Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1602 Gerard de Lairesse, Hermes Ordering Calypso to Release Odysseus, c. 1670, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156420 Bian Wenyu, Scenic Beauty Along Rivers and Mountains, 1614, Ink and colors on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.38.1 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1748 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1779 Jacob Jordaens, Susannah Crouching, c. 1640/1645, black and red chalk with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8069 Alberto Giacometti, [Untitled], (1965), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37264 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1663 Peter Paul Rubens, The Garden of Love (left portion), c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334653 Chinese Qing Dynasty, Duck on Lotus Leaf, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1780 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1734 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22343 Chinese Qing Dynasty, Vase in the Shape of a Double Gourd, 18th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1730 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1760 China, Bottle, 1736–1795, Porcelain with pale celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.41 Tobias Stimmer, De romerske ambassadører vender hjem fra Karthago, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22280 Paul Bril, Landscape with Men Playing 'Mail à la Chicane', 1624, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.3 Tobias Stimmer, Appius Claudius føres til fængslet, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22311 Louis Soutter, Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive ), c. 1930–35, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37518 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1677 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22273 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22275 China, Vase, 1662–1722, Porcelain with starch blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.146 Louis Soutter, Esthètes juifs distants, c. 1930–1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37524 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22269 Crispijn de Passe (I), Satire over hygiejne, 1589–1688, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20983 Sir Anthony van Dyck, Bildnis des Hendrick van Steenwyck des Jüngeren, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19199 Chinese Qing Dynasty, Bowl with "Rice Grain" Decoration, probably Qianlong period, 1736/1795, porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1729 Tobias Stimmer, Theoxena og hendes familie dør til havs, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22340 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1709 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1699 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1808 Sonja Sekula, Untitled (Sketchbook), 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34743 China, Bottle, 1662–1722, Porcelain with apple green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.203 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22287 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1793 José Luis Cuevas, Madman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35754 José Clemente Orozco, Composition study for Gods of the Modern World, (c. 1932–34), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33762 Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22347 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22331 Adriaen Collaert, Christ and the Woman of Samaria, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4622 China, Bottle, 1736–1795, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.43 China, Pictorial Hanging, c. 1825, Embroidered silk damask, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.179 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1816 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 José Clemente Orozco, Feet (no. 2), (1923), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35173 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1824 Chinese Qing Dynasty, Vase, probably Yongzheng period, 1723/1735, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1728 Johann Heinrich Müntz, A Thems whery at London, c. 1760, Aquarell über Grafitstift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8215 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 Peter Paul Rubens, The Garden of Love (right portion), c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334654 Sir Anthony van Dyck, Virgin and Child with Saint Catherine of Alexandria, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436262 Jesús Guerrero Galvan, Study for The Children, 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33631 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22260 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1739 Francisco Toledo, Letter to Antonio Souza, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33721 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1796 Gaspar de Crayer, The Meeting of Alexander the Great and Diogenes, 1605, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436048 Adriaen Collaert, Design for a Pendant with a Winged Sea-Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5983 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1750 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22262 China, Snuff bottle, 1750–1850, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/27.1.79a-c China, Bottle, 1736–1795, Porcelain with aubergine glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.134 Lee Chun-Yi (Li Junyi) 李君毅, Rain-Swept Peaks, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5673 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1798 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22293 Sir Anthony van Dyck, Study Head of a Young Woman, c. 1618–20, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436259 China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343 Alberto Giacometti, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36478 Tobias Stimmer, De romerske kvinder kræver, at Lex Oppia-loven ophæves, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22332 China, Vase, 1723–1735, Porcelain with camellia leaf-green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.141 Sir Anthony van Dyck, A Man Mounting a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436263 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1724 Tobias Stimmer, Cincinnatus beordrer aequierne til at passere under åget, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22310 Miguel Covarrubias, Fanny Brice and Nicholas Arnstein, c. 1925, Watercolor, ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34081 Adriaen Collaert, The Good Shepherd, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4623 José Clemente