Juan Downey, Drawing for With Energy Beyond These Walls, 1969, Pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34928 Camilo Blas (José Alfonso Sánchez Urteaga), Threshing ( La Trilla ), 1928, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37703 Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35757 Roberto Matta, Endless Nude, 1938, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35068 Lajos Kassák, [Untitled], 1922, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38236 Nemesio Antúnez, Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14485 Nemesio Antúnez, Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14483 Lajos D'Ebneth, Composition, 1926, Cut-and-pasted colored paper on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38208 Moche artist, Vessel, 5th-6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.43 Claudio Bravo, White Package, 1967, Chalk, conté crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38562 Moche artist, Vessel, c. 200 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.8 Nemesio Antúnez, Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14490 Hungary, Bowl, c. 1730, Porcelain with enamel decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.8.26 Juan Downey, A Clean New Race, 1970, Colored pencil, pencil, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37439 László Peri, In Front of the Table, 1922, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35125 Moche artist, Vessel, 5th-6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.64 Lambayeque artist, Vessel in the form of vegetables, 6th-15th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.26 Nemesio Antúnez, Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14486 Ernesto Fontecilla, Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33142 Nasca artist, Vessel, 1st century BCE - 6th century CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.3 Luis Herrera Guevara, Self-Portrait (Autorretrato), 1933, Oil and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33048 Nemesio Antúnez, Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14489 Claudio Bravo, The Skull, 1973, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35749 Inca artist, Vessel, 15th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.41.20 Roberto Matta, Condors and Carrion (Condors y carroña), 1941, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33401 Mario Carreño, Sugar Cane Cutters, 1943, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33609 Nemesio Antúnez, Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14488 Rafael Hastings, WHO? VII, (1968), Gouache, pencil, and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38696 Nasca artist, Cup, 3rd century BCE–6th century CE, Polychromed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.2 Roberto Matta, [Untitled], 1942, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38253 Moche artist, Vessel, 6th-8th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.73 Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35770 Roberto Matta, [Untitled], 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35228 Rodolfo Opazo, [Untitled], 1968, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38697 Nasca artist, Bowl with Swimmer Motifs, 100 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.61.13 Nasca artist, Vessel, 6th century, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.2.5 Nemesio Antúnez, Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14487 Chimú artist, Vessel, 11th-15th century, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.31 Nasca artist, Vessel, 100 BCE– 600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.29 Roberto Matta, Untitled from VVV Portfolio, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32011 Roberto Matta, Fiery Landscape (Paysage Flammifére), 1940, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37663 László Peri, Constructive Composition, 1923, Gouache, oil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38298 Nasca artist, Vessel in the form of a man, 3rd century BCE–6th century CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.61.6 Lajos Kassák, Architectural Structures, 1925, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38238 Roberto Matta, Joan of Arc, 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36247 Nasca artist, Vessel in the Form of a Fish, c. 100 BCE–600 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.59 Sándor (Alexander) Bortnyik, Pictoral Architecture 31, 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38184