Jacobus Houbraken, Adriaen van Ostade, 1698, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8008 Nicolaes Berchem, Cow Drinking, 1680, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4603 Piero Manzoni, Thumbprint, 1960, Ink on paper with colored mat, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36623 Theo van Doesburg, Study for Composition VIII (The Cow) (recto); Untitled (verso), c. 1917, Gouache, oil, and charcoal on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35396 Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Willem Kalf, Wineglass and a Bowl of Fruit, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138359 W. Koenigstein, A Rather Ordinary, Vulgar Thought, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36924 Jan J. Schoonhoven, T76 M2, 1976, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34182 Filippo Tommaso Marinetti, Vive la France, 1914–15, Ink, crayon, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36625 Giovanni Paolo Panini, Interior of the Pantheon, Rome, c. 1734, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/165 Carlo Bugatti, Coffee Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150161 Giuseppe Penone, Untitled (No. 1), 1981, Cut-and-pasted painted paper, gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36297 Giuseppe Ghislandi, Portrait of a Young Man, after 1720, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/243 Amedeo Modigliani, Portrait of a Woman, c. 1919–20, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34665 Umberto Boccioni, States of Mind: The Farewells, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37282 Giorgio de Chirico, The Condottiere, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38239 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38745 Heinrich Kühn, Frau vor dem Spiegel, 1906, Gummidruck in Rotbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102608 Cornelis Dusart, Markedsdag med festende bønder i en landsby, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19879 Arnaldo Pomodoro, Projects for Butterfly of Time, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37649 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Jacob Isaacksz. van Ruisdael, Wasserfall in einer Vorgebirgslandschaft ("Norwegischer Wasserfall"), c. 1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1147 Renato Guttuso, Mine Car, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36684 Vincent van Gogh, Bauernhaus in Nuenen, 1885, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1423 Cornelis Dusart, Vi er syv. Tre tosser, en ugle, et æsel og en gris, 1695, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19883 Lucio Fontana, Spatial Concept (Concetto spaziale), 1957, Ink and pencil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37812 Theo van Doesburg, Study for a Composition, 1923, Gouache and ink on tissue paper and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38206 Umberto Boccioni, States of Mind: Those Who Stay, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37286 Francesco Guardi, View on the Cannaregio Canal, Venice, c. 1775–1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/254 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (midterste del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/2 Nicolaes Maes, Bildnis einer Dame in einem schwarzen Kleid, c. 1668–1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/13 Giovanni Battista Tiepolo, Standing Philosopher and Two Other Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/953 Johann Jacob Eybelwieser, Jacob and the Angel, late 17th–mid-18th century, Pen and brown ink and watercolor over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334714 Adriaen van Ostade, Maleren, 1667, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2212 Adolpho Wildt, The Shadow, 1913, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36194 Amedeo Modigliani, Young Man Seated, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36984 Lucio Fontana, [Untitled], 1956, Ink on incised paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37632 Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633 Emanuel de Witte, Interior of a Church, c. 1680, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145450 Eduard Flor, Plate (folio 12) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9082 Cornelis Dusart, Dansende par. En sømand, der berøves af sin dansepartner, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19884 Mario Merz, Che Fare?, 1968–73, Aluminium, wax and neon lights, Tate, London. https://dartabase.art/cite/tate/AR00598 Pat Andrea, Study for Laboratory, 1971, Pencil, colored pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35825 Jean-Baptiste Nini, [Untitled], 1776–1883, Wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/480 Lucebert, The Centipede, 1965, Gouache and pasted paper on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34509 Camilo Blas (José Alfonso Sánchez Urteaga), Threshing ( La Trilla ), 1928, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37703 Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Alberto Magnelli, Opposition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1942), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31862 Giovanni Domenico Tiepolo, A Spring Shower, 1797–1804, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117028 Willem Kalf, Stillleben mit Orangen, c. 1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2082 Giovanni Battista Tiepolo, Singende und musizierende Engel, c. 1726, Feder in Dunkelbraun und Aquarell über grauem Stift, Einfassungslinie mit grauem Stift, auf Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/15411 Marino Marini, Nude, (1949), Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38249 Theo van Doesburg, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31866 Jan Steen, The Dancing Couple, 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1220 Francesco Clemente, Untitled (No. 2), (1981), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36881 Gerrit Adriaensz Berckheyde, Das Stadthaus in Amsterdam, c. 1674, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1042 Attributed to Bartholomeus van der Helst, Portrait of a Burgomaster, c. 1665–70, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.106 Giovanni Battista Tiepolo, Seated River God, Nymph with an Oar, and Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334651 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 Giorgio de Chirico, Supplementary drawing from Mythologie by Jean Cocteau, 1934, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35076 Hans Gasser, Recto:Nude Female