Orozco, Self-Portrait, 1940, Tempera on board, mounted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37551 Florence Henri, Construction bleu-rouge-noir, 1923, Gouache on cut-and-pasted paper, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38223 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22276 Paul Bril, Landschaft bei Tivoli, c. 1595–1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2127 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1768 Dong Qichang, Mt. Qingbian, 1617, hanging scroll, ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149791 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1691 Pieter van der Borcht (I), Gud åbenbarer sig for Abraham i skikkelse af en engel, og Abraham rejser, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1502 Sir Anthony van Dyck, Sir Peter Paul Rubens (1577–1640), 1600, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436265 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22342 China, Water coupe, 1723–1735, Porcelain with clair de lune glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.51.15 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1708 Tobias Stimmer, Gaius Duillius vinder søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22325 Tobias Stimmer, De trehundrede og seks fabier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22321 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1809 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1660 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1811 Chinese Qing Dynasty, Vase, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1719 Lee Chun-Yi (Li Junyi) 李君毅, Dwelling in the Mountains, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5204 Chinese Qing Dynasty, Miniature Table, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1736 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1668 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22344 Miriam Cahn, Lesen im Staub, D.W.L. (Das Wilde Leben),, 1984, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34063 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune on an Urn Flanked by a River-God with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5982 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1744 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1681 Chinese Qing Dynasty, Vase, Meiping Shape, second quarter 18th century, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1727 Lee Chun-Yi (Li Junyi) 李君毅, Myriad Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5501 Tobias Stimmer, Numa Pompilius inddeler året i tolv måneder, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22329 China, Vase, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.151 Chinese Qing Dynasty, Reticulated Box, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1746 Studio of Marcus Gheeraerts the Younger, Portrait of Robert Devereux, Second Earl of Essex, 1599, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.24 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1755 Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274 Tobias Stimmer, Horatius Cocles forsvarer Rom ved broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22304 Sir Anthony van Dyck, Philip, Lord Wharton, 1632, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/57 Tobias Stimmer, Tarquinius Priscus hugget til døde på sin trone, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22315 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22259 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1803 José Luis Cuevas, Madwoman, 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35767 Louis Soutter, The Ascension (L'Ascension), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37346 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22298 Tobias Stimmer, Verginius for Appius Claudius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22309 Sir Anthony van Dyck, Portrait of a Man, c. 1618, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436254 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22335 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks and Towering Pines Overlook Distant Paddy Fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5499 Ottilie W. Roederstein, Bildnis des Malers Jakob Nussbaum, 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2977 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Tobias Stimmer, Kamp mellem horatier og curatier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22328 Tobias Stimmer, Symphonia, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22348 Chinese Qing Dynasty, Vase, early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1721 Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061 Alberto Giacometti, Man Reading a Book, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36488 José Clemente Orozco, Head of Quetzalcoatl (Study for the Dartmouth College Mural, "An Epic of American Civilization"), (c. 1932–34), Crayon on transparentized paper over colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33751 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22281 Florence Henri, Black-White-Silver No. 11, 1921, Cut-and-pasted metallic foil and paper, pencil and gouache on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38222 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22297 Lee Chun-Yi (Li Junyi) 李君毅, Layered Peaks, Enveloping Mists, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5525 Tobias Stimmer, Gaius Duillius besejrer Kartago i et søslag, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22284 Chinese Qing Dynasty, Vase, Meiping Shape, mid/late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1714 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1757 Jan Frans van Bloemen, Landscape of the Roman ""Compagna"", c. 1700–1740 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1143 Alberto Giacometti, Annette, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37538 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1698 Chinese Qing Dynasty, Vase with Ringed Neck, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1679 Jean Tinguely, Sketch for Homage to New York, 1960, Felt-tip pen and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33838 Pieter Serwouters, Bakkus' triumftog til Theben, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21524 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1700 Benjamín Molina, Madman, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37931 Sir Anthony van Dyck, A Genoese Lady with Her Child, c. 1623–25, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131819 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1781 Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37025 Gabriel Orozco, XRTC 4, 1996, Rubbed graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34737 Chinese Qing Dynasty, Large Jar, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1807 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1690 Tobias Stimmer, Tullia kører over sin fars lig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22316 Adriaen Collaert, The Parable of the Two Sons and the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4636 Sir Anthony van Dyck, Marchesa Balbi, c. 