Luis Fernando Benedit, Study for Proyecto Multiple, 1971, Felt-tip pen and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35706

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36968

Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816

India (Kashmir), Shawl (kussaba), 18th century, Wool, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.62.4

India, Shiva Nataraja (Lord of the Dance), c. 1100, Bronze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.2

India (Kashmir), Embroidered Tablecover, 19th century, Wool, silk and gold threads, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.151

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36955

India, Man's coat, 19th century, Silk, gold thread, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.38

Victor Magariños, [Untitled], c. 1964, Watercolor and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37451

India, Ceremonial cloth and sacred heirloom, Late 19th century, Cotton, natural dyes, mordants, mordant block printed and pigment painting, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/22.37

Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37443

Antonio Segui, Rower (Canotier), 1970, Pencil and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35975

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, pencil, and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36962

Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806

India (Gujarat), Woman's veil (Odhani), 19th century, Silk, mirrors, tied resist, embroidery, dyed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.377

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36921

Ricardo Martinez, Colored Incomprehension, 1964, Colored ink and crayon on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35713

Jorge Tapia, Last Summer's Blues, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37912

Aquiles Badi, School Tableau, San Martin's Birthday, 1935, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37675

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917

Jorge Demirjian, De la Pata del Caballo (From the Horse's Leg), 1967, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38127

Antonio Segui, [Untitled], 1967, Gouache, crayon, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38164

Ernesto Deira, [Untitled], (1963), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33086

Victor Magariños, [Untitled], c. 1964, Colored ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37465

Raquel Forner, Moons, 1957, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35671

Emilio J. Renart, Bio Cosmica C, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35084

Roberto Aizenberg, [Untitled], 1967–68, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38093

India (Gujarat), Sari, 19th century, Silk, double ikat, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.23.138

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910

Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851

Victor Magariños, [Untitled], c. 1964, Colored ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37458

Héctor Basaldua, Expresso Villalonga (El Calle), 1937, Tempera on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37689

Norah Borges de Torre, Children (Niñas españolas), 1933, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38089

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35717

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949

Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726

Norah Borges de Torre, Holy Week (Semana Santa), 1935, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38088

Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738

Horacio A. Butler, Orpheus. Design for scenery for the play, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33078

Humberto Rivas, Desperate Self-Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35091

Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35696

Antonio Segui, Portrait, 1970, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35967

Antonio Segui, [Untitled], (1963–64), Pastel, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38163

Roberto Aizenberg, [Untitled], 1966, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38091

Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37472

Jorge de la Vega, Documentary, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38123

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896

India, Shawl (Kussaba), 19th century, wool, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/30.23.51

Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836

Carlos Silva, Deyber, 1968, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38166

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, crayon, pencil, colored pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36935

Jorge de la Vega, Parenthesis, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38125

Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942

Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928

India, Woman's Shirt, 18th century, Silk, small mirror discs, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.371.1