Figure in a Niche Verso: Study for a Fountain, 1830–68, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334857 Pietro Rotari, A Girl with a Flower in Her Hair, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/249 Alfred Kubin, The Emperor of China, (c. 1910), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37547 Pietro Longhi, The Faint, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/204 Giuseppe Maria Crespi, Cupids Disarming Sleeping Nymphs, c. 1690/1705, oil on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/203 Gino Severini, Dancer, 1912, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38344 Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Jean-Baptiste Nini, Plaque Portrait of Benjamin Franklin, 1776–1883, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/471 Rembrandt van Rijn, Die Frau mit dem Pfeil, 1661, Radierung, Kaltnadel und Kupferstich, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5212 Gustav Klimt, Three Courtesans (Drei stehende Frauenakte), c.1907–10, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33119 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1623 Giacomo Balla, Study for Street Light, (1909), a) Pencil on paper b) Pencil and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38832 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 Massimo Campigli, Mosaic Design for Floor of Teatro Metropolitano, Rome, (1943), Gouache and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37068 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Lucio Fontana, Concetto Spaziale (Teatrino), plate 4, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18821 Amedeo Modigliani, Motherhood, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36596 Amedeo Modigliani, Portrait of a Woman, c. 1917–18, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128394 Aert Schouman, Ein Rosalöffler (Platalea ajaja), um 1760–1780, Aquarell, über schwarzem Stift, auf geripptem Büttenpapier; allseitige Einfassungslinie mit der Feder in Dunkelbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17697 Eduard Flor, Plate (folio 6) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9079 Chris Hendrik Beekman, Composition, 1916, Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38177 Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Piet Mondrian, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31863 Giuseppe Penone, Untitled (No. 4), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36318 Giovanni Domenico Tiepolo, The Flight, Joseph at Right and Mary and Angel at Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/980 Alfred Kubin, Christ's Entry into Jerusalem (Der Einzug in Jerusalem), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37522 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Giacomo Balla, Study for Street Light, (1909), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38831 Amedeo Modigliani, Seated Nude, 1914, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33375 Alfred Kubin, Homecoming (Heimkehr), (c. 1924), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37536 Corrado Cagli, The Concentration Camp of Buchenwald, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34924 Pietro Antonio Martini, Le Devin du Village (Colette Weeping), 1779, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3137 Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273 Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991 Abraham Hondius, Hulepindsvin jagtet af hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19825 Giuseppi Filippo Liberati Marchi, Oliver Goldsmith, 1770, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8706 Giovanni Domenico Tiepolo, Joseph, Standing, Adores the Child, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/965 Francesco Guardi, Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/270 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Eduard Flor, Plate (folio 14) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9083 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Italian 19th Century, Madonna and Child, mid 19th century, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/133 Domenico Gnoli, Loading Crates, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37223 Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/950 Wobbe Alkema, [Untitled], 1928, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38171 Karel Appel, Beast, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32981 Alfred Kubin, Untitled (The Eternal Flame) (Die ewige Flamme), c. 1900, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37516 Giovanni Battista Cipriani, The Trevi Fountain, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334673 Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271 Piet Mondrian, Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/109819 Carlo Bugatti, Tea Table, c. 1907, inlaid wood (mahogany?), cast and gilded bronze mounts, inlays of ivory or bone, metal, and mother-of-pearl (marine mussels or pearl oysters), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156112 Italian 19th Century, Mucius Scaevola, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9488 Amedeo Modigliani, Mario the Musician, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34113 Cornelis Dusart, En skomager, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19876 Dirck de Bray, Solomon de Bray, 1664, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6477 Hermann Nitsch, [Untitled], 1991, Oil on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36236 Domenico Gnoli, Empty Crates, 1958, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37767 Giovanni Battista Tiepolo, Woman, Satyr Child, and Goat in a Landscape, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/952 Carlo Bugatti, Salver, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156113 Bernardo Bellotto, The Campo di SS. Giovanni e Paolo, Venice, 1743/1747, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1144 Cornelis Dusart, Fiolspiller i en krostue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19878 Mario Sironi, Mannequin, (c. 1918), Ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34812 Umberto Boccioni, Study for Portrait of Ferrucio Busoni, 1916, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32963 Giovanni Domenico Tiepolo, Studienkopf eines alten Mannes, 1751–1760, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1385 Chris Hendrik Beekman, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38178 Amedeo Modigliani, Charles Guérin, November 11, 1919, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36813 Italian 18th/19th Century, Samson Slaying