Jean Dubuffet, Personnage (Femme nue), (1951), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35735

Richard Long, A Line Made by Walking, 1967, Photograph, gelatin silver print on paper with graphite on board, Tate, London. https://dartabase.art/cite/tate/AR00142

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686

Nigel Hall, Drawing #229, 1981, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38219

David Hockney, Eine (Part I), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20134

Richard Long, In the Cloud, 1991, Screenprint on board, Tate, London. https://dartabase.art/cite/tate/AR00143

Eduardo Paolozzi, Tortured Life, 1964, Cut-and-pasted printed paper with cut-and-pasted gelatin silver prints and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33290

Jean Dubuffet, Figure, Black Background (Personnage fond noir), 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33659

Jean Dubuffet, Letter from El Goléa, (1948), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36865

Jean Dubuffet, Landscape (Paysage), 1952, Ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33572

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767

Henri Matisse, Branch of a Judas Tree, 1942, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34713

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737

Eduardo Paolozzi, Wittgenstein as Soldier, 1964, Cut-and-pasted gelatin silver prints on transparentized paper over cut-and-pasted printed paper and gelatin silver prints on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38802

David Hockney, 4. The Drinking Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07035

Jean Dubuffet, Desert and Bedouin, 1948, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35465

Lucian Freud, Two Plants, 1977–80, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03105

Eduardo Paolozzi, The Offspring of Eos, (c. 1961), Cut-and-pasted printed paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34724

Lucian Freud, Standing by the Rags, 1988–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T05722

David Hockney, My Bonnie Lies Over the Ocean, 1961–2, Etching, aquatint and stamp on paper, Tate, London. https://dartabase.art/cite/tate/P07353

David Hockney, Très (End of Triple), 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20133

David Hockney, Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34018

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Gouache and ink on transparentized paper over synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33923

Henri Matisse, The Necklace (Le collier), 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34539

Lucian Freud, Head of a Man, 1986, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33435

Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183

Gilbert & George, Faith Drop, 1991, 15 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00176

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748

Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687

David Hockney, 1. The Arrival, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07029

David Hockney, Tyler Dining Room, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20122

Vasily Kandinsky, Plate (folio 12) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19637

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709

Bridget Riley, Study for Painting, (12011-DG), 1965, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38326

Elisabeth Frink, Study for Judas, 1963, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37261

David Hockney, Kaisarion and All his Beauty, 1961, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11376

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704

David Hockney, Queen, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11495

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01063

Jean Dubuffet, Subway (Métro), 1949, Incised ink on gesso on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33541

David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T01515

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01062

David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751

Henri Michaux, [Untitled], 1946–48, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38706

Rachel Whiteread, Drawing for Water Tower, III, 1997, Graphite, varnish, gouache and ink on graph paper with cut-and-pasted color photo copy, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38722

Jean Dubuffet, Figure in a Landscape, 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33625

Marc Chagall, Eiffel Tower from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32007

David Hockney, White Lines Dancing in Printing Ink, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20130

Richard Hamilton, Study for The Solomon R. Guggenheim, 1965, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33192

Joe Tilson, Ziggurat, 1966, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33350

Jean Dubuffet, Baba Solstice, May 1, 1961, Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38570

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673

Henri Matisse, Dahlias and Pomegranates, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33133

Jean Dubuffet, Joë Bousquet in Bed (Joë Bousquet au lit), 1947, Incised gouache on gessoed board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33194

Jean Dubuffet, Beach with Bathers (Plage aux baigneurs), 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38564

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747

André Masson, Caribbean Landscape, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34762

Gilbert & George, Hunger, 1982, 16 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00173

Jean Dubuffet, Goat with a Bird (Chèvre à l'oiseau), 1954, Ink transfer and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33591

Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681

Robert Filliou, Video Models, (1969), a) Crayon, ink stamp, cut-and-pasted printed paper and transfer type on brown paper; b) Crayon, ink stamp, and pencil on brown paper; c) Crayon, ink stamp, cut-and-pasted printed paper on brown paper with cut-out on brown paper; d) Crayon, ink stamp, cut-and-pasted printed paper and pencil on brown paper with cut-out on brown paper; e) Crayon, ink stamp and pencil on brown paper with cut-outs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33179

Jean Dubuffet, Subway (Métro), 1949, Incised ink on gesso on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33534

