Hans Rudolf Manuel Deutsch, Kort over Basel, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22237 Anatoli Lvovich Kaplan, The Breadwinner (The Pony) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12712 Hans Rudolf Manuel Deutsch, Kort over Paris, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22242 Alexander Liubimov, Award for an outstanding shockworker, 1931, Offset lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/26963 Nikolai Suetin, [Untitled], (1922–24), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36506 Alberto Giacometti, [Untitled], (1965), Ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37264 Aleksei Kruchenykh, Valia Zdanevich, 1923, Collage with photograph, pencil and watercolor manuscript text., The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9072 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37512 Anatoli Lvovich Kaplan, The Rich from Jehupez from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12716 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22343 Nikolai Suetin, Study for Composition, 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38358 Ivan Kudriashov, Suprematist Composition, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38248 Tobias Stimmer, De romerske ambassadører vender hjem fra Karthago, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22280 Aleksandr Rodchenko, Abstract Drawing, (1941), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36326 Alexandra Exter, Robot, 1926, Cardboard, fabric, wood, glass, and string, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/76277 Tobias Stimmer, Appius Claudius føres til fængslet, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22311 Louis Soutter, Love of the Princess under the King of Nineveh ( Amour de princesse sous le roi de Ninive ), c. 1930–35, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37518 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22273 Augusto Giacometti, Colored Moss, IV, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38558 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22275 Louis Soutter, Esthètes juifs distants, c. 1930–1936, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37524 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22269 Tobias Stimmer, Theoxena og hendes familie dør til havs, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22340 José Leonilson, To Make Your Soul Close to Me, 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34634 Anatoli Lvovich Kaplan, Portrait of Zejtl (Tevia's Daughter) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12679 Hans Holbein d. Ä., Abendmahl, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2755 Sonja Sekula, Untitled (Sketchbook), 1961, Spiral-bound notebook with gouache, ink, colored ink, metallic paint, pencil, colored pencil, and ballpoint pen on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34743 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22287 Hélio Oiticica, Grupo Frente No. 136, 1956, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33146 Anatoli Lvovich Kaplan, The Wait (Hodl at the Window) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12722 Félix Vallotton, Blonder Akt, 1921, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2243 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22347 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22331 Félix Vallotton, The Bath, 1894, printed after 1925, Woodcut in black on off-white wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/60723 Ivan Kliun, Composition, (1920), Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38240 Hélio Oiticica, Metaesquema, 1956, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35040 Johann Heinrich Müntz, A Thems whery at London, c. 1760, Aquarell über Grafitstift auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8215 Alberto Giacometti, Portrait of JR, 1959, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34661 Hélio Oiticica, Metaesquema No. 179, 1956, Gouache and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35047 Anatoli Lvovich Kaplan, Cast of characters from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12788 Ivan Kudriashov, Suprematist Composition, 1921, Pencil, watercolor, and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38246 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22260 Maria Martins, Iacy from Maria 1946, 1946, Etching and drypoint from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9560 Natalia Goncharova, Portrait, c. 1920, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36004 Anatoli Lvovich Kaplan, Before the Sabbath (Lighting Candles–Golda to the Right of the Table) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12709 Sonja Sekula, Untitled (Sketchbook), 1954–55, Spiral-bound notebook with gouache, pencil, colored pencil, ink, cut-and-pasted paper, cut-and-pasted printed paper, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34779 Alberto Giacometti, Igor Stravinsky, 1957, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37478 Ottilie W. Roederstein, Selbstbildnis mit verschränkten Armen, 1926, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3315 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22262 Vasily Yakovlovich Sitnikov, Hillock, 1962, Oil and colored crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36759 Hans Rudolf Manuel Deutsch, Kort over Bern, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22238 Natalia Goncharova, Spanish Dancer, c. 1914, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38215 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22293 Maria Martins, Without Echo (Sans-écho) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9557 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38365 Alberto Giacometti, [Untitled], 1952, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36478 Tobias Stimmer, De romerske kvinder kræver, at Lex Oppia-loven ophæves, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22332 Anatoli Lvovich Kaplan, Tevia's Tavern (Golda and Zejtl Milking) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12672 Dimitri Grinevich, Collage: Nature Morte, 1960–69, Pasted paper, crayon, colored pencil and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35573 Tobias Stimmer, Cincinnatus beordrer aequierne til at passere under åget, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22310 Lygia Pape, Book of Creation, 1959–60, Artist's book with sixteen unbound pages, some with goauche on board, paper, and string, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38590 Anatoli Lvovich Kaplan, Portrait of the Innkeeper