the Philistine, 18th/early 19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1241 Giovanni Domenico Tiepolo, Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/958 Giovanni Domenico Tiepolo, The Rest on the Flight, with Holy Family under a Tree, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/979 Giacomo Balla, Futuristic Painting (Peinture futuriste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31868 Carlo Bugatti, Tray, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150157 Renzo Vespignani, Ruined Building, 1946, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33167 Adriaen van Ostade, Familie uden for et bondehus, moren med en trædukke i hånden, 1679, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2841 Gustav Klimt, Two Reclining Nudes, 1905–1906, Colored pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334899 Karel Appel, [Untitled], 1959, Crayon on paper (recto); pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37614 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18819 Giorgio de Chirico, Solitude, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34076 Giovanni Domenico Tiepolo, The Madonna and Child at Left, with a File of Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/981 André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551 Eduard Flor, Plate (folio 8) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9080 Walter Pichler, Silo, 1972, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34121 Carlo Carrà, Ritmi Plastici, 1911, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37817 Giovanni Domenico Tiepolo, The Flight with Joseph in the Foreground, 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/977 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Renzo Vespignani, Hanged Man, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33251 Renzo Vespignani, Prison Scene, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33268 Theo van Doesburg, Contra-construction in a Circle, c. 1923, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33496 Piet Mondrian, Church Facade 6, 1915, dated 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34630 Giovanni Domenico Tiepolo, The Holy Family at the Bank of the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/970 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Cornelis Dusart, En violinspiller, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1920 Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278 Alfred Kubin, In a Dream (Im Traum), c. 1903, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36916 Meindert Hobbema, A Farm in the Sunlight, 1668, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/67 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Gustav Klimt, Standing Woman (Stehende Schwangere mit reich ornamentiertem Gewand nach rechts), c. 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32979 Renzo Vespignani, The Wall, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33185 Umberto Boccioni, Study for The City Rises, 1910, Conté crayon, charcoal, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36544 Lucio Fontana, Concetto Spaziale (Teatrino), plate 2, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18820 Friedrich Amerling, The Young Eastern Woman, 1838, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155860 Abraham Hondius, Bjørn jagtet af hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5309 Cornelis Dusart, Lirekassemand med en dansende hund, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2562 Aert de Gelder, Lot and His Family Leaving Sodom, 1661/1663, pen and light brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1848 Sandro Chia, Sketch for Genoa, No. 2, 1980, Watercolor, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33618 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/966 Erika Giovanna Klien, Book, 1926, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38297 Edwaert Collier, Vanitas Still Life, 1662, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435918 Johannes Vermeer, Der Geograf, 1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1140 Amedeo Modigliani, Paul Guillaume, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38307 Bart van der Leck, Study, (1916–17), Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38256 Corrado Cagli, The Bridge at Worms, 1945, Transfer drawing, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34913 Egon Schiele, Standing Male Nude with Arm Raised, Back View, 1910, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35392 Giuseppe Penone, Untitled (No. 5), (1981), Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36324 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Salvatore Tresca, Sweet resistance (La douce resistance), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2862 Gustav Klimt, Two Women Reclining, c. 1905–06, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334902 Vincent van Gogh, The Large Plane Trees (Road Menders at Saint-Rémy), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125249 Jacob Isaacksz. van Ruisdael, Winterlandschaft bei Haarlem mit einem Laternenpfahl, c. 1670–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1100 Adriaen van Ostade, The Cottage Dooryard, 1673, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1187 Jacob van Strij, A Cooper, c. 1795–1800?, Transparent watercolor and graphite on cream antique laid paper, framing line in black ink, mounted to cream antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4931 Gianfranco Baruchello, Assez Donc! (Enough!), 1963, Synthetic polymer paint, white-out, pencil, charcoal, pastel, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37496 Amedeo Modigliani, Adam, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34598 Amedeo Modigliani, Caryatid: Rose and Blue, 1912–14, Watercolor, with pen and black ink, graphite, and touches of brown crayon on tan wove paper (pieced), laid down on tan wove paper, laid down on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/45257 Carlo Bugatti, Creamer, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150158 Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277 Meindert Hobbema, Eingang zum Wald, c. 1663–1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/782 Georg Raphael Donner, Kneeling Female Nude and Two Studies of Angels, early 18th century, Recto: pencil; margins ruled in red chalk at all four edges of paper Verso: black and brown chalk and pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334804 Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498 César Domela-Nieuwenhuis, Plate (folio 10) from 10 Origin, 