Edvard Munch, Jealousy I, 1896, printed after 1906, Lithograph in black on ivory Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/160076

Edvard Munch, Boys Bathing, 1896, Color burnished aquatint, inked à la poupée, on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59772

Juan Downey, Drawing for With Energy Beyond These Walls, 1969, Pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34928

Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35757

Roberto Matta, Endless Nude, 1938, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35068

Nemesio Antúnez, Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14485

Nemesio Antúnez, Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14483

Edvard Munch, Eifersucht, 1913, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2776

Norway, The Wise and Foolish Virgins, 17th century, Wool, bast fiber, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.18

Claudio Bravo, White Package, 1967, Chalk, conté crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38562

Nemesio Antúnez, Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14490

Juan Downey, A Clean New Race, 1970, Colored pencil, pencil, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37439

Jan Groth, [Untitled], 1970, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35882

Nemesio Antúnez, Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14486

Ernesto Fontecilla, Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33142

Luis Herrera Guevara, Self-Portrait (Autorretrato), 1933, Oil and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33048

Nemesio Antúnez, Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14489

Claudio Bravo, The Skull, 1973, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35749

Johan Christian Clausen Dahl, Der Ausbruch des Vesuv im Dezember 1820, 1826, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1810

Edvard Munch, Boys Bathing, 1899, Color woodcut from two blocks (one sawn into two sections) on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17267

Roberto Matta, Condors and Carrion (Condors y carroña), 1941, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33401

Mario Carreño, Sugar Cane Cutters, 1943, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33609

Nemesio Antúnez, Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14488

Roberto Matta, [Untitled], 1942, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38253

Edvard Munch, Man Bathing, 1899, Color woodcut from two blocks on grayish ivory card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17265

Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35770

Roberto Matta, [Untitled], 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35228

Rodolfo Opazo, [Untitled], 1968, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38697

Edvard Munch, In der Schenke, 1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3215

Nemesio Antúnez, Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14487

Roberto Matta, Untitled from VVV Portfolio, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32011

Roberto Matta, Fiery Landscape (Paysage Flammifére), 1940, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37663

Roberto Matta, Joan of Arc, 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36247