Wenceslaus Hollar, Ciuis vel Artificis Londinensis Vxor, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7966 Hans Rudolf Manuel Deutsch, Kort over Basel, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22237 Hans Rudolf Manuel Deutsch, Kort over Paris, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22242 Alberto Giacometti, [Untitled], (1965), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37264 Wenceslaus Hollar, Mulier Bernensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7930 Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7990 Wenceslaus Hollar, Garden of Eden, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7798 Japan, Small Box in the Shape of a Firefly Cage, 19th century, Lacquer with sprinkled gold and silver designs, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.50.197a-c Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22343 Nankoku Hidai, Work 59-42, 1959, Ink on paper on silk scroll, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33038 Tobias Stimmer, De romerske ambassadører vender hjem fra Karthago, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22280 Tobias Stimmer, Appius Claudius føres til fængslet, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22311 Louis Soutter, Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive ), c. 1930–35, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37518 Kitagawa Utamaro, Three Beauties of Yoshiwara (Seiro san bijin), 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23883 Shuzo Takiguchi, Rrose Sélavy in Wilson-Lincoln System from To and From Rrose Sélavy, 1967, published 1968, Lenticular print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17205 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22273 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22275 Louis Soutter, Esthètes juifs distants, c. 1930–1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37524 Wenceslaus Hollar, Albrecht Durer, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7780 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22269 Kitagawa Utamaro, Sato Shirobei Tadanobu (Sato Shirobei Tadanobu), c. 1776–80, Color woodblock print; hosoban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23776 Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7837 Wenceslaus Hollar, Jesus Confronting His Detractors, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7782 Yayoi Kusama, Accumulation of Stamps, 63, 1962, Pasted labels and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37248 Tobias Stimmer, Theoxena og hendes familie dør til havs, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22340 Kitagawa Utamaro, Naniwaya Okita, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23987 Hans Holbein d. Ä., Abendmahl, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2755 Sonja Sekula, Untitled (Sketchbook), 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34743 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22287 Wenceslaus Hollar, Matrona Bernensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7929 Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243 Wenceslaus Hollar, Mulier Wiennensis Austri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7890 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22347 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22331 Wenceslaus Hollar, Count, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7808 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Wenceslaus Hollar, The Mocking, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7791 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7856 Wenceslaus Hollar, Mulier ex Virginia, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7976 Johann Heinrich Müntz, A Thems whery at London, c. 1760, Aquarell über Grafitstift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8215 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7835 Wenceslaus Hollar, Mulier Generosa Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7939 Wenceslaus Hollar, Ornamentation for a Dagger and Scabbard, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6255 Wenceslaus Hollar, Execution of Thomas Wentworth, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7996 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22260 Kitagawa Utamaro, Enjoying the Cool in a Garden, c. 1788/90, Color woodblock print; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21766 Wenceslaus Hollar, Four Caterpillars and a Snail, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7864 Wenceslaus Hollar, Matrona Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7934 Wenceslaus Hollar, Mercatoris Francofurtensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7918 Wenceslaus Hollar, Waggoner, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7822 Wenceslaus Hollar, Matrona Argentinensis Caenam Dni Accedens e des Nymphs), 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7922 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 Osawa Gakyū, The Deep Pool, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35858 Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315 Wenceslaus Hollar, Nobilis Mulier Brabantica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7905 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22262 Wenceslaus Hollar, Mulier Wiennensis in Domo, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7891 Wenceslaus Hollar, Nuremberg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7832 Hans Rudolf Manuel Deutsch, Kort over Bern, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22238 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22293 Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7946 Utagawa Hiroshige, The Evening Bell at Miidera (Mii no banshō), from the series "Eight Views in Omi Province (Omi hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25242 Wenceslaus Hollar, Mulier Generosa Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7911 Alberto Giacometti, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36478 Tobias Stimmer, De romerske kvinder kræver, at Lex Oppia-loven ophæves, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22332 