1942, Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19636 Jacob Ochtervelt, Kavalier im Fenster, 1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/606 Giorgio de Chirico, Portrait of Giovinetto Aldo Castelfranco, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33485 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Amedeo Modigliani, Oscar Miestchaninoff, 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37829 Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276 Fausto Pirandello, Women's Quarters (Gineceo), 1950, Oil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36231 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Umberto Boccioni, Portrait of a Woman, 1909, Graphite on tan wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/153197 Jan van der Heyden, Schloss Loenersloot in Holland, c. 1665–1670, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/590 Walter Pichler, Artistic Branch, 1972, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34107 Alfred Kubin, The Last King (Der Letzte König), (c. 1900–03), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37543 Alfred Kubin, The Great Grandmother (Die Urgrossmutter), 1926, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34014 Rachel Ruysch, Blumenstillleben, 1698, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/540 Jan Steen, Esther, Ahasuerus, and Haman, c. 1668, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140152 Anton von Maron, Judith with the Head of Holofernes, 18th century–early 19th century, Pen and brown ink and brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334921 Giovanni Domenico Tiepolo, The Flight, Holy Family Walking with Angel, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/968 Theo van Doesburg, Composition, 1917, dated 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37350 Wolfgang Paalen, Discovery of Infra-Space II, 1941, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37488 Willem de Ridder, Paper Flux Work, late 1960s, Offset printed cards in envelope, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4676 Cornelis Dusart, To syngende bønder i en kro, 1685, Radering. Oval trykplade, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19867 Nicolaes Berchem, En hyrde vander sine dyr ved en tilgroet ruin, 1680, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1412 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1619 Umberto Boccioni, Study for The Laugh, 1910–11, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38744 Cornelis Dusart, To syngende bønder i en kro, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1919 Antonio Canova, Terpsichore Lyran (Muse of Lyric Poetry), 1816, marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143775 Gaspare Diziani, Dawn, 1709, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436203 Marino Marini, Horseman, 1949, Ink and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38247 Theo van Doesburg, Study for Composition (The Cow), 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33340 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 Anonymous, Austrian, 18th century, Saints Peter and Paul, 18th century, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334780 Vincent van Gogh, Planteuse de pommes de terre, 1885, Schwarze Kreide und Kohle, gewischt, radiert und fixiert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/34500 Cornelis Dusart, Fiolspiller i en krostue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2325 Arnaldo Pomodoro, Study, 1960, Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33223 Sebastiano Ricci, The Exaltation of the True Cross, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/213 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (venstre del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/1 Umberto Boccioni, Study for Elasticity, 1912, Pencil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35857 Carlo Carrà, Concert Cafe, 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36550 Jan Steen, Ein Goldschmied schmilzt in Anwesenheit eines Notars den Schmuck einer Frau ein: "Der Alchemist", c. 1668–1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/892 Giovanni Domenico Tiepolo, The Flight with the Holy Family at the Right, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/964 Pieter Laurens Mol, Vigilantia, 1996, Gelatin silver print distressed with red lead paint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35018 Mario Merz, Lingotto, 1968, Brush-wood, beeswax and steel, Tate, London. https://dartabase.art/cite/tate/AR00608 Pietro Longhi, The Game of the Cooking Pot, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/205 Valerio Adami, The Easy Chair in the Window, 1970, Colored pencil, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35772 Giovanni Domenico Tiepolo, The Holy Family Passes under a City Arch, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/963 Arnulf Rainer, Untitled (Kleinzeug #45), (1974), Oil pastel and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35292 Vincent van Gogh, Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887, Oil on canvas, mounted on pressboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27954 Italian 19th Century, Coronation of the Virgin, late 18th or early 19th century, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9482 Alfred Kubin, Polar Bear (Eisbär), 1901–02, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38778 Abraham Hondius, To hjorte, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19823 Meindert Hobbema, Hut among Trees, c. 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1169 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Jean-Baptiste Nini, [Untitled], 1778, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/489 Egon Schiele, Standing Girl Wrapped in Blanket, 1911, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34941 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 Giovanni Battista Tiepolo, Soldier with Horse and Attendant, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/957 Sebastiano Conca, Allegory of Spring, c. 1720 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1724 Carlo Maratti, Portrait of Francesca Gommi Maratti, c. 1701, Oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/307326 Gino Severini, Armored Train in Action, 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33837 Wobbe Alkema, [Untitled], 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38167 Florentine 19th Century, Madonna and Child, c. 1860, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/121 Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277 Gino Severini, Self-Portrait with Straw Boater, 