Richard Long, A Line Made by Walking, 1967, Photograph, gelatin silver print on paper with graphite on board, Tate, London. https://dartabase.art/cite/tate/AR00142 W. Koenigstein, A Rather Ordinary, Vulgar Thought, 1980, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36924 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32679 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32758 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32686 Nigel Hall, Drawing #229, 1981, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38219 David Hockney, Eine (Part I), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20134 Richard Long, In the Cloud, 1991, Screenprint on board, Tate, London. https://dartabase.art/cite/tate/AR00143 Eduardo Paolozzi, Tortured Life, 1964, Cut-and-pasted printed paper with cut-and-pasted gelatin silver prints and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33290 F. L. Griggs, Landscape with Castle, 1921, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7431 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32767 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32737 Heinrich Kühn, Frau vor dem Spiegel, 1906, Gummidruck in Rotbraun, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102608 Oskar Kokoschka, The Clear Face (Das reine Gesicht) (plate 12) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10597 Eduardo Paolozzi, Wittgenstein as Soldier, 1964, Cut-and-pasted gelatin silver prints on transparentized paper over cut-and-pasted printed paper and gelatin silver prints on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38802 David Hockney, 4. The Drinking Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07035 Lucian Freud, Two Plants, 1977–80, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03105 Eduardo Paolozzi, The Offspring of Eos, (c. 1961), Cut-and-pasted printed paper on printed paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34724 Lucian Freud, Standing by the Rags, 1988–9, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T05722 David Hockney, My Bonnie Lies Over the Ocean, 1961–2, Etching, aquatint and stamp on paper, Tate, London. https://dartabase.art/cite/tate/P07353 David Hockney, Très (End of Triple), 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20133 Max Beerbohm, Ford Madox Brown being Patronized by Holman Hunt, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01043 David Hockney, Portrait, 1966, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34018 Gustav Klimt, Standing Woman in Kimono (Dame im Kimono), 1917–18, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33633 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Gouache and ink on transparentized paper over synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33923 Lucian Freud, Head of a Man, 1986, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33435 William Roberts, The Wedding, (c. 1920), Watercolor, ink, pencil, and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37768 Gerald Laing, Follow Me from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17183 Gilbert & George, Faith Drop, 1991, 15 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00176 Juan Downey, Drawing for With Energy Beyond These Walls, 1969, Pencil, crayon, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34928 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32748 Gustav Klimt, Reclining Nude with Drapery, Back View, 1917–1918, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334905 Oskar Kokoschka, Woman Triumphs over Corpse (Das Weib triumphiert über den Toten) (plate 11) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10596 Eduardo Paolozzi, Memory Core Units from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32695 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32687 Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35757 David Hockney, 1. The Arrival, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07029 David Hockney, Tyler Dining Room, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20122 Max Beerbohm, The Man from Hymettus. Mr Frederick Leighton, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01057 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32709 Bridget Riley, Study for Painting, (12011-DG), 1965, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38326 Elisabeth Frink, Study for Judas, 1963, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37261 David Hockney, Kaisarion and All his Beauty, 1961, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11376 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32704 David Hockney, Queen, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11495 Roberto Matta, Endless Nude, 1938, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35068 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32670 Alfred Kubin, The Emperor of China, (c. 1910), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37547 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01063 F. L. Griggs, Garden House, 1909, graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7427 David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T01515 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01062 John Northcote Nash, The Storm, (1914), Crayon, watercolor, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34672 David Hockney, Water Pouring into Swimming Pool, Santa Monica, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11378 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32751 Gustav Klimt, Three Courtesans (Drei stehende Frauenakte), c.1907–10, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33119 Oskar Kokoschka, The Apple of Eve (Der Apfel der Eva) (plate 6) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10602 Rachel Whiteread, Drawing for Water Tower, III, 1997, Graphite, varnish, gouache and ink on graph paper with cut-and-pasted color photo copy, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38722 David Hockney, White Lines Dancing in Printing Ink, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20130 Richard Hamilton, Study for The Solomon R. Guggenheim, 1965, Ink and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33192 Joe Tilson, Ziggurat, 1966, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33350 Oskar Kokoschka, Couple in Candlelight (Das Paar im Kerzenlicht) (plate 5) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10601 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32673 Max Beerbohm, The Small Hours in the ‘Sixties at 16 Cheyne Walk, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01048 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32700 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32747 Gilbert & George, Hunger, 1982, 16 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00173 Nemesio Antúnez, Untitled (plate, folio 4) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14485 Gustav Klimt, Reclining Woman (Liegender Halbakt), c. 