Jean Crotti, Marcel Duchamp, possibly early 1950s (inscribed 1915), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34908

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746

Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691

Lucian Freud, Leigh Bowery, 1991, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T06834

David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756

Richard Long, Nile (Papers of River Muds), 1990, Book, Tate, London. https://dartabase.art/cite/tate/AR00599

Graham Sutherland, Thorn Head, 1945, Gouache, chalk, and ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34449

Leon Kossoff, Pilar No. 1, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35229

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749

Anish Kapoor, [Untitled], (1990), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37293

David Hockney, Lillies, 1970–1, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06290

David Hockney, Amaryllis in Vase, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20105

David Hockney, Mise-en-scène for the opera The Rake's Progress, 1975, Ink, felt-tip pen, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35969

Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690

Max Ernst, Adam and Eve Expelled from the Garden of Eden (Adam et Eve chassés du Paradis), 1946–47, Gouache on cardstock, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37044

Jacques Villeglé, bleu O noir, 1955, Torn-and-pasted paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34434

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732

André Masson, Street Singer, 1941, Cut-and-pasted painted and printed paper with conté crayon, ink, pencil, gouache, leaf, insect wings, and sand on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34895

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757

Jacques Villon, Interior, 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37662

Reg Butler, Head and Shoulders, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34026

David Hockney, The Perspective Lesson, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20104

Lucian Freud, Girl with a Fig Leaf, 1947, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P77265

David Hockney, Tea Painting in an Illusionistic Style, 1961, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07075

Jean Dubuffet, Le Vin de barbe, 1959, Torn-and-pasted paper with ink and ink transfer on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35145

David Hockney, Portrait of Peter, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38597

Lynn Chadwick, Studies for Balanced Sculpture, (1952), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33065

Jean Dubuffet, The Ballerina, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36946

Jean Dubuffet, Street and Sidewalk, July 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38566

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723

Jean Dubuffet, Donkey and Cart, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33594

Richard Deacon, [Untitled], 1990, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37150

Gilbert & George, CRUSADE, 1980, 16 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00172

David Hockney, House Doodle, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20108

Bridget Riley, Study, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38162

Henry Moore, Sculpture and Red Rocks, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33081

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693

Max Ernst, Maternity (Study for Surrealism and Painting), 1942, Pencil and chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36973

Ken Kiff, Sequence 68: Visiting Hell in a Boat, (1973), Synthetic polymer paint and Kraft paper tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36919

David Hockney, Billy Wilder, 1976, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P07239

Jean Dubuffet, Le Gommeux, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36939

Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819

Jean (Hans) Arp, Plate (folio 4) from 10 Origin, 1942, Woodcut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19631

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678

Balthus (Baltusz Klossowski de Rola), Study for Nude with Cat, (c. 1949), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36570

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702

Albert Gleizes, Composition from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1945), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31871

David Hockney, Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford, 1972, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T11897

Henri Matisse, Cover design for exhibition catalogue Henri Matisse, 1951, Gouache on paper, cut-and-pasted, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36808

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34088

Francis Picabia, A Little Solitude in the Midst of Suns (Petite solitude au milieu des soleils) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1915), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31864

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740

Bridget Riley, Scale Study for Cataract Series, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38161

David Hockney, Portrait of Mother I, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20124

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752

David Hockney, Portrait of Mother II, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20123

David Hockney, Study for Dollboy, 1960, Chalk on paper, Tate, London. https://dartabase.art/cite/tate/T11898

Jean Dubuffet, Black Earth (Terres noires), 1955, Cut-and-pasted paper with ink transfer on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33136

David Hockney, Woman with a Sewing Machine, 1954, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P13001

David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726

Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669

Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263

Hamish Fulton, Mountain Skyline Fourteen Days Walking Fourteen Nights Camping Wind River Range Wyoming 1989, 1989, Pencil and soil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37307

Raoul Dufy, The Artist's Studio, (c. 1942), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34423

David Hockney, Zanzibar with Postcards, Sea, Tiresias and Husbands. Mise-en-scène for the opera Les Mamelles de Tirésias, 1979, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35120

Jean Dubuffet, Meal for Four III, (May 2) 1962, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38575

Rachel Whiteread, Drawing for Water Tower, VII, (1997), Varnish and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38726

