Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1602 Jacobus Houbraken, Adriaen van Ostade, 1698, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8008 Nicolaes Berchem, Cow Drinking, 1680, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4603 Theo van Doesburg, Study for Composition VIII (The Cow) (recto); Untitled (verso), c. 1917, Gouache, oil, and charcoal on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35396 Willem Kalf, Wineglass and a Bowl of Fruit, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138359 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1748 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Jan J. Schoonhoven, T76 M2, 1976, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34182 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1779 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Nikolai Suetin, [Untitled], (1922–24), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36506 Aleksei Kruchenykh, Valia Zdanevich, 1923, Collage with photograph, pencil and watercolor manuscript text., The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9072 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1663 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Chinese Qing Dynasty, Duck on Lotus Leaf, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1780 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1734 Chinese Qing Dynasty, Vase in the Shape of a Double Gourd, 18th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1730 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1760 Nikolai Suetin, Study for Composition, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38358 China, Bottle, 1736–1795, Porcelain with pale celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.41 Ivan Kudriashov, Suprematist Composition, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38248 Aleksandr Rodchenko, Abstract Drawing, (1941), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36326 Alexandra Exter, Robot, 1926, Cardboard, fabric, wood, glass, and string, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76277 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1677 China, Vase, 1662–1722, Porcelain with starch blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.146 Cornelis Dusart, Markedsdag med festende bønder i en landsby, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19879 Jacob Isaacksz. van Ruisdael, Wasserfall in einer Vorgebirgslandschaft ("Norwegischer Wasserfall"), c. 1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1147 Chinese Qing Dynasty, Bowl with "Rice Grain" Decoration, probably Qianlong period, 1736/1795, porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1729 Vincent van Gogh, Bauernhaus in Nuenen, 1885, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1423 Cornelis Dusart, Vi er syv. Tre tosser, en ugle, et æsel og en gris, 1695, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19883 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1709 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Theo van Doesburg, Study for a Composition, 1923, Gouache and ink on tissue paper and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38206 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1699 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1808 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (midterste del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/2 China, Bottle, 1662–1722, Porcelain with apple green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.203 Nicolaes Maes, Bildnis einer Dame in einem schwarzen Kleid, c. 1668–1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/13 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1793 Adriaen van Ostade, Maleren, 1667, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2212 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 China, Bottle, 1736–1795, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.43 China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1816 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1824 Chinese Qing Dynasty, Vase, probably Yongzheng period, 1723/1735, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1728 Ivan Kliun, Composition, (1920), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38240 Emanuel de Witte, Interior of a Church, c. 1680, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145450 Eduard Flor, Plate (folio 12) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9082 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Pat Andrea, Study for Laboratory, 1971, Pencil, colored pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35825 Lucebert, The Centipede, 1965, Gouache and pasted paper on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34509 Ivan Kudriashov, Suprematist Composition, 1921, Pencil, watercolor, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38246 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1739 Willem Kalf, Stillleben mit Orangen, c. 1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2082 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1796 Natalia Goncharova, Portrait, c. 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36004 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Theo van Doesburg, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31866 Jan Steen, The Dancing Couple, 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1220 Gerrit Adriaensz Berckheyde, Das Stadthaus in Amsterdam, c. 1674, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1042 Attributed to Bartholomeus van der Helst, Portrait of a Burgomaster, c. 1665–70, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.106 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1750 Vasily Yakovlovich Sitnikov, Hillock, 1962, Oil and colored crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36759 China, Snuff bottle, 1750–1850, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.1.79a-c China, Bottle, 1736–1795, Porcelain with aubergine glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.134 Lee Chun-Yi (Li Junyi) 李君毅, Rain-Swept Peaks, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5673 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1798 Natalia Goncharova, Spanish Dancer, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38215 