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/56 Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253 Tobias Stimmer, Marcus Atilius Regulus dræber en serpent i Afrika, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22286 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1774 Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050 Adriaen Collaert, The Angel Telling Joseph to Flee and the Flight into Egypt, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4633 Chinese Qing Dynasty, Vase in the Shape of an Archaic Bronze Fang Hu, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1791 Chinese Qing Dynasty, Shou Lao, the God of Longevity, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1770 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1731 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Bluff, Cascading Waterfall, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5222 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1801 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1604 Albert von Keller, Die Märtyrerin, c. 1892, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2891 Chinese Qing Dynasty, "Beehive" Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1692 Tobias Stimmer, Gaius Duillius vinder et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22263 Adriaen Collaert, Design for a Pendant with a Sea-Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5985 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1733 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22254 Frans Pourbus the younger, Portrait of a Noblewoman, 1617 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.377 Chinese Qing Dynasty, Covered Bowl, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1661 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1683 Peter Paul Rubens, The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34, Oil on gessoed wood (oak) panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.2 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1823 Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118 Gerard Edelinck, Nicolas de Blampignon, 1702, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6835 China, Throne Back Cover, c. 1800, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.165 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Gabriel Orozco, [Untitled], 1992, Pinched and rubbed notebook paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35510 Miguel Covarrubias, H.L. Mencken, 1924, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34069 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Figures, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5980 Tobias Stimmer, Manius Acilius Glabrios triumftog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22330 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1819 Lee Chun-Yi (Li Junyi) 李君毅, Mists along a Mountain River, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5216 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1758 Chinese Qing Dynasty, Square Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1794 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22255 Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798 Tobias Stimmer, Scipio på knæ, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22267 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with celadon glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1678 Chinese Qing Dynasty, Lion on High Pedestal, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1782 Matthäus Merian the Elder, Perspectival Study with a View of a Medieval City, 1613–50, Pen and black ink, touches of red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334718 Xavier Guerrero, Two Mothers, 1945, Black crayon on orange red paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34575 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1704 Tobias Stimmer, Publius Horatius plæderer for sin søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22313 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1742 David Teniers, the Younger, The Prodigal Son, c. 1640, Oil on copper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.8 Designer: Flanders, Awaiting the Chase, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.1 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Thetis and a Man with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5979 Flanders (Brussels), Deer Hunt with the Story of Diana and Actaeon, c. 1580–1620, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.208 Sir Anthony van Dyck, Isabella Brant, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/54 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1684 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1702 Tebo (Ángel Torres Jaramillo), Portrait of My Mother, 1937, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38087 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Lee Chun-Yi (Li Junyi) 李君毅, Streams and Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4586 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1800 Joseph Heintz the Elder, Figures Adoring a Statue of the "Magna Mater", 1585, Pen and brown ink, brush and gray-brown wash, heightened with white, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334884 Chinese Qing Dynasty, Bottle Vase, late 17th/early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1713 Johann Andreas Rauch, Allegory of Sculpture, 1619, Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over black chalk; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334719 Sir Anthony van Dyck, Filippo Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1232 Chinese Qing Dynasty, Young Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1772 Miguel Conde, [Untitled], 1971, Ink and ink transfer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34628 Chinese Qing Dynasty, "Beehive" Water Pot, late 19th century, porcelain with yellow glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1680 China, Vase, 1662–1722, Porcelain with mirror black glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.153 Lee Chun-Yi (Li Junyi) 李君毅, What a Glorious Land!, 2005, Handscroll; ink on paper; with signature in clerical script (lishu) reading "Li Junyi ling wu" (Li Junyi '05); with colophon by Liu Guosong (b. 1932) dated 2006, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1429 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Mountain Gorge from a Balustraded Terrace, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5502 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1752 China, Lamaist priest hat, Kangxi period, 1662–1722, Silk brocade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.131 