Juan Downey, Drawing for With Energy Beyond These Walls, 1969, Pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34928

Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35757

Roberto Matta, Endless Nude, 1938, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35068

Nemesio Antúnez, Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14485

Nemesio Antúnez, Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14483

Claudio Bravo, White Package, 1967, Chalk, conté crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38562

Carl Fredrik Reuterswärd, Bam Bam, 1958, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37755

Nemesio Antúnez, Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14490

Juan Downey, A Clean New Race, 1970, Colored pencil, pencil, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37439

Caspar David Friedrich, Gebirge bei aufsteigendem Nebel, c. 1835, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1806

Nemesio Antúnez, Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14486

Öyvind Fahlström, Study for Eddie (Sylvie's brother) in the Desert, 1966, Ink and pencil on notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37763

Öyvind Fahlström, Notes 4 (C. I. A. Brand Bananas), 1970, Synthetic polymer paint and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36861

Ernesto Fontecilla, Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33142

Luis Herrera Guevara, Self-Portrait (Autorretrato), 1933, Oil and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33048

Nemesio Antúnez, Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14489

Claudio Bravo, The Skull, 1973, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35749

Roberto Matta, Condors and Carrion (Condors y carroña), 1941, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33401

Mario Carreño, Sugar Cane Cutters, 1943, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33609

Nemesio Antúnez, Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14488

Öyvind Fahlström, Notes for "The Little General", 1968, Ink, ballpoint pen, and pencil on two sheets of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36867

Öyvind Fahlström, Plan for World Trade Monopoly, 1970, Cut-and-pasted paper with synthetic polymer paint, ink, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36864

Roberto Matta, [Untitled], 1942, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38253

Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35770

Roberto Matta, [Untitled], 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35228

Rodolfo Opazo, [Untitled], 1968, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38697

Carl Fredrik von Breda, The Artist's Father, 1785, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368768

Nemesio Antúnez, Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14487

Carl Fredrik von Breda, Mrs. William Hartigan, 1787/1796, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1109

Albert Engstrom, The Artist's Father, Reading a Newspaper, 1892, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106362801

Roberto Matta, Untitled from VVV Portfolio, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32011

Roberto Matta, Fiery Landscape (Paysage Flammifére), 1940, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37663

Roberto Matta, Joan of Arc, 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36247