Jacobus Houbraken, Adriaen van Ostade, 1698, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8008 Nicolaes Berchem, Cow Drinking, 1680, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4603 Theo van Doesburg, Study for Composition VIII (The Cow) (recto); Untitled (verso), c. 1917, Gouache, oil, and charcoal on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35396 Willem Kalf, Wineglass and a Bowl of Fruit, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138359 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 W. Koenigstein, A Rather Ordinary, Vulgar Thought, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36924 Jan J. Schoonhoven, T76 M2, 1976, Felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34182 Gerard ter Borch the Younger, The Suitor's Visit, c. 1658, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/65 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Nikolai Suetin, [Untitled], (1922–24), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36506 Aleksei Kruchenykh, Valia Zdanevich, 1923, Collage with photograph, pencil and watercolor manuscript text., The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9072 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Nikolai Suetin, Study for Composition, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38358 Ivan Kudriashov, Suprematist Composition, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38248 Aleksandr Rodchenko, Abstract Drawing, (1941), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36326 Alexandra Exter, Robot, 1926, Cardboard, fabric, wood, glass, and string, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76277 Heinrich Kühn, Frau vor dem Spiegel, 1906, Gummidruck in Rotbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102608 Cornelis Dusart, Markedsdag med festende bønder i en landsby, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19879 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Jacob Isaacksz. van Ruisdael, Wasserfall in einer Vorgebirgslandschaft ("Norwegischer Wasserfall"), c. 1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1147 Vincent van Gogh, Bauernhaus in Nuenen, 1885, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1423 Ossenbeeck, Jan van, Israelitterne samler manna i ørkenen, 1656–1660, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19813 Cornelis Dusart, Vi er syv. Tre tosser, en ugle, et æsel og en gris, 1695, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19883 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Theo van Doesburg, Study for a Composition, 1923, Gouache and ink on tissue paper and pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38206 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (midterste del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/2 Nicolaes Maes, Bildnis einer Dame in einem schwarzen Kleid, c. 1668–1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/13 Johann Jacob Eybelwieser, Jacob and the Angel, late 17th–mid-18th century, Pen and brown ink and watercolor over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334714 Adriaen van Ostade, Maleren, 1667, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2212 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Johannes Lingelbach, Marktszene auf der Piazza Navona in Rom, c. 1657–1658, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1325 Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633 Ivan Kliun, Composition, (1920), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38240 Emanuel de Witte, Interior of a Church, c. 1680, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145450 Eduard Flor, Plate (folio 12) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9082 Cornelis Dusart, Dansende par. En sømand, der berøves af sin dansepartner, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19884 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Pat Andrea, Study for Laboratory, 1971, Pencil, colored pencil, gouache, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35825 Lucebert, The Centipede, 1965, Gouache and pasted paper on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34509 Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Ivan Kudriashov, Suprematist Composition, 1921, Pencil, watercolor, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38246 Willem Kalf, Stillleben mit Orangen, c. 1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2082 Natalia Goncharova, Portrait, c. 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36004 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Theo van Doesburg, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1924), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31866 Jan Steen, The Dancing Couple, 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1220 Gerrit Adriaensz Berckheyde, Das Stadthaus in Amsterdam, c. 1674, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1042 Attributed to Bartholomeus van der Helst, Portrait of a Burgomaster, c. 1665–70, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.106 Vasily Yakovlovich Sitnikov, Hillock, 1962, Oil and colored crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36759 Natalia Goncharova, Spanish Dancer, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38215 Hans Gasser, Recto:Nude Female Figure in a Niche Verso: Study for a Fountain, 1830–68, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334857 Alfred Kubin, The Emperor of China, (c. 1910), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37547 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38365 Cornelis Dusart, Synssansen, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19893 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573 Rembrandt van Rijn, The Apostle Paul, c. 1657, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1198 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Rembrandt van Rijn, Die Frau mit dem Pfeil, 1661, Radierung, Kaltnadel und Kupferstich, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5212 Gustav Klimt, Three Courtesans (Drei stehende Frauenakte), c.1907–10, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33119 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 Cornelis Dusart, Siddende bonde, der læser et brev, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8449 Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33825 Dmitri M. Shashurin, Elements of Life, 1962, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33224 Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Aert Schouman, Ein Rosalöffler (Platalea ajaja), um 1760–1780, Aquarell, über schwarzem Stift, auf geripptem