China, Set of four bowls and two cups, 1790, Cloisonné, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.53.1a-f Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1667 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1778 Adriaen Collaert, The Parable of the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1424 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1703 Lee Chun-Yi (Li Junyi) 李君毅, Sunrise on Towering Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5218 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1751 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1674 Sir Anthony van Dyck, Virgin and Child, c. 1620, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436261 José Clemente Orozco, Legs, 1938, Charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37981 Chinese Qing Dynasty, Zun-Shaped Beaker Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1792 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1672 China, Box with lid, 1779, Cast and chased gold with rubies, sapphires and jade, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.57.1a%2C%20b Louis Soutter, Servant's Clock, 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37762 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1682 José Clemente Orozco, Crouching Model, (1947), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34685 Alberto Giacometti, Portrait of a Man, 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38594 China, Manchu Woman's Unofficial Informal Court Robe, 1875–1908, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.74.7 Chinese Qing Dynasty, Hexagonal Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1765 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Gabriel Orozco, Korean Air, 1997, Ink and colored pencil on cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34755 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1761 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1805 Guillermo Meza, Polyphemus, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34717 Sir Anthony van Dyck, Study Head of an Old Man with a White Beard, c. 1617–20, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436260 Lee Chun-Yi (Li Junyi) 李君毅, Melting-Glacier Water Cascading through a Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5144 José Clemente Orozco, Clenched Fist, (1948), Crayon and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34698 Wang Yuanqi [Wang Yuan-ch'i], Free Spirits Among Streams and Mountains, 1684 (Qing), ink on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.198 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1673 China, Inkstick, Qianlong period, 1736–1795, Molded pine soot and animal glue, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.18.56 Adriaen Collaert, Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5984 Martin Rykaert, River Landscape with Mining, 1620–1629, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1730 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1662 Wang Rusheng, Greeting the New Year, 1734, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.4 China (Jingdezhen), “Arms of Liberty” punch bowl, c. 1770, Porcelain, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.27 Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247 Chinese Qing Dynasty, Large Covered Baluster Jar, late 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1812 Chinese Qing Dynasty, Large Fish Bowl, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1822 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36480 Angelica Kauffmann, Female Figure Seated Beside an Urn, 1800, Pen and brown ink and brown wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334892 Louis Soutter, The Sun is Blackened (Le Soleil se noircit), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37342 China, Daoist priest’s robe (jiangyi), Kangxi Period, 1662–1722, silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.296 Sir Anthony van Dyck, Catherine Howard, Lady d'Aubigny, c. 1638, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1234 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1695 Diego Rivera, Woman with Two Children, (c. 1925), Red and black chalk on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35252 Diego Rivera, Nude with Braided Hair (Luz Jiménez), 1925, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35532 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1802 Chinese Qing Dynasty, Young Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1771 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1670 Adriaen Collaert, The Parable of the Sower, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4635 Lee Chun-Yi (Li Junyi) 李君毅, Forested Peaks, Distant Waterfall, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5215 Chinese Qing Dynasty, Bottle Vase, late 17th/early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1720 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Chinese Qing Dynasty, Bottle Vase, Yongzheng period, 1723/1735, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1664 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1783 Adriaen Collaert, The Plucking of Ears of Corn on Sabbath Day, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4607 Adriaen Collaert, The Parable of the Kingdom of Heaven, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4620 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Chinese Qing Dynasty, Reticulated Perfume Ball, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1745 China, Vase, 1723–1735, Porcelain with camellia green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.44 Chinese Qing Dynasty, Bowl, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1723 Gerard Edelinck, Remi Du Laury, probably 1679, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6836 Sir Anthony van Dyck, A Man Riding a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436264 Adriaen Collaert, Title Plate with Designs for Pendants, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5988 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1675 Chinese Qing Dynasty, Brush Washer, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1666 Benjamín Molina, Madman, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37943 Chinese Qing Dynasty, Hexagonal Covered Jar, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1759 Diego Rivera, Dead Horse, 1906, Charcoal and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38699 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1747 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1753 Chinese Qing Dynasty, Beaker Vase, mid 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1817 Chinese Qing Dynasty, Rouleau-Shaped Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1799 Sir Anthony van Dyck, Maddalena Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1233 Sir Anthony van Dyck, Portrait Bust of Inigo Jones, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.803 China, Bottle, 