Johann Theodor de Bry, Fountain of Youth, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6472 Johann Theodor de Bry, Army Train and Death, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6475 František Kupka, [Untitled], 1928, Gouache, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38252 Gerard de Lairesse, Hermes Ordering Calypso to Release Odysseus, c. 1670, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/156420 Hans Rudolf Manuel Deutsch, Kort over Basel, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22237 Hans Rudolf Manuel Deutsch, Kort over Paris, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22242 Jacob Jordaens, Susannah Crouching, c. 1640/1645, black and red chalk with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8069 Alberto Giacometti, [Untitled], (1965), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37264 Peter Paul Rubens, The Garden of Love (left portion), c. 1633–35, Pen, brown ink, brush and gray-green wash over traces of black chalk, touched with indigo, green, yellowish, and white paint, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334653 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22343 Tobias Stimmer, De romerske ambassadører vender hjem fra Karthago, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22280 Paul Bril, Landscape with Men Playing 'Mail à la Chicane', 1624, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.3 Tobias Stimmer, Appius Claudius føres til fængslet, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22311 Louis Soutter, Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive ), c. 1930–35, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37518 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22273 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22275 Louis Soutter, Esthètes juifs distants, c. 1930–1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37524 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22269 Crispijn de Passe (I), Satire over hygiejne, 1589–1688, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20983 Sir Anthony van Dyck, Bildnis des Hendrick van Steenwyck des Jüngeren, c. 1632–1635, Schwarze Kreide, grau laviert (teilweise weiß abgemischt), allseitige Einfassungslinie mit schwarzer Kreide, durchgegriffelt, auf geripptem Büttenpapier, mit geröteltem Verso, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19199 Flanders (Tournai), The Ship of Virtues, c. 1528–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.15 Tobias Stimmer, Theoxena og hendes familie dør til havs, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22340 José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634 Hans Holbein d. Ä., Abendmahl, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2755 Sonja Sekula, Untitled (Sketchbook), 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34743 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6457 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22287 Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146 Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22347 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22331 Adriaen Collaert, Christ and the Woman of Samaria, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4622 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040 Johann Heinrich Müntz, A Thems whery at London, c. 1760, Aquarell über Grafitstift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8215 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 Peter Paul Rubens, The Garden of Love (right portion), c. 1633–35, Pen and brown ink, brush and brown and green wash, heightened with light blue gouache, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334654 Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047 František Kupka, Girl with a Ball, c. 1908, Pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37352 Sir Anthony van Dyck, Virgin and Child with Saint Catherine of Alexandria, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436262 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22260 Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560 Gaspar de Crayer, The Meeting of Alexander the Great and Diogenes, 1605, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436048 Adriaen Collaert, Design for a Pendant with a Winged Sea-Monster Carrying Venus Anadyomene on a Shell and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5983 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6462 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22262 Hans Rudolf Manuel Deutsch, Kort over Bern, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22238 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22293 Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557 Sir Anthony van Dyck, Study Head of a Young Woman, c. 1618–20, Oil on paper, laid down on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436259 Alberto Giacometti, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36478 Tobias Stimmer, De romerske kvinder kræver, at Lex Oppia-loven ophæves, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22332 Sir Anthony van Dyck, A Man Mounting a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436263 Tobias Stimmer, Cincinnatus beordrer aequierne til at passere under åget, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22310 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 Jan Rombouts the Elder, The Holy Family in a Landscape, c. 1520/1535, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8765 Master FVB, Saint Simon, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3410 Adriaen Collaert, The Good Shepherd, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4623 Tobias Stimmer, Portræt af Stephan Brechtl, 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22252 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6447 Florence Henri, Construction bleu-rouge-noir, 1923, Gouache on cut-and-pasted paper, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38223 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22276 Paul Bril, Landschaft bei Tivoli, c. 1595–1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2127 Pieter van der Borcht (I), Gud åbenbarer sig for Abraham i skikkelse af en engel, og Abraham rejser, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1502 Sir Anthony van Dyck, Sir Peter Paul Rubens (1577–1640), 1600, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436265 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22342 Tobias Stimmer, Gaius Duillius vinder søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22325 Jost Amman, Gaspar