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37504 F. L. Griggs, North Marston Church, 1909, pen and black ink with brown wash on paperboard, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7429 Patrick Procktor, Tangier, 1968, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34873 Oskar Kokoschka, Encounter (Begegnung) (plate 9) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10605 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32681 Alfred Kubin, Christ's Entry into Jerusalem (Der Einzug in Jerusalem), (1923), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37522 Nemesio Antúnez, Untitled (plate, folio 2 verso) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14483 Alfred Kubin, Homecoming (Heimkehr), (c. 1924), Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37536 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32746 Eduardo Paolozzi, Donald Duck Meets Mondrian from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32691 Lucian Freud, Leigh Bowery, 1991, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T06834 Oskar Kokoschka, Jerusalem Faces, (1973–1974, prints executed 1973), Portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14273 David Hockney, He Enquired After the Quality, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77565 Gustav Klimt, Seated Woman (Sitzend nach rechts, Halbbild), c. 1915, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32991 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32756 Richard Long, Nile (Papers of River Muds), 1990, Book, Tate, London. https://dartabase.art/cite/tate/AR00599 Graham Sutherland, Thorn Head, 1945, Gouache, chalk, and ink on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34449 Leon Kossoff, Pilar No. 1, 1988, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35229 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32749 Anish Kapoor, [Untitled], (1990), Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37293 Max Beerbohm, Rossetti, having just had a fresh consignment of ‘stunning’ fabrics ... tries hard to prevail on his younger sister to accept ... one, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01050 David Hockney, Lillies, 1970–1, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06290 David Hockney, Amaryllis in Vase, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20105 David Hockney, Mise-en-scène for the opera The Rake's Progress, 1975, Ink, felt-tip pen, and cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35969 Eduardo Paolozzi, Cover for a Journal from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32690 Max Beerbohm, Mr William Bell Scott Wondering What It is Those Fellows Seem to See in Gabriel, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01056 Claudio Bravo, White Package, 1967, Chalk, conté crayon, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38562 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32732 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32757 Reg Butler, Head and Shoulders, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34026 David Hockney, The Perspective Lesson, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20104 Lucian Freud, Girl with a Fig Leaf, 1947, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P77265 David Hockney, Tea Painting in an Illusionistic Style, 1961, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T07075 David Hockney, Portrait of Peter, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38597 Lynn Chadwick, Studies for Balanced Sculpture, (1952), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33065 Max Beerbohm, British Stock and Alien Inspiration, 1849, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01039 Vanessa Bell, Composition, c. 1914, Gouache, watercolor, and colored paper on cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33091 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32723 Richard Deacon, [Untitled], 1990, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37150 Gilbert & George, CRUSADE, 1980, 16 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00172 David Hockney, House Doodle, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20108 Egon Schiele, Woman with Slipper (Frau mit Hausschuh), 1917, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33271 Edward Burra, Bal des Pendus, 1937, Watercolor on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35434 Bridget Riley, Study, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38162 Henry Moore, Sculpture and Red Rocks, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33081 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32693 Ken Kiff, Sequence 68: Visiting Hell in a Boat, (1973), Synthetic polymer paint and Kraft paper tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36919 David Hockney, Billy Wilder, 1976, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P07239 Hermann Nitsch, [Untitled], 1991, Oil on paper on linen, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36236 Patrick Procktor, Powder Room, 1966, Watercolor, felt-tip pen, pencil, ink, gold pencil, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33819 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32721 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32707 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32678 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32702 David Hockney, Portrait of the Artist’s Mother, Mrs Laura Hockney, Bradford, 1972, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T11897 Wyndham Lewis, Roman Actors, (1934), Watercolor, gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33170 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32740 Nemesio Antúnez, Untitled (plate, folio 9) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14490 Gustav Klimt, Two Reclining Nudes, 1905–1906, Colored pencil, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334899 Max Beerbohm, Blue China, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01047 Bridget Riley, Scale Study for Cataract Series, 1967, Gouache and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38161 David Hockney, Portrait of Mother I, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20124 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32752 David Hockney, Portrait of Mother II, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20123 David Hockney, Study