from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12791 Anatoli Lvovich Kaplan, Eighth Chapter: Return Home Quickly from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12777 Anatoli Lvovich Kaplan, Thirteenth Chapter: The Death of the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12782 Tobias Stimmer, Portræt af Stephan Brechtl, 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22252 Florence Henri, Construction bleu-rouge-noir, 1923, Gouache on cut-and-pasted paper, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38223 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22276 Nikolai Gritsouk, [Untitled], 1967, Watercolor, gouache, and ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35585 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22342 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33825 Dmitri M. Shashurin, Elements of Life, 1962, Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33224 Tobias Stimmer, Gaius Duillius vinder søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22325 Jost Amman, Gaspar de Coligny, 1573, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3643 Ivan Kliun, Cup, Pitcher, Bottles, 1927, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34073 Anatoli Lvovich Kaplan, Anatewka (The Village) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12682 Tobias Stimmer, De trehundrede og seks fabier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22321 José Leonilson, Sunset, Earthquake, Loneliness, 1990, Ink and metallic color on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34650 José Leonilson, Desire is a Blue Lake (O desejo é um lago azul), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34601 Maria Martins, Explanation III (Explication III) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9554 Lygia Pape, [Untitled], 1959, Pen and black ink on cream Japanese paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237016 Léon Bakst, Panel (Dress or Furnishing Fabric), Designed 1922; produced 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11887 Liubov Popova, [Untitled], 1917, Cut-and-pasted colored paper on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37265 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22344 Miriam Cahn, Lesen im Staub, D.W.L. (Das Wilde Leben),, 1984, Charcoal on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34063 Vaslav Nijinsky, Untitled (Figures), c. 1917–18, Pastel and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37992 Tobias Stimmer, Numa Pompilius inddeler året i tolv måneder, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22329 Ottilie W. Roederstein, Bildnis eines Malers in einem Pariser Atelier, 1887, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3274 Tobias Stimmer, Horatius Cocles forsvarer Rom ved broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22304 Anatoli Lvovich Kaplan, The Tailor's Family (Motl, Zejtl, and the Children) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12687 Tobias Stimmer, Tarquinius Priscus hugget til døde på sin trone, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22315 Anatoli Lvovich Kaplan, Morning (The Room) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12671 Aleksandr Rodchenko, Line Construction, 1921, Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33392 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22259 Anatoli Lvovich Kaplan, In the Kitchen (The Diary) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12708 Solomon Telingater, Foto-monter Dzhon Khartfil'd (The Photomontager John Heartfield), 1931, Pamphlet, letterpress printed, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/16674 Carybé (Hector Bernabó), The Hammock, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35628 Louis Soutter, The Ascension (L'Ascension), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37346 Jean Pougny (Ivan Puni), Study for Relief Sculpture, 1916, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38314 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22298 Anatoli Lvovich Kaplan, Tevia and Shalom Aleichem Meeting Again from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12728 Tobias Stimmer, Verginius for Appius Claudius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22309 Alexei Jawlensky, Large Meditation (Grosse Meditation), 1936, Oil on cloth-textured paper over board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37587 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22335 Olga Rozanova, Untitled manuscript of verse, c. 1917, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14231 Ottilie W. Roederstein, Bildnis des Malers Jakob Nussbaum, 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2977 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 House of Fabergé, Miniature Chair, 1896–1906, gold, silver gilt, enamel, rubies, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142748 Tobias Stimmer, Kamp mellem horatier og curatier, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22328 Tobias Stimmer, Symphonia, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22348 Anatoli Lvovich Kaplan, On the River (Zejtl Transports the Goats to Market) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12730 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12718 Aleksandr Rodchenko, Maquette for a handbill announcing the film Potemkin, (1925), Gelatin silver print and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37965 Ferdinand Hodler, Bezauberter Knabe, um 1909, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2061 Alberto Giacometti, Man Reading a Book, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36488 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22281 Florence Henri, Black-White-Silver No. 11, 1921, Cut-and-pasted metallic foil and paper, pencil and gouache on gray paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38222 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22297 Anatoli Lvovich Kaplan, Evening (Tevia's House) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12692 Niklaus Manuel Deutsch, A Swiss Foot Soldier, early 16th century, Pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334801 Anatoli Lvovich Kaplan, The Matchmaker (Efroim, the Jewish Matchmaker) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12719 Tobias Stimmer, Gaius Duillius besejrer Kartago i et søslag, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22284 Maria Martins, Implacable Place (Place à l'implacable) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9558 Hans Holbein d. Ä., Stammbaum Christi (oberer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2699 Hans Holbein