1736–1795, Porcelain with imperial yellow glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.133 Gustave Buchet, Construction, (c. 1920), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38185 Peter Paul Rubens, Diana and Her Nymphs Departing for the Hunt, c. 1615, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135661 José Clemente Orozco, Male Torso, (1923), Crayon on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35180 Gabriel Orozco, Maria, Maria, Maria, 1992, Phone book page with erasures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35502 Pieter van der Borcht (I), Jakob og det spættede kvæg, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1525 Francisco Toledo, Letter to an Unnamed Person, (1960), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33733 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1694 Louis Soutter, Le catafalque sans pesanteur, c. 1937–1942, Fingermalerei in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17577 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1756 Sonja Sekula, Carco: La Rose au Balcon, 1942, Pen and ink drawing and dedication by Francis Carco and 3 postcards, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34580 Chinese Qing Dynasty, Vase, early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1707 Martinez Pintao (Manuel Martinez Pintao), The Reaper, 1935, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37857 Chinese Qing Dynasty, Vase, early/mid 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1716 Alberto Giacometti, The City Square, 1949, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38595 Adriaen Collaert, Jesus Calling the Apostles Among the Fishermen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4634 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1600 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1659 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1754 Lee Chun-Yi (Li Junyi) 李君毅, Mountains Towering over Rural Village and Paddy fields, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5524 Hans Bock d. Ä., Venustanz, um 1580 - um 1590, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2216 Hans Jakob Plepp, Design for Stained Glass, c. 1590, Pen and black ink, brush and gray wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334712 Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583 Chinese Qing Dynasty, Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1766 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1737 Francisco Toledo, Gusanos (Worms), 2013, Wool; pressed and needle punched felt, laser cut; appliquéd with cotton and nylon mono-filament, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/233223 Lee Chun-Yi (Li Junyi) 李君毅, The Great Wall Snaking through the Mountains, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4615 Diego Rivera, Man at the Crossroads, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34635 Lee Chun-Yi (Li Junyi) 李君毅, Secluded Mountain Temple, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5217 China, Gallipot, 1723–1735, Porcelain with cherry red glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.166 Louis Soutter, Resurrection (Résurrection), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37349 Painter: Shao Mi, Bamboo, 1629, Ink on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.6 Chinese Qing Dynasty, Small Jar, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1722 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1687 Gaspar de Crayer, Philip IV (1605–1665) in Parade Armor, c. 1628, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436049 Chinese Qing Dynasty, Rectangular Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1789 Chinese Qing Dynasty, Hexagonal Trumpet Beaker Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1763 Alberto Giacometti, An Interior, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33753 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 China, Plate, Kangxi period (1662–1722), Porcelain, famille verte, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.38 Zhu Sheng, Bamboo and Rocks, 1688, Ink on silk, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.5 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Nereids, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5981 China, Bottle, 1662–1722, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.156 José Luis Cuevas, A Certificate of Authenticity, 1973, Cut-and-pasted paper, watercolor, and ink on wood, on linen-covered mount, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33106 China, Bottle, 1662–1722, Porcelain with midnight blue glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.147 China, Vase, 1662–1722, Porcelain with overglaze enamel decor, Famille verte ware, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.18a%2C%20b Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille verte, famille jaune, and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1740 Chinese Qing Dynasty, Vase, called "The Flame", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1706 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1818 Lee Chun-Yi (Li Junyi) 李君毅, Pines on Slender Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5219 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1711 Chinese Qing Dynasty, Bottle Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels and carved decoration, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1787 Chinese Qing Dynasty, Rectangular Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1790 Adriaen Collaert, The Parable of the Barren Fig Tree, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4608 Lee Chun-Yi (Li Junyi) 李君毅, Viewing the Falls from a Mountain Pavilion, from the series "Sacrifice", 1991, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 91", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5368 China, Ruyi scepter, 1736–1795, Bronze with cloisonné enamel and coral inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.44.1 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1785 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 Peter Paul Rubens, Hélène Fourment, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17126 China, “Peach bloom” vessel for a scholar’s desk, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.131.1a%2C%20b Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1784 Chinese Qing Dynasty, Large Fish Bowl, mid 19th century, porcelain with underglaze blue and famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1825 Ferdinand Hodler, Figure (Study for die Empfindung), (1902–03), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34876 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1788 Chinese Qing Dynasty, Water Pot, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1669 Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169 China, Vase, 1662–1722, Porcelain with celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.143 Sir Anthony van Dyck, The