for Dollboy, 1960, Chalk on paper, Tate, London. https://dartabase.art/cite/tate/T11898 Juan Downey, A Clean New Race, 1970, Colored pencil, pencil, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37439 David Hockney, Woman with a Sewing Machine, 1954, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P13001 André Verlon (Willy Verkauf), No Escape?, 1958, Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33551 Walter Pichler, Silo, 1972, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34121 Wyndham Lewis, Cover design for The Enemy No. 1, (1926), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38828 David Hockney, In an Old Book, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77568 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32710 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32726 Eduardo Paolozzi, Moonstrips Empire News, 1967, Portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32669 Elizabeth Butterworth, Sue Lowell, 1977, Watercolor and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38263 Hamish Fulton, Mountain Skyline Fourteen Days Walking Fourteen Nights Camping Wind River Range Wyoming 1989, 1989, Pencil and soil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37307 David Hockney, Zanzibar with Postcards, Sea, Tiresias and Husbands. Mise-en-scène for the opera Les Mamelles de Tirésias, 1979, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35120 Rachel Whiteread, Drawing for Water Tower, VII, (1997), Varnish and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38726 David Hockney, Red Celia, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20109 Peter De Francia, The Disparates, 1970, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38279 Gilbert & George, George the Cunt and Gilbert the Shit, 1969, 2 photographs, colour, on paper on printed paper, Tate, London. https://dartabase.art/cite/tate/AR00170 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32720 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32768 David Hockney, Two Boys Aged 23 or 24, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77564 Gerald Laing, Two Tunnels from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17178 Gary Hume, [Untitled], 1991, Oil and pencil on newspaper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36624 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32675 Oskar Kokoschka, Teddy Kolleck Mayor of Jerusalem (plate 6) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14278 Gilbert & George, Light Headed, 1991, 15 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00504 David Hockney, 2. Meeting the Good People (Washington), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07031 Gustav Klimt, Standing Woman (Stehende Schwangere mit reich ornamentiertem Gewand nach rechts), c. 1905, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32979 Cecil Stephenson, Composition I: Gray, Blue and Brown, 1939, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38352 Nemesio Antúnez, Untitled (plate, folio 5) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14486 Gerald Laing, Witness, 1968, Portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17174 Erika Giovanna Klien, Book, 1926, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38297 Lucian Freud, The Painter’s Mother, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07783 Lucian Freud, Bella in her Pluto T-Shirt, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20165 David Hockney, Rampant, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20137 Egon Schiele, Standing Male Nude with Arm Raised, Back View, 1910, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35392 Oskar Kokoschka, The Path to the Grave (Der Weg ins Grab) (plate 4) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10600 Ernesto Fontecilla, Boceto para una estatua ecuestre (Sketch for an Equestrian Statue), 1967, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33142 Max Beerbohm, A Momentary Vision that Once Befell Young Millais, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01044 Rachel Whiteread, Drawing for Water Tower, IV, (1997), Color photographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38723 David Hockney, Portrait of Mother III, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20119 Oskar Kokoschka, Sheik Mustafa Khalil el-Ansari Chief Warden of the Mosque of Omar (plate 5) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14277 Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33636 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32705 F. L. Griggs, Cloitre St. Pierre, Avignon, 1922, red and black crayon on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7430 Spencer Frederick Gore, Study for the painting Inez and Taki, (1910), Pastel and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33830 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32714 David Hockney, Portrait of Cavafy II, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77575 Lucian Freud, The Painter’s Mother IV, 1973, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12619 Nicola Tyson, Untitled #7, 1997, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35105 David Hockney, Man in Shower in Beverly Hills, 1964, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03074 Luis Herrera Guevara, Self-Portrait (Autorretrato), 1933, Oil and gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33048 Hugh O'Donnell, Body Echo 26, 1990, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37326 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Crayon, ink, and pencil on transparentized paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33892 David Hockney, 5a. Viewing a Prison Scene, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07038 Oskar Kokoschka, Two Friends at the Weisser Hirsch (Zwei Freunde auf dem Weissen Hirsch), (1917), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35498 F. L. Griggs, Topiary Archway, 1910, charcoal and graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7432 Oskar Kokoschka, At the Crossroads (Am Scheidewege) (plate 7) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10603 David Hockney, A Picture of Two Chairs, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20125 Oskar Kokoschka, Moshe Dyan Minister of Defense (plate 4) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14276 Wyndham Lewis, A Hand of Bananas, (c. 1938), Gouache, watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36768 David Hockney, Cecil Hotel, 1963, Crayon, colored pencil, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36785 Rachel Whiteread, Drawing for Water Tower, II, (1997), Correction