Anonymous Artist, Infant Bacchanalians, 1597, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1356 Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623 Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Ottavio Leoni, Giovanni Marino, 1623/1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/938 Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625 Giovanni Paolo Panini, Interior of the Pantheon, Rome, c. 1734, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/165 Carlo Bugatti, Coffee Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150161 Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297 Girolamo da Carpi, Bildnis einer Dame, c. 1530–1540, Öl auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/939 Giuseppe Ghislandi, Portrait of a Young Man, after 1720, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/243 Salvator Rosa, Scenes of Witchcraft: Morning, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149105 Italian 17th Century, Busts of Man and Woman, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1353 Saracchi Workshop, Altar Cross, c. 1590 (foot); mid to late 19th century (cross and its mounts), rock crystal, enameled gold, 3 beryls, 46 spinels, and 11 emeralds, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1454 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink on tan laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190739 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Italian 17th Century, The Parable of Lazarus and the Rich Man, 1618/1628, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/229 Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 Leone Leoni, Hope with Hands Raised in Prayer [reverse], 1544 or after, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1305 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745 Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649 Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684 Italian 16th Century, Christ Appearing to the Apostles, late 16th century, silver, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1435 Italian 17th Century, Smaralo Cornuto and Ratsa di Boio, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5352 Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812 Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286 Francesco Guardi, View on the Cannaregio Canal, Venice, c. 1775–1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/254 Guercino (Giovanni Francesco Barbieri), Madonna mit Kind, 1621–1622, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102204 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663 Anonymous Artist, Judas Leaving the High Priest, 1606, pen and brown ink with brown and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1847 Anonymous Artist, David, c. 1530, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1242 Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194 Italian 16th Century, Cup with Allegorical Scenes and Shields of Este Arms, 1560s, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1271 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 Lucio Fontana, [Untitled], 1956, Ink on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37632 Anonymous Artist, Portrait of a Young Man, c. 1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/89 Caravaggio, The Crucifixion of Saint Andrew, 1606–7, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148758 Anonymous Artist, Hercules Carrying the Erymanthian Boar, c. 1575/1675, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1260 Paolo Veronese, Allegorie des "Beneficio", c. 1550–1560, Pinsel in Graubraun, weiß gehöht, Spuren von blauer Farbe am Postament und an der linken Hand, allseitige Einfassungslinie in Schwarz, auf grün grundiertem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7191 Mario Merz, Che Fare?, 1968–73, Aluminium, wax and neon lights, Tate, London. https://dartabase.art/cite/tate/AR00598 Vincenzo Danti, The Descent from the Cross, c. 1560, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1250 Jean-Baptiste Nini, [Untitled], 1776–1883, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/480 Andrea Andreani, The Triumph of Julius Caesar [no.1 and 2 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8692 Italian 16th Century, Walnut Stool (Sgabello), Carved and Gilded, c. 1540/1560, gilded walnut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1521 Moretto da Brescia, Portrait of a Lady in White, c. 1540, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/371 Anonymous Artist, Mercury, c. 1780/c. 1850, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/138 Italian 16th Century, Christ and the Adulteress [recto], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8643 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Anonymous Artist, Lamp, Upper Portion, c. 1800/1899, gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1289 Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028 Ottavio Leoni, Marcello Provenzale, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/941 Giovanni Battista Tiepolo, Singende und musizierende Engel, c. 1726, Feder in Dunkelbraun und Aquarell über grauem Stift, Einfassungslinie mit grauem Stift, auf Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/15411 Marino Marini, Nude, (1949), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38249 Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881 Giovanni Battista Tiepolo, Seated River God, Nymph with an Oar, and Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334651 Francesco Xanto Avelli, Plate with Hero leaping to her death from her tower and the drowned Leander; in the center, a shield of arms, 1538, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1497 Giovanni Maria Butteri, Portrait of Virginia de' Medici (1568-1615), c. 1590 (Renaissance), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1112 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 Italian 16th Century, The Lamentation, c. 1560, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1381 