René Magritte, Perspective, (1963), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36809

Victor Servranckx, Composition, c. 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37699

England, Chest, c. 1590–1610, Oak with marquetry, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.55

René Magritte, The Thought Which Sees, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35714

Hercules Brabazon Brabazon, Grand Canal, Venice, 19th century, Watercolor, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.31

Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33976

Marcel Broodthaers, "M.B. M.B. M.B....", 1970, Ink on paper in artist's frames, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37802

England, Embroidered panel, mid 17th century, Wrapped wire, silk and metallic threads, raised work embroidery, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.12.15

Florent Willems, The Important Response, 19th century, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.140

Luc Tuymans, The Blue Oak (Die Blaue Eiche), 1998, Cut-and-pasted paper, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37545

England, Rummer, c. 1800–1820, Glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.87

Théo van Rysselberghe, Self-Portrait, (1888–89), Pastel and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35486

Pierre Alechinsky, Outside James' Showcase, 1968, Ink on mulberry paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32969

Louis Legoux, Louis XVI, 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2589

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35410

Luc Tuymans, Yzer-Tower, 1995, Watercolor on newsprint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35400

England, Chair, one of a pair, 1650–99, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.26.1

England, Cupboard, c. 1580–90, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.23

England, Table, c. 1580–1600, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.55

Luc Tuymans, [Untitled], 1989, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36761

England, Bench, early 17th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.73

Fernand Khnopff, Der Jagdaufseher, 1883, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1790

England, Pillar print, c. 1830, Cotton: roller and block printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.25

England, Armchair, late 16th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.77

Pierre Alechinsky, Study for The Snowman ([Étude] L'Homme des neiges), 1956, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35910

George Minne, Kneeling Youth, 1896, dated 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36048

England, Cordial glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.502

Benjamin Pyne, Monteith Bowl, 1715–16, silver gilt, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141927

England, Cordial glass, c. 1770–90, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.497

Silversmith: RF, Footed salver, 1662–63, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/39.7

Henri Evenepoel, Im Café d'Harcourt in Paris, 1897, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1796

Octave Landuyt, Turtle, 1957, Ink, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37770

Roél d'Haese, [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33963

Clark of London, Private contract musket, late 18th century, walnut, brass (alloy), iron and steel; L x W (overall): 58 × 5 1/8 × 3 1/8 in. (147.3 × 13 × 8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752008-0

Georges Lemmen, Farmhouse in Flanders, 1890, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34891

Pierre Theunis, Namur Hrave les Autrichiens, 1913 (1914?), bronze; 2 3/4 in. (7.0 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-1

Thomas Holme, A mapp of ye improved part of Pensilvania in America, divided into countyes, townships and lotts, c. 1687, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8690

Pierre Alechinsky, Vanished in Smoke, 1962, Distemper, ink, gouache and watercolor on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33616

James Ensor, Demons Teasing Me, 1895, Etching on copper in black and hand-coloring on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/20448

Pierre Theunis, Duc et Duchess de Brabant, 1926, bronze; 2 3/4 in. (6.9 cm.) diam., Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381055260-0

Paul Delvaux, Composition (The Siesta), 1947, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36694

England, Mirror Frame, mid 17th century, Silk and metal threads, embroidery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.28

Pierre Alechinsky, One Day, the Night, 1960, Ink on transparentized paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37867

Wedgwood, Charles de Marquetel de Saint-Denis, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893144-2

Jorelle Bags, Beaded purse used by Dinah Washington, 1930s, glass beads, metal, and silk satin; H x W x D: 5 3/4 x 7 1/2 x 1 in. (14.6 x 19.1 x 2.5 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1756975001566-1756975005409-0

England, Armchair, c. 1650, Oak and light-colored wood inlays, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.25

Marcel Broodthaers, Journal d'un voyage utopique, 1973, Ink, colored ink, and lithograph on four pieces of paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33475

Luc Tuymans, A Flemish Intellectual, 1995, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35394

Georges Vantongerloo, 10 Origin, 1942, Portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19632

Georges Vantongerloo, XY = K Green and Red, 1929, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35841

James Ensor, Mädchen mit Masken (Kommunion), 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3321

England, Stool, possibly late 16th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.27

Wedgwood, Flavian Julia Helena, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893149-1

Luc Tuymans, Untitled (Sculpture), 2000, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38540

Louis Legoux, Marie Antoinette d'Autriche (Marie Antoinette of Austria), 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2588

Luc Tuymans, The Heritage, 1996, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35406

Pierre Alechinsky, The Complex of the Sphinx, 1967, Synthetic polymer paint, oil, and ink on Japanese paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37446

England, Goblet, c. 1745–65, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.494

Georges Vantongerloo, Plate (folio 22) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19633

England, Wine glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.507

Belgium, Cap back, 18th century, Linen, bobbin lace (Point de Angleterre), Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.7

Decorator: John Pennington, Plate from the Hope dinner service, 1790, Porcelain, enamel, gilt, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.56

Designer: E. W. (Edward William) Godwin, Greek-style side chair, c. 1885, Walnut and reproduction silk upholstery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.43a%2C%20b