fluid, varnish, pencil, and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38721 Walter Pichler, Artistic Branch, 1972, Pencil and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34107 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32730 David Hockney, Table Flowable, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20135 Alfred Kubin, The Great Grandmother (Die Urgrossmutter), 1926, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34014 David Hockney, Views of Hotel Well I, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20118 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32729 Frank Auerbach, Head of Catherine Lampert VI, 1979–80, Charcoal and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36886 David Hockney, The Wave, A Lithograph, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20132 David Hockney, My Parents, 1977, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03255 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32699 David Hockney, The Print Collector (Portrait of Felix Man), 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06289 Richard Hamilton, Four Self Portraits - 05.3.81, 1990, Oil paint and enamel on cibachrome print on 4 canvases, Tate, London. https://dartabase.art/cite/tate/AR00141 David Hockney, Portrait of Cavafy in Alexandria, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77563 Wolfgang Paalen, Discovery of Infra-Space II, 1941, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37488 Eduardo Paolozzi, Colophon from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32672 David Hockney, Hotel Acatlan: Two Weeks Later, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20121 Walter Richard Sickert, Pimlico, 1909, Charcoal, watercolor, and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34956 David Hockney, Caribbean Tea Time, 1987, Lithograph, screenprint, printed paper and stencil on paper on 4 panels, Tate, London. https://dartabase.art/cite/tate/P20129 David Hockney, A Bigger Splash, 1967, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T03254 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32725 Nemesio Antúnez, Untitled (plate, folio 8) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14489 Claudio Bravo, The Skull, 1973, Conté crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35749 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Oil, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33914 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32762 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32684 Gilbert & George, To Be With Art Is All We Ask..., 1970, Triptych: Charcoal and wash on partially charred folding sheets of paper in cardboard box, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36585 Christopher Richard Wynne Nevinson, Study for The Departure of the Train de Luxe, (c. 1913), Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36986 David Hockney, Pacific Mutual Life, 1964, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11379 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32722 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32719 Lucian Freud, Francis Bacon, 1952, Oil paint on metal, Tate, London. https://dartabase.art/cite/tate/N06040 David Hockney, Bob, London, 1964, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07295 Arnulf Rainer, Untitled (Kleinzeug #45), (1974), Oil pastel and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35292 Max Beerbohm, Riverside Scene. Algernon Swinburne Takes his Great New Friend Gosse to See Gabriel Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01054 Richard Hamilton, The Solomon R. Guggenheim Museum, 1966, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33901 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32754 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32761 David Hockney, Deux (Second Part), 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20138 F. L. Griggs, Apse of St.-Didier, Avignon, 1922, graphite on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7428 Egon Schiele, Standing Girl Wrapped in Blanket, 1911, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34941 David Hockney, The New and the Old and the New, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20136 Oskar Kokoschka, The New Columbus and Saint George (Der neue Columbus und der heilige Georg) from The Bound Columbus (Der gefesselte Kolumbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10598 David Hockney, Mexican Hotel, Acatlan, 1984, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20107 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32711 Colin Self, Sofa, 1964, Colored pencil and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36820 David Hockney, For John Constable, 1976, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P03184 Rachel Whiteread, Drawing for Water Tower, VIII, (1997), Varnish and pencil on black and white photograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38727 David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Coloured pencil on paper, Tate, London. https://dartabase.art/cite/tate/T01517 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32734 Roberto Matta, Condors and Carrion (Condors y carroña), 1941, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33401 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32753 David Hockney, Pembroke Studio Interior, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20106 David Hockney, Myself and my Heroes, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07352 Egon Schiele, Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar), 1912, Watercolor, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33302 Eduardo Paolozzi, Title page from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32668 David Hockney, An Image of Ken, 1985, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20120 Ben Nicholson, Abstract Composition, 1936, Gouache on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38296 Walter Richard Sickert, Jack Ashore, (c. 1910), Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34963 Oskar Kokoschka, The Last Judgement (Das jüngste Gericht) (plate 3) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10599 Gustav Klimt, Half-figure of a Young Woman, 1918, Graphite., The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334895 Gilbert & George, Thirst, 1982, 16 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00174 Mario Carreño, Sugar Cane Cutters, 1943, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33609 Nemesio Antúnez, Untitled (plate, folio 7) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14488 Max Beerbohm, Rossetti Insistently Exhorted by