Büttenpapier; allseitige Einfassungslinie mit der Feder in Dunkelbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17697 Eduard Flor, Plate (folio 6) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9079 Chris Hendrik Beekman, Composition, 1916, Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38177 Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Piet Mondrian, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31863 Alfred Kubin, Christ's Entry into Jerusalem (Der Einzug in Jerusalem), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37522 Léon Bakst, Panel (Dress or Furnishing Fabric), Designed 1922; produced 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11887 Liubov Popova, [Untitled], 1917, Cut-and-pasted colored paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37265 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Alfred Kubin, Homecoming (Heimkehr), (c. 1924), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37536 Cornelis Dusart, Siddende bonde med en pibe, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19890 Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273 Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991 Abraham Hondius, Hulepindsvin jagtet af hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19825 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Eduard Flor, Plate (folio 14) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9083 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Aleksandr Rodchenko, Line Construction, 1921, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33392 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Solomon Telingater, Foto-monter Dzhon Khartfil'd (The Photomontager John Heartfield), 1931, Pamphlet, letterpress printed, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16674 Jean Pougny (Ivan Puni), Study for Relief Sculpture, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38314 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Alexei Jawlensky, Large Meditation (Grosse Meditation), 1936, Oil on cloth-textured paper over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37587 Cornelis Dusart, Alderdom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3731c Wobbe Alkema, [Untitled], 1928, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38171 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Karel Appel, Beast, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32981 Alfred Kubin, Untitled (The Eternal Flame) (Die ewige Flamme), c. 1900, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37516 House of Fabergé, Miniature Chair, 1896–1906, gold, silver gilt, enamel, rubies, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142748 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Piet Mondrian, Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/109819 Aleksandr Rodchenko, Maquette for a handbill announcing the film Potemkin, (1925), Gelatin silver print and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37965 Cornelis Dusart, En skomager, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19876 Dirck de Bray, Solomon de Bray, 1664, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6477 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Hermann Nitsch, [Untitled], 1991, Oil on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36236 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Cornelis Dusart, Ungdom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3731b Cornelis Dusart, Fiolspiller i en krostue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19878 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Chris Hendrik Beekman, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38178 Natan Al'tman, Maquette for illustrations for Solntsa Potselui. Stikhi (Kiss of the Sun: Verse), 1914, Pastel, gouche, and ink on cut-and-pasted paper mounted on cut and pasted green construction paper mounted on red construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9226 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Adriaen van Ostade, Familie uden for et bondehus, moren med en trædukke i hånden, 1679, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2841 Gustav Klimt, Two Reclining Nudes, 1905–1906, Colored pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334899 Karel Appel, [Untitled], 1959, Crayon on paper (recto); pencil on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37614 Henrik Wigström, Miniature Bathroom Chair (Bidet), 1908–17, gold, nephrite, enamel, pearls, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142749 Aleksandr Rodchenko, Study for Perpetuum Mobile, 1922, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33229 Meindert Hobbema, A Cottage in the Woods, c. 1662, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122345 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551 Eduard Flor, Plate (folio 8) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9080 Walter Pichler, Silo, 1972, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34121 Léon Bakst, Costume design for the ballet The Firebird ( L'Oiseau de feu ), 1913, Gouache, watercolor, metallic paint, and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33017 Cornelis Dusart, Barndom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19885 Natalia Goncharova, The Flight into Egypt, for Liturgy, 1915, Watercolor, gouache heightened with gelatin and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33931 Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057 Liubov Popova, Composition, c. 1920, Gouache, watercolor, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38308 Cornelis Dusart, Leende kvinde med en flaske i hånden, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19891 Theo van Doesburg, Contra-construction in a Circle, c. 1923, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33496 Piet Mondrian, Church Facade 6, 1915, dated 1912, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34630 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Cornelis Dusart, Alderdom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19889 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32958 Cornelis Dusart, En violinspiller, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1920 Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278 House of Fabergé, Flower Study of a Wild Rose, c. 1885–1915, gold, silver, enamel, diamond, jade, rock crystal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142731 Alfred Kubin, In a Dream (Im Traum), c. 1903, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36916 Meindert Hobbema, A Farm in the Sunlight, 1668, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/67 Gustav Klimt, Standing Woman (Stehende Schwangere mit reich ornamentiertem Gewand nach rechts), c. 