1912, Charcoal, with stumping on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/22916 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Sebastiano Ceccarini, Portrait of a Noblewoman, c. 1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.410 Egon Schiele, Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar), 1912, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33302 Gino Severini, Spanish Dancer, (c. 1913), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36470 Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted newspaper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38165 Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/971 Giovanni Battista Foggini, Ferdinando II de' Medici, Grand Duke of Tuscany, c. 1690, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1268 Amedeo Modigliani, The Family, 1916, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34047 Eduard Flor, Plate (folio 4) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9078 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895 Theo van Doesburg, Design for a stained-glass window for Christian ULO School, Rehobôth te Drachten, 1922–23, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38207 Carlo Labruzzi, A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/215328 Bart van der Leck, [Untitled], 1917, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34792 Corrado Cagli, Troubadours, 1946, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34068 Alberto Magnelli, Plate (folio 18) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19640 Rafael Hastings, WHO? VII, (1968), Gouache, pencil, and felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38696 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (højre del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/3 Jacob Isaacksz. van Ruisdael, Landscape with a Farm, 1662, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106357856 Amedeo Modigliani, Woman, Head on Hand, c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34651 Capo di Monte, Wine bowl with cover, c. 1750–80, Soft-paste porcelain with later silver mounts, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.9.1a%2C%20b Gustav Klimt, Standing Nude, 1906–07, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334898 Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 Johann Baptist Hagenauer, Christ at the Column, 1756, gilt bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130553 Adriaen van de Velde, Hirt und Hirtin mit ihrer Herde am Brunnen, 1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/165 Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/948 Piet Mondrian, Pier and Ocean 5 (Sea and Starry Sky), 1915, dated 1914, Charcoal and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33419 Giuseppe Penone, Untitled (No. 3), (1981), Charcoal, pencil, and pressure-sensitive tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36312 Ivo Pannaggi, Collage, 1926, Parcel post wrapping, stamps, ink, and cut-and-pasted printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33036 Giovanni Domenico Tiepolo, The Holy Family Being Ferried Across the River, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/973 Giovanni Bastianini, Portrait of a Lady, "Giovanna Albizzi", c. 1860, gesso and polychrome over wood and mixed media, National Gallery of Art, Washington. https://dartabase.art/cite/nga/136 Umberto Boccioni, Study for The Laugh, 1910, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33025 Giovanni Battista Tiepolo, Scene from Ancient History, c. 1750, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/509 Johannes Vermeer, Girl with the Red Hat, c. 1669, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/60 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Egon Schiele, Girl with Black Hair (Mädchen mit schwarzem Haar), 1911, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37567 Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220 Carlo Bugatti, Tea and Coffee Service, c. 1907, gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150156 Gilberto Zorio, Per Purificare le Parole, "Pyrex", 1981, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35220 Eduard Flor, Plate (folio 10) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9081 Abraham Hondius, To vildsvin, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19826 Umberto Boccioni, Muscular Dynamism, 1913, Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36344 Rembrandt van Rijn, Lucretia, 1666, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.19 Giovanni Battista Tiepolo, Death Giving Audience, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/955 Pat Andrea, Study for Metermaid, 1968, Colored pencil, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35811 Arnulf Rainer, [Untitled], (1969), Oilstick, crayon, and watercolor with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36645 Piet Mondrian, Red Amaryllis with Blue Background, c. 1907, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38743 Jean-Baptiste Nini, [Untitled], 1776–1800, Galvonplast (probably galvano-reproduction), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/488 Giacomo Porzano, The Riot, 1961, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34042 Gino Severini, Oval Composition, 1913, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38346 Giovanni Domenico Tiepolo, The Holy Family Arriving at a City Gate, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/983 Günter Brus, Informel Drawing (Informelle Zeichnung), 1960, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35597 Oskar Kokoschka, Seated Woman, 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33539 Francesco Guardi, Grand Canal with the Rialto Bridge, Venice, probably c. 1780, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1166 Arnulf Rainer, Christus, (1969), Oilstick, charcoal, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36637 Jan van Huchtenburg, Vilhelm III inspicerer tropperne ved Arnhem, 1691, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19837 Giorgio de Chirico, Euripides, 1921, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37600 Giuseppe Maria Crespi, Heimsuchung Mariens, c. 1710–1720, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/123 Johann Jacobé, William Hayley, 1779, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8018 Francesco Clemente, Untitled (Self-Portrait) (No. 4), (1981), Pastel and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36893 Johann Georg Platzer, The Artist's Studio, 1740s–50s, oil on copper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170235 Ferdinand Georg Waldmüller, Bäuerliches Liebespaar, 