Wenceslaus Hollar, Ciuis vel Artificis Londinensis Vxor, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7966 Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623 Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625 Giovanni Paolo Panini, Interior of the Pantheon, Rome, c. 1734, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/165 Carlo Bugatti, Coffee Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150161 Wenceslaus Hollar, Mulier Bernensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7930 Jannis Kounellis, [Untitled], 1973, Pencil, paper, and kerosene lamp on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37641 Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297 Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7990 Wenceslaus Hollar, Garden of Eden, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7798 Giuseppe Ghislandi, Portrait of a Young Man, after 1720, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/243 Salvator Rosa, Scenes of Witchcraft: Morning, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149105 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink on tan laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190739 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745 Wenceslaus Hollar, Albrecht Durer, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7780 Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649 Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7837 Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684 Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812 Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286 Francesco Guardi, View on the Cannaregio Canal, Venice, c. 1775–1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/254 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 Wenceslaus Hollar, Matrona Bernensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7929 Wenceslaus Hollar, Mulier Wiennensis Austri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7890 Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194 Jannis Kounellis, [Untitled], 1960, Polyvinyl acetate paint and tempera on canvas, Tate, London. https://dartabase.art/cite/tate/AR00614 Wenceslaus Hollar, Count, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7808 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 Lucio Fontana, [Untitled], 1956, Ink on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37632 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7856 Wenceslaus Hollar, Mulier ex Virginia, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7976 Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7835 Wenceslaus Hollar, Mulier Generosa Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7939 Mario Merz, Che Fare?, 1968–73, Aluminium, wax and neon lights, Tate, London. https://dartabase.art/cite/tate/AR00598 Wenceslaus Hollar, Ornamentation for a Dagger and Scabbard, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6255 Jean-Baptiste Nini, [Untitled], 1776–1883, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/480 Wenceslaus Hollar, Execution of Thomas Wentworth, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7996 Wenceslaus Hollar, Four Caterpillars and a Snail, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7864 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Wenceslaus Hollar, Matrona Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7934 Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028 Wenceslaus Hollar, Mercatoris Francofurtensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7918 Wenceslaus Hollar, Waggoner, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7822 Wenceslaus Hollar, Matrona Argentinensis Caenam Dni Accedens e des Nymphs), 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7922 Giovanni Battista Tiepolo, Singende und musizierende Engel, c. 1726, Feder in Dunkelbraun und Aquarell über grauem Stift, Einfassungslinie mit grauem Stift, auf Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/15411 Marino Marini, Nude, (1949), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38249 Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881 Giovanni Battista Tiepolo, Seated River God, Nymph with an Oar, and Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334651 Wenceslaus Hollar, Nobilis Mulier Brabantica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7905 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 Wenceslaus Hollar, Mulier Wiennensis in Domo, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7891 Giorgio de Chirico, Supplementary drawing from Mythologie by Jean Cocteau, 1934, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35076 Wenceslaus Hollar, Nuremberg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7832 Pietro Rotari, A Girl with a Flower in Her Hair, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/249 Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7946 Pietro Longhi, The Faint, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/204 Wenceslaus Hollar, Mulier Generosa Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7911 Giuseppe Maria Crespi, Cupids Disarming Sleeping Nymphs, c. 1690/1705, oil on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/203 Wenceslaus Hollar, Ornate Goblet, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7983 Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344 Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207 Wenceslaus Hollar, Mulier Nobilis Hispanica (Spanish Noblewoman), 1649, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7949 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Jean-Baptiste Nini, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/471 Wenceslaus Hollar, Virgo Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7933 Jannis Kounellis, [Untitled], 1969, Stone, Tate, London. https://dartabase.art/cite/tate/AR01136 Wenceslaus Hollar, Frankfort, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7841 Wenceslaus Hollar, Nobilis Mulier Aulica Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7953 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1623 Giacomo Balla, Study for Street Light, (1909), a) Pencil on paper b) Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38832 Massimo Campigli, Mosaic Design for Floor of Teatro Metropolitano, Rome, (1943), Gouache and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37068 Wenceslaus Hollar, Mulier Generosa Italica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7947 Wenceslaus Hollar, Ciuis Londinensis Melioris Qualitatis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7963 Wenceslaus Hollar, Mulier ex Ducatu Wirttembergensi, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7900 Wenceslaus Hollar, Matrona Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7921 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7846 