Johann Theodor de Bry, Fountain of Youth, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6472 Johann Theodor de Bry, Army Train and Death, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6475 Gerard de Lairesse, Hermes Ordering Calypso to Release Odysseus, c. 1670, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156420 Jacob Jordaens, Susannah Crouching, c. 1640/1645, black and red chalk with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8069 Peter Paul Rubens, The Garden of Love (left portion), c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334653 Paul Bril, Landscape with Men Playing 'Mail à la Chicane', 1624, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.3 Crispijn de Passe (I), Satire over hygiejne, 1589–1688, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20983 Sir Anthony van Dyck, Bildnis des Hendrick van Steenwyck des Jüngeren, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19199 Flanders (Tournai), The Ship of Virtues, c. 1528–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.15 José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6457 Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146 Adriaen Collaert, Christ and the Woman of Samaria, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4622 Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040 Peter Paul Rubens, The Garden of Love (right portion), c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334654 Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047 Sir Anthony van Dyck, Virgin and Child with Saint Catherine of Alexandria, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436262 Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560 Gaspar de Crayer, The Meeting of Alexander the Great and Diogenes, 1605, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436048 Adriaen Collaert, Design for a Pendant with a Winged Sea-Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5983 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6462 Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557 Sir Anthony van Dyck, Study Head of a Young Woman, c. 1618–20, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436259 Sir Anthony van Dyck, A Man Mounting a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436263 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 Jan Rombouts the Elder, The Holy Family in a Landscape, c. 1520/1535, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8765 Master FVB, Saint Simon, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3410 Adriaen Collaert, The Good Shepherd, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4623 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6447 Paul Bril, Landschaft bei Tivoli, c. 1595–1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2127 Pieter van der Borcht (I), Gud åbenbarer sig for Abraham i skikkelse af en engel, og Abraham rejser, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1502 Sir Anthony van Dyck, Sir Peter Paul Rubens (1577–1640), 1600, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436265 José Leonilson, Sunset, Earthquake, Loneliness, 1990, Ink and metallic color on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34650 José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601 Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6454 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune on an Urn Flanked by a River-God with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5982 Studio of Marcus Gheeraerts the Younger, Portrait of Robert Devereux, Second Earl of Essex, 1599, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.24 Theodor de Bry, Venus, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4357 Sir Anthony van Dyck, Philip, Lord Wharton, 1632, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/57 Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628 Sir Anthony van Dyck, Portrait of a Man, c. 1618, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436254 Pieter Pannemaker I, The Crucifixion, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1608 Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558 Jan Frans van Bloemen, Landscape of the Roman ""Compagna"", c. 1700–1740 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1143 Theodor de Bry, Sun, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4356 Master FVB, Saint Judas Thaddaeus, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3411 Pieter Serwouters, Bakkus' triumftog til Theben, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21524 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6455 Pieter Balten, The Dissolute Household, 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4593 Master of the Boccaccio Illustrations, The Resurrection, c. 1470/1475, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8737 Sir Anthony van Dyck, A Genoese Lady with Her Child, c. 1623–25, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131819 Adriaen Collaert, The Parable of the Two Sons and the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4636 Sir Anthony van Dyck, Marchesa Balbi, c. 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/56 Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253 Flanders (Bruges), Allegorical Millefleurs Tapestry with Animals, c. 1530–45, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.4 Flanders, Cuffs, 17th–18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.81a-d Adriaen Collaert, The Angel Telling Joseph to Flee and the Flight into Egypt, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4633 Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153 José Bernardo Cardoso Jr., Still Life with View of the Bay of Guanabara, 1937, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37738 Adriaen Collaert, Design for a Pendant with a Sea-Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5985 José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055 Frans Pourbus the younger, Portrait of a Noblewoman, 1617 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.377 Flanders, One of the Three Magi on a Millefleurs Ground, early 16th century, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.19.1 Peter Paul Rubens, The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34, Oil on gessoed wood (oak) panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.2 Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6441 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6444 Gerard Edelinck, Nicolas de Blampignon, 1702, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6835 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Figures, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5980 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6459 Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789 David Teniers, the Younger, The Prodigal Son, c. 1640, Oil on copper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.8 Designer: Flanders, Awaiting the Chase, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.1 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Thetis and a Man with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5979 Flanders (Brussels), Deer Hunt with the Story of Diana and Actaeon, c. 1580–1620, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.208 Sir Anthony van Dyck, Isabella Brant, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/54 Frans Crabbe van Espleghem, Christ as the Man of Sorrows, c. 1522–25, Engraving and etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334663 Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6448 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 Sir Anthony van Dyck, Filippo Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1232 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6461 Master FVB, The Judgment of Solomon, c. 1480, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3409 Adriaen Collaert, The Parable of the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1424 Sir Anthony van Dyck, Virgin and Child, c. 1620, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436261 Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6460 Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6458 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6465 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6463 Sir Anthony van Dyck, Study Head of an Old Man with a White Beard, c. 1617–20, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436260 Johann Theodor de Bry, The Baggage Train with the Sergeant-Major, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6476 Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550 Adriaen Collaert, Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5984 Martin Rykaert, River Landscape with Mining, 1620–1629, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1730 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6443 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 Giambologna, Fata Morgana, c. 1572, Marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/687583 