George Meredith to Come Forth into the Glorious Sun and Wind for a Walk to Hendon and Beyond, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01052 Peter Blake, Little Sonny Summer, 1969, Watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33177 Henry Moore, Ideas for Two-Figure Sculpture, 1942, dated 1944, Crayon, ink, pencil, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35057 David Hockney, Views of Hotel Well III, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20115 Allen Jones, Study for Bus Series, (1966), Chalk, crayon, pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33208 Lucian Freud, Girl with a Kitten, 1947, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T12617 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32735 Lucian Freud, Woman with an Arm Tattoo, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11508 Max Beerbohm, Spring Cottage, Hampstead, 1860, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01045 David Hockney, Connoisseur, 1969, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P06288 Wyndham Lewis, [Untitled], 1912, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34245 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32728 Gustav Klimt, Standing Nude, 1906–07, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334898 David Hockney, Mr and Mrs Clark and Percy, 1970–1, Acrylic paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01269 Max Beerbohm, Rossetti’s Courtship, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01040 David Hockney, Ready Cleaners, 1966, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34032 David Hockney, Mirror, Mirror on the Wall, 1961, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11377 Alfred Kubin, Caliban from the portfolio Visions of Shakespeare (Shakespeare Visionen), (1918), Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/20236 Egon Schiele, Girl with Black Hair (Mädchen mit schwarzem Haar), 1911, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37567 Alfred Kubin, The Bride of Corinth (Die Braut von Korinth), 1932, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14220 Rory McEwen, Fritillaria Lanciolata, 1981, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35157 Max Beerbohm, The Name of Dante Gabriel Rossetti is Heard for the First Time in the Western States of America, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01060 David Hockney, An Image of Celia, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20116 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32733 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32677 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32759 David Hockney, 8. Meeting the Other People, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07043 Rachel Whiteread, Study for Wax Floor, 1992, Oil crayon, correction fluid, felt-tip pen and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35122 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32706 Eduardo Paolozzi, Week by Week, c. 1944, Cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36459 Arnulf Rainer, [Untitled], (1969), Oilstick, crayon, and watercolor with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36645 Henry Moore, Studies for Sculpture, 1934, Watercolor and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33657 Anish Kapoor, [Untitled], 1988, Oil and emulsion on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37297 Günter Brus, Informel Drawing (Informelle Zeichnung), 1960, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35597 Oskar Kokoschka, Seated Woman, 1921, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33539 David Hockney, 3a. The Seven Stone Weakling, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07034 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32724 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32682 Arnulf Rainer, Christus, (1969), Oilstick, charcoal, watercolor, gouache, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36637 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32764 Gerald Laing, Headers from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17175 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32727 Roger Fry, Vanessa Bell Painting, c. 1914, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33734 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32755 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32763 Gerald Laing, Screen from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17180 Eduardo Paolozzi, High Life from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32689 Max Beerbohm, Rossetti in his Worldlier Days Leaving the Arundel Club with George Augustus Sala, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01051 Eduardo Paolozzi, Futurism at Lenabo, 1964, Cut-and-pasted printed paper and gouache on cut-and-pasted gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38801 Roberto Matta, [Untitled], 1942, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38253 Eduardo Paolozzi, Study for Sculpture, 1950, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35107 David Hockney, Pembroke Studio with Blue Chairs and Lamp, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20111 Wyndham Lewis, Self-Portrait, (1920), Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36508 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32708 David Hockney, Cleanliness is Next to Godliness, 1964, Screenprint on paper, Tate, London. https://dartabase.art/cite/tate/P04315 David Hockney, To Remain, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77566 David Hockney, 7. Disintegration, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07041 Eduardo Paolozzi, Formica-Formikel from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32692 Eduardo Paolozzi, Wittgenstein in N.Y., 1964, Cut-and-pasted printed paper and cut-and-pasted gelatin silver prints on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38800 Max Beerbohm, Mr Morley ... introduces Mr John Stuart Mill, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01053 Gerald Laing, Two Players from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17176 Rachel Whiteread, Drawing for Water Tower, V, (1997), Tape, ink, varnish and correction fluid on color photographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38724 Henry Moore, Seated and Reclining Figures, 1942, Watercolor, pencil, crayon, chalk, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34061 Lucian Freud, Narcissus, 1948, Ink on paper, Tate, London. https://dartabase.art/cite/tate/T11793 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32717 Rachel Whiteread, Drawing for Water Tower, VI, 