d. Ä., Dornenkrönung, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2704 Alberto Giacometti, Annette, 1954, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37538 Aleksandr Rodchenko, Composition, 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33376 Olga Rozanova, Abstract Composition, 1916, Charcoal, pencil, and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38337 Natan Al'tman, Maquette for illustrations for Solntsa Potselui. Stikhi (Kiss of the Sun: Verse), 1914, Pastel, gouche, and ink on cut-and-pasted paper mounted on cut and pasted green construction paper mounted on red construction paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9226 Hans Holbein d. Ä., Austreibung der Wechsler aus dem Tempel, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2710 Jean Tinguely, Sketch for Homage to New York, 1960, Felt-tip pen and ink on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33838 Anatoli Lvovich Kaplan, Seller of Air (Lives by Money Matters: Air) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12677 Anatoli Lvovich Kaplan, Sixth Chapter: The Wife Is Waiting from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12774 Louis Soutter, Two Lives (Deux vies)[recto] and The Leper (Le Lépreux) [verso], c. 1930–35, Recto: Ink on paper; Verso: Oil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37025 Tobias Stimmer, Tullia kører over sin fars lig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22316 Henrik Wigström, Miniature Bathroom Chair (Bidet), 1908–17, gold, nephrite, enamel, pearls, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142749 Aleksandr Rodchenko, Study for Perpetuum Mobile, 1922, Pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33229 Hans Holbein d. Ä., Geißelung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2708 Hans Rudolf Manuel Deutsch, Kort over Koblenz, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22239 Anatoli Lvovich Kaplan, Front cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12763 Anatoli Lvovich Kaplan, Portrait of Menachem-Mendl from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12673 Tobias Stimmer, Marcus Atilius Regulus dræber en serpent i Afrika, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22286 Ferdinand Hodler, Bildnis Hélène Weiglé, 1888, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3050 Léon Bakst, Costume design for the ballet The Firebird ( L'Oiseau de feu ), 1913, Gouache, watercolor, metallic paint, and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33017 Aloísio Magalhães, Landscape, 1956, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33153 Natalia Goncharova, The Flight into Egypt, for Liturgy, 1915, Watercolor, gouache heightened with gelatin and pencil on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33931 Aleksandr Rodchenko, By the Phone, 1928, printed 1950s, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/238057 Liubov Popova, Composition, c. 1920, Gouache, watercolor, and pencil on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38308 José Bernardo Cardoso Jr., Still Life with View of the Bay of Guanabara, 1937, Oil and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37738 Albert von Keller, Die Märtyrerin, c. 1892, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2891 Tobias Stimmer, Gaius Duillius vinder et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22263 José Cláudio Da Silva, Apocalypse Number 3, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34055 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22254 Anatoli Lvovich Kaplan, Portrait of Golda (Tevia's Wife) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12691 Max Bill, Plate (folio 6) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19634 Anatoli Lvovich Kaplan, The Tailor's Evening Meal from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12686 Léo Leuppi, Plate (folio 14) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19638 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38268 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32958 Tobias Stimmer, Manius Acilius Glabrios triumftog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22330 House of Fabergé, Flower Study of a Wild Rose, c. 1885–1915, gold, silver, enamel, diamond, jade, rock crystal, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142731 Hans Holbein d. Ä., Fußwaschung Petri, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2711 Lasar Segall, Couple in the Mangue (Casal no Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19511 Hans Holbein d. Ä., Flügel des Frankfurter Dominikaneraltars, Innenseite (Passion Christi; Auferstehung), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102151 Anatoli Lvovich Kaplan, The Schoolmaster and His Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12765 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22255 Alexandre Calame, Landscape, 1825–64, Graphite, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334798 Varvara Stepanova, Letterhead for the journal Za rubezhom (Abroad), 1930, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14236 Tobias Stimmer, Scipio på knæ, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22267 Percy Deane, The Lovers, 1941, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37789 Matthäus Merian the Elder, Perspectival Study with a View of a Medieval City, 1613–50, Pen and black ink, touches of red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334718 Louis Soutter, Surrealism (Surréalisme), n.d., Oil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35287 Tobias Stimmer, Publius Horatius plæderer for sin søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22313 Tobias Stimmer, Henrettelsen af kongen af Siracusa og hans familie, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22274 Hans Holbein d. Ä., Predella des Frankfurter Dominikaneraltars, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102150 Kazimir Malevich, Black Square, Second State, 1915/20, Graphite on cream wove graph paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196088 Tobias Stimmer, Cloelia leder flugten på floden, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22303 Maria Martins, Like a Vine (Comme une liane) from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9559 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and crayon on paper; with ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38135 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37182 Johannes Itten, The Eavesdropper (Horchende), 1918, Crayon, charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33967 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12727 