Giorgio de Chirico, Supplementary drawing from Mythologie by Jean Cocteau, 1934, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35076 Giovanni Battista Moroni, A Gentleman in Adoration before the Madonna, c. 1560, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/255 Pietro Rotari, A Girl with a Flower in Her Hair, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/249 Anonymous Artist, Christ on Tomb with Two Angels, late 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1364 Italian 16th Century, Inkstand with Bound Satyrs and Three Labors of Hercules, c. 1530/1540, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1279 Pietro Longhi, The Faint, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/204 Giuseppe Maria Crespi, Cupids Disarming Sleeping Nymphs, c. 1690/1705, oil on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/203 Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344 Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207 Anonymous Artist, Andrea de' Franceschi, late 16th or early 17th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/42 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Jean-Baptiste Nini, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/471 Pierino da Vinci, The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII), c. 1550, Terracotta, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/670511 Italian 17th Century, Franca Trippa and Fritellino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5345 Giovanni Battista Moroni, Portrait of an Ecclesiastic, c. 1557, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.22 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1623 Giacomo Balla, Study for Street Light, (1909), a) Pencil on paper b) Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38832 Massimo Campigli, Mosaic Design for Floor of Teatro Metropolitano, Rome, (1943), Gouache and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37068 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Lucio Fontana, Concetto Spaziale (Teatrino), plate 4, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18821 Paris Bordone, The Baptism of Christ, c. 1535/1540, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1142 Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596 Italian 17th Century, Scapino and Cap. Zerbino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5354 Titian, Emilia di Spilimbergo, c. 1560, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1221 Italian 17th Century, Cap. Cardoni and Maramao, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5348 Amedeo Modigliani, Portrait of a Woman, c. 1917–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128394 Paolo Veronese, Mars und Venus, nach 1580, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/888 Titian, Irene di Spilimbergo, c. 1560, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1222 Italian 16th Century, Cup on high foot with the royal arms of France crowned, c. 1540/1560, lead-glazed fine earthenware, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1511 Anonymous Artist, Alexandre Brongniart, c. 1910, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1264 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Italian 17th Century, View of Lewenberg, 1600, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7982 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Giacomo Balla, Study for Street Light, (1909), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38831 Amedeo Modigliani, Seated Nude, 1914, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33375 Corrado Cagli, The Concentration Camp of Buchenwald, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34924 Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137 Italian 16th Century, Daniel in the Lions' Den [recto], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4765 Italian 16th Century, Shallow bowl on low foot with the muse Clio riding on a swan through a watery landscape, c. 1535/1540, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1500 Milanese 16th Century, "The Morosini Helmet" (visored burgonet), probably 1550/1560, repoussé and embossed iron or steel, with gilding and silvering, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1516 Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706 Giovanni Battista Moroni, Bildnis eines Laienbruders mit illusionistischem Rahmen, c. 1555–1560, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/898 Agnolo Bronzino, A Young Woman and Her Little Boy, c. 1540, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1143 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Anonymous Artist, The Smiling Girl, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/62 Francesco Guardi, Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/270 Milanese 16th Century, Venus, c. 1580/1590, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/139 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Italian 19th Century, Madonna and Child, mid 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/133 Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Italian 16th Century, The Three Women at the Tomb [recto], c. 1600, pen and brush and black ink with gray wash heightend with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4060 Anonymous Artist, Pope Innocent X, c. 1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/87 Italian 17th Century, Signa. Lucia and Trastullo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5347 Giuseppe Maria Moretti, Sibyl, 1573, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5992 Gian Lorenzo Bernini, Sketches for a Wall Tomb with Skeletons, 1630–40, Pen and brown ink over black chalk (recto); black chalk (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334681 Moretto da Brescia, Thronende Madonna mit Kind und den vier lateinischen Kirchenvätern, c. 1540–1550, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/910 Giovanni Battista Cipriani, The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334673 Italian 17th/19th