Alfonso Ramirez Fajardo, Fiesta, 1942, Watercolor, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38042 England, Chest, c. 1590–1610, Oak with marquetry, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.55 Carlos Rojas, Apolo 0.9, 1966, Synthetic polymer paint and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35100 Hercules Brabazon Brabazon, Grand Canal, Venice, 19th century, Watercolor, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.31 England, Embroidered panel, mid 17th century, Wrapped wire, silk and metallic threads, raised work embroidery, needlework, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.12.15 England, Rummer, c. 1800–1820, Glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.87 Louis Legoux, Louis XVI, 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2589 Julio Montenegro, To Work Is to Pray (Laborar es orar), c. 1928, Colored ink, watercolor, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37951 Omar Rayo, Free-Fall, 1966, Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37080 Alfonso Ramirez Fajardo, Landscape, 1942, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38045 England, Chair, one of a pair, 1650–99, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.26.1 England, Cupboard, c. 1580–90, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.23 England, Table, c. 1580–1600, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.55 England, Bench, early 17th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.73 England, Pillar print, c. 1830, Cotton: roller and block printed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.23.25 England, Armchair, late 16th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.77 England, Cordial glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.502 Benjamin Pyne, Monteith Bowl, 1715–16, silver gilt, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141927 England, Cordial glass, c. 1770–90, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.497 Julio Montenegro, Solidarity!! (Solidaridad!!), 1928, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37954 Silversmith: RF, Footed salver, 1662–63, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/39.7 Fernando Botero, Woman in a Bathtub, 1974, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34215 Clark of London, Private contract musket, late 18th century, walnut, brass (alloy), iron and steel; L x W (overall): 58 × 5 1/8 × 3 1/8 in. (147.3 × 13 × 8 cm), National Museum of African American History and Culture, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643398738600-1643398752008-0 Thomas Holme, A mapp of ye improved part of Pensilvania in America, divided into countyes, townships and lotts, c. 1687, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8690 England, Mirror Frame, mid 17th century, Silk and metal threads, embroidery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.28 Wedgwood, Charles de Marquetel de Saint-Denis, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 7.6 x 5.8 x 0.6 cm (3 x 2 5/16 x 1/4 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893144-2 England, Armchair, c. 1650, Oak and light-colored wood inlays, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.25 England, Stool, possibly late 16th century, Oak, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.27 Wedgwood, Flavian Julia Helena, 1767–1780, Unglazed stoneware ("black basalt"); H x W x D: 5.2 x 4.5 x 0.5 cm (2 1/16 x 1 3/4 x 3/16 in.), Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399893149-1 Louis Legoux, Marie Antoinette d'Autriche (Marie Antoinette of Austria), 1793, stipple engraving on silk satin, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2588 England, Goblet, c. 1745–65, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.494 England, Wine glass, c. 1765, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.507 Santiago Cárdenas, Dibujo - Figure and Electric Cord, 1991, Synthetic polymer paint, oil paint, oil pastel, and colored pencil on cardboard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35213 Decorator: John Pennington, Plate from the Hope dinner service, 1790, Porcelain, enamel, gilt, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/25.417.56 Julio Montenegro, Field, c. 1928, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37947 Eduardo Ramírez Villamizar, Black and White, 1956, Gouache and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37408 Designer: E. W. (Edward William) Godwin, Greek-style side chair, c. 1885, Walnut and reproduction silk upholstery, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.43a%2C%20b Fernando Botero, Painter of Still Lifes, 1975, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37120