Lucio Fontana, Concetto Spaziale (Teatrino), plate 4, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18821 Jannis Kounellis, Untitled (Sack with Z), 2001, Metal, glass, burlaq sack and coal, Tate, London. https://dartabase.art/cite/tate/AR00583 Wenceslaus Hollar, Merchant, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7819 Wenceslaus Hollar, Civis Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7965 Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596 Amedeo Modigliani, Portrait of a Woman, c. 1917–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128394 Wenceslaus Hollar, Nobilis Mulier Anglica, in Vestitu Hiemali, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7955 Wenceslaus Hollar, Man with Beard Looking Right (Hans Holbein?), 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7988 Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7838 Wenceslaus Hollar, Six Insects, a Caterpillar, and a Snail, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7878 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Giacomo Balla, Study for Street Light, (1909), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38831 Amedeo Modigliani, Seated Nude, 1914, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33375 Corrado Cagli, The Concentration Camp of Buchenwald, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34924 Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137 Wenceslaus Hollar, Mulier Matrisana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7952 Wenceslaus Hollar, Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7831 Wenceslaus Hollar, Two Butterflies, a Wasp, and a Moth, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7867 Jannis Kounellis, [Untitled], 1977, Synthetic polymer paint, tallow, and adhesive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36938 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7853 Wenceslaus Hollar, Mulier Primaria Antuerpiensis, in Ornatu Domestico, 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7907 Wenceslaus Hollar, Aula Veneris: Title Page, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7882 Wenceslaus Hollar, Mulier Hibernica vel Irlandica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7969 Wenceslaus Hollar, Nobilis Mulier Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7938 Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Jannis Kounellis, Untitled (Hair), 2004, Metal, glass and hair, Tate, London. https://dartabase.art/cite/tate/AR00586 Francesco Guardi, Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/270 Wenceslaus Hollar, Mulier Calabra, Vulgo, Foretana di Napoli, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7948 Wenceslaus Hollar, The Peace of Munster, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7859 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Wenceslaus Hollar, Five Butterflies, a Moth, a Beetle, and a Spider, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7871 Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Italian 19th Century, Madonna and Child, mid 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/133 Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Wenceslaus Hollar, Three Moths, Two Butterflies, and a Bumble Bee, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7869 Gian Lorenzo Bernini, Sketches for a Wall Tomb with Skeletons, 1630–40, Pen and brown ink over black chalk (recto); black chalk (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334681 Giovanni Battista Cipriani, The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334673 Wenceslaus Hollar, Peddler, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7820 Carlo Bugatti, Tea Table, c. 1907, inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156112 Italian 19th Century, Mucius Scaevola, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9488 Wenceslaus Hollar, Mercatoris Pragensis Vxor, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7885 Amedeo Modigliani, Mario the Musician, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34113 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7855 Wenceslaus Hollar, Mulier Nobilis aut Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7957 Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Carlo Bugatti, Salver, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156113 Wenceslaus Hollar, Rudesheim, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7842 Bernardo Bellotto, The Campo di SS. Giovanni e Paolo, Venice, 1743/1747, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1144 Mario Sironi, Mannequin, (c. 1918), Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34812 Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963 Giovanni Domenico Tiepolo, Studienkopf eines alten Mannes, 1751–1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1385 Wenceslaus Hollar, Mulier Hebrea in Tracia, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7972 Wenceslaus Hollar, Three Caterpillars, a Moth, and Four Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7876 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Italian 18th/19th Century, Samson Slaying the Philistine, 18th/early 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1241 Wenceslaus Hollar, Advocate, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7816 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Carlo Bugatti, Tray, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150157 Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167 Wenceslaus Hollar, Ancilla Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7916 Wenceslaus Hollar, View of Lewenberg, 1643–1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7981 Wenceslaus Hollar, Swallow-tailed Butterfly and Twelve Other Insects, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7875 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18819 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Wenceslaus Hollar, Mulier Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7897 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 Wenceslaus Hollar, On the Neckar, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7834 Wenceslaus Hollar, Summer: The Bathing Place, c. 1628/1629, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7991 Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251 Wenceslaus Hollar, Mercatoris Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7943 Salvator Rosa, Scenes of Witchcraft: Evening, c. 1645–49, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149107 Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268 Wenceslaus Hollar, Mulier Franconiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7893 Wenceslaus Hollar, Moth and Three Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7863 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Wenceslaus Hollar, Mulier