Century, Andiron with Figure of Juno, 17th/19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1283 Anonymous Artist, The Betrothal of the Holy Virgin, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1849 Carlo Bugatti, Tea Table, c. 1907, inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156112 Italian 17th Century, Pasquariello Truonno and Meo Squaquara, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5343 Italian 19th Century, Mucius Scaevola, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9488 Amedeo Modigliani, Mario the Musician, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34113 Anonymous Artist, The Lacemaker, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/61 Italian 17th Century, The Triumph of Religion, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1360 Italian 16th Century, Candlestick, c. 1547/1559, lead-glazed fine earthenware, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1512 Paolo Veronese, Portrait of Agostino Barbarigo, after c. 1571, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109507 Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767 Anonymous Artist, Christ with Saint John the Baptist as Children, probably 1855/1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/122 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Carlo Bugatti, Salver, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156113 Bernardo Bellotto, The Campo di SS. Giovanni e Paolo, Venice, 1743/1747, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1144 Mario Sironi, Mannequin, (c. 1918), Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34812 Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963 Giovanni Domenico Tiepolo, Studienkopf eines alten Mannes, 1751–1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1385 Italian 16th Century, Pietà, second half 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1391 Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136390 Italian 17th Century, Burial of a Saint, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1365 Federico Barocci, Quintilia Fischieri, probably c. 1600, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/306 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Italian 18th/19th Century, Samson Slaying the Philistine, 18th/early 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1241 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Sienese 16th Century, Apollo and Marsyas, c. 1540, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/494 Italian 16th Century, Broad-rimmed bowl with the sacrifice of the Greeks at Aulis and the omen of the serpent devouring nine birds, interpreted by the priest Calchas; arms of Anne de Montmorency, 1535, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1506 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Carlo Bugatti, Tray, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150157 Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167 Italian 17th Century, The Triumph of Poverty, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1359 Titian, Woman Holding an Apple, c. 1550, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/435 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18819 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Italian 16th Century, The Birth of Christ [verso], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8950 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Italian 16th Century, Abraham Entertaining the Angels [verso], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8644 Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251 Andrea Andreani, The Triumph of Julius Caesar [no.5 and 6 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8694 Salvator Rosa, Scenes of Witchcraft: Evening, c. 1645–49, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149107 Italian 16th Century, Christ and the Woman of Samaria [verso], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4766 Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268 Italian 16th Century, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3434 Italian 16th Century, Walnut Table with Lion Sphinxes, second half 16th century, walnut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1533 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Italian 16th Century, The Adoration of the Shepherds, 1561, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1380 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Italian 16th Century, Pentecost [recto], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4763 Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185 Ottavio Leoni, Cristoforo Roncalli, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/943 Pietro Damini, Saints Prosdocimus, Justina, Daniel, and Anthony of Padua in Glory with a View of the Prato della Valle, Padua, c. 1617–1619, Oil on copper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5265 Anonymous Artist, Miss Nelly O'Brien, early to mid nineteenth century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1215 Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18820 Annibale Carracci, Boy Drinking, 1582–83, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/157501 Ottavio Leoni, Self-Portrait, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/929 Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307 Corrado Cagli, The Bridge at Worms, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34913 Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324 Italian 16th Century, The Worship of the Golden Calf, c. 1594, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/321 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Polidoro Lanzani, Madonna and Child and the Infant Saint John in a Landscape, 1540/1550, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/43 Italian 16th Century, Silk Medallion Rug, late 16th century, silk pile on silk warp and weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1656 Giulio Carpioni, Saint Jerome, 1613, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5907 