England, Chest, c. 1590–1610, Oak with marquetry, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.55

Hercules Brabazon Brabazon, Grand Canal, Venice, 19th century, Watercolor, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.31

Juan Downey, Drawing for With Energy Beyond These Walls, 1969, Pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34928

Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35757

England, Embroidered panel, mid 17th century, Wrapped wire, silk and metallic threads, raised work embroidery, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.12.15

England, Rummer, c. 1800–1820, Glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.87

Roberto Matta, Endless Nude, 1938, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35068

Nemesio Antúnez, Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14485

Nemesio Antúnez, Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14483

Louis Legoux, Louis XVI, 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2589

Claudio Bravo, White Package, 1967, Chalk, conté crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38562

Nemesio Antúnez, Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14490

Juan Downey, A Clean New Race, 1970, Colored pencil, pencil, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37439

England, Chair, one of a pair, 1650–99, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.26.1

England, Cupboard, c. 1580–90, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.23

England, Table, c. 1580–1600, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.55

England, Bench, early 17th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.73

England, Pillar print, c. 1830, Cotton: roller and block printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.25

England, Armchair, late 16th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.77

Nemesio Antúnez, Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14486

Ernesto Fontecilla, Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33142

Luis Herrera Guevara, Self-Portrait (Autorretrato), 1933, Oil and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33048

England, Cordial glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.502

Benjamin Pyne, Monteith Bowl, 1715–16, silver gilt, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141927

England, Cordial glass, c. 1770–90, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.497

Nemesio Antúnez, Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14489

Claudio Bravo, The Skull, 1973, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35749

Silversmith: RF, Footed salver, 1662–63, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/39.7

Roberto Matta, Condors and Carrion (Condors y carroña), 1941, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33401

Mario Carreño, Sugar Cane Cutters, 1943, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33609

Nemesio Antúnez, Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14488

Clark of London, Private contract musket, late 18th century, walnut, brass (alloy), iron and steel; L x W (overall): 58 × 5 1/8 × 3 1/8 in. (147.3 × 13 × 8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752008-0

Thomas Holme, A mapp of ye improved part of Pensilvania in America, divided into countyes, townships and lotts, c. 1687, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8690

Roberto Matta, [Untitled], 1942, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38253

England, Mirror Frame, mid 17th century, Silk and metal threads, embroidery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.28

Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35770

Roberto Matta, [Untitled], 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35228

Rodolfo Opazo, [Untitled], 1968, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38697

Wedgwood, Charles de Marquetel de Saint-Denis, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893144-2

England, Armchair, c. 1650, Oak and light-colored wood inlays, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.25

Nemesio Antúnez, Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14487

England, Stool, possibly late 16th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.27

Wedgwood, Flavian Julia Helena, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893149-1

Louis Legoux, Marie Antoinette d'Autriche (Marie Antoinette of Austria), 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2588

Roberto Matta, Untitled from VVV Portfolio, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32011

Roberto Matta, Fiery Landscape (Paysage Flammifére), 1940, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37663

England, Goblet, c. 1745–65, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.494

England, Wine glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.507

Decorator: John Pennington, Plate from the Hope dinner service, 1790, Porcelain, enamel, gilt, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.56

Designer: E. W. (Edward William) Godwin, Greek-style side chair, c. 1885, Walnut and reproduction silk upholstery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.43a%2C%20b

Roberto Matta, Joan of Arc, 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36247