Prefect Raffaele Raggi, c. 1625, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1229 Chinese Qing Dynasty, Gourd-Shaped Vase, late 17th/mid 18th century, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1657 Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823 Chinese Qing Dynasty, Hexagonal Lantern, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1764 Lee Chun-Yi (Li Junyi) 李君毅, Mountain Dwelling, Majestic View, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5500 Sir Anthony van Dyck, Giovanni Vincenzo Imperiale, 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1228 Pieter Serwouters, Merkur overdrager Bakkus til nymferne fra Nysa-bjerget, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21517 Peter Paul Rubens, Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe, c. 1616 (c. 1646–1650), Öl auf Eichenholz (originaler Bildträger unten und links erweitert), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1034 Diego Rivera, Two Figures, (c. 1925), Chalk, wash, and pencil on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35246 Pierre Haubensak, Study for Mauresque, 1965, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35192 Peter Paul Rubens, Zwei Reiterkämpfe, 1627–1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2261 Adriaen Collaert, Titlepage, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4621 Jesús Guerrero Galvan, Girl Seated, 1939, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37809 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1815 Alberto Giacometti, [Untitled], 1949, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36473 Sir Anthony van Dyck, The Virgin as Intercessor, 1628/1629, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1227 Alberto Giacometti, [Untitled], 1949, Sepia and black ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36483 Sir Anthony van Dyck, Susanna Fourment and Her Daughter, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/55 Lee Chun-Yi (Li Junyi) 李君毅, Fantastic Mountains in Western China, from the series "Sacrifice", 2005, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 05", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4640 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks and Myriad Ravines, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5145 Chinese Qing Dynasty, Li Tieguai, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1775 Chinese Qing Dynasty, Vase, Meiping Shape, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1676 Abraham van Diepenbeeck, Saint Cecilia, 1616, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436198 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1696 China, Snuff bottle, 1662–1722, Black lacquer with mother-of-pearl and metallic inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.112.4a%2C%20b Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Chinese Qing Dynasty, Bowl, early Qianlong period, 1736/1750, porcelain with overglaze famille rose and famille noire enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1797 Diego Rivera, Study for the mural Day of the Dead: The Offering at the Secretariat of Public Education, Mexico City (Estudio para el mural Día de Muertos: La Ofrenda en la Secretaría de Educación Pública, Ciudad de México), 1925, Colored chalk and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35547 Sir Anthony van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436257 Chinese Qing Dynasty, Rectangular Vase Illustrating Poems by Tao Qian and Su Shi, Kangxi period, 1662/1722, porcelain with famille jaune and famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1786 Sir Anthony van Dyck, Self-Portrait, c. 1620–21, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436258 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1697 Chinese Qing Dynasty, Dancing Woman, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1776 China, Water pot, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.154a%2C%20b Chinese Qing Dynasty, Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1665 Augusto Giacometti, Color Abstraction, 1903, Pastel on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36786 Chinese Qing Dynasty, Bottle Vase, late 17th/early 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1715 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1795 Chinese Qing Dynasty, Covered Jar in Gilt-Bronze Mount, mid/late 18th century, porcelain with overglaze famille verte enamel decoration, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1599 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Diego Rivera, Mother and Child, 1926, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35231 Chinese Qing Dynasty, Vase, called "The Fire Cloud", early 18th century, porcelain with oxblood glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1705 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1814 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1686 Zhu Chang, Landscape at Han River Bamboo Hall, 1668, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.2 Chinese Qing Dynasty, Covered Jar, mid 18th century (jar); 19th century (mount), porcelain with overglaze famille rose enamels, on gilded bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1813 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1820 Chinese Qing Dynasty, Jar, late 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1712 Chinese Qing Dynasty, Gourd-Shaped Vase, late 17th/mid 18th century, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1658 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Peaks, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5369 Alberto Giacometti, Study for The Palace at 4 a.m., 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35103 Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791 Bada Shanren, Fish and Rocks, mid- to late 1600s, Handscroll; ink on paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130497 Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504 Chinese Qing Dynasty, Vase, 18th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1717 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 China, Presentation Hanging for an Eightieth Birthday, 1887, Embroidered satin, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.308 Peter Paul Rubens, Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/464 Chinese Qing Dynasty, Guanyin, the Bodhisattva of Compassion, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1773 Chinese Qing Dynasty, Hexagonal Trumpet Beaker Vase, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1762 Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119 Peter Paul Rubens, Susanna, 1577, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334709 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Peter Paul Rubens, Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151517 Juan Soriano, Child with Bird, 1941, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38086 Chinese Qing Dynasty, Vase, probably Qianlong