Dyck, The Virgin as Intercessor, 1628/1629, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1227 Sir Anthony van Dyck, Susanna Fourment and Her Daughter, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/55 Gustav Klimt, Two Studies for a Crouching Woman, 1914–15, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334901 Lee Chun-Yi (Li Junyi) 李君毅, Fantastic Mountains in Western China, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4640 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks and Myriad Ravines, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5145 Chinese Qing Dynasty, Li Tieguai, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1775 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1676 Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574 Abraham van Diepenbeeck, Saint Cecilia, 1616, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436198 Gustav Klimt, Reclining Nude with Drapery, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334903 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1696 China, Snuff bottle, 1662–1722, Black lacquer with mother-of-pearl and metallic inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.112.4a%2C%20b Chinese Qing Dynasty, Bowl, early Qianlong period, 1736/1750, porcelain with overglaze famille rose and famille noire enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1797 Sir Anthony van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436257 Chinese Qing Dynasty, Rectangular Vase Illustrating Poems by Tao Qian and Su Shi, Kangxi period, 1662/1722, porcelain with famille jaune and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1786 Sir Anthony van Dyck, Self-Portrait, c. 1620–21, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436258 Franz Alt, Room of Archduke Ludwig Victor in the Hofburg, Vienna, 1861, Watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334768 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1697 Chinese Qing Dynasty, Dancing Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1776 China, Water pot, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.154a%2C%20b Chinese Qing Dynasty, Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1665 Chinese Qing Dynasty, Bottle Vase, late 17th/early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1715 Arnulf Rainer, [Untitled], (1969–74), Oilstick on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35324 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1795 Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35301 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1599 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 Chinese Qing Dynasty, Vase, called "The Fire Cloud", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1705 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1814 Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415 Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1686 Zhu Chang, Landscape at Han River Bamboo Hall, 1668, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.2 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1813 Franz West, Hangaround, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37550 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1820 Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492 Gustav Klimt, Reclining Woman (Liegender Halbakt nach rechts), 1912–13, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38149 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1712 Chinese Qing Dynasty, Gourd-Shaped Vase, late 17th/mid 18th century, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1658 Hermann Nitsch, [Untitled], 1987, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36298 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5369 Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791 Bada Shanren, Fish and Rocks, mid- to late 1600s, Handscroll; ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130497 Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506 Gustav Klimt, Woman with Scarf (Dame im Dreiviertelprofil nach links, den Mund und einen Teil der Frisur durch Umhang verdeckt), c. 1910, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33171 Gustav Klimt, The Lovers, 1913, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334904 Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568 Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274 Chinese Qing Dynasty, Vase, 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1717 China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308 Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352 Oskar Kokoschka, Hugo Erfurth, c. 1920, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35566 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35315 Peter Paul Rubens, Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/464 Chinese Qing Dynasty, Guanyin, the Bodhisattva of Compassion, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1773 Chinese Qing Dynasty, Hexagonal Trumpet Beaker Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1762 Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119 Peter Paul Rubens, Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151517 Chinese Qing Dynasty, Vase, probably Qianlong period, 1736/1795, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1726 Oskar Kokoschka, Nude with Back Turned (In den Hüften nach links gedrehter weiblicher Rückenakt) (recto); Untitled (verso), 1909, Ink, gouache, and chalk on paper (recto); Ink, gouache, crayon and graphite on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37311 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1804 Alfred Kubin, Government (Der Staat), 1901, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33912 Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1601 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1603 Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1231 Adriaen Collaert, The Virgin and Joseph at the Inn, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1425 Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947 Wang Chin-shen, Imperial Ink Cake, 1736–1795, Colors, gold and animal adhesive, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.154 Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037 Tina Blau, Study of a Tree, 1863, Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334796 Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001 Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436 Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180 Lee Chun-Yi (Li Junyi) 李君毅, Bend in the Mountain River Near the Bingling-Si Cave Temples, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5220 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1735 Dong Qichang, River and Mountains on a Clear Autumn Day, c. 1624–27, Handscroll; ink on Korean paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135964 Chinese Qing Dynasty, "Beehive" Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1693 Sir Anthony van Dyck, A Genoese Noblewoman and Her Son, c. 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1230 Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915 Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838 China, Bottle, 1736–1795, Porcelain with cucumber glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.206 Robert Doxat, Static Mambo, 1960, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33395 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1732 Adriaen Collaert, The Parable of the Rich Fool, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4606 Sir Anthony van Dyck, Portrait of a Flemish Lady, probably 1618, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/573 Ferdinand Georg Waldmüller, Countess Széchenyi, 1828, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/154244 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Trees on Rolling Hills, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5205 Hendrik van Balen, The Trinity, c. 1620, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159488 Sir Anthony van Dyck, Portrait of a Woman, Called the Marchesa Durazzo, probably c. 1622–25, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436255 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1810 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1738 Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845 Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 Sir Anthony van Dyck, Robert Rich (1587–1658), Second Earl of Warwick, c. 1632–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436256 Jacob Jordaens, Die Heilige Familie, c. 1619–1620, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1937 Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1671 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1701 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1749 China, Amphora, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.207a%2C%20b Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262 Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1688 Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1821 Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499 Lee Chun-Yi (Li Junyi) 李君毅, Sacrifice, 1990–91 and 2005–06, Set of twenty-four album leaves and one small pillow; ink on paper; each leaf with a signature in clerical script (lishu) reading "Li Junyi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5189 Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888 Kano Naonobu, Landscape with Full Moon, Edo period, 17th century, Hanging scroll; ink on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4927 Lee Chun-Yi (Li Junyi) 李君毅, Mountains and Pines in Moonlight, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5221 Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Sir Anthony van Dyck, James Stuart (1612–1655), Duke of Richmond and Lennox, c. 1633–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436252 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1806 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1685 Chinese Qing Dynasty, Large Vase, late 18th/19th century, porcelain with turquoise glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1725 China, Vase, 1662–1722, Porcelain with molded chrysanthemum border and peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.149 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1689 Chinese Qing Dynasty, Wine Ewer, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1741 Chinese Qing Dynasty, Vase, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1718 Gerard Edelinck, Philippe de Champaigne, 1676, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6837 Günter Brus, Wunde Punkte, (1983), Mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37751 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1777