Mikhail Larionov, Still Life, (c. 1906), Gouache and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36047 Kazimir Malevich, Houses of the Future Leningrad: Pilot's House, 1924, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35590 Joseph Heintz the Elder, Figures Adoring a Statue of the "Magna Mater", 1585, Pen and brown ink, brush and gray-brown wash, heightened with white, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334884 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38143 Tobias Stimmer, Slaget mellem romerne og tarentinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22283 Lasar Segall, Group from the Mangue (Grupo do Mangue) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19514 Tobias Stimmer, Cincinnatus bag ploven kaldes til at være diktator, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22308 Johann Andreas Rauch, Allegory of Sculpture, 1619, Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over black chalk; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334719 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22288 Léon Arthur Tutundjian, [Untitled], 1928, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38366 Aleksandr Rodchenko, Study for cover of Rechevik (Orator), 1928, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14345 Vasily Yakovlovich Sitnikov, Birch Tree, (1961), Crayon on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33339 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed and painted paper, gelatin silver prints, ink, and crayon on paper with ink and pencil, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38138 House of Fabergé, Flower Study of a Lily of the Valley, c. 1885–1915, pearls, diamonds, jade, rock crystal, silver, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142734 Tobias Stimmer, Gaius Sulpius Gallus forudser en måneformøkelse, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22258 Anatoli Lvovich Kaplan, Tevia and Golda from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12733 Ivan Kliun, Sketch for Turnir Poetov (Tournament of Poets), 1928, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14384 Tobias Stimmer, Tarquinius Superbus og Sextus' udsending i haven, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22317 Kazimir Malevich, Untitled (Suprematist Cross), 1920, printed 1973, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9069 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22301 Anatoli Lvovich Kaplan, At the Exchange from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12674 Arnold Böcklin, Villa am Meer, 1871–1874, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1250 Tobias Stimmer, Den besejrede Syphax stilles for Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22323 Léon Bakst, Nijinsky, 1909, Oil on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36546 Mikhail Evlampievich Perkhin, Parrot from the Parrot on a Perch, 1896–1903, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142739 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22270 Anatoli Lvovich Kaplan, In Bojberik (Summer Visitors) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12710 Tobias Stimmer, Marcus Valerius i kamp med en galler, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22295 Jost Amman, The Hierarchy of the Heavens, 1539, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3644 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11884 Maria Serebriakova, [Untitled], 1997, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37519 Flávio de R. Carvalho, Dr. Carvalhal Ribas, 1955, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34589 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37188 Louis Soutter, Servant's Clock, 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37762 Anatoli Lvovich Kaplan, The Tailor's Wife from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12790 Anatoli Lvovich Kaplan, Title page from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12775 Tobias Stimmer, Syphax tilfangetages, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22265 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22289 Mário Cravo Júnior, Studies for Sculpture - With Dragons, 1956, Crayon, pencil, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34667 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12787 Alberto Giacometti, Portrait of a Man, 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38594 Alexei Jawlensky, Stillleben mit violetter Schale, 1912, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2110 Ferdinand Hodler, Head of a Soldier, 1917, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/27966 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22257 Olga Rozanova, Untitled (Futurist Landscape), 1913, Pen and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9120 Varvara Rodchenko, Printer's proof for cover for Neokonchennye spory (Unfinished Argument), c. 1978, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27529 Natalia Goncharova, Composition, 1920, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33948 El Lissitzky, Study for the book About Two Squares: A Suprematist Tale of Two Squares in Six Constructions (Pro dva kvadrata. Suprematicheskii skaz v 6-ti postroikakh), 1920, Watercolor and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37650 Anatoli Lvovich Kaplan, The Tailor (Motl at Work) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12729 Kazimir Malevich, Suprematist Diagonal Construction 79, 1917, Pencil on paper (recto and verso), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35599 Anatoli Lvovich Kaplan, Portrait of Motl (Motl Kamisol, The Tailor) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12683 Maria Martins, Explanation I (Explication I) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9550 Liubov Popova, Architectonic Composition, 1921, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38311 Kazimir Malevich, Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915, Oil on canvas, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207293 House of Fabergé, Flower Study of a Lowbush Cranberry or Lingonberry, c. 1885–1915, chalcedony, jade, rock crystal, gold, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142737 Flávio de R. Carvalho, Three Nudes, 1957, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34607 Anatoly Timofeevich Zverev, Figure, (1955), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35943 Anatoli Lvovich Kaplan, Portrait of Fjodor (Fedjka, the Poet) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12725 Hélio Oiticica, Metaesquema No. 237, 