Wenceslaus Hollar, Ornate Goblet, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7983 Wenceslaus Hollar, Mulier Nobilis Hispanica (Spanish Noblewoman), 1649, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7949 Tobias Stimmer, Cincinnatus beordrer aequierne til at passere under åget, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22310 Wenceslaus Hollar, Virgo Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7933 Wenceslaus Hollar, Frankfort, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7841 Wenceslaus Hollar, Nobilis Mulier Aulica Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7953 Tobias Stimmer, Portræt af Stephan Brechtl, 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22252 Florence Henri, Construction bleu-rouge-noir, 1923, Gouache on cut-and-pasted paper, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38223 Wenceslaus Hollar, Mulier Generosa Italica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7947 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22276 Wenceslaus Hollar, Ciuis Londinensis Melioris Qualitatis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7963 Wenceslaus Hollar, Mulier ex Ducatu Wirttembergensi, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7900 Wenceslaus Hollar, Matrona Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7921 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22342 Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7846 Tobias Stimmer, Gaius Duillius vinder søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22325 Wenceslaus Hollar, Merchant, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7819 Jost Amman, Gaspar de Coligny, 1573, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3643 Wenceslaus Hollar, Civis Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7965 Wenceslaus Hollar, Jesus Taken, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7784 Tobias Stimmer, De trehundrede og seks fabier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22321 Wenceslaus Hollar, Nobilis Mulier Anglica, in Vestitu Hiemali, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7955 Wenceslaus Hollar, Jesus before Caiaphas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7787 Wenceslaus Hollar, Jesus again before Caiaphas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7786 Wenceslaus Hollar, Man with Beard Looking Right (Hans Holbein?), 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7988 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37794 Kitagawa Utamaro, Woman Exhaling Smoke from a Pipe, from the series "Ten Classes of Women’s Physiognomy (Fujo ninso juppon)", c. 1792/93, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8185 Wenceslaus Hollar, Strasbourg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7838 Wenceslaus Hollar, Six Insects, a Caterpillar, and a Snail, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7878 Kitagawa Utamaro, Hinazuru of the Chojiya, Whose Attendants Are Tsuruji and Tsuruno (Chojiya uchi Hinazuru, Tsuruji, Tsuruno), from the series "Array of Supreme Beauties of the Present Day (Toji zensei bijin-zoroe)", 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23909 Kitagawa Utamaro, Hour of the Tiger [4 am], Courtesan (Tora no koku, keisei), from the series "Customs of Beauties Around the Clock (Fuzoku bijin tokei)", c. 1798/1800, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36303 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22344 Miriam Cahn, Lesen im Staub, D.W.L. (Das Wilde Leben),, 1984, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34063 Wenceslaus Hollar, Mulier Matrisana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7952 Wenceslaus Hollar, Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7831 Tobias Stimmer, Numa Pompilius inddeler året i tolv måneder, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22329 Sawada Tetsuro, [Untitled], 1964, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37793 Wenceslaus Hollar, Two Butterflies, a Wasp, and a Moth, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7867 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7853 Wenceslaus Hollar, Mulier Primaria Antuerpiensis, in Ornatu Domestico, 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7907 Wenceslaus Hollar, Aula Veneris: Title Page, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7882 Wenceslaus Hollar, Mulier Hibernica vel Irlandica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7969 Wenceslaus Hollar, Nobilis Mulier Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7938 Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274 Tobias Stimmer, Horatius Cocles forsvarer Rom ved broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22304 Wenceslaus Hollar, Mulier Calabra, Vulgo, Foretana di Napoli, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7948 Wenceslaus Hollar, The Peace of Munster, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7859 Tobias Stimmer, Tarquinius Priscus hugget til døde på sin trone, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22315 Wenceslaus Hollar, Five Butterflies, a Moth, a Beetle, and a Spider, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7871 Yayoi Kusama, Accumulation No. 18a, 1962, Paper savers and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34585 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22259 Louis Soutter, The Ascension (L'Ascension), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37346 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22298 Kitagawa Utamaro, Women Preparing Gion Bean Curd, from the series "Twelve Types of Women’s Handicraft (Fujin tewaza juni-ko)", c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23895 Tobias Stimmer, Verginius for Appius Claudius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22309 Kitagawa Utamaro, Obvious Love (Arawaruru koi), from the series "Anthology of Poems: The Love Section (Kasen koi no bu)", c. 1793/94, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/29004 Wenceslaus Hollar, Three Moths, Two Butterflies, and a Bumble Bee, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7869 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22335 