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32979 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Varvara Stepanova, Letterhead for the journal Za rubezhom (Abroad), 1930, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14236 Friedrich Amerling, The Young Eastern Woman, 1838, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/155860 Abraham Hondius, Bjørn jagtet af hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5309 Barent Fabritius, Geburts und Namensgebung Johannes des Täufers, c. 1660–1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/90 Cornelis Dusart, Lirekassemand med en dansende hund, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2562 Aert de Gelder, Lot and His Family Leaving Sodom, 1661/1663, pen and light brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1848 Dutch 17th Century, Head of Saint Matthew, probably early 1660s, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1197 Erika Giovanna Klien, Book, 1926, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38297 Edwaert Collier, Vanitas Still Life, 1662, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435918 Johannes Vermeer, Der Geograf, 1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1140 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Bart van der Leck, Study, (1916–17), Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38256 Gabriel Metsu, The Intruder, c. 1660, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/64 Egon Schiele, Standing Male Nude with Arm Raised, Back View, 1910, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35392 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and crayon on paper; with ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38135 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37182 Gustav Klimt, Two Women Reclining, c. 1905–06, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334902 Vincent van Gogh, The Large Plane Trees (Road Menders at Saint-Rémy), 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125249 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Mikhail Larionov, Still Life, (c. 1906), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36047 Kazimir Malevich, Houses of the Future Leningrad: Pilot's House, 1924, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35590 Jacob Isaacksz. van Ruisdael, Winterlandschaft bei Haarlem mit einem Laternenpfahl, c. 1670–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1100 Adriaen van Ostade, The Cottage Dooryard, 1673, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1187 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38143 Jacob van Strij, A Cooper, c. 1795–1800?, Transparent watercolor and graphite on cream antique laid paper, framing line in black ink, mounted to cream antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4931 Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277 Léon Arthur Tutundjian, [Untitled], 1928, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38366 Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345 Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed and painted paper, gelatin silver prints, ink, and crayon on paper with ink and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38138 Meindert Hobbema, Eingang zum Wald, c. 1663–1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/782 House of Fabergé, Flower Study of a Lily of the Valley, c. 1885–1915, pearls, diamonds, jade, rock crystal, silver, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142734 Georg Raphael Donner, Kneeling Female Nude and Two Studies of Angels, early 18th century, Recto: pencil; margins ruled in red chalk at all four edges of paper Verso: black and brown chalk and pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334804 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498 César Domela-Nieuwenhuis, Plate (folio 10) from 10 Origin, 1942, Lithograph from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19636 Ivan Kliun, Sketch for Turnir Poetov (Tournament of Poets), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14384 Jacob Ochtervelt, Kavalier im Fenster, 1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/606 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276 Kazimir Malevich, Untitled (Suprematist Cross), 1920, printed 1973, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9069 Jan van der Heyden, Schloss Loenersloot in Holland, c. 1665–1670, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/590 Walter Pichler, Artistic Branch, 1972, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34107 Alfred Kubin, The Last King (Der Letzte König), (c. 1900–03), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37543 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Alfred Kubin, The Great Grandmother (Die Urgrossmutter), 1926, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34014 Rachel Ruysch, Blumenstillleben, 1698, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/540 Léon Bakst, Nijinsky, 1909, Oil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36546 Jan Steen, Esther, Ahasuerus, and Haman, c. 1668, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140152 Anton von Maron, Judith with the Head of Holofernes, 18th century–early 19th century, Pen and brown ink and brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334921 Mikhail Evlampievich Perkhin, Parrot from the Parrot on a Perch, 1896–1903, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142739 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Theo van Doesburg, Composition, 1917, dated 1915, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37350 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11884 Wolfgang Paalen, Discovery of Infra-Space II, 1941, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37488 Cornelis Dusart, Lugtesansen, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19897 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37188 Willem de Ridder, Paper Flux Work, late 1960s, Offset printed cards in envelope, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4676 Cornelis Dusart, To syngende bønder i en kro, 1685, Radering. Oval trykplade, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19867 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Nicolaes Berchem, En hyrde vander sine dyr ved en tilgroet ruin, 1680, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1412 Cornelis Dusart, To syngende bønder i en kro, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1919 