de Coligny, 1573, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3643 Tobias Stimmer, De trehundrede og seks fabier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22321 José Leonilson, Sunset, Earthquake, Loneliness, 1990, Ink and metallic color on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34650 José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601 Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6454 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22344 Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36477 Miriam Cahn, Lesen im Staub, D.W.L. (Das Wilde Leben),, 1984, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34063 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune on an Urn Flanked by a River-God with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5982 Tobias Stimmer, Numa Pompilius inddeler året i tolv måneder, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22329 Studio of Marcus Gheeraerts the Younger, Portrait of Robert Devereux, Second Earl of Essex, 1599, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.24 Theodor de Bry, Venus, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4357 Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274 Tobias Stimmer, Horatius Cocles forsvarer Rom ved broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22304 Sir Anthony van Dyck, Philip, Lord Wharton, 1632, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/57 Tobias Stimmer, Tarquinius Priscus hugget til døde på sin trone, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22315 Stanislav Kolibal, [Untitled], (1975), Ballpoint pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34553 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22259 Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628 Louis Soutter, The Ascension (L'Ascension), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37346 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22298 Tobias Stimmer, Verginius for Appius Claudius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22309 Sir Anthony van Dyck, Portrait of a Man, c. 1618, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436254 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22335 Ottilie W. Roederstein, Bildnis des Malers Jakob Nussbaum, 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2977 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Tobias Stimmer, Kamp mellem horatier og curatier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22328 Tobias Stimmer, Symphonia, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22348 Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061 Alberto Giacometti, Man Reading a Book, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36488 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22281 Florence Henri, Black-White-Silver No. 11, 1921, Cut-and-pasted metallic foil and paper, pencil and gouache on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38222 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22297 Niklaus Manuel Deutsch, A Swiss Foot Soldier, early 16th century, Pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334801 Pieter Pannemaker I, The Crucifixion, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1608 Tobias Stimmer, Gaius Duillius besejrer Kartago i et søslag, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22284 Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558 Hans Holbein d. Ä., Stammbaum Christi (oberer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2699 Hans Holbein d. Ä., Dornenkrönung, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2704 Jan Frans van Bloemen, Landscape of the Roman ""Compagna"", c. 1700–1740 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1143 Alberto Giacometti, Annette, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37538 Theodor de Bry, Sun, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4356 Master FVB, Saint Judas Thaddaeus, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3411 Hans Holbein d. Ä., Austreibung der Wechsler aus dem Tempel, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2710 Jean Tinguely, Sketch for Homage to New York, 1960, Felt-tip pen and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33838 Pieter Serwouters, Bakkus' triumftog til Theben, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21524 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6455 Pieter Balten, The Dissolute Household, 1520, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4593 Master of the Boccaccio Illustrations, The Resurrection, c. 1470/1475, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8737 Sir Anthony van Dyck, A Genoese Lady with Her Child, c. 1623–25, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131819 Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37025 Tobias Stimmer, Tullia kører over sin fars lig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22316 Adriaen Collaert, The Parable of the Two Sons and the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4636 Stanislav Kolibal, [Untitled], (1975), Ballpoint pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34568 Hans Holbein d. Ä., Geißelung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2708 Hans Rudolf Manuel Deutsch, Kort over Koblenz, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22239 Sir Anthony van Dyck, Marchesa Balbi, c. 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/56 Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253 Tobias Stimmer, Marcus Atilius Regulus dræber en serpent i Afrika, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22286 Flanders (Bruges), Allegorical Millefleurs Tapestry with Animals, c. 1530–45, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/34.4 Flanders, Cuffs, 17th–18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/41.35.81a-d Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050 Adriaen Collaert, The Angel Telling Joseph to Flee and the Flight into Egypt, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4633 Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153 José Bernardo Cardoso Jr., Still Life with View of the Bay of Guanabara, 1937, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37738 Albert von Keller, Die Märtyrerin, c. 1892, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2891 Tobias Stimmer, Gaius Duillius vinder et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22263 Adriaen Collaert, Design for a Pendant with a Sea-Monster in a Shell Carrying a Triton and a Woman with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5985 