José Luis Cuevas, Madman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35754

José Clemente Orozco, Composition study for Gods of the Modern World, (c. 1932–34), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33762

José Clemente Orozco, Feet (no. 2), (1923), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35173

Luis Fernando Benedit, Study for Proyecto Multiple, 1971, Felt-tip pen and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35706

Jesús Guerrero Galvan, Study for The Children, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33631

Francisco Toledo, Letter to Antonio Souza, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33721

Miguel Covarrubias, Fanny Brice and Nicholas Arnstein, c. 1925, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34081

José Clemente Orozco, Self-Portrait, 1940, Tempera on board, mounted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37551

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36968

Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816

Nopiloa artist, Figure, 500–799, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.3.16

José Luis Cuevas, Madwoman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35767

José Clemente Orozco, Head of Quetzalcoatl (Study for the Dartmouth College Mural, "An Epic of American Civilization"), (c. 1932–34), Crayon on transparentized paper over colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33751

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36955

Benjamín Molina, Madman, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37931

Gabriel Orozco, XRTC 4, 1996, Rubbed graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34737

Nopiloa artist, Figure, c. 600–750 CE, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.9

Nopiloa artist, Head, 1st–5th century, Ceramic, chapopote, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.3.13

Gabriel Orozco, [Untitled], 1992, Pinched and rubbed notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35510

Miguel Covarrubias, H.L. Mencken, 1924, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34069

Victor Magariños, [Untitled], c. 1964, Watercolor and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37451

Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37443

Antonio Segui, Rower (Canotier), 1970, Pencil and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35975

Xavier Guerrero, Two Mothers, 1945, Black crayon on orange red paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34575

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, pencil, and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36962

Tebo (Ángel Torres Jaramillo), Portrait of My Mother, 1937, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38087

Miguel Conde, [Untitled], 1971, Ink and ink transfer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34628

Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806

José Clemente Orozco, Legs, 1938, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37981

José Clemente Orozco, Crouching Model, (1947), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34685

Gabriel Orozco, Korean Air, 1997, Ink and colored pencil on cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34755

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36921

Ricardo Martinez, Colored Incomprehension, 1964, Colored ink and crayon on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35713

Jorge Tapia, Last Summer's Blues, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37912

Guillermo Meza, Polyphemus, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34717

José Clemente Orozco, Clenched Fist, (1948), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34698

Aquiles Badi, School Tableau, San Martin's Birthday, 1935, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37675

Diego Rivera, Woman with Two Children, (c. 1925), Red and black chalk on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35252

Diego Rivera, Nude with Braided Hair (Luz Jiménez), 1925, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35532

Nayarit artist, Figure, c. 100–200, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.30

Nayarit artist, House Group, c. 100–400, Clay, pigments, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.37

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917

Jorge Demirjian, De la Pata del Caballo (From the Horse's Leg), 1967, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38127

Benjamín Molina, Madman, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37943

Diego Rivera, Dead Horse, 1906, Charcoal and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38699

Antonio Segui, [Untitled], 1967, Gouache, crayon, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38164

Ernesto Deira, [Untitled], (1963), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33086

Victor Magariños, [Untitled], c. 1964, Colored ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37465

Raquel Forner, Moons, 1957, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35671

José Clemente Orozco, Male Torso, (1923), Crayon on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35180

Gabriel Orozco, Maria, Maria, Maria, 1992, Phone book page with erasures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35502

Emilio J. Renart, Bio Cosmica C, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35084

Francisco Toledo, Letter to an Unnamed Person, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33733

Martinez Pintao (Manuel Martinez Pintao), The Reaper, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37857

Roberto Aizenberg, [Untitled], 1967–68, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38093

Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223

Diego Rivera, Man at the Crossroads, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34635

José Luis Cuevas, A Certificate of Authenticity, 1973, Cut-and-pasted paper, watercolor, and ink on wood, on linen-covered mount, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33106

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910

Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851

Victor Magariños, [Untitled], c. 1964, Colored ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37458

Héctor Basaldua, Expresso Villalonga (El Calle), 1937, Tempera on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37689

Norah Borges de Torre, Children (Niñas españolas), 1933, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38089

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35717

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949

Nopiloa artist, Hacha, c. 600–900 CE, Basalt, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.6

Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726

Diego Rivera, Two Figures, (c. 1925), Chalk, wash, and pencil on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35246

Jesús Guerrero Galvan, Girl Seated, 1939, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37809

Norah Borges de Torre, Holy Week (Semana Santa), 1935, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38088

Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738

Colima artist, Vessel in the form of a dog, 3rd century BCE–4th century CE, Ceramic, pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.21

Horacio A. Butler, Orpheus. Design for scenery for the play, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33078

Diego Rivera, Study for the mural Day of the Dead: The Offering at the Secretariat of Public Education, Mexico City (Estudio para el mural Día de Muertos: La Ofrenda en la Secretaría de Educación Pública, Ciudad de México), 1925, Colored chalk and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35547

Humberto Rivas, Desperate Self-Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35091

Diego Rivera, Mother and Child, 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35231

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35696

Antonio Segui, Portrait, 1970, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35967

Francisco Toledo, [Untitled], (n.d.), Watercolor, metallic paint, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38700

Antonio Segui, [Untitled], (1963–64), Pastel, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38163

Roberto Aizenberg, [Untitled], 1966, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38091

Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37472

Jorge de la Vega, Documentary, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38123

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896

Nopiloa artist, Yoke, c. 600–900, Stone, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.72

Juan Soriano, Child with Bird, 1941, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38086

Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836

Carlos Silva, Deyber, 1968, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38166

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, crayon, pencil, colored pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36935

Diego Rivera, Angeline Beloff, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33433

Jorge de la Vega, Parenthesis, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38125

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942

Diego Rivera, Building the Palace Of Cortez, 1930, Pencil on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35540

Nopiloa artist, Head, 600–800, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.40

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928

México (Jalisco), Warrior Figure, 100 BCE–500 CE, Ceramic, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.24

Nayarit artist, Figure, 200 BCE–400 CE, Ceramic, pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.2.34