Theo van Doesburg, Study for Composition (The Cow), 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33340 Anonymous, Austrian, 18th century, Saints Peter and Paul, 18th century, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334780 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Vincent van Gogh, Planteuse de pommes de terre, 1885, Schwarze Kreide und Kohle, gewischt, radiert und fixiert, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/34500 Cornelis Dusart, Fiolspiller i en krostue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2325 Alexei Jawlensky, Stillleben mit violetter Schale, 1912, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2110 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (venstre del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/1 Olga Rozanova, Untitled (Futurist Landscape), 1913, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9120 Varvara Rodchenko, Printer's proof for cover for Neokonchennye spory (Unfinished Argument), c. 1978, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27529 Cornelis Dusart, Synssansen, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8451 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33948 El Lissitzky, Study for the book About Two Squares: A Suprematist Tale of Two Squares in Six Constructions (Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh), 1920, Watercolor and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37650 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Jan Steen, Ein Goldschmied schmilzt in Anwesenheit eines Notars den Schmuck einer Frau ein: "Der Alchemist", c. 1668–1670, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/892 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Pieter Laurens Mol, Vigilantia, 1996, Gelatin silver print distressed with red lead paint, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35018 Liubov Popova, Architectonic Composition, 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38311 Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207293 House of Fabergé, Flower Study of a Lowbush Cranberry or Lingonberry, c. 1885–1915, chalcedony, jade, rock crystal, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142737 Arnulf Rainer, Untitled (Kleinzeug #45), (1974), Oil pastel and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35292 Vincent van Gogh, Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887, Oil on canvas, mounted on pressboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27954 Alfred Kubin, Polar Bear (Eisbär), 1901–02, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38778 Abraham Hondius, To hjorte, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19823 Meindert Hobbema, Hut among Trees, c. 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1169 Anatoly Timofeevich Zverev, Figure, (1955), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35943 Egon Schiele, Standing Girl Wrapped in Blanket, 1911, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34941 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Wobbe Alkema, [Untitled], 1928, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38167 Alexandra Exter, Alexandra Exter: Stage Sets (Alexandra Exter: Décors de théâtre), 1926–30, published 1930, Album of fifteen pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35529 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Natalia Goncharova, The City Square. Study for backdrop for the ballet Le Coq d'or (The Golden Cockerel), c. 1937, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36118 Iakov Chernikhov, Dimensional Curve Interlace, 1928–30, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14215 House of Fabergé, Kremlin Tower Clock, c. 1913, rhodonite, silver, enamel, emeralds, sapphires, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142773 Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1921–22, Book with fabric and paper collaged elements on gray-blue paper cover (discolored to buff at edges), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199560 Egon Schiele, Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar), 1912, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33302 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted newspaper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38165 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Igor' Terent'ev, Invitation to Terent'ev's May Day soiree, c. 1920, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14225 Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564 Eduard Flor, Plate (folio 4) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9078 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Varvara Rodchenko, Study for cover of Beloe-chernoe (White and Black), 1965, Relief halftone with embossing and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27005 Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895 Philips Koninck, Holländische Flachlandschaft, c. 1660–1670, Öl auf Eichenholz (Cembalodeckel, nachträglich zum Querrechteck ergänzt), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/860 Theo van Doesburg, Design for a stained-glass window for Christian ULO School, Rehobôth te Drachten, 1922–23, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38207 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Bart van der Leck, [Untitled], 1917, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34792 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32972 Hendrik Cornelisz. van Vliet, Das Innere der Oude Kerk zu Delft, c. 1660–1663, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1200 Jan van Huchtenburg, Ludvig XIV i procession over Pont Neuf (højre del), 1667–1669, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19857/3 Sergei Eisenstein, Salome, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37168 Gustav Klimt, Standing Nude, 1906–07, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334898 Aleksandr Rodchenko, Line Construction, 1920, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38331 Johann Baptist Hagenauer, Christ at the Column, 1756, gilt bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130553 Adriaen van de Velde, Hirt und Hirtin mit ihrer Herde am Brunnen, 1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/165 Piet Mondrian, Pier and Ocean 5 (Sea and Starry Sky), 1915, dated 1914, Charcoal and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33419 Aert van der Neer, Flusslandschaft mit Schiffen bei aufgehendem Mond, c. 1660–1670, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/507 El Lissitzky, Proun Composition, c. 1922, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36682 