José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22254 Frans Pourbus the younger, Portrait of a Noblewoman, 1617 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.377 Flanders, One of the Three Magi on a Millefleurs Ground, early 16th century, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/46.19.1 Peter Paul Rubens, The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34, Oil on gessoed wood (oak) panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/26.2 Léonard Defrance, The Forge, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436118 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6441 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6444 Gerard Edelinck, Nicolas de Blampignon, 1702, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6835 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Figures, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5980 Tobias Stimmer, Manius Acilius Glabrios triumftog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22330 Hans Holbein d. Ä., Fußwaschung Petri, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2711 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Hans Holbein d. Ä., Flügel des Frankfurter Dominikaneraltars, Innenseite (Passion Christi; Auferstehung), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102151 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22255 Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798 Tobias Stimmer, Scipio på knæ, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22267 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6459 Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789 Matthäus Merian the Elder, Perspectival Study with a View of a Medieval City, 1613–50, Pen and black ink, touches of red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334718 Louis Soutter, Surrealism (Surréalisme), n.d., Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35287 Tobias Stimmer, Publius Horatius plæderer for sin søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22313 Tobias Stimmer, Henrettelsen af kongen af Siracusa og hans familie, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22274 Hans Holbein d. Ä., Predella des Frankfurter Dominikaneraltars, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102150 David Teniers, the Younger, The Prodigal Son, c. 1640, Oil on copper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.8 Designer: Flanders, Awaiting the Chase, c. 1650, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/33.23.1 Tobias Stimmer, Cloelia leder flugten på floden, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22303 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Thetis and a Man with a Sail, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5979 Flanders (Brussels), Deer Hunt with the Story of Diana and Actaeon, c. 1580–1620, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.208 Sir Anthony van Dyck, Isabella Brant, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/54 Frans Crabbe van Espleghem, Christ as the Man of Sorrows, c. 1522–25, Engraving and etching, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334663 Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6448 Joseph Heintz the Elder, Figures Adoring a Statue of the "Magna Mater", 1585, Pen and brown ink, brush and gray-brown wash, heightened with white, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334884 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22283 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 Tobias Stimmer, Cincinnatus bag ploven kaldes til at være diktator, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22308 Johann Andreas Rauch, Allegory of Sculpture, 1619, Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over black chalk; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334719 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22288 Sir Anthony van Dyck, Filippo Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1232 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6461 Master FVB, The Judgment of Solomon, c. 1480, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3409 Tobias Stimmer, Gaius Sulpius Gallus forudser en måneformøkelse, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22258 Tobias Stimmer, Tarquinius Superbus og Sextus' udsending i haven, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22317 Adriaen Collaert, The Parable of the Unjust Husbandmen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1424 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22301 František Kupka, Admiration, c. 1899, Gouache, charcoal, watercolor, crayon, and pastel on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33684 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 Alphonse Mucha, Rocks on the Shore, n.d., Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36941 Tobias Stimmer, Den besejrede Syphax stilles for Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22323 Sir Anthony van Dyck, Virgin and Child, c. 1620, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436261 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22270 Tobias Stimmer, Marcus Valerius i kamp med en galler, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22295 Jost Amman, The Hierarchy of the Heavens, 1539, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3644 Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589 Louis Soutter, Servant's Clock, 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37762 Tobias Stimmer, Syphax tilfangetages, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22265 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22289 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6460 Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6458 Alberto Giacometti, Portrait of a Man, 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38594 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6465 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22257 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6463 Sir Anthony van Dyck, Study Head of an Old Man with a White Beard, c. 1617–20, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436260 Johann Theodor de Bry, The Baggage Train with the Sergeant-Major, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6476 Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550 Adriaen Collaert, Design for a Pendant with Sea-Monster Carrying a Woman on a Shell Flanked by a Triton and a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5984 Martin Rykaert, River Landscape with Mining, 1620–1629, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1730 Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36467 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6443 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36480 Angelica Kauffmann, Female Figure Seated Beside an Urn, 1800, Pen and brown ink and brown wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334892 Giambologna, Fata Morgana, c. 1572, Marble, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/687583 Louis Soutter, The Sun is Blackened (Le Soleil se noircit), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37342 Tobias Stimmer, Marcus Valerius formaner den rebelske soldat til at skabe fred, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22299 Sir Anthony van Dyck, Catherine Howard, Lady d'Aubigny, c. 1638, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1234 Hans Holbein d. Ä., Stammbaum der Dominikaner (unterer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2700 Jirí Kolár, Stinova (Mrs. Stein), (1960's), Cut-and-pasted printed paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36697 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22285 Jacob Jordaens, Hirtenanbetung, n.d., Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/143 Adriaen Collaert, The Parable of the Sower, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4635 Hans Holbein d. Ä., Gefangennahme Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2702 Theodor de Bry, Saturn, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4353 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Adriaen Collaert, The Plucking of Ears of Corn on Sabbath Day, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4607 Hans Rudolf Manuel Deutsch, Kort over Schlettstadt, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22244 Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824 Adriaen Collaert, The Parable of the Kingdom of Heaven, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4620 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Hans Holbein d. Ä., Werktagsseite des Frankfurter Dominikaneraltars, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102055 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22324 František Kupka, Bather, (1906), Pastel and charcoal on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37271 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22292 Anonymous Flemish 15th Century, Christ in Tomb with Virgin and Saint John, 15th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1357 Hans Holbein d. Ä., Bildnis eines Angehörigen der Augsburger Familie Weiss, 1522, Mischtechnik auf Lindenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3313 Gerard Edelinck, Remi Du Laury, probably 1679, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6836 Tobias Stimmer, M. Decius leder romerne i slaget mod latinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22282 Sir Anthony van Dyck, A Man Riding a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436264 Adriaen Collaert, Title Plate with Designs for Pendants, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5988 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Hans Holbein d. Ä., Christus vor Pilatus, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2706 Hans Holbein d. Ä., Stammbaum der Dominikaner (oberer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2701 Sir Anthony van Dyck, Maddalena Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1233 Sir Anthony van Dyck, Portrait Bust of Inigo Jones, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.803 Gustave Buchet, Construction, (c. 1920), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38185 Tobias Stimmer, Titus Manlius dræber gallereren på broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22294 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6449 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6452 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555 Peter Paul Rubens, Diana and Her Nymphs Departing for the Hunt, c. 1615, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135661 Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552 Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22261 Pieter van der Borcht (I), Jakob og det spættede kvæg, 1582, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1525 José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662 Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692 Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811 Louis Soutter, Le catafalque sans pesanteur, c. 1937–1942, Fingermalerei in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17577 Sonja Sekula, Carco: La Rose au Balcon, 1942, Pen and ink drawing and dedication by Francis Carco and 3 postcards, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34580 Alberto Giacometti, The City Square, 1949, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38595 Hans Holbein d. Ä., Gebet am Ölberg, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2712 Adriaen Collaert, Jesus Calling the Apostles Among the Fishermen, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4634 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Hans Bock d. Ä., Venustanz, um 1580 - um 1590, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2216 Hans Jakob Plepp, Design for Stained Glass, c. 1590, Pen and black ink, brush and gray wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334712 Peter Paul Rubens, The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso), c. 1637–38, pen and brown ink, with black and red chalk, touched with white gouache, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131583 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Louis Soutter, Resurrection (Résurrection), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37349 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818 Gaspar de Crayer, Philip IV (1605–1665) in Parade Armor, c. 1628, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436049 Hans Holbein d. Ä., Kreuztragung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2707 Alberto Giacometti, An Interior, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33753 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22291 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22337 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6453 Adriaen Collaert, Design for a Pendant with a Sea-Monster Carrying Neptune Flanked by Two Nereids, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5981 Tobias Stimmer, Sofonisba knæler og bønfalder Masinissa, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22322 Flanders (Brussels), Edging, 18th