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38365 China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343 China, Vase, 1723–1735, Porcelain with camellia leaf-green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.141 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1724 Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1768 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1691 Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585 China, Water coupe, 1723–1735, Porcelain with clair de lune glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.15 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33825 Dmitri M. Shashurin, Elements of Life, 1962, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33224 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1708 Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1809 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1660 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1811 Aert Schouman, Ein Rosalöffler (Platalea ajaja), um 1760–1780, Aquarell, über schwarzem Stift, auf geripptem Büttenpapier; allseitige Einfassungslinie mit der Feder in Dunkelbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17697 Chinese Qing Dynasty, Vase, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1719 Eduard Flor, Plate (folio 6) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9079 Chris Hendrik Beekman, Composition, 1916, Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38177 Lee Chun-Yi (Li Junyi) 李君毅, Dwelling in the Mountains, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5204 Piet Mondrian, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31863 Chinese Qing Dynasty, Miniature Table, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1736 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1668 Léon Bakst, Panel (Dress or Furnishing Fabric), Designed 1922; produced 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11887 Liubov Popova, [Untitled], 1917, Cut-and-pasted colored paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37265 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1744 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1681 Chinese Qing Dynasty, Vase, Meiping Shape, second quarter 18th century, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1727 Lee Chun-Yi (Li Junyi) 李君毅, Myriad Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5501 China, Vase, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.151 Chinese Qing Dynasty, Reticulated Box, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1746 Abraham Hondius, Hulepindsvin jagtet af hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19825 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1755 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Eduard Flor, Plate (folio 14) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9083 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Aleksandr Rodchenko, Line Construction, 1921, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33392 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1803 Solomon Telingater, Foto-monter Dzhon Khartfil'd (The Photomontager John Heartfield), 1931, Pamphlet, letterpress printed, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16674 Jean Pougny (Ivan Puni), Study for Relief Sculpture, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38314 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Alexei Jawlensky, Large Meditation (Grosse Meditation), 1936, Oil on cloth-textured paper over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37587 Wobbe Alkema, [Untitled], 1928, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38171 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Karel Appel, Beast, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32981 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks and Towering Pines Overlook Distant Paddy Fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5499 House of Fabergé, Miniature Chair, 1896–1906, gold, silver gilt, enamel, rubies, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142748 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Chinese Qing Dynasty, Vase, early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1721 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Piet Mondrian, Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/109819 Aleksandr Rodchenko, Maquette for a handbill announcing the film Potemkin, (1925), Gelatin silver print and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37965 Cornelis Dusart, En skomager, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19876 Dirck de Bray, Solomon de Bray, 1664, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6477 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks, Enveloping Mists, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5525 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Chinese Qing Dynasty, Vase, Meiping Shape, mid/late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1714 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1757 Cornelis Dusart, Fiolspiller i en krostue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19878 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Chris Hendrik Beekman, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38178 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1698 Chinese Qing Dynasty, Vase with Ringed Neck, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1679 Natan Al'tman, Maquette for illustrations for Solntsa Potselui. Stikhi (Kiss of the Sun: Verse), 1914, Pastel, gouche, and ink on cut-and-pasted paper mounted on cut and pasted green construction paper mounted on red construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9226 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1700 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1781 Adriaen van Ostade, Familie uden for et bondehus, moren med en trædukke i hånden, 1679, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2841 Chinese Qing Dynasty, Large Jar, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1807 Karel Appel, [Untitled], 1959, Crayon on paper (recto); pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37614 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1690 Henrik Wigström, Miniature Bathroom Chair (Bidet), 1908–17, gold, nephrite, enamel, pearls, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142749 