Utagawa Hiroshige, Descending Geese, c. 1830, Woodblock print; nagaban, surimono, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/87083 Ottilie W. Roederstein, Bildnis des Malers Jakob Nussbaum, 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2977 Ueda Sōkyū, Nine Coves and Three Bends in the River, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35965 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Kitagawa Utamaro, Yoshiwara Impromptu, c. 1797/98, Color woodblock prints; oban septaptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21571 Tobias Stimmer, Kamp mellem horatier og curatier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22328 Tobias Stimmer, Symphonia, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22348 Wenceslaus Hollar, Peddler, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7820 Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061 Alberto Giacometti, Man Reading a Book, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36488 Kitagawa Utamaro, Young Couple Dressed as Mendicant Monks, c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23805 Utagawa Hiroshige, The Monkey Bridge in Winter, Mid-19th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25969 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22281 Florence Henri, Black-White-Silver No. 11, 1921, Cut-and-pasted metallic foil and paper, pencil and gouache on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38222 Wenceslaus Hollar, Mercatoris Pragensis Vxor, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7885 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22297 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7855 Niklaus Manuel Deutsch, A Swiss Foot Soldier, early 16th century, Pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334801 Tobias Stimmer, Gaius Duillius besejrer Kartago i et søslag, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22284 Hans Holbein d. Ä., Stammbaum Christi (oberer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2699 Hans Holbein d. Ä., Dornenkrönung, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2704 Wenceslaus Hollar, Mulier Nobilis aut Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7957 Alberto Giacometti, Annette, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37538 Wenceslaus Hollar, Rudesheim, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7842 Wenceslaus Hollar, Mulier Hebrea in Tracia, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7972 Kitagawa Utamaro, Hour of the Rat [12pm] (Ne no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23982 Hans Holbein d. Ä., Austreibung der Wechsler aus dem Tempel, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2710 Ikeda Masuo (池田満寿夫), In the Landscape, 1973, Solvent transfer, watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38555 Wenceslaus Hollar, Three Caterpillars, a Moth, and Four Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7876 Kitagawa Utamaro, Yaoya Oshichi and Kosho Kichisaburo (Yaoya Oshichi and Kosho Kichisaburo), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36657 Jean Tinguely, Sketch for Homage to New York, 1960, Felt-tip pen and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33838 Wenceslaus Hollar, Advocate, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7816 Kitagawa Utamaro, Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800, Color woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/7624 Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37025 Wenceslaus Hollar, Ancilla Coloniensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7916 Wenceslaus Hollar, View of Lewenberg, 1643–1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7981 Wenceslaus Hollar, Swallow-tailed Butterfly and Twelve Other Insects, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7875 Tobias Stimmer, Tullia kører over sin fars lig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22316 Yayoi Kusama, The Passing Winter, 2005, Mirror and glass, Tate, London. https://dartabase.art/cite/tate/T12821 Hans Holbein d. Ä., Geißelung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2708 Wenceslaus Hollar, Mulier Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7897 Hans Rudolf Manuel Deutsch, Kort over Koblenz, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22239 Kitagawa Utamaro, Preparing a Meal, c. 1798/99, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23872 Tobias Stimmer, Marcus Atilius Regulus dræber en serpent i Afrika, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22286 Wenceslaus Hollar, On the Neckar, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7834 Risaburo Kimura, [Untitled], 1969, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38381 Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050 Wenceslaus Hollar, Summer: The Bathing Place, c. 1628/1629, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7991 Wenceslaus Hollar, Mercatoris Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7943 Kitagawa Utamaro, The White Coat, from the series "New Patterns of Brocade Woven in Utamaro Style (Nishiki-ori Utamaro-gata-moyo)", c. 1796/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23944 Albert von Keller, Die Märtyrerin, c. 1892, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2891 Tobias Stimmer, Gaius Duillius vinder et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22263 Wenceslaus Hollar, Mulier Franconiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7893 Utagawa Hiroshige, Lingering Snow at Asukayama (Asukayama no bosetsu), from the series "Eight Views in the Environs of Edo (Edo kinko hakkei no uchi)", 1837–38, Color woodblock print; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25293 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22254 Wenceslaus Hollar, Moth and Three Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7863 Wenceslaus Hollar, Mulier Generosa Viennensis Austri, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7889 Wenceslaus Hollar, Mercatoris Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7895 Wenceslaus Hollar, Empress, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7803 Wenceslaus