century, Linen, needlelace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.16 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22320 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22306 Flanders (Brussels), Lappet of Point d’Angleterre à vrai réseau, 18th century, Linen, bobbin lace, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.51.17 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22345 José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616 Flanders, The Journey and Temptations of the Prodigal Son, c. 1507–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/37.17 Adriaen Collaert, The Parable of the Barren Fig Tree, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4608 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22312 Peter Paul Rubens, Hélène Fourment, c. 1632, Schwarze, weiße und rote Kreide, allseitige Einfassungslinie in Braun, auf starkem geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17126 Tobias Stimmer, Lucretias død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22300 Urs Graf, Bust of a Bearded Old Man, 1521, Pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334767 Tobias Stimmer, Numa Pompilius' bøger brændes, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22338 Ferdinand Hodler, Figure (Study for die Empfindung), (1902–03), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34876 Giambologna, Mars, c. 1584–87, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141169 Sir Anthony van Dyck, The Prefect Raffaele Raggi, c. 1625, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1229 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823 Sir Anthony van Dyck, Giovanni Vincenzo Imperiale, 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1228 Pieter Serwouters, Merkur overdrager Bakkus til nymferne fra Nysa-bjerget, 1616, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21517 Peter Paul Rubens, Studienkopf eines alten Mannes, nachträglich erweitert zu König David spielt die Harfe, c. 1616 (c. 1646–1650), Öl auf Eichenholz (originaler Bildträger unten und links erweitert), Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1034 František Kupka, Replica of Fugue in Two Colors: Amorpha, 1912, (1946), Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34761 Pierre Haubensak, Study for Mauresque, 1965, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35192 Peter Paul Rubens, Zwei Reiterkämpfe, 1627–1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2261 Adriaen Collaert, Titlepage, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4621 Alberto Giacometti, [Untitled], 1949, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36473 Sir Anthony van Dyck, The Virgin as Intercessor, 1628/1629, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1227 František Kupka, Study in Verticals (The Cathedral), (1912), Pastel on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34122 Alberto Giacometti, [Untitled], 1949, Sepia and black ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36483 Sir Anthony van Dyck, Susanna Fourment and Her Daughter, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/55 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6450 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22302 Master of the First Prayerbook of Maximillian, Hours of Queen Isabella the Catholic, Queen of Spain, c. 1500, ink, tempera, and gold on vellum, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138885 Pieter Pannemaker I, The Garden of Gethsemane, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1607 Abraham van Diepenbeeck, Saint Cecilia, 1616, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436198 Antonio Dias, [Untitled], 1967, Gouache and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38129 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Hans Rudolf Manuel Deutsch, Kort over Nördlingen, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22241 Johann Theodor de Bry, Country Fair, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6473 Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112 Tobias Stimmer, Demetrius lider kvælningsdøden ved forgiftning, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22339 Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Sir Anthony van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436257 Sir Anthony van Dyck, Self-Portrait, c. 1620–21, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436258 Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6466 Augusto Giacometti, Color Abstraction, 1903, Pastel on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36786 Master FVB, Saint Anthony, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3416 Tobias Stimmer, Hannibals belejring af Sagunto, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22277 Theodor de Bry, Jupiter, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4354 Hans Holbein d. Ä., Einzug Christi in Jerusalem, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2709 Tobias Stimmer, Firdelingen af Mettius Fufetius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22314 Alphonse Mucha, Head of a Child, (n.d.), Pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36948 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Tobias Stimmer, Veturia og Volumnia beder Coriolanus om at skåne Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22305 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22296 Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6464 Theodor de Bry, Mercury, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4358 Theodor de Bry, Jewelry Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6467 Alberto Giacometti, Study for The Palace at 4 a.m., 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35103 Hans Holbein d. Ä., Auferstehung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2705 Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791 Hans Holbein d. Ä., Stammbaum Christi (unterer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2698 Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6442 František Kupka, Replica (1946) of Vertical Planes, (1946), Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34788 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22334 Tobias Stimmer, Slag mellem romerne og sabinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22326 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22319 Tobias Stimmer, Romerske mødre dåner over deres sønners hjemvendelse fra krig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22271 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162 Theodor de Bry, Mars, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4355 