Fernand Léger, The Constructors, 1951, Gouache and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38258

Jean Dubuffet, Bowery Bum, (December) 1951, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33562

David Hockney, Red Celia, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20109

Peter De Francia, The Disparates, 1970, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38279

Gilbert & George, George the Cunt and Gilbert the Shit, 1969, 2 photographs, colour, on paper on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00170

Georges Mathieu, [Untitled], 1958, Colored ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37575

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768

Hans Hartung, [Untitled], 1960, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34907

David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564

Balthus (Baltusz Klossowski de Rola), A Young Girl, 1947, Chalk on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33043

Bernard Joubert, [Untitled], 1973, Chalk and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36030

Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178

Jean-Michel Atlan, Realm (Royaume), 1957, Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33712

Édouard Pignon, Ostend, 1948, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35818

Gary Hume, [Untitled], 1991, Oil and pencil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36624

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675

Gilbert & George, Light Headed, 1991, 15 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00504

David Hockney, 2. Meeting the Good People (Washington), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07031

Gaston Chaissac, [Untitled], 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36775

Henri Matisse, Seated Woman with Vase of Tulips, 1940, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38096

Cecil Stephenson, Composition I: Gray, Blue and Brown, 1939, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38352

Sonia Delaunay, Plate (folio 8) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19635

Jean Dubuffet, Table Laden with Objects (Table chargée d'objets), 1951, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33559

Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174

Lucian Freud, The Painter’s Mother, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07783

Lucian Freud, Bella in her Pluto T-Shirt, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20165

Balthus (Baltusz Klossowski de Rola), Study for the painting La Chambre Turque, 1963, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37888

David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20137

Sam Szafran, Man Asleep, 1966, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35024

Rachel Whiteread, Drawing for Water Tower, IV, (1997), Color photographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38723

David Hockney, Portrait of Mother III, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20119

Auguste Herbin, Jour (Day), 1953, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38226

Takis, Plant and Rocket, 1960, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36322

Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33636

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714

David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575

Lucian Freud, The Painter’s Mother IV, 1973, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12619

Nicola Tyson, Untitled #7, 1997, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35105

David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074

Hugh O'Donnell, Body Echo 26, 1990, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37326

Jean Dubuffet, Pisseur à Droite X, 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33651

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Crayon, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33892

David Hockney, 5a. Viewing a Prison Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07038

David Hockney, A Picture of Two Chairs, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20125

Henri Matisse, Self-Portrait, 1945, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38159

Jean Dubuffet, Baptism of Fire (Baptême du feu), 1959, Pasted leaves with oil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37485

Max Ernst, The Bell Ringer and Map of the Ocean (Le Sonneur et Carte de l'océan), 1950, Two etchings, one inkless, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12359

Takis, Animal and Rocket, 1960, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36316

David Hockney, Cecil Hotel, 1963, Crayon, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36785

Rachel Whiteread, Drawing for Water Tower, II, (1997), Correction fluid, varnish, pencil, and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38721

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730

David Hockney, Table Flowable, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20135

André Masson, Myself Drawing Dante, 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34533

David Hockney, Views of Hotel Well I, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20118

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729

Frank Auerbach, Head of Catherine Lampert VI, 1979–80, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36886

David Hockney, The Wave, A Lithograph, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20132

David Hockney, My Parents, 1977, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03255

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699

David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289

Richard Hamilton, Four Self Portraits - 05.3.81, 1990, Oil paint and enamel on cibachrome print on 4 canvases, Tate, London. https://dartabase.art/cite/tate/AR00141

Jean Dubuffet, Tumultuous Landscape (Paysage agité), 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35630

Jean Dubuffet, Shadows Cast in the Pine Forest, June 3, 1944, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33507

David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563

Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672

David Hockney, Hotel Acatlan: Two Weeks Later, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20121

André Masson, The Fruits of the Abyss (Les Fruits de l'abîme) from VVV Portfolio, 1942, published 1943, Etching from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32010

David Hockney, Caribbean Tea Time, 1987, Lithograph, screenprint, printed paper and stencil on paper on 4 panels, Tate, London. https://dartabase.art/cite/tate/P20129

David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254

Henri Michaux, Mescaline Drawing, 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38081

Jean Dubuffet, Stone Transcription (Transcription aux pierres), 1958, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33611