1863, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1383 Jacob van Walscapelle, Blumenstillleben, 1677, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/617 Job Andriesz. Berckheyde, Die Börse von Amsterdam, c. 1675–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/536 Giovanni Domenico Tiepolo, The Flight with Obelisk at the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/976 Abraham Hondius, Ulv angrebet af to hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19827 Gustav Klimt, Reclining Nude with Outstretched Left Arm, 1903–1904, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334896 Alessandro Magnasco, Interior of a Synagogue, c. 1725–35, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111691 Gustav Klimt, Profile of a Girl (Study for 'Thalia and Melpomene') (Brustbild eines Mädchens mit langem Haar im Profil nach links), 1898–99, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38245 Ferdinand Georg Waldmüller, Gräfin Tatischeff, c. 1838, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2818 Carlo Labruzzi, Ruin of an Aqueduct on the Road to Cori, Italy, 1789, Watercolor and graphite on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5363 Piet Mondrian, Amstel River, 1907, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36627 Cornelis Dusart, To skrålende bønder i et vindue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5528 Jan Weenix, Stillleben mit totem Hasen und Vögeln, 1681, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/859 Cornelis Dusart, Et beruset par, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19869 Alessandro Magnasco, Folterszene, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1474 Cornelis Dusart, Village Festival, 1685, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6821 Mario Merz, Blossom (Prehistoric Wind from Iced Mountains), (1982), Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36271 Amedeo Modigliani, Caryatid, 1914, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36904 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 Pieter de Hooch, Portrait of a Family Playing Music, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128391 Francesco Clemente, Untitled (No. 3), (1981), Pastel and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36887 Francesco Clemente, Reconciliation (for Parkett no. 9), 1986, Drypoint bound into journal, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10792 Carlo Bugatti, Tea Pot, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150160 Andrea Cascella, Studies for a Sculpture, 1964, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33319 Cornelis Dusart, Violin Player Seated in a Tavern, 1685, etching and roulette on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6822 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Gustav Klimt, Reclining Nude, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334906 Giuseppe Penone, Untitled (No. 2), (1981), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36304 Alfred Kubin, The Reciter (Der Rezitator), (c. 1923), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38685 Friedrich Vordemberge-Gildewart, Intimately Silvered, (1923), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33446 Amedeo Modigliani, Seated Nude, c. 1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34127 Oskar Kokoschka, Seated Girl, (1922), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34085 Meindert Hobbema, A Wooded Landscape, 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/68 Michele Rocca, Rinaldo and Armida, 1720–1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.879 Piet Mondrian, Chrysanthemum (recto) and Head in Profile (verso), 1906, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34486 Marino Marini, Igor Stravinsky, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35846 Giovanni Domenico Tiepolo, The Rest on the Flight with Joseph in Adoration, 1752, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/975 Wolfgang Paalen, Fumage, 1944–45?, Oil and candle soot on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33314 Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846 Willem Drost, Young Woman with a Pearl Necklace, 1670, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436212 Francesco Bartolozzi, Miss Elizabeth Farren, Countess of Derby, 1792, etching and stipple engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4559 Renato Guttuso, Bull, 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36683 Bartolommeo Letterini, En mandlig helgen vaskes og plejes af engle, mens han lytter til en kvindelig helgen, der sidder foran en læsepult og peger opad. Den Hl.Sebastian hos den Hl.Irene?, 1669–1731, Sortkridt, rødkridt, pen, mørkebrunt blæk og brun lavering, forhøjet med hvidt på blågråt papir, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS11137 Meindert Hobbema, Village near a Pool, c. 1670, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1171 Italian 17th Century, Tapestry-covered Cushion, c. 1675/1725, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1622 Jan van Huchtenburg, Slaget ved Höchstädt, 1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19838 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Gustav Klimt, Two Studies for a Crouching Woman, 1914–15, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334901 Carlo Bugatti, Covered Sugar Bowl, c. 1907, Gilt silver and ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150159 Giovanni Battista Tiepolo, Three Soldiers and a Youth, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/949 Vincent van Gogh, Adeline Ravoux, 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135299 Gustav Klimt, Reclining Nude with Drapery, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334903 Godfried Schalcken, Bildnis eines Künstlers im Atelier, c. 1670–1675, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/166 Eduard Flor, Plate (folio 2) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9076 Giovanni Domenico Tiepolo, The Holy Family Disembarking, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/974 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 Caspar Netscher, Portrait of a Man in a Gold-embroidered Coat, 1682, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360635 Cornelis Dusart, Et kyssende par, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19871 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Franz Alt, Room of Archduke Ludwig Victor in the Hofburg, Vienna, 1861, Watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334768 Possibly Italy, Console table, c. 1775–1800, Gilded wood and marble, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.32a%2C%20b Fortunato Duranti, Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334674 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Jan Weenix, Stilleben med död svan, en påfågel och en hund vid en trädgårdsfontän, 1684, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367967 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Giovanni Domenico Tiepolo, The Flight, Holy Family at the Right, Joseph Looking to the Left, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/967 Rembrandt van Rijn, Portrait of a Man in a Tall Hat, c. 