Aleksandr Rodchenko, Study for Perpetuum Mobile, 1922, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33229 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 Eduard Flor, Plate (folio 8) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9080 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1774 Léon Bakst, Costume design for the ballet The Firebird ( L'Oiseau de feu ), 1913, Gouache, watercolor, metallic paint, and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33017 Chinese Qing Dynasty, Vase in the Shape of an Archaic Bronze Fang Hu, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1791 Chinese Qing Dynasty, Shou Lao, the God of Longevity, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1770 Natalia Goncharova, The Flight into Egypt, for Liturgy, 1915, Watercolor, gouache heightened with gelatin and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33931 Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057 Liubov Popova, Composition, c. 1920, Gouache, watercolor, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38308 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1731 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Bluff, Cascading Waterfall, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5222 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1604 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1733 Theo van Doesburg, Contra-construction in a Circle, c. 1923, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33496 Piet Mondrian, Church Facade 6, 1915, dated 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34630 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1823 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 China, Throne Back Cover, c. 1800, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.165 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32958 Cornelis Dusart, En violinspiller, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1920 House of Fabergé, Flower Study of a Wild Rose, c. 1885–1915, gold, silver, enamel, diamond, jade, rock crystal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142731 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1819 Lee Chun-Yi (Li Junyi) 李君毅, Mists along a Mountain River, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5216 Meindert Hobbema, A Farm in the Sunlight, 1668, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/67 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Varvara Stepanova, Letterhead for the journal Za rubezhom (Abroad), 1930, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14236 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1704 Abraham Hondius, Bjørn jagtet af hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5309 Cornelis Dusart, Lirekassemand med en dansende hund, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2562 Johannes Vermeer, Der Geograf, 1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1140 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Bart van der Leck, Study, (1916–17), Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38256 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and crayon on paper; with ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38135 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37182 Vincent van Gogh, The Large Plane Trees (Road Menders at Saint-Rémy), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125249 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Mikhail Larionov, Still Life, (c. 1906), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36047 Kazimir Malevich, Houses of the Future Leningrad: Pilot's House, 1924, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35590 Jacob Isaacksz. van Ruisdael, Winterlandschaft bei Haarlem mit einem Laternenpfahl, c. 1670–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1100 Lee Chun-Yi (Li Junyi) 李君毅, Streams and Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4586 Adriaen van Ostade, The Cottage Dooryard, 1673, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1187 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38143 Jacob van Strij, A Cooper, c. 1795–1800?, Transparent watercolor and graphite on cream antique laid paper, framing line in black ink, mounted to cream antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4931 Léon Arthur Tutundjian, [Untitled], 1928, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38366 Chinese Qing Dynasty, "Beehive" Water Pot, late 19th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1680 Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345 Lee Chun-Yi (Li Junyi) 李君毅, What a Glorious Land!, 2005, Handscroll; ink on paper; with signature in clerical script (lishu) reading "Li Junyi ling wu" (Li Junyi '05); with colophon by Liu Guosong (b. 1932) dated 2006, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1429 Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Mountain Gorge from a Balustraded Terrace, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5502 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed and painted paper, gelatin silver prints, ink, and crayon on paper with ink and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38138 Meindert Hobbema, Eingang zum Wald, c. 1663–1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/782 House of Fabergé, Flower Study of a Lily of the Valley, c. 1885–1915, pearls, diamonds, jade, rock crystal, silver, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142734 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 China, Set of four bowls and two cups, 1790, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.53.1a-f César Domela-Nieuwenhuis, Plate (folio 10) from 10 Origin, 1942, Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19636 Ivan Kliun, Sketch for Turnir Poetov (Tournament of Poets), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14384 Jacob Ochtervelt, Kavalier im Fenster, 1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/606 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1703 Lee Chun-Yi (Li Junyi) 李君毅, Sunrise on Towering Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5218 Kazimir Malevich, Untitled (Suprematist Cross), 1920, printed 1973, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9069 Jan van der Heyden, Schloss