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725

Christian Bérard, Costume studies for the play The Madwoman of Chaillot, 1945, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33004

Jean Dubuffet, Personage, June 29, 1944, Ink on gessoed board with incising, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33512

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Oil, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33914

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684

Gilbert & George, To Be With Art Is All We Ask..., 1970, Triptych: Charcoal and wash on partially charred folding sheets of paper in cardboard box, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36585

Jean Dubuffet, Verbal Agreement: Six Figures, 1966, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38579

David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719

Lucian Freud, Francis Bacon, 1952, Oil paint on metal, Tate, London. https://dartabase.art/cite/tate/N06040

David Hockney, Bob, London, 1964, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07295

Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901

Auguste Herbin, Project for a Painting, c. 1955, Pencil, crayon, and ink on transparentized paper (recto); Pencil on transparentized paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38227

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754

Jean Dubuffet, Body of a Lady (Corps de dame), 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33550

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761

David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20138

Jean Dubuffet, The Visitors Welcomed, August 1949, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33529

David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20136

David Hockney, Mexican Hotel, Acatlan, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20107

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711

Colin Self, Sofa, 1964, Colored pencil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36820

Jean Dubuffet, Costume for Cuckoo Bazaar, (1972), Ink on cut-and-pasted papers on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37561

David Hockney, For John Constable, 1976, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P03184

Rachel Whiteread, Drawing for Water Tower, VIII, (1997), Varnish and pencil on black and white photograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38727

David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Coloured pencil on paper, Tate, London. https://dartabase.art/cite/tate/T01517

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753

David Hockney, Pembroke Studio Interior, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20106

Fernand Léger, Mechanical Period (Époque mécanique) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1919), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31861

David Hockney, Myself and my Heroes, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07352

Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668

Victor Vasarely, Study for Deuton RB, 1966, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33440

David Hockney, An Image of Ken, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20120

Jean Dubuffet, Facade, 1951, Watercolor on gesso on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38742

André Breton, Poème-Objet from VVV Portfolio, 1942, published 1943, Postcard, thread, sequins, and ink on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32001

Gilbert & George, Thirst, 1982, 16 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00174

Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177

Henry Moore, Ideas for Two-Figure Sculpture, 1942, dated 1944, Crayon, ink, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35057

David Hockney, Views of Hotel Well III, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20115

Allen Jones, Study for Bus Series, (1966), Chalk, crayon, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33208

Lucian Freud, Girl with a Kitten, 1947, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12617

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735

Lucian Freud, Woman with an Arm Tattoo, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11508

David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288

Jean Ipoustéguy, Study for Man, 1963, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33403

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728

Auguste Herbin, Composition, (1941), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38225

David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269

David Hockney, Ready Cleaners, 1966, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34032

David Hockney, Mirror, Mirror on the Wall, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11377

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34111

Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157

David Hockney, An Image of Celia, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20116

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759

David Hockney, 8. Meeting the Other People, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07043

Rachel Whiteread, Study for Wax Floor, 1992, Oil crayon, correction fluid, felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35122

Jean Dubuffet, Woman Ironing a Shirt, I, (December 1951), Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33581

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706

Eduardo Paolozzi, Week by Week, c. 1944, Cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36459

Anish Kapoor, [Untitled], 1988, Oil and emulsion on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37297

David Hockney, 3a. The Seven Stone Weakling, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07034

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682

Jean Dubuffet, René Bertelé, (July-August) 1947, Ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34980

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764

Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763

Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180

Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689

Jean Dubuffet, Cow, (December) 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33584

Eduardo Paolozzi, Futurism at Lenabo, 1964, Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38801

Eduardo Paolozzi, Study for Sculpture, 1950, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35107

David Hockney, Pembroke Studio with Blue Chairs and Lamp, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20111

Jean Dubuffet, Epidermis (Épiderme), 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38565

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708

David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315

David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566

David Hockney, 7. Disintegration, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07041

Jean Dubuffet, Algebra of Uncertainty (L’Algèbre des incertitudes), 1964, Synthetic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38576

Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692

Eduardo Paolozzi, Wittgenstein in N.Y., 1964, Cut-and-pasted printed paper and cut-and-pasted gelatin silver prints on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38800

Jean Dubuffet, Cyclist with Five Cows, (July) 1943, Gouache, watercolor and brush and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38568