Sir Anthony van Dyck, Catherine Howard, Lady d'Aubigny, c. 1638, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1234 Jacob Jordaens, Hirtenanbetung, n.d., Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/143 Adriaen Collaert, The Parable of the Sower, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4635 Theodor de Bry, Saturn, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4353 Adriaen Collaert, The Plucking of Ears of Corn on Sabbath Day, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4607 Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824 Adriaen Collaert, The Parable of the Kingdom of Heaven, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4620 Anonymous Flemish 15th Century, Christ in Tomb with Virgin and Saint John, 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1357 Gerard Edelinck, Remi Du Laury, probably 1679, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6836 Sir Anthony van Dyck, A Man Riding a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436264 Adriaen Collaert, Title Plate with Designs for Pendants, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5988 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Sir Anthony van Dyck, Maddalena Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1233 Sir Anthony van Dyck, Portrait Bust of Inigo Jones, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.803 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6449 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6452 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555 Peter Paul Rubens, Diana and Her Nymphs Departing for the Hunt, c. 1615, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135661 Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552 Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484 Pieter van der Borcht (I), Jakob og det spættede kvæg, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1525 José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662 Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692 Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811 Adriaen Collaert, Jesus Calling the Apostles Among the Fishermen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4634 Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818 Gaspar de Crayer, Philip IV (1605–1665) in Parade Armor, c. 1628, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436049 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6453 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Nereids, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5981 Flanders (Brussels), Edging, 18th century, Linen, needlelace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.16 Flanders (Brussels), Lappet of Point d’Angleterre à vrai réseau, 18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.17 José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616 Flanders, The Journey and Temptations of the Prodigal Son, c. 1507–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/37.17 Adriaen Collaert, The Parable of the Barren Fig Tree, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4608 Peter Paul Rubens, Hélène Fourment, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17126 Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169 Sir Anthony van Dyck, The Prefect Raffaele Raggi, c. 1625, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1229 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Sir Anthony van Dyck, Giovanni Vincenzo Imperiale, 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1228 Pieter Serwouters, Merkur overdrager Bakkus til nymferne fra Nysa-bjerget, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21517 Peter Paul Rubens, Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe, c. 1616 (c. 1646–1650), Öl auf Eichenholz (originaler Bildträger unten und links erweitert), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1034 Peter Paul Rubens, Zwei Reiterkämpfe, 1627–1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2261 Adriaen Collaert, Titlepage, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4621 Sir Anthony van Dyck, The Virgin as Intercessor, 1628/1629, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1227 Sir Anthony van Dyck, Susanna Fourment and Her Daughter, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/55 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6450 Master of the First Prayerbook of Maximillian, Hours of Queen Isabella the Catholic, Queen of Spain, c. 1500, ink, tempera, and gold on vellum, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138885 Pieter Pannemaker I, The Garden of Gethsemane, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1607 Abraham van Diepenbeeck, Saint Cecilia, 1616, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436198 Antonio Dias, [Untitled], 1967, Gouache and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38129 Johann Theodor de Bry, Country Fair, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6473 Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112 Sir Anthony van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436257 Sir Anthony van Dyck, Self-Portrait, c. 1620–21, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436258 Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6466 Master FVB, Saint Anthony, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3416 Theodor de Bry, Jupiter, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4354 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6464 Theodor de Bry, Mercury, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4358 Theodor de Bry, Jewelry Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6467 Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6442 Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162 Theodor de Bry, Mars, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4355 Peter Paul Rubens, Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/464 Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119 Peter Paul Rubens, Susanna, 1577, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334709 Peter Paul Rubens, Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151517 Hélio Oiticica, Nucleus NC3 (Núcleo NC3), 1960–61, Oil and resin on wood fiberboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/284499 Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1231 Adriaen Collaert, The Virgin and Joseph at the Inn, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1425 Frans Crabbe van Espleghem, The Adoration of the Shepherds, 1480, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5993 Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128 Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659 Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6445 Anton Wierix II, The Crucifixion called the Sword Pommel of Maxmilian, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6658 Flanders (Tournai), Esther and Ahasuerus, c. 1460–85, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.721 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 Sir Anthony van Dyck, A Genoese Noblewoman and Her Son, c. 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1230 Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838 Adriaen Collaert, The Parable of the Rich Fool, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4606 Sir Anthony van Dyck, Portrait of a Flemish Lady, probably 1618, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/573 Hendrik van Balen, The Trinity, c. 1620, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159488 Sir Anthony van Dyck, Portrait of a Woman, Called the Marchesa Durazzo, probably c. 1622–25, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436255 Sir Anthony van Dyck, Robert Rich (1587–1658), Second Earl of Warwick, c. 1632–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436256 Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617 Jacob Jordaens, Die Heilige Familie, c. 1619–1620, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1937 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6446 Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6456 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6451 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Adriaen Collaert, Design for a Pendant with a Sphinx with the Body of a Fish Carrying a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5987 Theodor de Bry, Moon, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4359 Sir Anthony van Dyck, James Stuart (1612–1655), Duke of Richmond and Lennox, c. 1633–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436252 Adriaen Collaert, Design for a Pendant with a Fish Carrying Tobias and the Angel, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5986 Master FVB, Saint Philip, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3412 Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553 Gerard Edelinck, Philippe de Champaigne, 1676, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6837