Salvator Rosa, Scenes of Witchcraft: Night, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149108 Alessandro Algardi, Baptism of Christ, designed 1645–46, probably made 1650–55, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141932 Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868 Gianfranco Baruchello, Assez Donc! (Enough!), 1963, Synthetic polymer paint, white-out, pencil, charcoal, pastel, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37496 Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598 Amedeo Modigliani, Caryatid: Rose and Blue, 1912–14, Watercolor, with pen and black ink, graphite, and touches of brown crayon on tan wove paper (pieced), laid down on tan wove paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45257 Carlo Bugatti, Creamer, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150158 Italian 16th Century, The High Priest before Pilate [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4061 Bartolomeo Coriolano, Virgin and Child, 1630, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5991 Giuseppe Caletti, Portrait of a Man as Saint George, c. 1620s, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/239 Giorgio de Chirico, Portrait of Giovinetto Aldo Castelfranco, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33485 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Diana Scultori, Christ Making Saint Peter Head of the Church, c.1567, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7357 Fausto Pirandello, Women's Quarters (Gineceo), 1950, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36231 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197 Milanese 16th Century, Bacchus and a Faun, 1580/1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/140 Alessandro Algardi, The Holy Family with Two Angels, 1598–1654, Black chalk on off-white laid paper; framing outline in pen and dark brown ink; glued onto a secondary paper support, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334747 Italian 16th Century, The Rich Man in Hell, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3446 Ottavio Leoni, Galileo Galilei, 1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/937 Italian 17th Century, Arabesque Band Carpet, c. 1650, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1654 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Anonymous Artist, The Adoration of the Shepherds, c. 1625/1675, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/461 Paolo Veronese, The Annunciation, c. 1580, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127572 Italian 16th Century, Virtue Overcoming Vice, late 16th or early 17th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1246 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1619 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744 Antonio Canova, Terpsichore Lyran (Muse of Lyric Poetry), 1816, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143775 Gaspare Diziani, Dawn, 1709, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436203 Marino Marini, Horseman, 1949, Ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38247 Anonymous Artist, Christ before Pilate, 1606, brush and brown ink on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1841 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 Italian 16th Century, Madonna of the Hernleberg, 1592, woodcut, hand-colored, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3869 Sisto Badalocchio, Christus mit der Samariterin am Brunnen, c. 1609–1610, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1259 Agostino dei Musi, Pope Paul III, 1534, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9152 Giovanni Battista Crespi gen. Il Cerano, Taufe Christi, 1601, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1513 Ottavio Leoni, Paolo Giordano Orsini II, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/934 Arnaldo Pomodoro, Study, 1960, Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33223 Italian 17th Century, Cucorongna and Pernoualla, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5358 Cesare Dandini, Charity, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436078 Anonymous Artist, Oval Dish with the Birth of Adonis, c. 1560, enamel painted on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1450 Sebastiano Ricci, The Exaltation of the True Cross, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/213 Umberto Boccioni, Study for Elasticity, 1912, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35857 Italian 16th Century, Noli Me Tangere [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4764 Italian 17th Century, Taglia Cantoni and Fracasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5346 Andrea Spinelli, Antonio Da Mula, c. 1460-after 1539, Duke of Candia 1536 [obverse], 1538, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1332 Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550 Italian 17th Century, Scaramucia and Fricasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5357 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936 Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189 Mario Merz, Lingotto, 1968, Brush-wood, beeswax and steel, Tate, London. https://dartabase.art/cite/tate/AR00608 Pietro Longhi, The Game of the Cooking Pot, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/205 Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Manufacturer: Sèvres Porcelain Factory, Jatte à glace (ice cream pail) from the Rohan service, 1771, Porcelain with enamel and gilded decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.42.8a-c Italian 19th Century, Coronation of the Virgin, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9482 Italian 17th Century, The Triumph of Cupid, late 16th or 17th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1392 Andrea Andreani, The Triumph of Julius Caesar [no.3 and 4 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8693 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Jean-Baptiste Nini, [Untitled], 