Hollar, Civis Coloniensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7913 Wenceslaus Hollar, Mulier Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7908 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Kitagawa Utamaro, Myriad Birds: A Kyoka Competition (Momo chidori kyoka awase), c. 1790, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187515 Wenceslaus Hollar, Ciuis Norimbergensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7894 Tobias Stimmer, Manius Acilius Glabrios triumftog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22330 Hans Holbein d. Ä., Fußwaschung Petri, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2711 Wenceslaus Hollar, Strasbourg: The Toll House, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7836 Utagawa Hiroshige, Landscape with Waterfall, 18th century, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25966 Hans Holbein d. Ä., Flügel des Frankfurter Dominikaneraltars, Innenseite (Passion Christi; Auferstehung), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102151 Wenceslaus Hollar, Cardinal, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7805 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22255 Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798 Wenceslaus Hollar, Bishop, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7807 Tobias Stimmer, Scipio på knæ, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22267 Wenceslaus Hollar, Self-Portrait, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7994 Matthäus Merian the Elder, Perspectival Study with a View of a Medieval City, 1613–50, Pen and black ink, touches of red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334718 Wenceslaus Hollar, The Crucifixion, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7794 Wenceslaus Hollar, Moth, Butterflies, and Bees, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7877 Tobias Stimmer, Publius Horatius plæderer for sin søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22313 Kitagawa Utamaro, The Flirtatious Type, from Ten Types in the Physiognomy of Women, c. 1793, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111689 Tobias Stimmer, Henrettelsen af kongen af Siracusa og hans familie, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22274 Wenceslaus Hollar, Virgo Nuptialis Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7925 Hans Holbein d. Ä., Predella des Frankfurter Dominikaneraltars, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102150 Tobias Stimmer, Cloelia leder flugten på floden, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22303 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Joseph Heintz the Elder, Figures Adoring a Statue of the "Magna Mater", 1585, Pen and brown ink, brush and gray-brown wash, heightened with white, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334884 Wenceslaus Hollar, The Washing of Hands, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7789 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22283 Wenceslaus Hollar, Mulier ex inferiori Palainatu, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7920 Wenceslaus Hollar, The Resurrection, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7796 Tobias Stimmer, Cincinnatus bag ploven kaldes til at være diktator, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22308 Johann Andreas Rauch, Allegory of Sculpture, 1619, Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over black chalk; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334719 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22288 Wenceslaus Hollar, Jesus before Annas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7788 Wenceslaus Hollar, Virgo Nuptialis Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7935 Kitagawa Utamaro, Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26794 Wenceslaus Hollar, Mulier Generosa Brabantica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7906 Tobias Stimmer, Gaius Sulpius Gallus forudser en måneformøkelse, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22258 Tobias Stimmer, Tarquinius Superbus og Sextus' udsending i haven, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22317 Wenceslaus Hollar, Coblentz, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7843 Wenceslaus Hollar, Mulier Argentinensis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7924 Wenceslaus Hollar, Woman with White Veil and Black Hat (Mary Stuart?), 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7986 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22301 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 Wenceslaus Hollar, Queen, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7804 Wenceslaus Hollar, The Entombment, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7795 Tobias Stimmer, Den besejrede Syphax stilles for Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22323 Wenceslaus Hollar, Mulier Generosa Anglica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7958 Wenceslaus Hollar, Duren, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7847 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22270 Tobias Stimmer, Marcus Valerius i kamp med en galler, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22295 Wenceslaus Hollar, Mulier Augustae Vindelicorum, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7896 Wenceslaus Hollar, Drachenfels, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7844 Wenceslaus Hollar, Mulier Religiosa Antuerpiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7910 Jost Amman, The Hierarchy of the Heavens, 1539, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3644 Wenceslaus Hollar, Moth, Three Butterflies, and Two Beetles, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7865 Louis Soutter, Servant's Clock, 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37762 Wenceslaus Hollar, Mulier Moguntiana, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7917 Tobias Stimmer, Syphax tilfangetages, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22265 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22289 Wenceslaus Hollar, Mulier Svevica vel Augustana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7898 