César (César Baldaccini), [Untitled], 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36136

Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176

Fernand Léger, Circus Family, 1941, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37209

Bernard Joubert, [Untitled], 1973, Chalk and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36023

Rachel Whiteread, Drawing for Water Tower, V, (1997), Tape, ink, varnish and correction fluid on color photographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38724

Henry Moore, Seated and Reclining Figures, 1942, Watercolor, pencil, crayon, chalk, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34061

Lucian Freud, Narcissus, 1948, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T11793

Jean Dubuffet, Pollination of Palm Trees (Fécondation des palmiers), 1948, Distemper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38569

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717

Rachel Whiteread, Drawing for Water Tower, VI, 1997, Varnish, ink, and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38725

Richard Long, River Avon Mud drawings, Ten Mud-dipped papers, 1988, 10 works on paper, mud, Tate, London. https://dartabase.art/cite/tate/AR00616

Jean Dubuffet, Two Automobiles: Ford, Citroen, June 18, 1961, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38572

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769

Max Ernst, Untitled (The Bird People) from VVV Portfolio, 1942, published 1943, Crayon on paper from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32008

David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571

John Walker, Form as Hook, 1985–87, Synthetic polymer paint, chalk ,and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36453

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683

David Hockney, Drawing for Ubu Roi, Cave Scene, 1966, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38299

Jacques Villeglé, 122 rue du temple, 1968, Torn-and-pasted printed paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35414

Lucian Freud, Naked Portrait, 1972–3, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01972

Richard Long, Cornish Slate Ellipse, 2009, Slate, Tate, London. https://dartabase.art/cite/tate/AR00703

Richard Long, Walking a Straight 10-Mile Line, Dartmoor, England, 1970, Typewriting on cut-and-pasted paper, cut-and-pasted printed map, and gelatin silver print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36644

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676

David Hockney, 7a. Cast Aside, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07042

David Hockney, Twelve Fifteen, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20139

Jean Dubuffet, Limbour, (November-December 1946), Charcoal and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33831

William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750

David Hockney, 6. Death in Harlem, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07039

Charles Hossein Zenderoudi, K+L+32+H+4. Mon père et moi (My Father and I), 1962, Felt-tip pen, colored ink, crayon, and metallic paint on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36253

André Fougeron, Studies of a Dead Cock, 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35457

Jean Dubuffet, Evolving Portrait (Portrait aux développements), 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33567

David Hockney, Patrick Procktor in New York, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38777

Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182

Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694

Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177

David Hockney, The Third Love Painting, 1960, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/T06468

Jean Dubuffet, Cow, December 1954, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33588

Zao Wou-ki, Sans titre (Untitled), 1980, Brush and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37853

David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497

Lucian Freud, Boy Smoking, 1950–1, Oil paint on copper, Tate, London. https://dartabase.art/cite/tate/T12618

Jean Dubuffet, Typewriter III, 1964, Felt-tip pen and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38577

David Hockney, Walking Past Two Chairs, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20117

Jean Dubuffet, Post at the Foot of a Wall (Pied du mur au poteau), 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33598

Fernand Léger, La partie de campagne, 1950, Gouache und Feder (?) in Schwarz, etwas Bleistift, über Quadrierung mit Bleistift, auf Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128569

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765

Jean Dubuffet, Bedouin, Chevrier, 1948, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35138

Auguste Herbin, Madman (Fou) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953, One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31872

Lucian Freud, Man Posing, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77182

Max Ernst, Alice in 1941, 1941, Oil on paper on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38542

André Breton, Poème-Objet from VVV Portfolio, c. 1942, Postcard, thread, sequins, and ink on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33217

David Hockney, Two Pembroke Studio Chairs, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20103

Philip John Martin, Painting, Positano, 1953, Enamel on paper on canvas over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35567

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766

David Hockney, 4a. Marries an Old Maid, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07036

David Hockney, Père Ubu: Polish Army, 1966, Crayon, pencil and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38818

Jean Dubuffet, Landscape with Figure (Paysage avec personnage), 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33634

David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572

David Hockney, Celia, 1973, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11498

Henri Matisse, Self-Portrait, 1945, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37669

Lucian Freud, Woman Sleeping, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11507

Jean Dubuffet, Eater (Mangeur), 1954, Oil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37907