1957, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33127 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36480 Angelica Kauffmann, Female Figure Seated Beside an Urn, 1800, Pen and brown ink and brown wash over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334892 Louis Soutter, The Sun is Blackened (Le Soleil se noircit), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37342 Tobias Stimmer, Marcus Valerius formaner den rebelske soldat til at skabe fred, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22299 Anatoli Lvovich Kaplan, The Village Kosodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12767 Alexandra Exter, Alexandra Exter: Stage Sets (Alexandra Exter: Décors de théâtre), 1926–30, published 1930, Album of fifteen pochoirs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35529 Hans Holbein d. Ä., Stammbaum der Dominikaner (unterer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2700 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12706 Natalia Goncharova, The City Square. Study for backdrop for the ballet Le Coq d'or (The Golden Cockerel), c. 1937, Gouache, watercolor, and pencil on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36118 Iakov Chernikhov, Dimensional Curve Interlace, 1928–30, Ink, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14215 House of Fabergé, Kremlin Tower Clock, c. 1913, rhodonite, silver, enamel, emeralds, sapphires, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142773 Varvara Stepanova, Study for cover of Sovremennaia Arkhitektura (Contemporary Architecture), 1929, Pencil and colored pencil on lined paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14366 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1921–22, Book with fabric and paper collaged elements on gray-blue paper cover (discolored to buff at edges), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199560 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22285 Anatoli Lvovich Kaplan, In the House of the Rich from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12668 Hans Holbein d. Ä., Gefangennahme Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2702 Anatoli Lvovich Kaplan, Portrait of Pertschik (Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12714 Igor' Terent'ev, Invitation to Terent'ev's May Day soiree, c. 1920, Linoleum cut, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14225 Sophie Taeuber-Arp, Plate from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19641 Ernst Neizvestny, Drawing for Battle of Giants, 1964, Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34564 Hans Rudolf Manuel Deutsch, Kort over Schlettstadt, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22244 Aldemir Martins, The Young Beggar, 1956, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34824 Varvara Rodchenko, Study for cover of Beloe-chernoe (White and Black), 1965, Relief halftone with embossing and ink additions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/27005 Sonja Sekula, Untitled (Sketchbook), 1957, Spiral-bound notebook with ballpoint pen, ink, gouache, pencil, metallic paint, and incising on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34765 Hans Holbein d. Ä., Werktagsseite des Frankfurter Dominikaneraltars, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102055 Tobias Stimmer, Kamp mellem romerne og gallerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22324 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22292 Anatoli Lvovich Kaplan, First Chapter: The Tailor's Room from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12769 Hans Holbein d. Ä., Bildnis eines Angehörigen der Augsburger Familie Weiss, 1522, Mischtechnik auf Lindenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3313 Tobias Stimmer, M. Decius leder romerne i slaget mod latinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22282 Savely Sorine, Pavlova's Foot, 1922, Pencil and chalk on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32972 Lasar Segall, Women of the Mangue (Mulheres do Mangue) from Mangue, 1941, published 1943, Lithograph with hand additions from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19515 Sergei Eisenstein, Salome, 1932, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37168 Hans Holbein d. Ä., Christus vor Pilatus, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2706 Aleksandr Rodchenko, Line Construction, 1920, Ink and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38331 Hans Holbein d. Ä., Stammbaum der Dominikaner (oberer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2701 Gustave Buchet, Construction, (c. 1920), Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38185 El Lissitzky, Proun Composition, c. 1922, Gouache and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36682 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted printed paper, gelatin silver prints, ink, and pencil on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38132 Tobias Stimmer, Titus Manlius dræber gallereren på broen, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22294 Natalia Goncharova, The Nativity, for Liturgy, 1915, Watercolor, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33922 Hélio Oiticica, Metaesquema No. 348, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33108 Maria Martins, Explanation IV (Explication IV) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9555 Maria Martins, Wrapper front from Maria 1946, 1946, Engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9552 Anatoli Lvovich Kaplan, The Butcher Shop from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12680 Candido Portinari, Fishermen, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36484 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22261 José Leonilson, I Am Your Man (Sou seu homem), 1992, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34662 Anatoli Lvovich Kaplan, Summer Visitors (The Rich Women) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12694 Igor' Terent'ev, Manuscript of Rekord nezhnosti: Zhitie Il'ia Zdanevicha (Record of Tenderness: Hagiography of Il'ia Zdanevich), 1919, Colored pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14385 Olga Rozanova, Untitled manuscript of verse, c. 1917, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14253 Edith Behring, Untitled (Boy), 1938, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37692 Aldemir Martins, The Traitor, 1953, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34811 Anatoli Lvovich Kaplan, By the Cradle (The Bedroom) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12732 Peter Carl Fabergé, Imperial Red Cross Easter Egg, 1915, gold, silver