1778, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/489 Anonymous Artist, The Dismissal of Hagar, c. 1640/1642, pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1837 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 Sebastiano Conca, Allegory of Spring, c. 1720 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1724 Carlo Maratti, Portrait of Francesca Gommi Maratti, c. 1701, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/307326 Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837 Florentine 19th Century, Madonna and Child, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/121 Jacopo Palma the Younger, Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso), 1600–14, Brush with brown and white oil paint, over black chalk (recto); black chalk and charcoal (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334695 Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277 Orazio Gentileschi, Danaë, c. 1623, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145463 Francesco Xanto Avelli, Broad-rimmed bowl with Neptune raping Theophane; arms of Pucci with an "ombrellino", 1532, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1505 Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Sebastiano Ceccarini, Portrait of a Noblewoman, c. 1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.410 Italian 17th Century, Covered Cup with Serpent Handle, c. 1620/1630 (all but stem and mounts); late 16th century (stem); late 19th century (mounts), rock crystal and enameled gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1457 Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470 Jacopo Nizzola da Trezzo, The Fountain of the Sciences, c. 1550, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1397 Nicolò Boldrini, Venus and Cupid, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4152 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Domenico Beccafumi, The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), c. 1536, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334686 Italian 16th Century, Portrait of a Lady, 1532, tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3202 Giovanni Battista Foggini, Ferdinando II de' Medici, Grand Duke of Tuscany, c. 1690, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1268 Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047 Florentine 16th Century, Walnut Table with Eagles on the Supports, c. 1540/1560, walnut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1525 Anonymous Artist, Mother and Child, 1606, reed pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1850 Carlo Labruzzi, A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215328 Corrado Cagli, Troubadours, 1946, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34068 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Italian 17th Century, Cap. Babeo and Cucuba, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5350 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Capo di Monte, Wine bowl with cover, c. 1750–80, Soft-paste porcelain with later silver mounts, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.1a%2C%20b Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 Italian 16th Century, Cassapanca with Atlantes Supporting the Arms, c. 1550, walnut, pine, maple, and oak, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1563 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 Agnolo Bronzino, Bildnis einer Dame in Rot (Francesca Salviati?), c. 1533, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1127 Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312 Italian 16th Century, Agnesina Badoer Giustinian, c. 1542, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1285 Ivo Pannaggi, Collage, 1926, Parcel post wrapping, stamps, ink, and cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33036 Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Alessandro Algardi, Portrait of Pope Innocent X Pamphili, designed 1647–48; cast 1650–1700, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134949 Jacopo Bassano, The Annunciation to the Shepherds, probably 1555/1560, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/267 Giovanni Bastianini, Portrait of a Lady, "Giovanna Albizzi", c. 1860, gesso and polychrome over wood and mixed media, National Gallery of Art, Washington. https://dartabase.art/cite/nga/136 Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025 Giovanni Battista Tiepolo, Scene from Ancient History, c. 1750, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/509 Carlo Bugatti, Tea and Coffee Service, c. 1907, gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150156 Italian 16th Century, Circular plaque with fruited wreath enclosing a shield of arms, 1532, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1502 Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220 Giulio Romano, A Tabernacle Containing a Papal Escutcheon Supported by Angels, c. 1538–40, Pen and brown ink, over leadpoint or soft black chalk and stylus-ruling, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334694 Domenico Tintoretto, Susanna, c. 1580s, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/372 Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344 Italian 17th Century, Vase with Two Handles, c. 1600 (vase); 19th century (handles), rock crystal and enameled gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1461 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Perino del Vaga (Pietro Buonaccorsi), Seated Triton, 1545–47, Pen and brown ink, brush and brown wash, over black chalk; outlines partly incised, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334756 Italian 16th Century, A Jurist, c. 1550, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1284 Jean-Baptiste Nini, [Untitled], 1776–1800, Galvonplast (probably galvano-reproduction), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/488 Giacomo Porzano, The Riot, 1961, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34042 Gino Severini, Oval Composition, 1913, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38346 