Kitagawa Utamaro, Miyahito of the Ogiya, Whose Assistants Are Tsubaki and Shirabe (Ogiya uchi Miyahito, Tsubaki, Shirabe), 1793–94, Key block print with mica; ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23932 Wenceslaus Hollar, Woman of Antwerp, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7984 Alberto Giacometti, Portrait of a Man, 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38594 Wenceslaus Hollar, Hanau, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7840 Kitagawa Utamaro, Abalone Divers, c. 1797/98, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44659 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22257 Wenceslaus Hollar, Nun, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7812 Wenceslaus Hollar, Mulier Nobilis aut Generosa Gallica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7940 Wenceslaus Hollar, Dni Maioris sive Praetoris Londinensis Vxoris Hab:, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7962 Wenceslaus Hollar, Mulier Coloniensis, probably 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7914 Wenceslaus Hollar, Abbess, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7810 Wenceslaus Hollar, Four Butterflies, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7870 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36480 Angelica Kauffmann, Female Figure Seated Beside an Urn, 1800, Pen and brown ink and brown wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334892 Louis Soutter, The Sun is Blackened (Le Soleil se noircit), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37342 Tobias Stimmer, Marcus Valerius formaner den rebelske soldat til at skabe fred, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22299 Hans Holbein d. Ä., Stammbaum der Dominikaner (unterer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2700 Wenceslaus Hollar, Rustica Gallica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7941 Wenceslaus Hollar, Cives Hollandica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7901 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22285 Wenceslaus Hollar, Head of Woman Looking Right, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7989 Hans Holbein d. Ä., Gefangennahme Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2702 Wenceslaus Hollar, Mulier Westphalica ex Archiep Monasteri, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7892 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Hans Rudolf Manuel Deutsch, Kort over Schlettstadt, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22244 Wenceslaus Hollar, Old Woman, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7825 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Hans Holbein d. Ä., Werktagsseite des Frankfurter Dominikaneraltars, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102055 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22324 Wenceslaus Hollar, Mulier Moresca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7974 Wenceslaus Hollar, Dragonflies, a Bumble-Bee, and a Butterfly, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7866 Wenceslaus Hollar, Mulier Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7923 Maki Haku, Proportion I, 1964, Woodblock print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/99368 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22292 Hans Holbein d. Ä., Bildnis eines Angehörigen der Augsburger Familie Weiss, 1522, Mischtechnik auf Lindenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3313 Wenceslaus Hollar, Five Butterflies and a Moth, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7879 Tobias Stimmer, M. Decius leder romerne i slaget mod latinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22282 Kōshun, Buddha of Infinite Life and Light (Amida Nyorai), 1269, Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136319 Kitagawa Utamaro, Yamauba Holding Chestnuts while Kintaro Reaches for Them, c. 1804/05, Color woodblock print; naga-oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77446 Hans Holbein d. Ä., Christus vor Pilatus, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2706 Wenceslaus Hollar, Child, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7826 Wenceslaus Hollar, Carrying the Cross, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7793 Hans Holbein d. Ä., Stammbaum der Dominikaner (oberer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2701 Nankoku Hidai, Work 60 D, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34142 Gustave Buchet, Construction, (c. 1920), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38185 Tobias Stimmer, Titus Manlius dræber gallereren på broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22294 Morita Yasuji, The Wind Man, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35844 Wenceslaus Hollar, The Mineral Spring, 1627–1636, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7857 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22261 Wenceslaus Hollar, Lady with Ribbons on Curls, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7985 Wenceslaus Hollar, Mulier Generosa Hispanica (Spanish Gentlewoman), 1644, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7950 Wenceslaus Hollar, Mulier Belgica in Vestitu Domestico, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7904 Louis Soutter, Le catafalque sans pesanteur, c. 1937–1942, Fingermalerei in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17577 Sonja Sekula, Carco: La Rose au Balcon, 1942, Pen and ink drawing and dedication by Francis Carco and 3 postcards, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34580 Wenceslaus Hollar, Mercatoris Hollandici Vxor, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7902 Alberto Giacometti, The City Square, 1949, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38595 Hans Holbein d. Ä., Gebet am Ölberg, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2712 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Wenceslaus Hollar, Albrecht Durer's Father, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7860 Hans Bock d. Ä., Venustanz, um 1580 - um 1590, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2216 