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and pencil on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38132 Johannes Vermeer, Girl with the Red Hat, c. 1669, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/60 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Egon Schiele, Girl with Black Hair (Mädchen mit schwarzem Haar), 1911, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37567 Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220 Natalia Goncharova, The Nativity, for Liturgy, 1915, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33922 Eduard Flor, Plate (folio 10) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9081 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Abraham Hondius, To vildsvin, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19826 Rembrandt van Rijn, Lucretia, 1666, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.19 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Rembrandt van Rijn, A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/84 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Olga Rozanova, Untitled manuscript of verse, c. 1917, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14253 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Pat Andrea, Study for Metermaid, 1968, Colored pencil, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35811 Peter Carl Fabergé, Imperial Red Cross Easter Egg, 1915, gold, silver gilt, enamel, glass, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140001 Arnulf Rainer, [Untitled], (1969), Oilstick, crayon, and watercolor with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36645 Piet Mondrian, Red Amaryllis with Blue Background, c. 1907, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38743 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Günter Brus, Informel Drawing (Informelle Zeichnung), 1960, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35597 Ivan Kliun, Still Life, 1925, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34060 Oskar Kokoschka, Seated Woman, 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33539 Arnulf Rainer, Christus, (1969), Oilstick, charcoal, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36637 Jan van Huchtenburg, Vilhelm III inspicerer tropperne ved Arnhem, 1691, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19837 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Johann Jacobé, William Hayley, 1779, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8018 Johann Georg Platzer, The Artist's Studio, 1740s–50s, oil on copper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170235 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Gerrit Dou, Self-Portrait, c. 1665, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436210 Léon Bakst, Porphyrophore. Costume design for the ballet The Sleeping Princess, 1921, Metallic paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33029 Cornelis Dusart, Mand med hat vendt mod højre, 1660–1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19880 Ferdinand Georg Waldmüller, Bäuerliches Liebespaar, 1863, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1383 Jacob van Walscapelle, Blumenstillleben, 1677, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/617 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Job Andriesz. Berckheyde, Die Börse von Amsterdam, c. 1675–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/536 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Abraham Hondius, Ulv angrebet af to hunde, 1672, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19827 Gustav Klimt, Reclining Nude with Outstretched Left Arm, 1903–1904, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334896 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Gustav Klimt, Profile of a Girl (Study for 'Thalia and Melpomene') (Brustbild eines Mädchens mit langem Haar im Profil nach links), 1898–99, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38245 Ferdinand Georg Waldmüller, Gräfin Tatischeff, c. 1838, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2818 Kazimir Malevich, Suprematist Elements: Squares, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38101 Piet Mondrian, Amstel River, 1907, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36627 Cornelis Dusart, To skrålende bønder i et vindue, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5528 Jan Weenix, Stillleben mit totem Hasen und Vögeln, 1681, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/859 Cornelis Dusart, Et beruset par, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19869 Cornelis Dusart, Village Festival, 1685, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6821 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Rembrandt van Rijn, Philemon and Baucis, 1658, oil on panel transferred to panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1204 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 Pieter de Hooch, Portrait of a Family Playing Music, 1663, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128391 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Il'ia Chashnik, Suprematist Design for a Plate, (1922–25), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38189 Cornelis Dusart, Violin Player Seated in a Tavern, 1685, etching and roulette on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6822 Alexandra Exter, Guardian of Energy. Costume design for the film Aelita by Yakov Protazanov, 1924, Ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36691 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86363 Gustav Klimt, Reclining Nude, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334906 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Cornelis Pietersz Bega, Wirtshausszene, c. 1660–1662, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1223 Alfred Kubin, The Reciter (Der Rezitator), (c. 1923), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38685 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Alexei Jawlensky, Abstrakter Kopf: Sinfonie in Rosa, 1929, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1839 Friedrich Vordemberge-Gildewart, Intimately Silvered, (1923), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33446 Oskar Kokoschka, Seated Girl, (1922), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34085 Thomas de Keyser, Bildnis eines Reiters mit zwei Hunden, c. 1660–1670, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/187 Meindert Hobbema, A Wooded Landscape, 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/68 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Piet Mondrian, Chrysanthemum (recto) and Head in Profile (verso), 1906, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34486 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Peter Carl Fabergé, Lapis Lazuli Easter Egg, c. 1885–90, gold, enamel, lapis lazuli, pearls, diamonds, rubies, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142723 Wolfgang Paalen, Fumage, 1944–45?, Oil and candle soot on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33314 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Willem Drost, Young Woman with a Pearl Necklace, 1670, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436212 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted paper, watercolor, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38141 House of Fabergé, Sleeping Puppies on a Mat, c. 1895–1915, agate, chalcedony, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142745 Meindert Hobbema, Village near a Pool, c. 1670, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1171 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Jan van Huchtenburg, Slaget ved Höchstädt, 1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19838 Aleksandr Rodchenko, Construction, 1920, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33112 Gustav Klimt, Two Studies for a Crouching Woman, 1914–15, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334901 Vaslav Nijinsky, [Untitled], c. 1916, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36007 Vincent van Gogh, Adeline Ravoux, 1890, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135299 Alexandre Benois, Costume design for the opera Sadko, 1931, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38436 Reinier Zeeman, Sint Antoniesmarkt med vejerboden. Titelblad til "Udsigter i Amsterdam", 1659–1662, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19445 Gustav Klimt, Reclining Nude with Drapery, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334903 Cornelis Dusart, Voksenliv, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19888 Alexei Jawlensky, Stillleben mit Petroleumlampe, 1907, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128290 Godfried Schalcken, Bildnis eines Künstlers im Atelier, c. 1670–1675, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/166 Eduard Flor, Plate (folio 2) from One Day, 1971, Soft ground etching and aquatint from a portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9076 Alexandra Exter, Composition, c. 1916, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38209 Cornelis Dusart, Et kyssende par, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19871 Aleksandr Vesnin, Proposal for a Monument to the Third International, 1921, Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38259 Franz Alt, Room of Archduke Ludwig Victor in the Hofburg, Vienna, 1861, Watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334768 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37194 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Rembrandt van Rijn, Portrait of a Man in a Tall Hat, c. 1663, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1208 Arnulf Rainer, [Untitled], (1969–74), Oilstick on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35324 Rembrandt van Rijn, The Circumcision, 1661, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1199 Jean Pougny (Ivan Puni), Flight of Forms, 1919, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33452 Chris Hendrik Beekman, Study in Black, Grey and White, (c. 1920), Gouache and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38179 Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506 Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35301 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 Cornelis Dusart, Barndom, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3731a Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 Cornelis Dusart, Mand med en raket, omgivet af børn, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19894 Rembrandt van Rijn, Christ and the Woman of Samaria: an Arched Print, 1658, etching and drypoint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/856 Natalia Goncharova, Composition, 1920, Watercolor and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33638 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Franz West, Hangaround, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37550 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Mikhail Larionov, Rayonist Composition: Number 9, 1913, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33463 Natalia Goncharova, Electricity, 1912, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33786 Gustav Klimt, Reclining Woman (Liegender Halbakt nach rechts), 1912–13, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38149 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Hermann Nitsch, [Untitled], 1987, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36298 Henrik Wigström, Clock, 1908–17, nephrite, gold, enamel, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142771 El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130 Vincent van Gogh, Two Poplars in the Alpilles near Saint-Rémy, 1889, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135310 Meindert Hobbema, The Travelers, 166[2?], oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1170 Gustav Klimt, Woman with Scarf (Dame im Dreiviertelprofil nach links, den Mund und einen Teil der Frisur durch Umhang verdeckt), c. 1910, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33171 Gustav Klimt, The Lovers, 1913, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334904 Frans van Mieris d. Ä., Bildnis einer Frau mit Barett, 1658, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1224 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274 Mikhail Larionov, Spiral, (1917) (dated 1915), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33444 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Oskar Kokoschka, Hugo Erfurth, c. 1920, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35566 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Cornelis Dusart, Den bedragne ægtemand, 1685, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS1921 Liubov Popova, Ohne Titel, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102027 Pieter de Hooch, Woman and Child in a Courtyard, 1658/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1173 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35315 Natalia Goncharova, The Forest, 1913, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38285 Cornelis Dusart, Kvinde, der behandles med kopsætning, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19874 