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1208 Arnulf Rainer, [Untitled], (1969–74), Oilstick on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35324 Giovanni Battista Piazzetta, A Flying Angel (recto); Studies of Hands Playing Instruments (verso), 1723–27, black chalk heightened with traces of white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117767 Giovanni Domenico Tiepolo, Head of a Philosopher, 1750s–60s, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.1 Giovanni Battista Tiepolo, Youth, Sage, and Attendant with Horse, 1696, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/947 Rembrandt van Rijn, The Circumcision, 1661, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1199 Chris Hendrik Beekman, Study in Black, Grey and White, (c. 1920), Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38179 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35301 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 Enzo Cucchi, Palla-Santa, 1980, Charcoal and fixative on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33626 Umberto Boccioni, Woman's Head, 1909, Graphite, with touches of stumping and scraping on tan wove paper, with pen and black ink ruled lines, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27358 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Alessandro Magnasco, Peinliches Verhör, 1727–1730, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1473 Giuseppe Penone, [Untitled], 1974, Gelatin silver prints (4), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/230004 Franz West, Hangaround, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37550 Gustav Klimt, Reclining Woman (Liegender Halbakt nach rechts), 1912–13, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38149 Amedeo Modigliani, Portrait of Konrad Bercovici, 1919, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37032 Canaletto, Ansicht des Bacino di San Marco in Venedig, 1730–1740, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/847 Hermann Nitsch, [Untitled], 1987, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36298 Vincent van Gogh, Two Poplars in the Alpilles near Saint-Rémy, 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135310 Meindert Hobbema, The Travelers, 166[2?], oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1170 Jean-Baptiste Nini, [Untitled], 1776–1800, Ceramic, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/491 Gustav Klimt, Woman with Scarf (Dame im Dreiviertelprofil nach links, den Mund und einen Teil der Frisur durch Umhang verdeckt), c. 1910, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33171 Gustav Klimt, The Lovers, 1913, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334904 Amedeo Modigliani, Woman in Profile, 1910–11, Charcoal and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34582 Giovanni Domenico Tiepolo, Joseph and Mary Prepare to Leave, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/961 Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274 Giovanni Battista Tiepolo, Title Page, published 1785, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/946 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 Oskar Kokoschka, Hugo Erfurth, c. 1920, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35566 Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702 Guercino (Giovanni Francesco Barbieri), Landscape with Six Figures, 1750–80, Pen and brown ink and brush and dark brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334788 Cornelis Dusart, Den bedragne ægtemand, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1921 Sebastiano Ricci, A Miracle of Saint Francis of Paola, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/212 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Giovanni Domenico Tiepolo, The Madonna del Carmelo Appearing to Saint Simon Stock, 1759, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/781 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35315 Pietro Rotari, A Sleeping Girl, 1760/1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/248 Cesare Peverelli, The Room, 1962, Tempera and pencil on textured paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34577 Cornelis Dusart, Kvinde, der behandles med kopsætning, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19874 Jan van der Heyden, An einer Landstraße, c. 1666–1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1117 Johannes Lingelbach, Mediterrane Hafenszene, 1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1913 Giovanni Domenico Tiepolo, Pulcinella führt seine Braut nach Hause, c. 1797, Feder und Pinsel in Gelbbraun über schwarzem Stift, zwei Einfassungslinien mit der Feder über Grafitstift, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20247 Oskar Kokoschka, Nude with Back Turned (In den Hüften nach links gedrehter weiblicher Rückenakt) (recto); Untitled (verso), 1909, Ink, gouache, and chalk on paper (recto); Ink, gouache, crayon and graphite on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37311 Giovanni Battista Tiepolo, Die Heiligen der Familie Crotta, c. 1750, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1428 Jan van Huchtenburg, Slaget ved Höchstädt, 1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19841 Giovanni Domenico Tiepolo, The Episode of the Falling Idol, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/978 Eduard Flor, One Day, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9077 Alfred Kubin, Government (Der Staat), 1901, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33912 Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938 Umberto Boccioni, States of Mind: Those Who Go, 1911, Charcoal and conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37284 Giovanni Battista Tiepolo, Standing Woman and Seated Men before an Obelisk, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/951 Fabrizio Clerici, Duet for Harp and 'Cello, (1944), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33118 Medardo Rosso, The Concierge, (1883/cast c. 1899–1910), Beeswax over plaster; 14 5/8 x 12 3/8 x 6 3/8 in. (37.0 x 31.5 x 16.3 