Edvard Munch, Jealousy I, 1896, printed after 1906, Lithograph in black on ivory Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/160076 Edvard Munch, Boys Bathing, 1896, Color burnished aquatint, inked à la poupée, on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/59772 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5649 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" followed by two seals of the artist reading "Tae Wŏn Kun Chang" and "Sŏk P'a"; and with an additional seal of the artist at the far left reading "Tam Tam Ryu Su Ŭi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5855 Edvard Munch, Eifersucht, 1913, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2776 Kim Yu-sŏng (also known as Sŏ-am), Landscape, dated 1764, Hanging scroll; ink and light colors on silk; with signature of the artist reading "So-chung-hwa Sŏ-am sa", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5109 Norway, The Wise and Foolish Virgins, 17th century, Wool, bast fiber, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.18 Jan Groth, [Untitled], 1970, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35882 Joong Seop Lee, People Reading the Newspaper (Number 84), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33369 Korea, Bowl, 13th-14th century, Porcelaneous ware, inlaid celadon with cloud motif, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.10 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, Set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" on the scroll at the far left; with one large seal of the artist on each scroll and with two additional seals of the artist following the signature on the scroll at the far left, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6260 Yi Taek-gyun, Books and Scholars’ Accoutrements, late 1800s, ten-panel folding screen; ink and color on silk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/169545 Chŏng Sul-wŏn (also known as Tu-san), Mountainous Landscape with a Scholar Riding a Donkey and Approaching a Village Nestled in a Grove of Trees, early-mid 20th century, One leaf from a set of six album leaves; ink and light colors on silk; with inscription and two seals of the artist, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5858 Johan Christian Clausen Dahl, Der Ausbruch des Vesuv im Dezember 1820, 1826, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1810 Edvard Munch, Boys Bathing, 1899, Color woodcut from two blocks (one sawn into two sections) on cream card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17267 Korea, Bowl, 12th-13th century, Porcelaneous stoneware, celadon with inlaid designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.2 Joong Seop Lee, Fairyland (Number 57), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33357 Korea, Tea bowl, 12th-13th century, Porcelaneous stoneware with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.11 Edvard Munch, Man Bathing, 1899, Color woodcut from two blocks on grayish ivory card, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/17265 Edvard Munch, In der Schenke, 1890, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3215 Joong Seop Lee, Family in Paradise (Number 50), 1950–52, Incising and oil on metal foil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33348 Korea, Bowl, 12th-13th century, Porcelaneous stoneware with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.9 Yi Ha-ŭng (also known as Taewŏn’gun), Orchids and Rocks, 1896–1898, One of a set of four hanging scrolls; ink on silk; with one square, red, relief seal reading "Yang Tŭk Pu Saeng Il Se Ch'o", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/6259 Ung-no Lee, Sailing, 1957, Ink and colored ink on paper on scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33864 Ung-no Lee, Composition, (1959), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34154