Generosa Viennensis Austri, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7889 Wenceslaus Hollar, Mercatoris Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7895 Wenceslaus Hollar, Empress, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7803 Wenceslaus Hollar, Civis Coloniensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7913 Wenceslaus Hollar, Mulier Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7908 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Wenceslaus Hollar, Ciuis Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7894 Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7836 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185 Wenceslaus Hollar, Cardinal, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7805 Wenceslaus Hollar, Bishop, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7807 Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544 Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7994 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18820 Wenceslaus Hollar, Moth, Butterflies, and Bees, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7877 Wenceslaus Hollar, Virgo Nuptialis Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7925 Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307 Corrado Cagli, The Bridge at Worms, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34913 Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Salvator Rosa, Scenes of Witchcraft: Night, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149108 Alessandro Algardi, Baptism of Christ, designed 1645–46, probably made 1650–55, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141932 Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868 Gianfranco Baruchello, Assez Donc! (Enough!), 1963, Synthetic polymer paint, white-out, pencil, charcoal, pastel, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37496 Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598 Wenceslaus Hollar, Mulier ex inferiori Palainatu, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7920 Amedeo Modigliani, Caryatid: Rose and Blue, 1912–14, Watercolor, with pen and black ink, graphite, and touches of brown crayon on tan wove paper (pieced), laid down on tan wove paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45257 Carlo Bugatti, Creamer, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150158 Bartolomeo Coriolano, Virgin and Child, 1630, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5991 Wenceslaus Hollar, Virgo Nuptialis Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7935 Wenceslaus Hollar, Mulier Generosa Brabantica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7906 Giorgio de Chirico, Portrait of Giovinetto Aldo Castelfranco, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33485 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Fausto Pirandello, Women's Quarters (Gineceo), 1950, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36231 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Wenceslaus Hollar, Coblentz, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7843 Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197 Wenceslaus Hollar, Mulier Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7924 Wenceslaus Hollar, Woman with White Veil and Black Hat (Mary Stuart?), 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7986 Wenceslaus Hollar, Queen, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7804 Wenceslaus Hollar, Mulier Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7958 Wenceslaus Hollar, Duren, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7847 Italian 17th Century, Arabesque Band Carpet, c. 1650, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1654 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Wenceslaus Hollar, Mulier Augustae Vindelicorum, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7896 Wenceslaus Hollar, Drachenfels, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7844 Wenceslaus Hollar, Mulier Religiosa Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7910 Wenceslaus Hollar, Moth, Three Butterflies, and Two Beetles, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7865 Wenceslaus Hollar, Mulier Moguntiana, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7917 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1619 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744 Antonio Canova, Terpsichore Lyran (Muse of Lyric Poetry), 1816, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143775 Gaspare Diziani, Dawn, 1709, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436203 Marino Marini, Horseman, 1949, Ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38247 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 Wenceslaus Hollar, Mulier Svevica vel Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7898 Wenceslaus Hollar, Woman of Antwerp, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7984 Arnaldo Pomodoro, Study, 1960, Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33223 Wenceslaus Hollar, Hanau, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7840 Jannis Kounellis, Untitled (7 x 33), 1959, Tempera and glue on graph paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34584 Wenceslaus Hollar, Nun, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7812 Sebastiano Ricci, The Exaltation of the True Cross, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/213 Wenceslaus Hollar, Mulier Nobilis aut Generosa Gallica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7940 Umberto Boccioni, Study for Elasticity, 1912, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35857 Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550 Wenceslaus Hollar, Dni Maioris sive Praetoris Londinensis Vxoris Hab:, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7962 Wenceslaus Hollar, Mulier Coloniensis, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7914 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936 Wenceslaus Hollar, Abbess, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7810 Jannis Kounellis, Untitled (Hanging Knife), 1991, Metal, glass, etching on paper, hook and knife, Tate, London. https://dartabase.art/cite/tate/AR00582 Mario Merz, Lingotto, 1968, Brush-wood, beeswax and steel, Tate, London. https://dartabase.art/cite/tate/AR00608 Wenceslaus Hollar, Four Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7870 Pietro Longhi, The Game of the Cooking Pot, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/205 Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Italian 19th Century, Coronation of the Virgin, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9482 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Jean-Baptiste Nini, [Untitled], 1778, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/489 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 