Wenceslaus Hollar, Preacher, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7813 Hans Jakob Plepp, Design for Stained Glass, c. 1590, Pen and black ink, brush and gray wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334712 Wenceslaus Hollar, Nobilis Mulier Bohemica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7883 Wenceslaus Hollar, Title Page, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7829 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Nankoku Hidai, Work 60 C, 1960, Ink on paper on plywood, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33024 Wenceslaus Hollar, Johann Banfi Huniades, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7992 Wenceslaus Hollar, Mulier Danica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7937 Wenceslaus Hollar, Mulier Anglica Habitans in Pago, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7961 Wenceslaus Hollar, Paradise Lost, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7799 Louis Soutter, Resurrection (Résurrection), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37349 Wenceslaus Hollar, Summer, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7978 Yayoi Kusama, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35490 Hans Holbein d. Ä., Kreuztragung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2707 Alberto Giacometti, An Interior, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33753 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22291 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22337 Wenceslaus Hollar, Mulier Generosa Anglica, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7959 Kitagawa Utamaro, Yoshiwara Picture Book: Annual Events, or Annals of the Green Houses, (Seirō ehon nenjū gyōji), 1804, Color woodblock-printed book, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187511 Wenceslaus Hollar, Nobilis Mulier Anglica, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7954 Utagawa Hiroshige, Autumn Flower and Sparrow, c. 1835, Woodblock print; koban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/56236 Naoto Nakagawa, This Side of the Room, 1967, Pencil, colored pencil, and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33260 Tobias Stimmer, Sofonisba knæler og bønfalder Masinissa, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22322 Kitagawa Utamaro, Chinese Beauties at a Banquet, 1788/90, Color woodblock prints; oban triptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21670 Ikeda Fumio (pen Name: Suijo), White Path, c. 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35942 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22320 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22306 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22345 Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7926 Wenceslaus Hollar, Mulier Diepana, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7945 Wenceslaus Hollar, Gamesters, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7823 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22312 Wenceslaus Hollar, Two Dragonflies and Five Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7874 Tobias Stimmer, Lucretias død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22300 Wenceslaus Hollar, Standing Figure, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7993 Urs Graf, Bust of a Bearded Old Man, 1521, Pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334767 Tobias Stimmer, Numa Pompilius' bøger brændes, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22338 Ferdinand Hodler, Figure (Study for die Empfindung), (1902–03), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34876 Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823 Wenceslaus Hollar, Three Butterflies and Two Moths, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7872 Yayoi Kusama, Flower, 1953/1963, Ink, gouache, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35270 Wenceslaus Hollar, Matrisana M., 1648, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7951 Wenceslaus Hollar, Matrona Parisiensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7942 Wenceslaus Hollar, Mulier Austriae Superioris, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7888 Kitagawa Utamaro, Messenger with a Letter, from the series "Elegant Five-needled Pine (Furyu goyo no matsu)", c. 1797/98, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/32261 Wenceslaus Hollar, Bride, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7818 Wenceslaus Hollar, Prospect of Oxford, 1652–1677, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7858 Wenceslaus Hollar, Rustica Bohemica, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7884 Pierre Haubensak, Study for Mauresque, 1965, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35192 Utagawa Hiroshige, Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, section of harimaze sheet, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88495 Alberto Giacometti, [Untitled], 1949, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36473 Alberto Giacometti, [Untitled], 1949, Sepia and black ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36483 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22302 Wenceslaus Hollar, Ciuis aut Mercatoris Antuerpiensis Vxor, 1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7909 Wenceslaus Hollar, Ecce Homo, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7792 Wenceslaus Hollar, Jesus on the Mount of Olives, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7783 Wenceslaus Hollar, Two Moths and Six Insects, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7868 Wenceslaus Hollar, Death's Coat of Arms, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7827 Wenceslaus Hollar, Title Page, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7873 Wenceslaus Hollar, Dragonfly, Ladybirds, and Butterflies, 1644–1652, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7880 Kitagawa Utamaro, Kitchen Scene, c. 1794/95, Color woodblock print, oban diptych, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21574 Wenceslaus Hollar, Virgo Argentinensis, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7927 