1997, Varnish, ink, and pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38725 Gustav Klimt, Reclining Nude, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334906 Richard Long, River Avon Mud drawings, Ten Mud-dipped papers, 1988, 10 works on paper, mud, Tate, London. https://dartabase.art/cite/tate/AR00616 Alfred Kubin, The Reciter (Der Rezitator), (c. 1923), Ink and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38685 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32769 David Hockney, The Beginning, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77571 Oskar Kokoschka, Seated Girl, (1922), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34085 John Walker, Form as Hook, 1985–87, Synthetic polymer paint, chalk ,and charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36453 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32683 David Hockney, Drawing for Ubu Roi, Cave Scene, 1966, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38299 Guillermo Núñez, Untitled (From the series: Diario de Vida de New York), 1965, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35770 Lucian Freud, Naked Portrait, 1972–3, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T01972 Richard Long, Cornish Slate Ellipse, 2009, Slate, Tate, London. https://dartabase.art/cite/tate/AR00703 Richard Long, Walking a Straight 10-Mile Line, Dartmoor, England, 1970, Typewriting on cut-and-pasted paper, cut-and-pasted printed map, and gelatin silver print on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36644 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32731 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32676 David Hockney, 7a. Cast Aside, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07042 Roberto Matta, [Untitled], 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35228 David Bomberg, Study for In the Hold, (1913), Charcoal and wash on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36905 David Hockney, Twelve Fifteen, 1991, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20139 Rodolfo Opazo, [Untitled], 1968, Colored pencil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38697 Wolfgang Paalen, Fumage, 1944–45?, Oil and candle soot on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33314 William Pye, Studies for Sculpture, 1967, Colored ink, watercolor and collage on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38807 Hundertwasser (Friedrich Stowasser), 420 La Foudre, 1959, Oil and plaster on paper on burlap, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37846 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32750 David Hockney, 6. Death in Harlem, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07039 David Hockney, Patrick Procktor in New York, 1966, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38777 Gerald Laing, Gold Standard from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17182 Eduardo Paolozzi, Erni and T. T. at St. Louis Airport from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32694 Gerald Laing, Chevelere Assigne from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17177 David Hockney, The Third Love Painting, 1960, Oil paint on hardboard, Tate, London. https://dartabase.art/cite/tate/T06468 Gustav Klimt, Two Studies for a Crouching Woman, 1914–15, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334901 Jacob Epstein, Study for The Rock Drill, (c. 1913), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37133 David Hockney, Celia, 1969, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P11497 Lucian Freud, Boy Smoking, 1950–1, Oil paint on copper, Tate, London. https://dartabase.art/cite/tate/T12618 David Hockney, Walking Past Two Chairs, 1984–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20117 Gustav Klimt, Reclining Nude with Drapery, c. 1912–13, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334903 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32765 Lucian Freud, Man Posing, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77182 David Hockney, Two Pembroke Studio Chairs, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20103 Philip John Martin, Painting, Positano, 1953, Enamel on paper on canvas over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35567 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32766 David Hockney, 4a. Marries an Old Maid, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07036 David Hockney, Père Ubu: Polish Army, 1966, Crayon, pencil and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38818 David Hockney, One Night, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77572 Arnulf Rainer, [Untitled], (1969–74), Oilstick on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35324 David Hockney, Celia, 1973, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P11498 Lucian Freud, Woman Sleeping, 1995, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11507 Max Beerbohm, D.G. Rossetti Precociously Manifesting ... that Queer Indifference to Politics ..., 1916–7, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01038 David Hockney, Number One Chair, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20126 Oskar Kokoschka, His Beatitude Benedictos I Greek Orthodox Patriarch of Jerusalem (plate 3) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14275 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35301 Ben Nicholson, [Untitled], 1962, Pencil and oil paint [?] on paper on painted masonite, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35177 Oskar Kokoschka, The Face of Woman (Des Gesicht des Weibes) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10593 David Hockney, Lithographic Water Made of Lines, Crayon and Two Blue Washes Without Green Wash, 1978–80, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P12116 Patrick Procktor, Cecil Beaton, 1967, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34866 Eduardo Paolozzi, Composition, 1951, Collage of cut and pasted serigraphs, printed in dye, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35116 Allen Jones, The Empress's New Clothes. Costume design for the theatrical revue Oh! Calcutta!, May 1970, Colored pencil, ballpoint pen, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35982 Nemesio Antúnez, Untitled (plate, folio 6) from Estadios y Cordilleras (Stadiums and Mountain Ranges), 1973, One from a portfolio with seven screenprints, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14487 David Hockney, 5. The Election Campaign (with Dark Message), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07037 Oskar Kokoschka, Woman Bent over Phantom (Weib über Schemen gebeugt) (plate 10) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10595 