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399862445-0 Giovanni Domenico Tiepolo, Title Page, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/959 Umberto Boccioni, Study for Unique Forms of Continuity in Space, 1913, Pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35681 Caspar Netscher, Bildnis von Pieter Six (1655-1703) mit einem Diener mit Jagdbeute, 1677, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/880 Rembrandt van Rijn, Lucretia, 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/83 Giovanni Domenico Tiepolo, Die Enthaltsamkeit Scipios, c. 1751, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1000 Tina Blau, Study of a Tree, 1863, Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334796 Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted colored paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38169 Pier Leone Ghezzi, Hovedet af en engel, efter Raphael, 1674–1755, Blygriffel, pen og mørkebrunt blæk, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb5774 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Salvatore Tresca, The Preparations for the Ballet, 1782, stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3022 Giovanni Battista Foggini, David Victorious over Goliath, 1722, terracotta, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142294 Sebastiano Conca, Allegory of Winter, c. 1720 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1791 Rudolf Stingel, [Untitled], 1995, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35097 Jean-Baptiste Nini, [Untitled], 1777, Terracotta, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/490 Aert de Gelder, Selbstbildnis als Zeuxis, der eine ältere Frau porträtiert, 1685, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1006 Robert Doxat, Static Mambo, 1960, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33395 Ferdinand Georg Waldmüller, Countess Széchenyi, 1828, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/154244 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 Cornelis Dusart, En landsbykirurg, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19875 Giuseppe Maria Crespi, Flucht nach Ägypten, c. 1710–1725, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/122 Meindert Hobbema, A View on a High Road, 1665, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/69 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 Tancredi (Tancredi Parmeggiani), Springtime (Primavera), 1952, Gouache and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35181 Giovanni Battista Tiepolo, Study for a Ceiling with the Personification of Counsel, before c. 1762, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/241 Salvatore Tresca, It was pulled today (On la tire aujourd'hui), 1750, color stipple and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2863 Dutch 17th Century, Girl with a Flute, c. 1669/1675, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1237 Giovanni Domenico Tiepolo, Joseph Kneels with the Child before Mary on the Donkey, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/962 Mario Sironi, Soldier, (1914–15), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34825 Piet Mondrian, Composition with Red, Yellow, and Blue, 1927, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143278 Johannes Vermeer, Woman Holding a Balance, c. 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1236 Giovanni Battista Tiepolo, Young Soldier with Philosopher and Seated Woman, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/956 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Giovanni Domenico Tiepolo, Joseph Relays to Mary God's Command to Flee, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/960 Giovanni Domenico Tiepolo, The Rest on the Flight, with Adoring Angels, 1750, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/969 Jan Steen, Wirtshaus mit Gast und Schankmagd ("Der aufdringliche Gast"), c. 1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/532 Cornelis Dusart, Kvinde med en raket, 1695, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8450 Giovanni Domenico Tiepolo, The Flight, with Madonna at Right Supported by Angels, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/982 Bernardo Bellotto, A Group of Figures Surrounding Two Bird-coops, 1697–1768, Pen and brown ink over lead or graphite underdrawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334682 Cornelis Pietersz Bega, Zwei trinkende und rauchende Dirnen, 1663, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/641 Emilio Vedova, Franco's Spain, 1962, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34593 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Ludolf Backhuysen, Bildnis eines Mannes aus Emden, c. 1675–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/94 Salomon van Ruysdael, Flusslandschaft mit einer Fähre, 1664, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/100 Giovanni Domenico Tiepolo, The Madonna, Child, and Angels Entering the Boat, published 1753, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/972 Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Meindert Hobbema, Wooded Landscape with Watermill, c. 1665, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.2 Abraham van Cuylenborch, Sleeping Nymph, 1700, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368193 Amedeo Modigliani, Portrait of a Woman, 1917–1918, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38203 Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766 Jan Weenix, Bildnis eines holländischen Kaufmanns, c. 1685–1688, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102 Giovanni Battista Foggini, Vittoria della Rovere, Grand Duchess of Tuscany, c. 1690, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1269 Lucio Fontana, Concetto Spaziale (Teatrino), plate 1, from the portfolio Quattro oggetti di Lucio Fontana e due poesie di Salvatore Quasimodo (Four Objects by Lucio Fontana and Two Poems by Salvatore Quasimodo), 1965–66, One from a portfolio with four screenprint and die-cuts on aluminum foil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/18817 Leonardo Cremonini, Head of a Woman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36555 Giuseppe Capogrossi, Composition, 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33066 Günter Brus, Wunde Punkte, (1983), Mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37751 Giovanni Battista Tiepolo, Women and Men Regarding a Burning Pyre of Bones, published 1785, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/954 Piet Mondrian, Landzicht Farm: Compositional Study, c. 1905, Fabricated charcoal on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88464