Anonymous Artist, Infant Bacchanalians, 1597, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1356

Anonymous Artist, Judas Leaving the High Priest, 1606, pen and brown ink with brown and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1847

Anonymous Artist, David, c. 1530, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1242

Anonymous Artist, Portrait of a Young Man, c. 1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/89

Anonymous Artist, Hercules Carrying the Erymanthian Boar, c. 1575/1675, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1260

Luis Fernando Benedit, Study for Proyecto Multiple, 1971, Felt-tip pen and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35706

Anonymous Artist, Mercury, c. 1780/c. 1850, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/138

Anonymous Artist, Lamp, Upper Portion, c. 1800/1899, gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1289

Anonymous Artist, Judith with the Head of Holofernes, c. 1480, pen and dark brown ink with black chalk and white heightening on olive-brown prepared paper laid down on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/319

Anonymous Artist, Christ on Tomb with Two Angels, late 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1364

Anonymous Artist, Andrea de' Franceschi, late 16th or early 17th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/42

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36968

Anonymous Artist, Alexandre Brongniart, c. 1910, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1264

Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816

Anonymous Artist, The Smiling Girl, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/62

Anonymous Artist, Pope Innocent X, c. 1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/87

Anonymous Artist, The Madonna of the Rosary, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1387

Anonymous Artist, Madonna and Child, c. 1470, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1189

Anonymous Artist, The Betrothal of the Holy Virgin, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1849

Anonymous Artist, The Lacemaker, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/61

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890

Anonymous Artist, Christ with Saint John the Baptist as Children, probably 1855/1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/122

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36955

Anonymous Artist, Madonna and Child with Saints, 1460, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1396

Anonymous Artist, The Madonna of the Rosary, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1388

Victor Magariños, [Untitled], c. 1964, Watercolor and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37451

Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37443

Anonymous Artist, Madonna and Child between Two Candelabra, 1386, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1422

Anonymous Artist, Miss Nelly O'Brien, early to mid nineteenth century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1215

Antonio Segui, Rower (Canotier), 1970, Pencil and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35975

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, pencil, and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36962

Anonymous Artist, Saint Jerome in the Wilderness, c. 1475, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/39

Anonymous Artist, Saint Jerome in the Wilderness, c. 1490/1500, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/423

Syria, Lidded Box, 18th century, Brass with incised decor, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.17.9a%2C%20b

Anonymous Artist, Paul II (Pietro Barbo, 1417-1471), Pope 1464 [obverse], 1470, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1300

Syria, Square, 18th century, Linen, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.163

Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806

Anonymous Artist, The Adoration of the Shepherds, c. 1625/1675, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/461

Anonymous Artist, Christ before Pilate, 1606, brush and brown ink on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1841

Anonymous Artist, Oval Dish with the Birth of Adonis, c. 1560, enamel painted on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1450

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36921

Ricardo Martinez, Colored Incomprehension, 1964, Colored ink and crayon on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35713

Jorge Tapia, Last Summer's Blues, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37912

Anonymous Artist, Kneeling Angel, 1470/1480, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/463

Anonymous Artist, The Dismissal of Hagar, c. 1640/1642, pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1837

Aquiles Badi, School Tableau, San Martin's Birthday, 1935, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37675

Anonymous Artist, The Deposition, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1609

Anonymous Artist, Mother and Child, 1606, reed pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1850

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917

Jorge Demirjian, De la Pata del Caballo (From the Horse's Leg), 1967, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38127

Antonio Segui, [Untitled], 1967, Gouache, crayon, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38164

Ernesto Deira, [Untitled], (1963), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33086

Victor Magariños, [Untitled], c. 1964, Colored ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37465

Syria, Ecclesiastical Stole, n.d., Silk, metallic threads, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.23.167

Anonymous Artist, Christ Appearing to the Virgin, c. 1475, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/52

Raquel Forner, Moons, 1957, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35671

Emilio J. Renart, Bio Cosmica C, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35084

Roberto Aizenberg, [Untitled], 1967–68, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38093

Anonymous Artist, Madonna and Child, 1460s or later, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/123

Anonymous Artist, An Old Scholar at His Desk, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1854

Anonymous Artist, Paul II (Pietro Barbo, 1417-1471), Pope 1464 [reverse], 1470, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1301

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910

Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851

Victor Magariños, [Untitled], c. 1964, Colored ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37458

Héctor Basaldua, Expresso Villalonga (El Calle), 1937, Tempera on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37689

Norah Borges de Torre, Children (Niñas españolas), 1933, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38089

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35717

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949

Anonymous Artist, Madonna and Child with God the Father and Cherubim, 1480/1490, glazed terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/130

Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726

Anonymous Artist, Hannah Rejecting the Reproaches of the Prophet Eli, 1606, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1845

Syria, Hexagonal Wall Tile, 16th century, Earthenware with underglaze blue and turquoise, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/17.55

Norah Borges de Torre, Holy Week (Semana Santa), 1935, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38088

Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738

Horacio A. Butler, Orpheus. Design for scenery for the play, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33078

Unknown 19th Century, Portrait of a Lady, probably c. 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1131

Humberto Rivas, Desperate Self-Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35091

Anonymous Artist, Louis II de Bourbon, Prince de Condé, 1877/1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1249

Anonymous Artist, The Adoration of the Shepherds, 1606, pen and brown ink with gray-brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1838

Anonymous Artist, An Oriental, 1606, pen and brown ink with brush and brown-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1851

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35696

Antonio Segui, Portrait, 1970, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35967

Antonio Segui, [Untitled], (1963–64), Pastel, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38163

Roberto Aizenberg, [Untitled], 1966, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38091

Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37472

Anonymous Artist, Saint Bernard with Donor [obverse], probably early 20th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3200

Jorge de la Vega, Documentary, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38123

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896

Anonymous Artist, Jacob's Dream, 1606, pen and brown ink with gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1846

Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836

Carlos Silva, Deyber, 1968, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38166

Unknown 18th Century, Benjamin West, c. 1776, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1133

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, crayon, pencil, colored pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36935

Jorge de la Vega, Parenthesis, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38125

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942

Anonymous Artist, Moonlight, early 20th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3204

Anonymous Artist, Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/128

Anonymous Artist, Venus and Cupid in a Landscape, c. 1505/1515, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/283

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928

Anonymous Artist, Louise Brongniart, c. 1910, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1265

Anonymous Artist, Writing Table with Mechanical Fittings (table à transformation), c. 1760/1770, altered extensively first half 19th century, veneered on oak with tulipwood, kingwood, sycamore, purplewood, boxwood, ebony, and other woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1581

Anonymous Artist, Madonna and Child before a Niche, mid 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1423

Anonymous Artist, Study of an Old Man, probably late 17th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1202

Anonymous Artist, The Young Saint John the Baptist, c. 1460, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1281