David Hockney, Number One Chair, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20126

Ben Nicholson, [Untitled], 1962, Pencil and oil paint [?] on paper on painted masonite, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35177

Jean Dubuffet, Michel Tapié, 1946, Gouache and charcoal on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33523

David Hockney, Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash, 1978–80, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12116

Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866

Sam Szafran, [Untitled], 1971, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34229

Eduardo Paolozzi, Composition, 1951, Collage of cut and pasted serigraphs, printed in dye, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35116

André Masson, Praying Mantis, c. 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37492

Allen Jones, The Empress's New Clothes. Costume design for the theatrical revue Oh! Calcutta!, May 1970, Colored pencil, ballpoint pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35982

André Masson, Gérard de Nerval, 1940, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34548

Jean Dubuffet, Jean Fautrier, (July-August) 1947, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35459

David Hockney, 5. The Election Campaign (with Dark Message), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07037

Victor Vasarely, [Untitled], 1940, Collage of cut-and-pasted, black and painted wove papers on painted, ivory wove paper, laid down on tan board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196132

Allen Jones, Studies for Lithographs, (1966), Ballpoint pen, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37964

William Scott, Still Life with Strainer, 1956, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36533

David Hockney, 1a. Receiving the Inheritance, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07030

André Masson, Pasiphaë, 1945, Pastel on black paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36754

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745

Richard Hamilton, The Solomon R. Guggenheim -- Architect's visual, 1965, Crayon, pastel, synthetic polymer paint, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38748

Peter Doig, Echo Lake, 1999, Oil and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36574

Henri Michaux, [Untitled], 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33256

Lucian Freud, Head and Shoulders of a Girl, 1990, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77472

David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573

David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716

Henri Matisse, Maquette for Nuit de Noël, 1952, Gouache on paper, cut-and-pasted on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36817

David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T01516

Sonia Delaunay, Colored Rhythm, 1953, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38196

Jean Dubuffet, Arab, 1948, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35443

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697

André Masson, Werewolf, (1944), Pastel and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34438

Lucian Freud, David Dawson, 1998, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11520

Henri Matisse, Nature morte (Stillleben mit Kupferkessel), 1941, Feder in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19809

Lucian Freud, Head of a Woman, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07782

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718

Lucian Freud, Blond Girl, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77186

Henri Matisse, Cover design for Matisse: His Art and His Public, 1951, Cut-and-pasted painted paper with ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36802

Victor Vasarely, CTA-104-E, 1965, Synthetic polymer and metallic paint on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35099

Jean Dubuffet, Design for dust jacket for The Work of Jean Dubuffet, (1961), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34130

Max Ernst, The Bell Ringer or Map of the Ocean (Le Sonneur ou Carte de l'océan), 1950, Etching, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10140

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744

Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671

Jean Dubuffet, Landscape with Three Figures, (November 26) 1961, Cut-and-pasted papers, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33666

Jean Dubuffet, Ties and Whys: Landscape with Figures (Liaisons et raisons: paysage avec personnages), 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33577

Lucian Freud, Head of a Woman, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11510

Jean Dubuffet, Body of a Lady (Corps de dame), 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33546

Colin Self, Woman in a Fur Coat and Tulip, 1964, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38821

Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173

Jacques Prévert, The Window of Isis, 1957, Cut-and-pasted printed paper on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36034

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701

Henry Moore, Girl Reading, 1947, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34646

Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179

Henry Moore, Seated Figures, II, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33648

Yves Klein, Untitled (fire-color painting), 1962, Charred dry pigment in synthetic resin with metallic paint on asbestos-coated paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34571

Colin Self, Drive, He Said, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34231

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760

Jean Dubuffet, Figure with Hat in a Landscape (Personnage au chapeau dans un paysage), 1960, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33642

Balthus (Baltusz Klossowski de Rola), Study for The Room, 1949, Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35652

Jean (Hans) Arp, Constellation from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1928), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31859

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696

Sonia Delaunay, Gouache from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1950), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31870

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741

Eduardo Paolozzi, He Must, So To Speak, Throw Away The Ladder, 1965, Collage of cut-and-pasted papers, and pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38798

David Hockney, An Image of Gregory, 1984–5, 2 lithographs on paper, Tate, London. https://dartabase.art/cite/tate/P20114