gilt, enamel, glass, ivory, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/140001 Louis Soutter, Le catafalque sans pesanteur, c. 1937–1942, Fingermalerei in Schwarz auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/17577 Sonja Sekula, Carco: La Rose au Balcon, 1942, Pen and ink drawing and dedication by Francis Carco and 3 postcards, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34580 Alberto Giacometti, The City Square, 1949, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38595 Anatoli Lvovich Kaplan, The Village Slodejewka from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12766 Hans Holbein d. Ä., Gebet am Ölberg, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2712 Johannes Itten, Female Nude (Weiblicher Akt), (c. 1917), Charcoal and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37497 Anatoli Lvovich Kaplan, The Bewitched Tailor, 1954–57, published 1957, Portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12764 Ivan Kliun, Still Life, 1925, Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34060 Hans Bock d. Ä., Venustanz, um 1580 - um 1590, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2216 Hans Jakob Plepp, Design for Stained Glass, c. 1590, Pen and black ink, brush and gray wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334712 Anatoli Lvovich Kaplan, Table of contents from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12688 Lasar Segall, Seated Woman of the Mangue (Mulher do Mangue sentada) from Mangue, 1941, published 1943, Woodcut from a portfolio with three woodcuts, one lithograph with hand additions and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19513 Anatoli Lvovich Kaplan, The Wedding (Motl and Zejtl's Marriage) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12684 Léon Bakst, Porphyrophore. Costume design for the ballet The Sleeping Princess, 1921, Metallic paint, watercolor, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33029 Gottfried Honegger, Henceforth, 1959, Oil over cardboard collage on canvas, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33381 Anatoli Lvovich Kaplan, A Family of Merchants from Tevia the Milkman, Volume I, 1957–61, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12676 Ivan Kudriashov, Le Tram arrivé, 1915, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36489 Anatoli Lvovich Kaplan, Portrait of Tevia from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12690 Anatoli Lvovich Kaplan, Fifth Chapter: The Tailor Drinking at the Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12773 Louis Soutter, Resurrection (Résurrection), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37349 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33056 Alberto da Veiga Guignard, Study for Ouro Preto: St. John's Eve, 1942, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37818 Kazimir Malevich, Suprematist Elements: Squares, 1923, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38101 Hans Holbein d. Ä., Kreuztragung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2707 Alberto Giacometti, An Interior, 1955, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33753 Nicolas Schencker, Les oublies, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2763 Tobias Stimmer, Gallerne indtager Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22291 Tobias Stimmer, Marcus Valerius stormer samnitternes lejr, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22337 Anatoli Lvovich Kaplan, Seventh Chapter: At the Rabbi's from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12776 Varvara Rodchenko, Dustjacket for Ideologicheskaiaborba i literatura (The Ideological Battle and Literature), 1980, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32320 Tobias Stimmer, Sofonisba knæler og bønfalder Masinissa, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22322 Tobias Stimmer, Ptolemaios' ambassadører i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22320 Anatoli Lvovich Kaplan, Third Chapter: The Inn from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12771 Tobias Stimmer, Spurius Cassius kastes ud fra en klippe, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22306 Anatoli Lvovich Kaplan, Eleventh Chapter: The Family in Distress from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12780 Anatoli Lvovich Kaplan, Portrait of Hodl (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12713 Anatoli Lvovich Kaplan, Colophon from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12678 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22345 Il'ia Chashnik, Suprematist Design for a Plate, (1922–25), Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38189 José Leonilson, Men with Their Own Attentions (Os homens com suas próprias atenções), 1989, Watercolor and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34616 Alexandra Exter, Guardian of Energy. Costume design for the film Aelita by Yakov Protazanov, 1924, Ink, gouache, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36691 Alberto Giacometti, Portrait, 1951, Lithographic crayon and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37782 Tobias Stimmer, Kamp mellem romerne og samnitterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22312 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/86363 Anatoli Lvovich Kaplan, Ninth Chapter: Ridiculing the Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12778 Tobias Stimmer, Lucretias død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22300 Anatoli Lvovich Kaplan, Foreword from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12786 Alexei Jawlensky, Abstrakter Kopf: Sinfonie in Rosa, 1929, Öl auf Leinwand, auf Pappe aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1839 Urs Graf, Bust of a Bearded Old Man, 1521, Pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334767 Tobias Stimmer, Numa Pompilius' bøger brændes, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22338 Ferdinand Hodler, Figure (Study for die Empfindung), (1902–03), Pencil and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34876 Lasar Segall, Mangue, 1941, published 1943, Portfolio with three woodcuts, one lithograph with hand additions, and forty-two line block reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19512 Anatoli Lvovich Kaplan, The Final Plate: Portrait of the Author from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12783 Arnold Böcklin, Die Hochzeitsreise, c. 1890, Tempera auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2823 Anatoli Lvovich Kaplan, Summer Outing (on the River Bank) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12720 Kazimir Malevich, Vil'gel'mova