Sebastiano Conca, Allegory of Spring, c. 1720 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1724 Jannis Kounellis, Coal Sculpture with Wall of Coloured Glass, 1990–2005, Glass, steel, coal and paraffin lamp, Tate, London. https://dartabase.art/cite/tate/AR00070 Carlo Maratti, Portrait of Francesca Gommi Maratti, c. 1701, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/307326 Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837 Florentine 19th Century, Madonna and Child, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/121 Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277 Wenceslaus Hollar, Rustica Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7941 Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Wenceslaus Hollar, Cives Hollandica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7901 Sebastiano Ceccarini, Portrait of a Noblewoman, c. 1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.410 Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Jannis Kounellis, [Untitled], 1969, Burlap and beans, Tate, London. https://dartabase.art/cite/tate/AR00069 Wenceslaus Hollar, Mulier Westphalica ex Archiep Monasteri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7892 Giovanni Battista Foggini, Ferdinando II de' Medici, Grand Duke of Tuscany, c. 1690, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1268 Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047 Wenceslaus Hollar, Old Woman, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7825 Wenceslaus Hollar, Mulier Moresca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7974 Wenceslaus Hollar, Dragonflies, a Bumble-Bee, and a Butterfly, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7866 Wenceslaus Hollar, Mulier Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7923 Carlo Labruzzi, A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215328 Wenceslaus Hollar, Five Butterflies and a Moth, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7879 Corrado Cagli, Troubadours, 1946, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34068 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Wenceslaus Hollar, Child, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7826 Capo di Monte, Wine bowl with cover, c. 1750–80, Soft-paste porcelain with later silver mounts, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.1a%2C%20b Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312 Jannis Kounellis, Untitled (Knife and Train), 2002, 5 knives, 2 trains, metal and glass box, Tate, London. https://dartabase.art/cite/tate/AR00074 Ivo Pannaggi, Collage, 1926, Parcel post wrapping, stamps, ink, and cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33036 Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Alessandro Algardi, Portrait of Pope Innocent X Pamphili, designed 1647–48; cast 1650–1700, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134949 Giovanni Bastianini, Portrait of a Lady, "Giovanna Albizzi", c. 1860, gesso and polychrome over wood and mixed media, National Gallery of Art, Washington. https://dartabase.art/cite/nga/136 Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025 Giovanni Battista Tiepolo, Scene from Ancient History, c. 1750, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/509 Carlo Bugatti, Tea and Coffee Service, c. 1907, gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150156 Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220 Wenceslaus Hollar, The Mineral Spring, 1627–1636, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7857 Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344 Jannis Kounellis, Untitled (Scissors), 2004, Metal, glass and scissors, Tate, London. https://dartabase.art/cite/tate/AR00584 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Wenceslaus Hollar, Lady with Ribbons on Curls, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7985 Wenceslaus Hollar, Mulier Generosa Hispanica (Spanish Gentlewoman), 1644, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7950 Wenceslaus Hollar, Mulier Belgica in Vestitu Domestico, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7904 Wenceslaus Hollar, Mercatoris Hollandici Vxor, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7902 Jean-Baptiste Nini, [Untitled], 1776–1800, Galvonplast (probably galvano-reproduction), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/488 Giacomo Porzano, The Riot, 1961, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34042 Gino Severini, Oval Composition, 1913, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38346 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Wenceslaus Hollar, Albrecht Durer's Father, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7860 Francesco Guardi, Grand Canal with the Rialto Bridge, Venice, probably c. 1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1166 Wenceslaus Hollar, Preacher, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7813 Wenceslaus Hollar, Nobilis Mulier Bohemica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7883 Giorgio de Chirico, Euripides, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37600 Wenceslaus Hollar, Title Page, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7829 Giuseppe Maria Crespi, Heimsuchung Mariens, c. 1710–1720, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/123 Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893 Wenceslaus Hollar, Johann Banfi Huniades, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7992 Wenceslaus Hollar, Mulier Danica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7937 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Wenceslaus Hollar, Mulier Anglica Habitans in Pago, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7961 Wenceslaus Hollar, Paradise Lost, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7799 Alessandro Magnasco, Interior of a Synagogue, c. 1725–35, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111691 Wenceslaus Hollar, Summer, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7978 Carlo Labruzzi, Ruin of an Aqueduct on the Road to Cori, Italy, 1789, Watercolor and graphite on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5363 Salvator Rosa, Scenes of Witchcraft: Day, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149106 Alessandro Magnasco, Folterszene, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1474 Wenceslaus Hollar, Mulier Generosa Anglica, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7959 Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271 Amedeo Modigliani, Caryatid, 1914, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36904 Wenceslaus Hollar, Nobilis Mulier Anglica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7954 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Bernardo Strozzi, Allegorical Figure, c. 1635, black chalk with red chalk , Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130937 Carlo Bugatti, Tea Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150160 Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319 Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7926 Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7945 Jannis Kounellis, [Untitled], 2005, Mixed media, Tate, London. https://dartabase.art/cite/tate/AR00075 Jannis Kounellis, Bells, 1993, Bronze bells, wooden beams and rope, Tate, London. https://dartabase.art/cite/tate/AR00071 Wenceslaus Hollar, Gamesters, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7823 Wenceslaus Hollar, Two Dragonflies and Five Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7874 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304 Wenceslaus Hollar, Standing Figure, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7993 Francesco Monti ("Il Brescianino delle Battaglie"), Cavalry Engagement, 1646–1712, Pen and brown ink, blue-gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334868 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Michele Rocca, Rinaldo and Armida, 1720–1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.879 Marino Marini, Igor Stravinsky, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35846 Wenceslaus Hollar, Three Butterflies and Two Moths, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7872 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Wenceslaus Hollar, Matrisana M., 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7951 Jannis Kounellis, [Untitled], 1993, Steel bedsprings, metal hook and paint on wall, Tate, London. https://dartabase.art/cite/tate/AR00072 Jannis Kounellis, [Untitled], 2004, Steel, carpets, 2 hooks, coat and hat, Tate, London. https://dartabase.art/cite/tate/AR00073 Wenceslaus Hollar, Matrona Parisiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7942 Wenceslaus Hollar, Mulier Austriae Superioris, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7888 Wenceslaus Hollar, Bride, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7818 Wenceslaus Hollar, Prospect of Oxford, 1652–1677, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7858 Wenceslaus Hollar, Rustica Bohemica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7884 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683 Jannis Kounellis, [Untitled], 1971, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00497 Bartolommeo Letterini, En mandlig helgen vaskes og plejes af engle, mens han lytter til en kvindelig helgen, der sidder foran en læsepult og peger opad. Den Hl.Sebastian hos den Hl.Irene?, 1669–1731, Sortkridt, rødkridt, pen, mørkebrunt blæk og brun lavering, forhøjet med hvidt på blågråt papir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS11137 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1622 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Carlo Bugatti, Covered Sugar Bowl, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150159 Wenceslaus Hollar, Ciuis aut Mercatoris Antuerpiensis Vxor, 1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7909 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Wenceslaus Hollar, Two Moths and Six Insects, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7868 Wenceslaus Hollar, Death's Coat of Arms, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7827 Wenceslaus Hollar, Title Page, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7873 Wenceslaus Hollar, Dragonfly, Ladybirds, and Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7880 Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7927 Wenceslaus Hollar, Mulier Aulica Turca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7970 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 Wenceslaus Hollar, Duchess of Lennox, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7987 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Possibly Italy, Console table, c. 1775–1800, Gilded wood and marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.32a%2C%20b Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Wenceslaus Hollar, Virgo Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7936 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Wenceslaus Hollar, Augsburg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7833 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767 Giovanni Domenico Tiepolo, Head of a Philosopher, 1750s–60s, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.1 Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626 Wenceslaus Hollar, View of Shenckenschantz, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7995 Jannis Kounellis, [Untitled], 1960–98, Steel panel, enamel on paper on 2 canvases, fabric, coal, 3 metal hooks and metal rod, Tate, London. https://dartabase.art/cite/tate/AR00068 Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358 Wenceslaus Hollar, Mercatoris Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7967 Jannis Kounellis, Untitled (Sewing Machine), 2004, Metal, glass, sewing machine and coat, Tate, London. https://dartabase.art/cite/tate/AR00585 Wenceslaus Hollar, Emperor, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7802 Alessandro Magnasco, Peinliches Verhör, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1473 Wenceslaus Hollar, Mulier Generosa Graeca in Civitate Pera, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7971 Wenceslaus Hollar, Theatrum mulierum: Title Page, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7881 Giuseppe Penone, [Untitled], 1974, Gelatin silver prints (4), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230004 Wenceslaus Hollar, Mulier Pragensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7886 Wenceslaus Hollar, Near Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7830 Wenceslaus Hollar, Sea Scene, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7850 Wenceslaus Hollar, Ciuis Coloniesis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7912 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Canaletto, Ansicht des Bacino di San Marco in Venedig, 1730–1740, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/847 Wenceslaus Hollar, Old Man, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7824 Jean-Baptiste Nini, [Untitled], 1776–1800, Ceramic, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/491 Wenceslaus Hollar, Abbot, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7809 Wenceslaus Hollar, Miser, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7821 Wenceslaus Hollar, Duke, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7806 Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Wenceslaus Hollar, Doctor, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7814 Wenceslaus Hollar, Near Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7851 Wenceslaus Hollar, Civis Londinensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7964 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 Wenceslaus Hollar, Delfshaven, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7849 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Wenceslaus Hollar, Mulier Svevica Inferioris Conditionis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7899 Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788 Sebastiano Ricci, A Miracle of Saint Francis of Paola, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/212 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Wenceslaus Hollar, Winter, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7980 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 Wenceslaus Hollar, Bridal Pair, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7817 Pietro Rotari, A Sleeping Girl, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/248 Cesare Peverelli, The Room, 1962, Tempera and pencil on textured paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34577 Giovanni Domenico Tiepolo, Pulcinella führt seine Braut nach Hause, c. 1797, Feder und Pinsel in Gelbbraun über schwarzem Stift, zwei Einfassungslinien mit der Feder über Grafitstift, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20247 Giovanni Battista Tiepolo, Die Heiligen der Familie Crotta, c. 1750, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1428 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938 Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118 Medardo Rosso, The Concierge, (1883/cast c. 1899–1910), Beeswax over plaster; 14 5/8 x 12 3/8 x 6 3/8 in. (37.0 x 31.5 x 16.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862445-0 Wenceslaus Hollar, Mulier Scotica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7968 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7931 Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681 Wenceslaus Hollar, Katharine Furlegerin, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7828 Giovanni Domenico Tiepolo, Die Enthaltsamkeit Scipios, c. 1751, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1000 Wenceslaus Hollar, Knight, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7815 Pier Leone Ghezzi, Hovedet af en engel, efter Raphael, 1674–1755, Blygriffel, pen og mørkebrunt blæk, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb5774 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Wenceslaus Hollar, Spring, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7977 Wenceslaus Hollar, Title Page to "Philosophia Universia", 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7781 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7852 Wenceslaus Hollar, Ancilla Argentinensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7928 Giovanni Battista Foggini, David Victorious over Goliath, 1722, terracotta, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142294 Sebastiano Conca, Allegory of Winter, c. 1720 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1791 Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207 Wenceslaus Hollar, Monk, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7811 Rudolf Stingel, [Untitled], 1995, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35097 Wenceslaus Hollar, Six Insects, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7862 Wenceslaus Hollar, Mulier Habitans Algieri, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7973 Jean-Baptiste Nini, [Untitled], 1777, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/490 Wenceslaus Hollar, Title Page, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7861 Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7932 Wenceslaus Hollar, When Adam Delved, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7800 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 Wenceslaus Hollar, Opificis Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7944 Giuseppe Maria Crespi, Flucht nach Ägypten, c. 1710–1725, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/122 Wenceslaus Hollar, Nobilis Mulier Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7956 attributed to Francesco Stringa, Allegorical Still Life with Bernini's Bust of Duke Francesco I d'Este, c. 1660, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.38 Tancredi (Tancredi Parmeggiani), Springtime (Primavera), 1952, Gouache and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35181 Giovanni Battista Tiepolo, Study for a Ceiling with the Personification of Counsel, before c. 1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/241 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Wenceslaus Hollar, Mulier Coloniensis Exspatians, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7915 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7854 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Jannis Kounellis, Untitled (Coffee), 1989–91, Metal, glass, etching on paper, coffee beans and lead, Tate, London. https://dartabase.art/cite/tate/AR00581 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Wenceslaus Hollar, The Pope, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7801 Bernardo Bellotto, A Group of Figures Surrounding Two Bird-coops, 1697–1768, Pen and brown ink over lead or graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334682 Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Wenceslaus Hollar, Navigatoris Hollandici Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7903 Wenceslaus Hollar, Autumn, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7979 Wenceslaus Hollar, Mulier Generosa Anglica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7960 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 Wenceslaus Hollar, Mercantoris Hanauiensis Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7919 Salvator Rosa, Study for Polycrates’ Crucifixion, c. 1662, Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/190740 Wenceslaus Hollar, Mulier Persiana, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7975 Wenceslaus Hollar, Wesel, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7848 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Wenceslaus Hollar, Ciuis Pragensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7887 Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766 Giovanni Battista Foggini, Vittoria della Rovere, Grand Duchess of Tuscany, c. 1690, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1269 Lucio Fontana, Concetto Spaziale (Teatrino), plate 1, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18817 Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555 Giuseppe Capogrossi, Composition, 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33066 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954 Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7845 Wenceslaus Hollar, Speyer, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7839