Jan van der Heyden, An einer Landstraße, c. 1666–1668, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1117 Johannes Lingelbach, Mediterrane Hafenszene, 1669, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1913 House of Fabergé, Parrot on a Perch, 1896–1903, silver, enamel, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142738 Oskar Kokoschka, Nude with Back Turned (In den Hüften nach links gedrehter weiblicher Rückenakt) (recto); Untitled (verso), 1909, Ink, gouache, and chalk on paper (recto); Ink, gouache, crayon and graphite on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37311 Jan van Huchtenburg, Slaget ved Höchstädt, 1704, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19841 Eduard Flor, One Day, 1971, Portfolio of seven soft ground etchings and screenprinted reproductions with texts, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9077 Alfred Kubin, Government (Der Staat), 1901, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33912 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Caspar Netscher, Bildnis von Pieter Six (1655-1703) mit einem Diener mit Jagdbeute, 1677, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/880 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Aleksandr Rodchenko, The Worker’s Club (International Exhibition of Decorative Arts and Modern Industry, Paris), 1925, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237970 Rembrandt van Rijn, Lucretia, 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/83 Tina Blau, Study of a Tree, 1863, Black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334796 Wobbe Alkema, [Untitled], 1928, Ink, cut-and-pasted colored paper, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38169 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Aert de Gelder, Selbstbildnis als Zeuxis, der eine ältere Frau porträtiert, 1685, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1006 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38364 Robert Doxat, Static Mambo, 1960, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33395 Liubov Popova, Costume design for the play Romeo and Juliet, 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34795 Ferdinand Georg Waldmüller, Countess Széchenyi, 1828, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/154244 Cornelis Dusart, En landsbykirurg, 1695, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19875 Cornelis Dusart, Høresansen, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19896 Natalia Goncharova, [Untitled], c. 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14270 Meindert Hobbema, A View on a High Road, 1665, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/69 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 Mikhail Evlampievich Perkhin, Perch for the Parrot on a Perch, 1896–1903, Silver, enamel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142740 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Dutch 17th Century, Girl with a Flute, c. 1669/1675, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1237 Mikhail Larionov, Rayonist Composition: Number 8, c. 1913, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33457 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Varvara Stepanova, [Untitled], 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38351 Piet Mondrian, Composition with Red, Yellow, and Blue, 1927, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143278 Johannes Vermeer, Woman Holding a Balance, c. 1664, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1236 Abraham van Beyeren, Silver Wine Jug, Ham, and Fruit, c. 1660–66, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136509 Pieter de Hooch, A Dutch Courtyard, 1658/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/63 Jan Steen, Wirtshaus mit Gast und Schankmagd ("Der aufdringliche Gast"), c. 1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/532 Cornelis Dusart, Kvinde med en raket, 1695, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8450 Pieter de Hooch, The Bedroom, 1658/1660, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1172 Cornelis Pietersz Bega, Zwei trinkende und rauchende Dirnen, 1663, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/641 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 El Lissitzky, Proun GK, c. 1922–23, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36937 Ludolf Backhuysen, Bildnis eines Mannes aus Emden, c. 1675–1680, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/94 Salomon van Ruysdael, Flusslandschaft mit einer Fähre, 1664, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/100 Alexandra Exter, Set design for the play Romeo and Juliet, c. 1921, Gouache and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38210 Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272 Adam Pynacker, Italienischer Friedhof, c. 1660–1665, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/607 El Lissitzky, Proun, 1920, Collage of various cut-and-pasted papers, including abrasive paper (prepared with gouache and silver metallic paint), on cream wove paper, laid down on tan laminate board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150814 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11877 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Rembrandt van Rijn, Self-Portrait, 1659, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/79 Jacob Isaacksz. van Ruisdael, Low Waterfall in a Wooded Landscape with a Dead Beech Tree, c. 1660–70, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143602 Meindert Hobbema, Wooded Landscape with Watermill, c. 1665, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.2 Aleksandr Rodchenko, Printer's proof of cover for Kniga o knigakh (Book about Books), no. 4, 1924, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14181 Alexei Jawlensky, Reclining Nude (Liegender Akt), 1912, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36983 Ivan Kudriashov, Suprematist Composition, 1919, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38244 Jan Weenix, Bildnis eines holländischen Kaufmanns, c. 1685–1688, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102 Aleksandr Rodchenko, Study for cover of Novyi LEF (New LEF), 1926, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14201 Cornelis Dusart, Fordrukken trommeslager med en fakkel, 1660–1704, Mezzotinte, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS8452 Günter Brus, Wunde Punkte, (1983), Mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37751 Piet Mondrian, Landzicht Farm: Compositional Study, c. 1905, Fabricated charcoal on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88464