Karusel' (Wilhelm's Carousel), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9162 Anatoli Lvovich Kaplan, Portrait of Chawa (Tevia's Daughter) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12724 Peter Carl Fabergé, Lapis Lazuli Easter Egg, c. 1885–90, gold, enamel, lapis lazuli, pearls, diamonds, rubies, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142723 Anatoli Lvovich Kaplan, Return Home (Return at Night) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12669 Anatoli Lvovich Kaplan, Interior (with Mirror, Samovar, and Lights) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12731 Pierre Haubensak, Study for Mauresque, 1965, Synthetic polymer paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35192 Kazimir Malevich, Analytical Chart, 1924–27, Cut-and-pasted paper, watercolor, pencil, and ink on paper on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38141 House of Fabergé, Sleeping Puppies on a Mat, c. 1895–1915, agate, chalcedony, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142745 Anatoli Lvovich Kaplan, Children in Anatewka (in Front of Motl's House) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12726 Anatoli Lvovich Kaplan, In Exile (Pertschik and Hodl Reading) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12723 Alberto Giacometti, [Untitled], 1949, Ink and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36473 Alberto Giacometti, [Untitled], 1949, Sepia and black ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36483 Aleksandr Rodchenko, Construction, 1920, Ink and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33112 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22302 Vaslav Nijinsky, [Untitled], c. 1916, Ink on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36007 Alexandre Benois, Costume design for the opera Sadko, 1931, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38436 Antonio Dias, [Untitled], 1967, Gouache and colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38129 Johannes Itten, Untitled (Postcard), 1918, Pencil on postcard, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37586 Hans Rudolf Manuel Deutsch, Kort over Nördlingen, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22241 Alexei Jawlensky, Stillleben mit Petroleumlampe, 1907, Öl auf Pappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/128290 Alexandra Exter, Composition, c. 1916, Oil and gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38209 Waltercio Caldas, Japan (Japão), (1972), Transfer type, ink, and metallic ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35112 Tobias Stimmer, Demetrius lider kvælningsdøden ved forgiftning, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22339 Ferdinand Hodler, Genfer See mit den Savoyer Alpen, 1907–1911, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4089 Sophie Taeuber-Arp, Four Spaces with a Broken Cross (Quatre espaces à croix brisée) from Art of Today, Masters of Abstract Art (Art d'aujourd'hui, maîtres de l'art abstrait), Album I, 1953 (original executed in 1932), One from a portfolio of sixteen screenprint reproductions, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/31865 Aleksandr Vesnin, Proposal for a Monument to the Third International, 1921, Gouache, charcoal, and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38259 Maria Martins, Impossible from Maria 1946, 1946, Etching, aquatint, and engraving from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9556 Anatoli Lvovich Kaplan, Future Dreams (Pertschik and Hodl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12715 Anatoli Lvovich Kaplan, Portrait of Lejser-Wolf (The Butcher) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12681 Sergei Eisenstein, Salome, (1932), Pencil and colored pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37194 Augusto Giacometti, Color Abstraction, 1903, Pastel on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36786 Anatoli Lvovich Kaplan, Tevia the Milkman, Volume II, 1957–61, published 1961, Portfolio of twenty-seven lithographs (incomplete; complete portfolio comprises 28 lithographs), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12707 Jean Pougny (Ivan Puni), Flight of Forms, 1919, Gouache and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33452 Maria Serebriakova, [Untitled], 1995, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37506 Anatoli Lvovich Kaplan, Twelfth Chapter: The Indignation from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12781 Tobias Stimmer, Hannibals belejring af Sagunto, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22277 Hans Holbein d. Ä., Einzug Christi in Jerusalem, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2709 Tobias Stimmer, Firdelingen af Mettius Fufetius, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22314 Anatoli Lvovich Kaplan, The Tailor's House (in the Rain) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12685 Vladimir Mayakovsky (Владимир Маяковский), Untitled anti-German propaganda poster from the First World War, ("The Battle of Sokal"), 1914, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9119 Mário Cravo Júnior, Studies for Sculpture, 1959, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33039 Richard Paul Lohse, Plate (folio 16) from 10 Origin, 1942, Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/19639 Tobias Stimmer, Veturia og Volumnia beder Coriolanus om at skåne Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22305 Tobias Stimmer, Romerne indtager Satricum, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22296 Natalia Goncharova, Composition, 1920, Watercolor and graphite on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33638 Candido Portinari, Girl and Child, 1940, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36487 Anatoli Lvovich Kaplan, Frontispiece (Tevia and Shalom Aleichem in Front of the Village) from Tevia the Milkman, Volume I, 1957–1961, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12689 Anatoli Lvovich Kaplan, Title page from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12666 Mikhail Larionov, Rayonist Composition: Number 9, 1913, Gouache on colored paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33463 Natalia Goncharova, Electricity, 1912, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33786 Anatoli Lvovich Kaplan, The Tailor from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12789 Anatoli Lvovich Kaplan, Pertschik's Father (The Elder Pfefferl) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12717 Henrik Wigström, Clock, 1908–17, nephrite, gold, enamel, diamonds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142771 El