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Andrea Andreani, Allegory on Death, 1558, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4071 Francesco Guardi, Grand Canal with the Rialto Bridge, Venice, probably c. 1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1166 Italian 17th Century, Model of an Escutcheon, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1432 Giorgio de Chirico, Euripides, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37600 Giuseppe Maria Crespi, Heimsuchung Mariens, c. 1710–1720, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/123 Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893 Ottavio Leoni, Giacomo Antonio Mannini, 1578, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/928 Sofonisba Anguissola, Portrait of Marquess Massimiliano Stampa, 1557 (High Renaissance), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1016 Italian 16th Century, Christ in the Garden of Gethsemane, c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7449 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Tanzio da Varallo, Saint Sebastian, c. 1620/1630, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/332 Alessandro Magnasco, Interior of a Synagogue, c. 1725–35, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111691 Carlo Labruzzi, Ruin of an Aqueduct on the Road to Cori, Italy, 1789, Watercolor and graphite on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5363 Ottavio Leoni, Tommaso Salini, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/930 Italian 17th Century, Polonaise Carpet, first half 17th century, silk pile and metal brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1651 Salvator Rosa, Scenes of Witchcraft: Day, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149106 Alessandro Magnasco, Folterszene, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1474 Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271 Ottavio Leoni, Giovanni Francesco Barbieri, called Guercino, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/932 Amedeo Modigliani, Caryatid, 1914, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36904 Italian 17th Century, Polonaise Rug, first half 17th century, silk pile with gold and silver brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1652 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 Anonymous Artist, An Old Scholar at His Desk, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1854 Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Ottavio Leoni, Paolus Qualiatus Clodianus, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/942 Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937 Carlo Bugatti, Tea Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150160 Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319 Annibale Carracci, Ruhende Venus, c. 1602, Feder und Pinsel in zwei Brauntönen über schwarzer Kreide, mit weißer Kreide gehöht, auf blauem Büttenpapier, ganzflächig auf festem, rückseitig bedrucktem Papier aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7062 Ottavio Leoni, Gian Lorenzo Bernini, 1622, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/933 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304 Italian 17th Century, Cap. Spessa Monti and Bagattino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5353 Francesco Monti ("Il Brescianino delle Battaglie"), Cavalry Engagement, 1646–1712, Pen and brown ink, blue-gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334868 Andrea Andreani, The Triumph of Julius Caesar [no.7 and 8 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8695 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Michele Rocca, Rinaldo and Armida, 1720–1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.879 Marino Marini, Igor Stravinsky, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35846 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Anonymous Artist, Hannah Rejecting the Reproaches of the Prophet Eli, 1606, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1845 Angelo Caroselli, Saint Jerome in the Wilderness, c. 1620–1630 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1910 Andrea Andreani, The Triumph of Julius Caesar: Title Page, 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8691 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Italian 15th Century, Christ Appearing to the Apostles, c. 1550, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1433 Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683 Bartolommeo Letterini, En mandlig helgen vaskes og plejes af engle, mens han lytter til en kvindelig helgen, der sidder foran en læsepult og peger opad. Den Hl.Sebastian hos den Hl.Irene?, 1669–1731, Sortkridt, rødkridt, pen, mørkebrunt blæk og brun lavering, forhøjet med hvidt på blågråt papir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS11137 Italian 17th Century, At the Dram Well, 17th century, pen and brown ink with brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4596 Ottavio Leoni, Raffaelo Menicucci, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/939 Andrea Andreani, The Triumph of Julius Caesar [no.9 plus 2 columns], 1599, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8696 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1622 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Titian, Venus and Adonis, c. 1540s/c. 1560–1565, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1223 Carlo Bugatti, Covered Sugar Bowl, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150159 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Tarquinio Jacometti, Madonna of Loreto, c.1625, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1395 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 Unknown 19th Century, Portrait of a Lady, probably c. 