Erik Ortvad, [Untitled], 1945, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33610 Carl-Henning Pedersen, World Bird Over Landscape, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33673 Per Kirkeby, [Untitled], 1977, Watercolor on tissue paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33747 Richard Mortensen, [Untitled], c. 1940–45, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33570 Carl-Henning Pedersen, Winged Man, 1944, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33624 Richard Mortensen, [Untitled], c. 1940–45, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33579 Luis Fernando Benedit, Study for Proyecto Multiple, 1971, Felt-tip pen and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35706 Erik Ortvad, [Untitled], 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33602 Erik Ortvad, [Untitled], 1946, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33593 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36968 Carl-Henning Pedersen, The Birds of Earth, 1945, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33688 Erik Ortvad, [Untitled], 1944, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33590 Miguel Ocampo, Number 166, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33816 Ingeborg Andreasen-Lindborg, Little Girl Sewing, n.d., etching; sight 5 3/8 x 3 1/8 in. (13.7 x 7.9 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381049323-0 Carl-Henning Pedersen, The Birds of Fantasy, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33680 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, ballpoint pen, pencil, colored pencil, crayon, ink, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36890 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, felt-tip pen, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36955 Ingeborg Andreasen-Lindborg, Little Peasant Girl, n.d., etching; sight 8 3/4 x 6 in. (22.2 x 15.2 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381049324-0 Richard Mortensen, [Untitled], 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33575 Victor Magariños, [Untitled], c. 1964, Watercolor and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37451 Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37443 Antonio Segui, Rower (Canotier), 1970, Pencil and tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35975 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, pencil, and transfer type on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36962 Carlos Maria Miguel Squirru, Cancer, 1957, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35806 Melchior Lorch, Albrecht Durer, 1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8647 Erik Ortvad, [Untitled], 1945, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33586 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Gouache, synthetic polymer paint, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36921 Ricardo Martinez, Colored Incomprehension, 1964, Colored ink and crayon on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35713 Jorge Tapia, Last Summer's Blues, 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37912 Elisabeth Jerichau Baumann, Første studie til billedet med kvinderne ved fontænen i A., 1845, Blyant, stedvist forhøjet med hvidt, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/DEP971 Peter Cramer, Scenebillede, 1726–1782, Blyant, pen og vandfarve, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21766 Aquiles Badi, School Tableau, San Martin's Birthday, 1935, Tempera on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37675 Melchior Lorch, Martin Luther, 1548, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8648 Ingeborg Andreasen-Lindborg, Lola, 1920, drypoint; sight 8 1/2 x 6 3/4 in. (21.6 x 17.1 cm), Smithsonian American Art Museum, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643381040022-1643381049324-1 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, crayon, ink, pencil, transfer type, pasted paper on transparentized paper with pressure-sensitive tape on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36917 Jorge Demirjian, De la Pata del Caballo (From the Horse's Leg), 1967, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38127 Antonio Segui, [Untitled], 1967, Gouache, crayon, pastel, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38164 Ernesto Deira, [Untitled], (1963), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33086 Victor Magariños, [Untitled], c. 1964, Colored ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37465 Raquel Forner, Moons, 1957, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35671 Carl-Henning Pedersen, Light Blue World Bird, 1945, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33641 Emilio J. Renart, Bio Cosmica C, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35084 Roberto Aizenberg, [Untitled], 1967–68, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38093 Carl-Henning Pedersen, The Happy World, 1943, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33615 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, felt-tip pen, pencil, crayon, transfer type, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36910 Luis Fernando Benedit, Labyrinth for Ants, 1971, Synthetic polymer paint, watercolor, and felt-tip pen on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35851 Victor Magariños, [Untitled], c. 1964, Colored ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37458 Héctor Basaldua, Expresso Villalonga (El Calle), 1937, Tempera on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37689 Norah Borges de Torre, Children (Niñas españolas), 1933, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38089 Luis Fernando Benedit, Study for Proyecto Prototipo Multiple, 1971, Synthetic polymer paint on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35717 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Watercolor, synthetic polymer paint, felt-tip pen, pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36949 Luis Fernando Benedit, Study for Habitat for Snails, 1971, Synthetic polymer paint, watercolor, felt-tip pen, and colored pencil on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35726 Norah Borges de Torre, Holy Week (Semana Santa), 1935, Tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38088 Luis Fernando Benedit, Study for Phytotron (Environment for Plants), 1972, Pencil, watercolor, felt-tip pen and typewriting on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35738 Richard Mortensen, [Untitled], c. 1940–45, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33565 Horacio A. Butler, Orpheus. Design for scenery for the play, (1939), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33078 Humberto Rivas, Desperate Self-Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35091 Luis Fernando Benedit, Study for Proyecto Prototipo Multiple - "Habitat para Arañas", 1970, Felt-tip pen, colored pencil, and watercolor on diazotype, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35696 Carl-Henning Pedersen, Baroque Bird at Sea, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33665 Antonio Segui, Portrait, 1970, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35967 Antonio Segui, [Untitled], (1963–64), Pastel, pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38163 Roberto Aizenberg, [Untitled], 1966, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38091 Victor Magariños, [Untitled], (n.d.), Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37472 Carl-Henning Pedersen, The Sacrifice to the Sun, 1943, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33649 Jorge de la Vega, Documentary, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38123 Carl-Henning Pedersen, Ship with Tent, 1951, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37580 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, colored pencil, ballpoint pen, felt-tip pen, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36896 Luis Fernando Benedit, Labyrinth for White Rats, 1971, Watercolor, enamel, and felt-tip pen on blueprint paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35836 Carlos Silva, Deyber, 1968, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38166 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Watercolor, pencil, crayon, felt-tip pen, pastel, and pasted paper on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36903 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Felt-tip pen, crayon, pencil, colored pencil, and pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36935 Jorge de la Vega, Parenthesis, 1967, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38125 Luis Fernando Benedit, Study for Labyrinth for White Mice, 1972, Synthetic polymer paint, watercolor, felt-tip pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36942 Carl-Henning Pedersen, Pastorale with Big Bird, 1943, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33658 Luis Fernando Benedit, Drawing for Phytotron: Hydroponic Environment for Plants, 1972, Synthetic polymer paint, watercolor, ink, felt-tip pen, and pencil on transparentized paper with pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36928 Erik Ortvad, [Untitled], 1944, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33597