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713

Lucian Freud, Girl with Leaves, 1948, Pastel on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35462

Lucian Freud, Man with a Thistle (Self-Portrait), 1946, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00422

Lucian Freud, Girl with a White Dog, 1950–1, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/N06039

Eduardo Paolozzi, Title Page, 1965, Collage of cut-and-pasted papers, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38803

Jean Dubuffet, Message: "The Key is Under the Shutter" (Message: "La Clef est sous le volet"), (1944), Ink, colored ink, and oil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33881

Jean Dubuffet, Four Bedouins with an Overloaded Camel, January-April 1948, Glue tempera on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38271

David Hockney, Czar, 1966, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33360

David Hockney, White Porcelain, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20127

Lucian Freud, Large Head, 1993, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20141

Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33644

Gilbert & George, Existers, 1984, 28 photographs, gelatin silver print on paper with dye and silver leaf on board, Tate, London. https://dartabase.art/cite/tate/AR00505

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674

Rachel Whiteread, Drawing for Water Tower, I, 1997, Graphite with cut-and-pasted color photocopy, varnish and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38720

David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570

John Golding, Drawing 80/10, 1980, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35111

Eduardo Paolozzi, Wittgenstein at the Cinema Admires Betty Hutton, 1965, Collage of cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38799

David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296

Sonia Delaunay, Color Rhythm No. 1921-1973, 1973, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38198

David Hockney, Four Flowers in Still Life, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20131

David Hockney, 40 Snaps of my House, August 1990, 1990, Digital print on paper, Tate, London. https://dartabase.art/cite/tate/P20140

David Hockney, An Image of Celia Study, 1986, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20128

Nicola Tyson, Untitled #13, 1997, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35113

David Hockney, 2a. The Gospel Singing (Good People) (Madison Square Garden), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07032

Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181

David Hockney, 6a. The Wallet Begins to Empty, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07040

Camille Bryen, Imaginary Structure (Structure imaginaire), 1948, Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35442

Gilbert & George, Fallen Leaves, 1980, 16 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00171

Raymond Mason, Studies For Sculpture, 1963, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38782

David Hockney, Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007, Oil paint on 50 canvases and 100 digital prints on paper, Tate, London. https://dartabase.art/cite/tate/T12887

Richard Long, [Untitled], 1992, Mississippi mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37189

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698

Lucian Freud, Kai, 1992, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20100

Bill Jacklin, Benedictine, 1970, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37444

Jean Cortot, Homage à William Blake, 1985, Synthetic polymer paint, watercolor, cut-and- pasted paper, and printing ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34099

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743

Richard Long, River Avon Book, 1979, Book with mud on paper, Tate, London. https://dartabase.art/cite/tate/AR00144

Balthus (Baltusz Klossowski de Rola), Study of a Nude, (1964), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37884

David Hockney, 3. The Start of the Spending Spree and the Door Opening for a Blonde, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07033

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739

David Hockney, Mo with Five Leaves, 1971, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P07238

David Hockney, Celia with Green Hat, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20110

Vasily Kandinsky, Gray (Gris) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1931), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31873

David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685

Jean Dubuffet, Textural Transcription I (Transcription texturologique I), 1958, Ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33617

Chris Ofili, Prince Amongst Thieves with Flowers, 1999, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36642

Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688

Gilbert & George, Family Tree, 1991, 18 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00175

Peter De Francia, Illustration for Aimé Césaire's Diary of a Return to the Native Country, 1978, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38277

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742

Lucian Freud, Girl in a Striped Nightshirt, 1983–5, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T13719

Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01061

Jean Dubuffet, Gaston Chaissac, 1947, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37464

David Hockney, Hotel Acatlan: Second Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20113

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712

Jacques Villon, Small Cubist Painting (Petite peinture cubiste) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1921), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31867

Gaston Chaissac, [Untitled], 1945–46, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34433

Jean Dubuffet, Tree (L'arbre), 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33603

David Hockney, 8a. Bedlam, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07044

Jean Dubuffet, Stairs III, 1966, Felt-tip pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38581

Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33653

Fernand Léger, Face and Hands, 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33238

Jean Dubuffet, Six Characters, Landscape Background, 1961, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35848

Jean Dubuffet, Body of a Lady (Corps de dame), 1950, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33554

Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738