Jannis Kounellis, [Untitled], 1973, Pencil, paper, and kerosene lamp on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37641 Antimenes Painter, Black-Figure Dinos (Mixing Vessel): Warships (Int.); Heroic Scenes (Top), c. 520–515 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/146147 José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634 Psiax, Red-Figure Eye Cup: Warriors (A), Musician and Youths (B), c. 520 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148849 Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146 Jannis Kounellis, [Untitled], 1960, Polyvinyl acetate paint and tempera on canvas, Tate, London. https://dartabase.art/cite/tate/AR00614 Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040 Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047 Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560 Pig Painter, Red-Figure Column Krater (Mixing Vessel): Komos (Revel), 470–460 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/106092 Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557 Greece, Crouching Lion, 330–317 BCE, Pentellic marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.25 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 Jannis Kounellis, [Untitled], 1969, Stone, Tate, London. https://dartabase.art/cite/tate/AR01136 Jannis Kounellis, Untitled (Sack with Z), 2001, Metal, glass, burlaq sack and coal, Tate, London. https://dartabase.art/cite/tate/AR00583 José Leonilson, Sunset, Earthquake, Loneliness, 1990, Ink and metallic color on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34650 José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601 Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Pig Painter, Red-Figure Column Krater (Mixing Vessel): Komos (Revel), c. 470–460 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108878 Jannis Kounellis, [Untitled], 1977, Synthetic polymer paint, tallow, and adhesive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36938 Jannis Kounellis, Untitled (Hair), 2004, Metal, glass and hair, Tate, London. https://dartabase.art/cite/tate/AR00586 Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628 El Greco, Saint Ildefonso, c. 1603/1614, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/90 Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558 Workshop of Athens 894, Geometric Neck-Handled Amphora (Storage Vessel): Prothesis (Laying out of Corpse), Mourners, Chariots, c. 720–700 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109391 Painter of Berlin 1899, Black-Figure Neck-Amphora (Storage Vessel): Herakles and Nemean Lion (A); Dionysos, Satyrs, and Maenads (B), 515–510 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144965 Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153 José Bernardo Cardoso Jr., Still Life with View of the Bay of Guanabara, 1937, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37738 José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Meidias Painter, Red-Figure Squat Lekythos (Oil Vessel): Birth of Erichthonios, c. 420–410 BCE, ceramic, with gilding, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150718 Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789 Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559 Greece, Panel, 19th century, Linen, silk thread, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.7.2 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589 Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667 El Greco, The Holy Family with Mary Magdalen, c. 1590–95, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108541 Jannis Kounellis, Untitled (7 x 33), 1959, Tempera and glue on graph paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34584 Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550 Jannis Kounellis, Untitled (Hanging Knife), 1991, Metal, glass, etching on paper, hook and knife, Tate, London. https://dartabase.art/cite/tate/AR00582 Hellenistic 2nd Century B.C./1st Century A.D., Head of a Youth (Dionysos or a Follower?), c. 220/100 B.C., marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3154 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 Douris, White-Ground Lekythos (Oil Vessel): Atalanta and Erotes, 500–490 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142277 Antimenes Painter, Black-Figure Hydria (Water Vessel): Frontal Quadriga (Body); Theseus and Minotaur (Shoulder), c. 520 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148008 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 Jannis Kounellis, Coal Sculpture with Wall of Coloured Glass, 1990–2005, Glass, steel, coal and paraffin lamp, Tate, London. https://dartabase.art/cite/tate/AR00070 Jannis Kounellis, [Untitled], 1969, Burlap and beans, Tate, London. https://dartabase.art/cite/tate/AR00069 Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824 Greece, Head of a Votary from the Temple of Golgoi, 600–500 BCE, Limestone, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/28.22 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Jannis Kounellis, Untitled (Knife and Train), 2002, 5 knives, 2 trains, metal and glass box, Tate, London. https://dartabase.art/cite/tate/AR00074 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555 Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552 Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484 Jannis Kounellis, Untitled (Scissors), 2004, Metal, glass and scissors, Tate, London. https://dartabase.art/cite/tate/AR00584 José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662 Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692 Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811 Greece, Head of Aphrodite, 3rd century BCE, Marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/32.15 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818 Attributed to The Carlsberg Painter, Lekythos, c. 450–430 BCE, White ground slip glazed earthenware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.7 Kleophon Painter, Red-Figure Stamnos (Mixing/Storage Vessel): Komos (Musicians and Revelers), c. 435–425 BCE, Ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/538229 Jannis Kounellis, [Untitled], 2005, Mixed media, Tate, London. https://dartabase.art/cite/tate/AR00075 Jannis Kounellis, Bells, 1993, Bronze bells, wooden beams and rope, Tate, London. https://dartabase.art/cite/tate/AR00071 José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616 El Greco (Domenikos Theotokopoulos), Christ Driving the Money Changers from the Temple, c. 1570–75, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.1 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Jannis Kounellis, [Untitled], 1993, Steel bedsprings, metal hook and paint on wall, Tate, London. https://dartabase.art/cite/tate/AR00072 Jannis Kounellis, [Untitled], 2004, Steel, carpets, 2 hooks, coat and hat, Tate, London. https://dartabase.art/cite/tate/AR00073 Jannis Kounellis, [Untitled], 1971, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/AR00497 Berlin Painter, Red-Figure Lekythos (Oil Vessel): Athena Slaying Giant (body); Satyr between Maenads (shoulder), c. 490 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149405 Antonio Dias, [Untitled], 1967, Gouache and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38129 Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112 El Greco, Saint Martin and the Beggar, 1597/1599, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1164 Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556 Greece, Grave Stele, 5th century BCE, Pentellic marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.4 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Jannis Kounellis, [Untitled], 1960–98, Steel panel, enamel on paper on 2 canvases, fabric, coal, 3 metal hooks and metal rod, Tate, London. https://dartabase.art/cite/tate/AR00068 Jannis Kounellis, Untitled (Sewing Machine), 2004, Metal, glass, sewing machine and coat, Tate, London. https://dartabase.art/cite/tate/AR00585 Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487 Greece, Votary Figure, c. 470 BCE, Limestone, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/28.23 El Greco, Madonna and Child with Saint Martina and Saint Agnes, 1597/1599, oil on canvas, wooden strip added at bottom, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1165 Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162 Hélio Oiticica, Nucleus NC3 (Núcleo NC3), 1960–61, Oil and resin on wood fiberboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/284499 Oionokles Painter, Red-Figure Lekythos (Oil Vessel): Warrior Cutting Hair, c. 480–470 BCE, ceramic, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110059 Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128 Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659 Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Jannis Kounellis, Untitled (Coffee), 1989–91, Metal, glass, etching on paper, coffee beans and lead, Tate, London. https://dartabase.art/cite/tate/AR00581 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553