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Hans Rudolf Manuel Deutsch, Kort over Nördlingen, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22241 Wenceslaus Hollar, Mulier Aulica Turca, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7970 Tobias Stimmer, Demetrius lider kvælningsdøden ved forgiftning, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22339 Wenceslaus Hollar, Jesus before Pilate, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7785 Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089 Wenceslaus Hollar, Duchess of Lennox, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7987 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Wenceslaus Hollar, Virgo Tiguriensis, 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7936 Augusto Giacometti, Color Abstraction, 1903, Pastel on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36786 Wenceslaus Hollar, Augsburg, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7833 Tobias Stimmer, Hannibals belejring af Sagunto, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22277 Hans Holbein d. Ä., Einzug Christi in Jerusalem, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2709 Tobias Stimmer, Firdelingen af Mettius Fufetius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22314 Wenceslaus Hollar, Descent into Hell, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7797 Wenceslaus Hollar, View of Shenckenschantz, 1647, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7995 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Tobias Stimmer, Veturia og Volumnia beder Coriolanus om at skåne Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22305 Kitagawa Utamaro, Double Pillow, c. 1794/95, Color woodblock print; oban (left sheet of a triptych), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/64415 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22296 Wenceslaus Hollar, Mercatoris Londinensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7967 Kitagawa Utamaro, A Page from Gifts from the Ebb Tide, 1789, Color woodblock-printed book; 1 vol., Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/187516 Wenceslaus Hollar, Emperor, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7802 Wenceslaus Hollar, Mulier Generosa Graeca in Civitate Pera, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7971 Wenceslaus Hollar, Theatrum mulierum: Title Page, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7881 Wenceslaus Hollar, Mulier Pragensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7886 Utagawa Hiroshige, Badger, from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami), n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88492 Wenceslaus Hollar, Near Prague, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7830 Wenceslaus Hollar, Sea Scene, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7850 Wenceslaus Hollar, Ciuis Coloniesis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7912 Alberto Giacometti, Study for The Palace at 4 a.m., 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35103 Wenceslaus Hollar, Old Man, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7824 Hans Holbein d. Ä., Auferstehung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2705 Utagawa Hiroshige, Seikenji Fuji, from the series "Mirror of Stone Rubbings of Views of the Provinces (Kohon meihitsu ishizuri kagami)", n.d., Woodblock print; ishizuri-e, harimaze, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88506 Hans Holbein d. Ä., Stammbaum Christi (unterer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2698 Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504 Wenceslaus Hollar, Abbot, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7809 Wenceslaus Hollar, Miser, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7821 Kitagawa Utamaro, Yamauba with Kintaro Holding a Toy Mask, c. 1801/04, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/3568 Wenceslaus Hollar, Duke, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7806 Wenceslaus Hollar, Doctor, 1651, etching with border "Democritus and Heraclitus" (Pennington 233A), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7814 Wenceslaus Hollar, Near Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7851 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22334 Wenceslaus Hollar, Civis Londinensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7964 Tobias Stimmer, Slag mellem romerne og sabinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22326 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22319 Tobias Stimmer, Romerske mødre dåner over deres sønners hjemvendelse fra krig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22271 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 Kitagawa Utamaro, Takashima Ohisa, c. 1793, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/89352 Wenceslaus Hollar, Delfshaven, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7849 Wenceslaus Hollar, Mulier Svevica Inferioris Conditionis, 1642, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7899 Wenceslaus Hollar, Winter, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7980 Wenceslaus Hollar, Bridal Pair, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7817 Wenceslaus Hollar, The Scourging, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7790 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Tobias Stimmer, Romulus' død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22327 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22278 Hans Holbein d. Ä., Ecce Homo, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2703 Wenceslaus Hollar, Mulier Scotica, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7968 Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7931 Wenceslaus Hollar, Katharine Furlegerin, 1646, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7828 Kitagawa Utamaro, Hour of the Ox [2am] (Ushi no koku), from the series "The Twelve Hours in Yoshiwara (Seiro juni toki tsuzuki)", c. 1794, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23947 Tobias Stimmer, De falskanske unge pisker deres forræderiske lærer, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22290 