Loenersloot in Holland, c. 1665–1670, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/590 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Rachel Ruysch, Blumenstillleben, 1698, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/540 Léon Bakst, Nijinsky, 1909, Oil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36546 Jan Steen, Esther, Ahasuerus, and Haman, c. 1668, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140152 Mikhail Evlampievich Perkhin, Parrot from the Parrot on a Perch, 1896–1903, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142739 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Theo van Doesburg, Composition, 1917, dated 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37350 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11884 China, Box with lid, 1779, Cast and chased gold with rubies, sapphires and jade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.57.1a%2C%20b Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37188 Willem de Ridder, Paper Flux Work, late 1960s, Offset printed cards in envelope, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4676 Cornelis Dusart, To syngende bønder i en kro, 1685, Radering. Oval trykplade, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19867 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Nicolaes Berchem, En hyrde vander sine dyr ved en tilgroet ruin, 1680, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1412 Cornelis Dusart, To syngende bønder i en kro, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1919 Theo van Doesburg, Study for Composition (The Cow), 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33340 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Vincent van Gogh, Planteuse de pommes de terre, 1885, Schwarze Kreide und Kohle, gewischt, radiert und fixiert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/34500 Cornelis Dusart, Fiolspiller i en krostue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2325 China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7 Alexei Jawlensky, Stillleben mit violetter Schale, 1912, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2110 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (venstre del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/1 Olga Rozanova, Untitled (Futurist Landscape), 1913, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9120 Varvara Rodchenko, Printer's proof for cover for Neokonchennye spory (Unfinished Argument), c. 1978, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27529 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33948 El Lissitzky, Study for the book About Two Squares: A Suprematist Tale of Two Squares in Six Constructions (Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh), 1920, Watercolor and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37650 Lee Chun-Yi (Li Junyi) 李君毅, Melting-Glacier Water Cascading through a Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5144 Wang Yuanqi [Wang Yuan-ch'i], Free Spirits Among Streams and Mountains, 1684 (Qing), ink on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.198 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Jan Steen, Ein Goldschmied schmilzt in Anwesenheit eines Notars den Schmuck einer Frau ein: "Der Alchemist", c. 1668–1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/892 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 China, Inkstick, Qianlong period, 1736–1795, Molded pine soot and animal glue, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.18.56 Pieter Laurens Mol, Vigilantia, 1996, Gelatin silver print distressed with red lead paint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35018 Liubov Popova, Architectonic Composition, 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38311 Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207293 House of Fabergé, Flower Study of a Lowbush Cranberry or Lingonberry, c. 1885–1915, chalcedony, jade, rock crystal, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142737 Wang Rusheng, Greeting the New Year, 1734, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.4 Vincent van Gogh, Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887, Oil on canvas, mounted on pressboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27954 China (Jingdezhen), “Arms of Liberty” punch bowl, c. 1770, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.27 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1812 Abraham Hondius, To hjorte, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19823 Meindert Hobbema, Hut among Trees, c. 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1169 Anatoly Timofeevich Zverev, Figure, (1955), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35943 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Wobbe Alkema, [Untitled], 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38167 Alexandra Exter, Alexandra Exter: Stage Sets (Alexandra Exter: Décors de théâtre), 1926–30, published 1930, Album of fifteen pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35529 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Natalia Goncharova, The City Square. Study for backdrop for the ballet Le Coq d'or (The Golden Cockerel), c. 1937, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36118 Iakov Chernikhov, Dimensional Curve Interlace, 1928–30, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14215 House of Fabergé, Kremlin Tower Clock, c. 1913, rhodonite, silver, enamel, emeralds, sapphires, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142773 Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1921–22, Book with fabric and paper collaged elements on gray-blue paper cover (discolored to buff at edges), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199560 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted newspaper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38165 Lee Chun-Yi (Li Junyi) 李君毅, Forested Peaks, Distant Waterfall, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5215 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Igor' Terent'ev, Invitation to Terent'ev's May Day soiree, c. 1920, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14225 Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1664 Eduard Flor, Plate (folio 4) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9078 