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1131 Italian 17th Century, Scenic Animal Carpet, c. 1625, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1653 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Italian 16th Century, Covered Cup with Shield of Arms of the Countess of Gleichen, c. 1566 (crystal); 1566 (mounts), rock crystal and enameled gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1456 Lorenzo Lotto, Portrait of a Man, Possibly Girolamo Rosati, 1533–34, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127571 Medici Porcelain Factory, Flask, c. 1575/1587, or slightly later, imitation porcelain (a version of soft-paste porcelain), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1514 Francesco Salviati (Francesco de' Rossi), Design for a Vase with Hercules and Farnese Lilies, c. 1540, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334659 Ottavio Leoni, Thomas Stilianus, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/944 Possibly Italy, Console table, c. 1775–1800, Gilded wood and marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.32a%2C%20b Giovanni Battista Moroni, "Titian's Schoolmaster", c. 1575, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1184 Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Bartolomeo Schedoni, The Infant Christ Sleeping, c. 1600–1615 (Baroque), oil on wood (walnut) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.611 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767 Giovanni Domenico Tiepolo, Head of a Philosopher, 1750s–60s, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.1 Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947 Ottavio Leoni, Pier Francesco Pauli, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/940 Anonymous Artist, Louis II de Bourbon, Prince de Condé, 1877/1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1249 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Andrea Vicentino (Andrea Michieli), King Solomon Beholds the Ark of the Covenant Being Brought to the Temple, 1604, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on blue paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334680 Anonymous Artist, The Adoration of the Shepherds, 1606, pen and brown ink with gray-brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1838 Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626 Anonymous Artist, An Oriental, 1606, pen and brown ink with brush and brown-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1851 Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358 Girolamo Macchietti, Seated Boy, 1555–92, Red chalk, highlighted with white chalk; framing outlines in pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334708 Francesco Xanto Avelli, Shallow bowl on low foot with the death of Laocoön and his two sons, 1539, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1498 Titian, Venus with a Mirror, c. 1555, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/41 Alessandro Magnasco, Peinliches Verhör, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1473 Italian 16th Century, Incense Burner, c. 1560/1580, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1278 Giuseppe Penone, [Untitled], 1974, Gelatin silver prints (4), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230004 Ottavio Leoni, Giovanni Baglione, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/931 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Canaletto, Ansicht des Bacino di San Marco in Venedig, 1730–1740, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/847 Italian 16th Century, Cassone with Garlands and Cupids, c. 1540/1560, walnut with gilded gesso, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1520 Domenichino (Domenico Zampieri), Landscape with Moses and the Burning Bush, 1610–16, Oil on copper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436205 Jean-Baptiste Nini, [Untitled], 1776–1800, Ceramic, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/491 Andrea della Robbia, Saint Peter, c. 1900/1925 (figure); c. 1550 (framing garland), glazed terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/471 Anonymous Artist, Saint Bernard with Donor [obverse], probably early 20th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3200 Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 Leone Leoni, Maarten de Hane, 1475-1556, Flemish Merchant [obverse], 1544 or after, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1304 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788 Sebastiano Ricci, A Miracle of Saint Francis of Paola, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/212 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 Pietro Rotari, A Sleeping Girl, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/248 Cesare Peverelli, The Room, 1962, Tempera and pencil on textured paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34577 Italian 16th Century, Walnut Stool (Sgabello), Carved and Gilded, c. 1540/1560, gilded walnut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1522 Anonymous Artist, Jacob's Dream, 1606, pen and brown ink with gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1846 Giovanni Domenico Tiepolo, Pulcinella führt seine Braut nach Hause, c. 1797, Feder und Pinsel in Gelbbraun über schwarzem Stift, zwei Einfassungslinien mit der Feder über Grafitstift, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20247 Giovanni Battista Tiepolo, Die Heiligen der Familie Crotta, c. 1750, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1428 Unknown 18th Century, Benjamin West, c. 1776, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1133 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938 Italian 16th Century, Walnut Table with Herms and Sphinxes at the Ends, second half 16th century, walnut, oak, beech, and maple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1527 Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284 Andrea Spinelli, Antonio Da Mula and Marcantonio Trevisan [reverse], 1538, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1333 Jacopo Bassano, Lazarus and the Rich Man, c. 1550, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118679 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118 Medardo Rosso, The Concierge, (1883/cast c. 1899–1910), Beeswax over plaster; 14 5/8 x 12 3/8 x 6 3/8 in. (37.0 x 31.5 x 16.