Tobias Stimmer, Portræt af Jacob Taurellus (Oechsel), 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22253 Kitagawa Utamaro, Hidematsu, Yasokichi, Izukiyo of the Otsuya (Otsuya uchi Hidematsu, Yasokichi, Izukiyo), from the series "Female Geisha Section of the Yoshiwara Niwaka Festival (Seiro niwaka onna geisha no bu)", 1783, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/100037 Wenceslaus Hollar, Knight, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7815 Hans Rudolf Manuel Deutsch, Kort over Freiburg im Breisgau, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22240 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22318 Kitagawa Utamaro, Woman Holding a Tortoise-shell Hair-comb, c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/24001 Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436 Wenceslaus Hollar, Spring, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7977 Wenceslaus Hollar, Title Page to "Philosophia Universia", 1649, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7781 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36486 Ferdinand Hodler, Profile of Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7852 Wenceslaus Hollar, Ancilla Argentinensis, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7928 Kitagawa Utamaro, The Style of a Feudal Lord’s Household (Yashiki-fu), from the series Guide to Contemporary Styles (Tosei fuzoku tsu), c. 1800/01, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/36180 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22264 Wenceslaus Hollar, Monk, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7811 Wenceslaus Hollar, Six Insects, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7862 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22266 Wenceslaus Hollar, Mulier Habitans Algieri, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7973 Wenceslaus Hollar, Title Page, 1646, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7861 Kitagawa Utamaro, Hour of the Monkey [4pm] (Saru no koku), from the series "Sundial of Young Women (Musume hi-dokei)", c. 1794/95, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23915 Wenceslaus Hollar, Mulier Basiliensis, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7932 Wenceslaus Hollar, When Adam Delved, 1651, etching with border "Time and Eternity" (Pennington 233C), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7800 Hans Rudolf Manuel Deutsch, Kort over Rufach, 1548, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22243 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22272 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22256 Wenceslaus Hollar, Opificis Parisiensis Vxor, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7944 Kitagawa Utamaro, Towing a Barge in the Snow, from the album The Silver World, 1790, Woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/23845 Naoto Nakagawa, Big Table, 1967, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33244 Hans Rudolf Manuel Deutsch, Sø- og landmonstre, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22245 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22346 Wenceslaus Hollar, Nobilis Mulier Anglicana, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7956 Yayoi Kusama, [Untitled], 1952, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35495 Wenceslaus Hollar, Mulier Coloniensis Exspatians, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7915 Jean Tinguely, 50 RPM, 1965, Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35860 Yayoi Kusama, [Untitled], 1952, Pastel and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35262 Wenceslaus Hollar, Albury, 1645, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7854 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Yayoi Kusama, No. 19 H.S.W., 1956, Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36628 Louis Soutter, Head (Tête), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37348 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Utagawa Hiroshige, The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, 1857, color woodblock print, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/152499 Wenceslaus Hollar, The Pope, 1651, etching with border "Minerva and Hercules" (Pennington 233B), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7801 Kitagawa Utamaro, Woman Holding a Round Fan, c. 1797, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/34888 Kano Naonobu, Landscape with Full Moon, Edo period, 17th century, Hanging scroll; ink on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4927 Wenceslaus Hollar, Navigatoris Hollandici Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7903 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22333 Jost Amman, The Ptolemaic System, 1579, Etching and engraving on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5326 Wenceslaus Hollar, Autumn, 1641, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7979 Wenceslaus Hollar, Mulier Generosa Anglica, 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7960 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665 Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057 Wenceslaus Hollar, Mercantoris Hanauiensis Vxor, 1644–1650, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7919 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 Christof Murer, Lot and His Daughters, 1581, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5327 Alberto Giacometti, The Studio (Two Pieces of Sculpture), 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38593 Wenceslaus Hollar, Mulier Persiana, probably 1644, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7975 Wenceslaus Hollar, Wesel, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7848 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Wenceslaus Hollar, Ciuis Pragensis Filia, 1643, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7887 Tobias Stimmer, Hannibals rejse over alperne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22279 Wenceslaus Hollar, Cologne, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7845 Wenceslaus Hollar, Speyer, 1635, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7839