Varvara Rodchenko, Study for cover of Beloe-chernoe (White and Black), 1965, Relief halftone with embossing and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27005 China, Vase, 1723–1735, Porcelain with camellia green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.44 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1723 Theo van Doesburg, Design for a stained-glass window for Christian ULO School, Rehobôth te Drachten, 1922–23, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38207 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Bart van der Leck, [Untitled], 1917, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34792 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32972 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (højre del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/3 Sergei Eisenstein, Salome, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37168 Aleksandr Rodchenko, Line Construction, 1920, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38331 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1817 Adriaen van de Velde, Hirt und Hirtin mit ihrer Herde am Brunnen, 1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/165 Piet Mondrian, Pier and Ocean 5 (Sea and Starry Sky), 1915, dated 1914, Charcoal and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33419 China, Bottle, 1736–1795, Porcelain with imperial yellow glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.133 El Lissitzky, Proun Composition, c. 1922, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36682 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and pencil on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38132 Johannes Vermeer, Girl with the Red Hat, c. 1669, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/60 Natalia Goncharova, The Nativity, for Liturgy, 1915, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33922 Eduard Flor, Plate (folio 10) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9081 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Abraham Hondius, To vildsvin, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19826 Rembrandt van Rijn, Lucretia, 1666, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.19 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Olga Rozanova, Untitled manuscript of verse, c. 1917, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14253 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Pat Andrea, Study for Metermaid, 1968, Colored pencil, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35811 Peter Carl Fabergé, Imperial Red Cross Easter Egg, 1915, gold, silver gilt, enamel, glass, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140001 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1707 Chinese Qing Dynasty, Vase, early/mid 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1716 Piet Mondrian, Red Amaryllis with Blue Background, c. 1907, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38743 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1600 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Lee Chun-Yi (Li Junyi) 李君毅, Mountains Towering over Rural Village and Paddy fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5524 Ivan Kliun, Still Life, 1925, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34060 Jan van Huchtenburg, Vilhelm III inspicerer tropperne ved Arnhem, 1691, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19837 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Léon Bakst, Porphyrophore. Costume design for the ballet The Sleeping Princess, 1921, Metallic paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33029 Jacob van Walscapelle, Blumenstillleben, 1677, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/617 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Job Andriesz. Berckheyde, Die Börse von Amsterdam, c. 1675–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/536 Lee Chun-Yi (Li Junyi) 李君毅, The Great Wall Snaking through the Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4615 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Abraham Hondius, Ulv angrebet af to hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19827 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Lee Chun-Yi (Li Junyi) 李君毅, Secluded Mountain Temple, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5217 China, Gallipot, 1723–1735, Porcelain with cherry red glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.166 Chinese Qing Dynasty, Small Jar, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1722 Kazimir Malevich, Suprematist Elements: Squares, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38101 Piet Mondrian, Amstel River, 1907, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36627 Cornelis Dusart, To skrålende bønder i et vindue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5528 Jan Weenix, Stillleben mit totem Hasen und Vögeln, 1681, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/859 Cornelis Dusart, Et beruset par, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19869 Cornelis Dusart, Village Festival, 1685, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6821 Zhu Sheng, Bamboo and Rocks, 1688, Ink on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.5 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 Pieter de Hooch, Portrait of a Family Playing Music, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128391 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Chinese Qing Dynasty, Vase, called "The Flame", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1706 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1818 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Lee Chun-Yi (Li Junyi) 李君毅, Pines on Slender Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5219 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Il'ia Chashnik, Suprematist Design for a Plate, (1922–25), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38189 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1711 Cornelis Dusart, Violin Player Seated in a Tavern, 1685, etching and roulette on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6822 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Falls from a Mountain Pavilion, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5368 China, Ruyi scepter, 1736–1795, Bronze