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862445-0 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681 Italian 17th Century, Fracischina and Gian Farina, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5344 Italian 16th Century, Reliquary Cross, 1550/1575, with late 19th century alterations, enameled gold, rock crystal, diamonds, emerald, rubies, glass pearls, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1455 Giovanni Domenico Tiepolo, Die Enthaltsamkeit Scipios, c. 1751, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1000 Pier Leone Ghezzi, Hovedet af en engel, efter Raphael, 1674–1755, Blygriffel, pen og mørkebrunt blæk, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb5774 Italian 16th Century, Portrait of a Nobleman, c. 1570, oil on fir or pine, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3199 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Anonymous Artist, Moonlight, early 20th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3204 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Giovanni Battista Foggini, David Victorious over Goliath, 1722, terracotta, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142294 Italian 17th Century, Cap. Bonbardon and Cap. Grillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5356 Veronese, The Finding of Moses, c. 1581/1582, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/45 Italian 17th/19th Century, Andiron with Figure of Jupiter, 17th/19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1282 Italian 16th Century, Salt, c. 1540/1560, lead-glazed fine earthenware, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1513 Sebastiano Conca, Allegory of Winter, c. 1720 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1791 Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207 Rudolf Stingel, [Untitled], 1995, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35097 Italian 16th Century, The Rich Man Being Carried Away by the Devil, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3445 Jean-Baptiste Nini, [Untitled], 1777, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/490 Italian 16th Century, The Adoration of the Kings [recto], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8949 Italian 17th Century, Guatsetto and Mestolino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5359 Italian 17th Century, Cap. Esgangarato and Cap. Cocodrillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5351 Cigoli (Ludovico Cardi), Design in Elevation for the Façade of a Building, 1590–1610, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334713 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 Diana Scultori, Latona Giving Birth to Apollo and Diana on the Island of Delos, 1561–1565, engraving on laid paper (with offset of Diana Scultori's "Snake Charmer" [B.44] on verso), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7358 Giuseppe Maria Crespi, Flucht nach Ägypten, c. 1710–1725, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/122 attributed to Francesco Stringa, Allegorical Still Life with Bernini's Bust of Duke Francesco I d'Este, c. 1660, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.38 Tancredi (Tancredi Parmeggiani), Springtime (Primavera), 1952, Gouache and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35181 Giovanni Battista Tiepolo, Study for a Ceiling with the Personification of Counsel, before c. 1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/241 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 Italian 16th Century, Mercury, second half 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1256 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Italian 17th Century, Cap. Mala Gamba and Cap. Bellavita, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5349 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Bernardo Bellotto, A Group of Figures Surrounding Two Bird-coops, 1697–1768, Pen and brown ink over lead or graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334682 Agostino dei Musi, Hieronymus Alexander, Archbishop of Brindisi, 1536, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9151 Italian 17th Century, Medallion and Animal Carpet, c. 1600, wool pile on silk warp and wool and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1655 Ottavio Leoni, Giuseppe Cesari, 1621, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/935 Anonymous Artist, Louise Brongniart, c. 1910, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1265 Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Italian 17th Century, A Dancing Faun, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1259 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190740 Italian 16th Century, Ecce Homo, second half 16th century, gilded copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1354 Italian 17th Century, Cap. Cerimonia and Siga. Lavinia, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5355 Anonymous Artist, Writing Table with Mechanical Fittings (table à transformation), c. 1760/1770, altered extensively first half 19th century, veneered on oak with tulipwood, kingwood, sycamore, purplewood, boxwood, ebony, and other woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1581 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766 Giovanni Battista Foggini, Vittoria della Rovere, Grand Duchess of Tuscany, c. 1690, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1269 Lucio Fontana, Concetto Spaziale (Teatrino), plate 1, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18817 Manufacturer: Sèvres Porcelain Factory, Plate, 1810, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.32 Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555 Giuseppe Capogrossi, Composition, 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33066 Anonymous Artist, Study of an Old Man, probably late 17th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1202 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954