period, 1736/1795, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1726 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1804 Chinese Qing Dynasty, Vase Mounted as an Ewer, mid 18th century (vase); c. 1780/1785 (mounts), porcelain with light green celadon glaze and underglaze decoration in white slip, with lip, handle, and foot of gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1601 Chinese Qing Dynasty, Vase in the Form of a Carp, Mounted as an Ewer, Yongzheng period, 1723/1735 (vase); c. 1730/1755 (mounts), porcelain with blue celadon glaze, in gilt-bronze mount, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1603 Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1231 Adriaen Collaert, The Virgin and Joseph at the Inn, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1425 Diego Rivera, Angeline Beloff, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33433 Wang Chin-shen, Imperial Ink Cake, 1736–1795, Colors, gold and animal adhesive, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.154 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36486 Ferdinand Hodler, Profile of Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827 Lee Chun-Yi (Li Junyi) 李君毅, Bend in the Mountain River Near the Bingling-Si Cave Temples, from the series "Sacrifice", 2006, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 06", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5220 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1735 Diego Rivera, Building the Palace Of Cortez, 1930, Pencil on brown paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35540 Dong Qichang, River and Mountains on a Clear Autumn Day, c. 1624–27, Handscroll; ink on Korean paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135964 Chinese Qing Dynasty, "Beehive" Water Pot, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1693 Sir Anthony van Dyck, A Genoese Noblewoman and Her Son, c. 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1230 Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838 China, Bottle, 1736–1795, Porcelain with cucumber glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.206 Chinese Qing Dynasty, "Ruby-Back" Dish, second quarter 18th century, porcelain with overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1732 Adriaen Collaert, The Parable of the Rich Fool, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4606 Sir Anthony van Dyck, Portrait of a Flemish Lady, probably 1618, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/573 Lee Chun-Yi (Li Junyi) 李君毅, A Thousand Trees on Rolling Hills, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5205 Hendrik van Balen, The Trinity, c. 1620, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159488 Sir Anthony van Dyck, Portrait of a Woman, Called the Marchesa Durazzo, probably c. 1622–25, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436255 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1810 Chinese Qing Dynasty, Wine Pot, Kangxi period, 1662/1722, porcelain with famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1738 Sir Anthony van Dyck, Robert Rich (1587–1658), Second Earl of Warwick, c. 1632–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436256 Jacob Jordaens, Die Heilige Familie, c. 1619–1620, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1937 Chinese Qing Dynasty, Amphora Vase, Kangxi period, 1662/1722, porcelain with pale blue glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1671 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1701 Jean Tinguely, 50 RPM, 1965, Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35860 Chinese Qing Dynasty, Wine Cup, Kangxi period, 1662/1722, porcelain with famille verte and famille jaune enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1749 China, Amphora, 1662–1722, Porcelain with peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.207a%2C%20b Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1688 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Chinese Qing Dynasty, Large Fish Bowl, late 18th century, porcelain with blue and overglaze famille rose enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1821 Louis Soutter, Head (Tête), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37348 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Adriaen Collaert, Design for a Pendant with a Sphinx with the Body of a Fish Carrying a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5987 Lee Chun-Yi (Li Junyi) 李君毅, Sacrifice, 1990–91 and 2005–06, Set of twenty-four album leaves and one small pillow; ink on paper; each leaf with a signature in clerical script (lishu) reading "Li Junyi", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5189 Lee Chun-Yi (Li Junyi) 李君毅, Mountains and Pines in Moonlight, from the series "Sacrifice", 1990, One from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90", Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5221 Jost Amman, The Ptolemaic System, 1579, Etching and engraving on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5326 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665 Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 Christof Murer, Lot and His Daughters, 1581, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5327 Sir Anthony van Dyck, James Stuart (1612–1655), Duke of Richmond and Lennox, c. 1633–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436252 Chinese Qing Dynasty, Baluster Vase, Kangxi period, 1662/1722, porcelain with famille noire enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1806 Adriaen Collaert, Design for a Pendant with a Fish Carrying Tobias and the Angel, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5986 Chinese Qing Dynasty, Covered Box for Seal Paste, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1685 Alberto Giacometti, The Studio (Two Pieces of Sculpture), 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38593 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Chinese Qing Dynasty, Large Vase, late 18th/19th century, porcelain with turquoise glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1725 China, Vase, 1662–1722, Porcelain with molded chrysanthemum border and peach bloom glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.149 Chinese Qing Dynasty, Petal-Decorated Vase, Kangxi period, 1662/1722, porcelain with peachbloom glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1689 Chinese Qing Dynasty, Wine Ewer, Kangxi period, 1662/1722, porcelain with overglaze famille verte enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1741 Chinese Qing Dynasty, Vase, late 18th/early 19th century, porcelain with apple-green glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1718 Gerard Edelinck, Philippe de Champaigne, 1676, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6837 Chinese Qing Dynasty, Female Attendant, Kangxi period, 1662/1722, porcelain with famille verte enamels on the biscuit, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1777