with cloisonné enamel and coral inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.44.1 Alexandra Exter, Guardian of Energy. Costume design for the film Aelita by Yakov Protazanov, 1924, Ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36691 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86363 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Alexei Jawlensky, Abstrakter Kopf: Sinfonie in Rosa, 1929, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1839 Friedrich Vordemberge-Gildewart, Intimately Silvered, (1923), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33446 Chinese Qing Dynasty, Large Fish Bowl, mid 19th century, porcelain with underglaze blue and famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1825 Meindert Hobbema, A Wooded Landscape, 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/68 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Dwelling, Majestic View, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5500 Piet Mondrian, Chrysanthemum (recto) and Head in Profile (verso), 1906, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34486 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Peter Carl Fabergé, Lapis Lazuli Easter Egg, c. 1885–90, gold, enamel, lapis lazuli, pearls, diamonds, rubies, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142723 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Willem Drost, Young Woman with a Pearl Necklace, 1670, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436212 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted paper, watercolor, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38141 House of Fabergé, Sleeping Puppies on a Mat, c. 1895–1915, agate, chalcedony, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142745 Meindert Hobbema, Village near a Pool, c. 1670, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1171 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1815 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Jan van Huchtenburg, Slaget ved Höchstädt, 1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19838 Aleksandr Rodchenko, Construction, 1920, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33112 Lee Chun-Yi (Li Junyi) 李君毅, Fantastic Mountains in Western China, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4640 Vaslav Nijinsky, [Untitled], c. 1916, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36007 Vincent van Gogh, Adeline Ravoux, 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135299 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks and Myriad Ravines, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5145 Alexandre Benois, Costume design for the opera Sadko, 1931, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38436 Alexei Jawlensky, Stillleben mit Petroleumlampe, 1907, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128290 Godfried Schalcken, Bildnis eines Künstlers im Atelier, c. 1670–1675, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/166 Eduard Flor, Plate (folio 2) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9076 Alexandra Exter, Composition, c. 1916, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38209 Caspar Netscher, Portrait of a Man in a Gold-embroidered Coat, 1682, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106360635 Cornelis Dusart, Et kyssende par, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19871 Chinese Qing Dynasty, Bowl, early Qianlong period, 1736/1750, porcelain with overglaze famille rose and famille noire enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1797 Aleksandr Vesnin, Proposal for a Monument to the Third International, 1921, Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38259 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37194 Jan Weenix, Stilleben med död svan, en påfågel och en hund vid en trädgårdsfontän, 1684, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367967 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Rembrandt van Rijn, Portrait of a Man in a Tall Hat, c. 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1208 Jean Pougny (Ivan Puni), Flight of Forms, 1919, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33452 Chris Hendrik Beekman, Study in Black, Grey and White, (c. 1920), Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38179 Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1599 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 Chinese Qing Dynasty, Vase, called "The Fire Cloud", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1705 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1814 Natalia Goncharova, Composition, 1920, Watercolor and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33638 Zhu Chang, Landscape at Han River Bamboo Hall, 1668, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.2 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1813 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1820 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Mikhail Larionov, Rayonist Composition: Number 9, 1913, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33463 Natalia Goncharova, Electricity, 1912, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33786 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1712 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Henrik Wigström, Clock, 1908–17, nephrite, gold, enamel, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142771 El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5369 Vincent van Gogh, Two Poplars in the Alpilles near Saint-Rémy, 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135310 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Mikhail Larionov, Spiral, (1917) (dated 1915), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33444 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Chinese Qing Dynasty, Vase, 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1717 China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Cornelis Dusart, Den bedragne ægtemand, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1921 Liubov Popova, Ohne Titel, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102027 Natalia Goncharova, The Forest, 1913, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38285 Cornelis Dusart, Kvinde, der behandles med kopsætning, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19874 