Allen Jones, Studies for Lithographs, (1966), Ballpoint pen, felt-tip pen and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37964 William Scott, Still Life with Strainer, 1956, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36533 David Hockney, 1a. Receiving the Inheritance, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07030 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32680 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32745 Franz West, Hangaround, (1997), Synthetic polymer paint and gouache on printed paper with cut-and-pasted printed paper, watercolor pan, and pressure-sensitive tape on board in painted wood frame, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37550 Richard Hamilton, The Solomon R. Guggenheim -- Architect's visual, 1965, Crayon, pastel, synthetic polymer paint, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38748 Peter Doig, Echo Lake, 1999, Oil and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36574 Max Beerbohm, Quis Custodiet Ipsum Custodem, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01058 Lucian Freud, Head and Shoulders of a Girl, 1990, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77472 David Hockney, In Despair, 1966, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77573 David Hockney, The Shop Window of a Tobacco Store, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77569 Gustav Klimt, Reclining Woman (Liegender Halbakt nach rechts), 1912–13, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38149 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32716 David Hockney, Study for ‘Mr and Mrs Clark and Percy’, 1970, Graphite on paper, Tate, London. https://dartabase.art/cite/tate/T01516 Max Beerbohm, Miss Cornforth: ‘Oh, very pleased to meet Mr Ruskin, I’m sure’, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01042 Hermann Nitsch, [Untitled], 1987, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36298 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32697 Lucian Freud, David Dawson, 1998, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11520 Gustav Klimt, Woman with Scarf (Dame im Dreiviertelprofil nach links, den Mund und einen Teil der Frisur durch Umhang verdeckt), c. 1910, Colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33171 Gustav Klimt, The Lovers, 1913, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334904 Lucian Freud, Head of a Woman, 1982, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P07782 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32718 Oskar Kokoschka, Dr. Shimon Agranat (plate 2) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14274 Lucian Freud, Blond Girl, 1985, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P77186 Oskar Kokoschka, Hugo Erfurth, c. 1920, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35566 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32744 Roberto Matta, Untitled from VVV Portfolio, 1942, published 1943, Watercolor and pencil from a portfolio of five etchings (one with aquatint), three duplicated drawings (two watercolor on paper and one crayon on paper), one collage, one engraving, and one gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32011 Roberto Matta, Fiery Landscape (Paysage Flammifére), 1940, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37663 Eduardo Paolozzi, Secrets of the Internal Combustion Engine from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32671 Max Beerbohm, Mr Browning Brings a Lady of Rank and Fashion to See Mr Rossetti, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01055 Arnulf Rainer, [Untitled], (1969–74), Oilstick and crayon with incising on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35315 Lucian Freud, Head of a Woman, 1996, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P11510 Colin Self, Woman in a Fur Coat and Tulip, 1964, Pencil and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38821 Gerald Laing, Trace from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17173 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32701 Oskar Kokoschka, Nude with Back Turned (In den Hüften nach links gedrehter weiblicher Rückenakt) (recto); Untitled (verso), 1909, Ink, gouache, and chalk on paper (recto); Ink, gouache, crayon and graphite on paper (verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37311 Henry Moore, Girl Reading, 1947, Watercolor, ink, crayon, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34646 Vanessa Bell, Decanter with Fruit, 1918, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33107 Gerald Laing, Glide from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17179 Henry Moore, Seated Figures, II, 1942, Crayon and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33648 Colin Self, Drive, He Said, 1965, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34231 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32703 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32760 Max Beerbohm, Woolner at Farringford, 1857, 1917, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01046 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32696 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32715 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32741 Eduardo Paolozzi, He Must, So To Speak, Throw Away The Ladder, 1965, Collage of cut-and-pasted papers, and pen and ink, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38798 David Hockney, An Image of Gregory, 1984–5, 2 lithographs on paper, Tate, London. https://dartabase.art/cite/tate/P20114 Max Beerbohm, John Singer Sargent, 1909, Watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35675 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32736 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32713 Lucian Freud, Girl with Leaves, 1948, Pastel on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35462 Lucian Freud, Man with a Thistle (Self-Portrait), 1946, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T00422 Lucian Freud, Girl with a White Dog, 1950–1, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/N06039 Robert Doxat, Static Mambo, 1960, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33395 Eduardo Paolozzi, Title Page, 1965, Collage of cut-and-pasted papers, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38803 David Hockney, Czar, 1966, Ink and crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33360 David Hockney, White Porcelain, 1985–6, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20127 Lucian Freud, Large Head, 1993, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20141 Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33644 Gilbert & George, Existers, 1984, 28 photographs, gelatin silver print on paper with dye and silver leaf on board, Tate, London. https://dartabase.art/cite/tate/AR00505 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32674 Rachel Whiteread, Drawing for Water Tower, I, 1997, Graphite with cut-and-pasted color photocopy, varnish and ink on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38720 David Hockney, In the Dull Village, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77570 John Golding, Drawing 80/10, 1980, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35111 Eduardo Paolozzi, Wittgenstein at the Cinema Admires Betty Hutton, 1965, Collage of cut-and-pasted paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38799 Oskar Kokoschka, The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10594 Wyndham Lewis, Standing Figure, 1912, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35225 David Hockney, Drawing for ‘Glass Table with Objects’, 1969, Graphite, crayon and gouache on paper, Tate, London. https://dartabase.art/cite/tate/T07296 David Hockney, Four Flowers in Still Life, 1990, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20131 David Hockney, 40 Snaps of my House, August 1990, 1990, Digital print on paper, Tate, London. https://dartabase.art/cite/tate/P20140 David Hockney, An Image of Celia Study, 1986, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20128 Nicola Tyson, Untitled #13, 1997, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35113 David Hockney, 2a. The Gospel Singing (Good People) (Madison Square Garden), 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07032 Gerald Laing, Three Axes from Witness, 1968, One from a portfolio of ten screenprints with collage additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/17181 David Hockney, 6a. The Wallet Begins to Empty, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07040 F. L. Griggs, The George Inn, Beaconsfield, 1908, pen and black ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7418 Gilbert & George, Fallen Leaves, 1980, 16 hand-coloured photographs, gelatin silver print on paper on board, Tate, London. https://dartabase.art/cite/tate/AR00171 Raymond Mason, Studies For Sculpture, 1963, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38782 David Hockney, Bigger Trees Near Warter Or/Ou Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique, 2007, Oil paint on 50 canvases and 100 digital prints on paper, Tate, London. https://dartabase.art/cite/tate/T12887 Richard Long, [Untitled], 1992, Mississippi mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37189 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32698 Lucian Freud, Kai, 1992, Etching on paper, Tate, London. https://dartabase.art/cite/tate/P20100 Bill Jacklin, Benedictine, 1970, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37444 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32743 Richard Long, River Avon Book, 1979, Book with mud on paper, Tate, London. https://dartabase.art/cite/tate/AR00144 David Hockney, 3. The Start of the Spending Spree and the Door Opening for a Blonde, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07033 Stanley Spencer, In the Nursery, (1936), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38814 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32739 David Hockney, Mo with Five Leaves, 1971, Intaglio print on paper, Tate, London. https://dartabase.art/cite/tate/P07238 Roberto Matta, Joan of Arc, 1942, Crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36247 David Hockney, Celia with Green Hat, 1984, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20110 Alfred Wallis, St. Ives Harbor, (c. 1932–33), Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38737 David Hockney, Beautiful and White Flowers, 1966, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P77574 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32685 Jacob Epstein, Study for The Rock Drill, (c. 1913), Chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33682 Oskar Kokoschka, Golda Meir (I) Prime Minister (plate 1) from Jerusalem Faces, (1973–1974, executed 1973), One from a portfolio of six lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14272 Chris Ofili, Prince Amongst Thieves with Flowers, 1999, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36642 Eduardo Paolozzi, The Silken World of Michelangelo from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32688 Oskar Kokoschka, Man with Raised Arms and the Figure of Death (Der Mann mit erhobenen Armen und die Gestalt des Todes) (plate 8) from The Bound Columbus (Der gefesselte Columbus), 1916 (executed 1913), Lithograph from a portfolio of twelve lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/10604 Gilbert & George, Family Tree, 1991, 18 photographs, gelatin silver print on paper with dye on paper mounted onto board, Tate, London. https://dartabase.art/cite/tate/AR00175 Peter De Francia, Illustration for Aimé Césaire's Diary of a Return to the Native Country, 1978, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38277 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32742 Lucian Freud, Girl in a Striped Nightshirt, 1983–5, Oil paint on canvas, Tate, London. https://dartabase.art/cite/tate/T13719 Reg Butler, Study for Head of Watcher, 1951–2, Graphite, crayon and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01061 Max Beerbohm, Topsy and Ned Jones Settled on the Settle in Red Lion Square, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01049 David Hockney, Hotel Acatlan: Second Day, 1984–5, Lithograph on paper, Tate, London. https://dartabase.art/cite/tate/P20113 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32712 Lawrence Atkinson, Abstract Composition, c. 1914, Pencil and pastel on gelatin silver print, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32994 David Hockney, 8a. Bedlam, 1961–3, Etching and aquatint on paper, Tate, London. https://dartabase.art/cite/tate/P07044 Jacob Epstein, Birth, 1913, Red crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37200 Richard Long, River Avon Mud Drawing, (1986), Mud on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33653 Günter Brus, Wunde Punkte, (1983), Mixed media on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37751 Eduardo Paolozzi, Untitled from Moonstrips Empire News, 1967, One from a portfolio of 101 screenprints (including title page and colophon), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32738 Max Beerbohm, The Sole Remark Likely to Have Been Made by Benjamin Jowett about the Mural Paintings at the Oxford Union, 1916, Graphite and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/A01041