Anonymous Artist, Infant Bacchanalians, 1597, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1356 José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634 Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146 Anonymous Artist, Judas Leaving the High Priest, 1606, pen and brown ink with brown and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1847 Anonymous Artist, David, c. 1530, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1242 Anonymous Artist, Portrait of a Young Man, c. 1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/89 Anonymous Artist, Hercules Carrying the Erymanthian Boar, c. 1575/1675, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1260 Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040 Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047 Anonymous Artist, Mercury, c. 1780/c. 1850, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/138 Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560 Anonymous Artist, Lamp, Upper Portion, c. 1800/1899, gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1289 Anonymous Artist, Judith with the Head of Holofernes, c. 1480, pen and dark brown ink with black chalk and white heightening on olive-brown prepared paper laid down on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/319 Anonymous Artist, Christ on Tomb with Two Angels, late 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1364 Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557 Anonymous Artist, Andrea de' Franceschi, late 16th or early 17th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/42 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 José Leonilson, Sunset, Earthquake, Loneliness, 1990, Ink and metallic color on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34650 José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601 Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554 Anonymous Artist, Alexandre Brongniart, c. 1910, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1264 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Anonymous Artist, The Smiling Girl, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/62 Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628 Anonymous Artist, Pope Innocent X, c. 1650, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/87 Anonymous Artist, The Madonna of the Rosary, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1387 Anonymous Artist, Madonna and Child, c. 1470, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1189 Anonymous Artist, The Betrothal of the Holy Virgin, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1849 Anonymous Artist, The Lacemaker, c. 1925, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/61 Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558 Anonymous Artist, Christ with Saint John the Baptist as Children, probably 1855/1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/122 Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153 José Bernardo Cardoso Jr., Still Life with View of the Bay of Guanabara, 1937, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37738 Anonymous Artist, Madonna and Child with Saints, 1460, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1396 José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055 Anonymous Artist, The Madonna of the Rosary, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1388 Anonymous Artist, Madonna and Child between Two Candelabra, 1386, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1422 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Anonymous Artist, Miss Nelly O'Brien, early to mid nineteenth century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1215 Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789 Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559 Anonymous Artist, Saint Jerome in the Wilderness, c. 1475, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/39 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 Anonymous Artist, Saint Jerome in the Wilderness, c. 1490/1500, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/423 Anonymous Artist, Paul II (Pietro Barbo, 1417-1471), Pope 1464 [obverse], 1470, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1300 Anonymous Artist, The Adoration of the Shepherds, c. 1625/1675, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/461 Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589 Anonymous Artist, Christ before Pilate, 1606, brush and brown ink on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1841 Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667 Anonymous Artist, Oval Dish with the Birth of Adonis, c. 1560, enamel painted on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1450 Anonymous Artist, Kneeling Angel, 1470/1480, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/463 Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 Anonymous Artist, The Dismissal of Hagar, c. 1640/1642, pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1837 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 Anonymous Artist, The Deposition, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1609 Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824 Anonymous Artist, Mother and Child, 1606, reed pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1850 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Anonymous Artist, Christ Appearing to the Virgin, c. 1475, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/52 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555 Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552 Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484 José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662 Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692 Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818 Anonymous Artist, Madonna and Child, 1460s or later, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/123 Anonymous Artist, An Old Scholar at His Desk, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1854 Anonymous Artist, Paul II (Pietro Barbo, 1417-1471), Pope 1464 [reverse], 1470, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1301 José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616 Anonymous Artist, Madonna and Child with God the Father and Cherubim, 1480/1490, glazed terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/130 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Anonymous Artist, Hannah Rejecting the Reproaches of the Prophet Eli, 1606, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1845 Antonio Dias, [Untitled], 1967, Gouache and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38129 Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112 Unknown 19th Century, Portrait of a Lady, probably c. 1820, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1131 Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556 Anonymous Artist, Louis II de Bourbon, Prince de Condé, 1877/1901, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1249 Anonymous Artist, The Adoration of the Shepherds, 1606, pen and brown ink with gray-brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1838 Anonymous Artist, An Oriental, 1606, pen and brown ink with brush and brown-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1851 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487 Anonymous Artist, Saint Bernard with Donor [obverse], probably early 20th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3200 Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162 Anonymous Artist, Jacob's Dream, 1606, pen and brown ink with gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1846 Hélio Oiticica, Nucleus NC3 (Núcleo NC3), 1960–61, Oil and resin on wood fiberboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/284499 Unknown 18th Century, Benjamin West, c. 1776, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1133 Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128 Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659 Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551 Anonymous Artist, Moonlight, early 20th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3204 Anonymous Artist, Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/128 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 Anonymous Artist, Venus and Cupid in a Landscape, c. 1505/1515, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/283 Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Anonymous Artist, Louise Brongniart, c. 1910, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1265 Anonymous Artist, Writing Table with Mechanical Fittings (table à transformation), c. 1760/1770, altered extensively first half 19th century, veneered on oak with tulipwood, kingwood, sycamore, purplewood, boxwood, ebony, and other woods; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1581 Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553 Anonymous Artist, Madonna and Child before a Niche, mid 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1423 Anonymous Artist, Study of an Old Man, probably late 17th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1202 Anonymous Artist, The Young Saint John the Baptist, c. 1460, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1281