Jan van der Heyden, An einer Landstraße, c. 1666–1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1117 Johannes Lingelbach, Mediterrane Hafenszene, 1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1913 House of Fabergé, Parrot on a Perch, 1896–1903, silver, enamel, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142738 Chinese Qing Dynasty, Vase, probably Qianlong period, 1736/1795, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1726 Jan van Huchtenburg, Slaget ved Höchstädt, 1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19841 Eduard Flor, One Day, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9077 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1601 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1603 Caspar Netscher, Bildnis von Pieter Six (1655-1703) mit einem Diener mit Jagdbeute, 1677, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/880 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Aleksandr Rodchenko, The Worker’s Club (International Exhibition of Decorative Arts and Modern Industry, Paris), 1925, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237970 Wang Chin-shen, Imperial Ink Cake, 1736–1795, Colors, gold and animal adhesive, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.154 Rembrandt van Rijn, Lucretia, 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/83 Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted colored paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38169 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759 Lee Chun-Yi (Li Junyi) 李君毅, Bend in the Mountain River Near the Bingling-Si Cave Temples, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5220 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1735 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Aert de Gelder, Selbstbildnis als Zeuxis, der eine ältere Frau porträtiert, 1685, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1006 China, Bottle, 1736–1795, Porcelain with cucumber glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.206 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38364 Liubov Popova, Costume design for the play Romeo and Juliet, 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34795 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1732 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Trees on Rolling Hills, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5205 Cornelis Dusart, En landsbykirurg, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19875 Natalia Goncharova, [Untitled], c. 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14270 Meindert Hobbema, A View on a High Road, 1665, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/69 Mikhail Evlampievich Perkhin, Perch for the Parrot on a Perch, 1896–1903, Silver, enamel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142740 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Dutch 17th Century, Girl with a Flute, c. 1669/1675, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1237 Mikhail Larionov, Rayonist Composition: Number 8, c. 1913, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33457 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Varvara Stepanova, [Untitled], 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38351 Piet Mondrian, Composition with Red, Yellow, and Blue, 1927, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143278 Johannes Vermeer, Woman Holding a Balance, c. 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1236 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1821 Jan Steen, Wirtshaus mit Gast und Schankmagd ("Der aufdringliche Gast"), c. 1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/532 Cornelis Dusart, Kvinde med en raket, 1695, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8450 Lee Chun-Yi (Li Junyi) 李君毅, Sacrifice, 1990–91 and 2005–06, Set of twenty-four album leaves and one small pillow; ink on paper; each leaf with a signature in clerical script (lishu) reading "Li Junyi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5189 Cornelis Pietersz Bega, Zwei trinkende und rauchende Dirnen, 1663, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/641 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 Lee Chun-Yi (Li Junyi) 李君毅, Mountains and Pines in Moonlight, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5221 El Lissitzky, Proun GK, c. 1922–23, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36937 Ludolf Backhuysen, Bildnis eines Mannes aus Emden, c. 1675–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/94 Salomon van Ruysdael, Flusslandschaft mit einer Fähre, 1664, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/100 Alexandra Exter, Set design for the play Romeo and Juliet, c. 1921, Gouache and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38210 El Lissitzky, Proun, 1920, Collage of various cut-and-pasted papers, including abrasive paper (prepared with gouache and silver metallic paint), on cream wove paper, laid down on tan laminate board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150814 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11877 Meindert Hobbema, Wooded Landscape with Watermill, c. 1665, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.2 Aleksandr Rodchenko, Printer's proof of cover for Kniga o knigakh (Book about Books), no. 4, 1924, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14181 Alexei Jawlensky, Reclining Nude (Liegender Akt), 1912, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36983 Abraham van Cuylenborch, Sleeping Nymph, 1700, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106368193 Chinese Qing Dynasty, Large Vase, late 18th/19th century, porcelain with turquoise glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1725 Ivan Kudriashov, Suprematist Composition, 1919, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38244 Jan Weenix, Bildnis eines holländischen Kaufmanns, c. 1685–1688, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102 Aleksandr Rodchenko, Study for cover of Novyi LEF (New LEF), 1926, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14201 Chinese Qing Dynasty, Vase, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1718 Piet Mondrian, Landzicht Farm: Compositional Study, c. 1905, Fabricated charcoal on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88464