Peter Paul Rubens, Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/464 Léonard Defrance, The Rope Dance, 1755, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436119 Peter Paul Rubens, Susanna, 1577, Pen and brown ink, brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334709 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Tobias Stimmer, Romulus' død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22327 Peter Paul Rubens, Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/151517 Hélio Oiticica, Nucleus NC3 (Núcleo NC3), 1960–61, Oil and resin on wood fiberboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/284499 František Kupka, View from a Carriage Window, c. 1901, Gouache and watercolor on paper with cardboard overlay, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34108 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22278 Hans Holbein d. Ä., Ecce Homo, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2703 Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1231 Adriaen Collaert, The Virgin and Joseph at the Inn, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1425 Tobias Stimmer, De falskanske unge pisker deres forræderiske lærer, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22290 Frans Crabbe van Espleghem, The Adoration of the Shepherds, 1480, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5993 Tobias Stimmer, Portræt af Jacob Taurellus (Oechsel), 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22253 Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128 Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659 Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551 Hans Rudolf Manuel Deutsch, Kort over Freiburg im Breisgau, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22240 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22318 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6445 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36486 Ferdinand Hodler, Profile of Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827 Anton Wierix II, The Crucifixion called the Sword Pommel of Maxmilian, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6658 Flanders (Tournai), Esther and Ahasuerus, c. 1460–85, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.721 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22264 František Kupka, [Untitled], c. 1925–30, Colored pencil, pencil, ink, and oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38250 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22266 Sir Anthony van Dyck, A Genoese Noblewoman and Her Son, c. 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1230 František Kupka, An Absolute (Une Absolue) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1952), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31875 Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838 Hans Rudolf Manuel Deutsch, Kort over Rufach, 1548, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22243 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22272 Adriaen Collaert, The Parable of the Rich Fool, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4606 Sir Anthony van Dyck, Portrait of a Flemish Lady, probably 1618, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/573 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22256 Hendrik van Balen, The Trinity, c. 1620, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/159488 Sir Anthony van Dyck, Portrait of a Woman, Called the Marchesa Durazzo, probably c. 1622–25, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436255 Tomas Rajlich, [Untitled], 1976, Cut-and-pasted printed paper with gesso on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36472 Hans Rudolf Manuel Deutsch, Sø- og landmonstre, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22245 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22346 Sir Anthony van Dyck, Robert Rich (1587–1658), Second Earl of Warwick, c. 1632–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436256 Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617 Jacob Jordaens, Die Heilige Familie, c. 1619–1620, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1937 Jean Tinguely, 50 RPM, 1965, Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35860 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6446 Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474 Theodor de Bry, Ornament for Knife Handle, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6456 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Theodor de Bry, Ornament, 1528, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6451 Louis Soutter, Head (Tête), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37348 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Adriaen Collaert, Design for a Pendant with a Sphinx with the Body of a Fish Carrying a Man with an Oar, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5987 František Kupka, Study with Green, (c. 1912), Chalk and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38151 Theodor de Bry, Moon, c. 1570/1598, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4359 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22333 Jost Amman, The Ptolemaic System, 1579, Etching and engraving on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5326 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665 Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057 Gottfried Mind, Zwei junge Katzen im Streit, n.d., Aquarell über Bleistift auf glattem elfenbeinfarbenem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7526 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 Christof Murer, Lot and His Daughters, 1581, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5327 Sir Anthony van Dyck, James Stuart (1612–1655), Duke of Richmond and Lennox, c. 1633–35, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436252 Adriaen Collaert, Design for a Pendant with a Fish Carrying Tobias and the Angel, 1582, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5986 Alberto Giacometti, The Studio (Two Pieces of Sculpture), 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38593 Master FVB, Saint Philip, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3412 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553 František Kupka, Prometheus, (1909), Gouache, watercolor, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36018 Tobias Stimmer, Hannibals rejse over alperne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22279 Gerard Edelinck, Philippe de Champaigne, 1676, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6837