Lissitzky, About Two Squares: A Suprematist Tale of Two Squares in Six Constructions, 1922, Book with letterpress and offset lithography, in black and red, on cream wove paper, stapled along spine, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199130 Alberto Giacometti, Study for The Palace at 4 a.m., 1932, Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35103 Hans Holbein d. Ä., Auferstehung Christi, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2705 Hans Holbein d. Ä., Stammbaum Christi (unterer Teil), 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2698 Not Vital, [Untitled], (1984), Synthetic polymer paint and oil stick on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33504 Anatoli Lvovich Kaplan, Tevia's Family from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12670 Anatoli Lvovich Kaplan, Back cover from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12784 Tobias Stimmer, Gaius Duillius sejrer i et søslag over kartaginienserne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22334 Mikhail Larionov, Spiral, (1917) (dated 1915), Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33444 Anatoli Lvovich Kaplan, The Broker (The Businessman) from Tevia the Milkman, Volume I, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12675 Tobias Stimmer, Slag mellem romerne og sabinerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22326 Tobias Stimmer, Mødet mellem Hannibal og Scipio, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22319 Tobias Stimmer, Romerske mødre dåner over deres sønners hjemvendelse fra krig, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22271 Arnold Böcklin, Bildnis der Schauspielerin Fanny Janauschek, 1861, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1873 Varvara Rodchenko, Cover for Evgenii Vinkour, 1974, Lithograph, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/32319 Hélio Oiticica, Grupo Frente No. 73, 1955–56, Gouache on card, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33162 Liubov Popova, Ohne Titel, 1915, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102027 Natalia Goncharova, The Forest, 1913, Watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38285 House of Fabergé, Parrot on a Perch, 1896–1903, silver, enamel, jasper, agate, emeralds, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142738 Charles Gleyre, Lost Illusions, 1865–1867, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.184 Tobias Stimmer, Romulus' død, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22327 Hélio Oiticica, Nucleus NC3 (Núcleo NC3), 1960–61, Oil and resin on wood fiberboard, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/284499 Tobias Stimmer, Romerne besejrer fidenaterne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22278 Hans Holbein d. Ä., Ecce Homo, 1501, Mischtechnik auf Fichtenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2703 Anatoli Lvovich Kaplan, Communications Zone (on the March in Exile) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12721 Tobias Stimmer, De falskanske unge pisker deres forræderiske lærer, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22290 Anatoli Lvovich Kaplan, Text from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12768 Aleksandr Rodchenko, The Worker’s Club (International Exhibition of Decorative Arts and Modern Industry, Paris), 1925, Gelatin silver print, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/237970 Tobias Stimmer, Portræt af Jacob Taurellus (Oechsel), 1539–1584, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22253 Antonio Dias, [Untitled], 1967, Colored ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38128 Carlos Scliar, Pear and Cherry, 1965, Acrylic and collage on paper on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37659 Maria Martins, Maria 1946, 1946, Portfolio with nine etchings (four with aquatint and engraving and one with drypoint), one engraving; and supplementary suite of nineteen collotype reproductions of sculptures, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9551 Natalia Goncharova, Misticheskie obrazy voiny. 14 litografii (Mystical Images of War: Fourteen Lithographs), 1914, Portfolio of fourteen lithographs with letterpress cover, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/13291 Hans Rudolf Manuel Deutsch, Kort over Freiburg im Breisgau, 1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22240 Tobias Stimmer, Gaius Lutatius besejrer Karthagos flåde, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22318 Anatoli Lvovich Kaplan, Fourth Chapter: The Purchase from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12772 Alberto Giacometti, [Untitled], 1951, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36486 Ferdinand Hodler, Profile of Valentine Godé-Darel, (1914), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37827 Dimitri Petrovich Plavinsky, Palegraphic Composition, 1966, Touche and ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38759 Tobias Stimmer, Halshugningen af Brutus' søn, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22264 Hélio Oiticica, Metaesquema, 1958, Gouache on board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35066 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22266 Aleksandr Rodchenko, Transrationalists (Zaumniki), 1922, Book with linocut on light red wove paper cover (discolored to pink-cream), Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/199561 Anatoli Lvovich Kaplan, Tenth Chapter: The Pursuit from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12779 Léon Arthur Tutundjian, [Untitled], 1928, Ink on grey paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38364 Hans Rudolf Manuel Deutsch, Kort over Rufach, 1548, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22243 Liubov Popova, Costume design for the play Romeo and Juliet, 1921, Watercolor and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34795 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22272 Tobias Stimmer, Scipio indtager Veii, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22256 Natalia Goncharova, [Untitled], c. 1914, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14270 Hans Rudolf Manuel Deutsch, Sø- og landmonstre, 1548–1549, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22245 Tobias Stimmer, Brutus kræver sine sønners straf for konsulerne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22346 Mikhail Evlampievich Perkhin, Perch for the Parrot on a Perch, 1896–1903, Silver, enamel, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/142740 Vladimir Stenberg, Cityscape, 1917, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36096 Kazimir Malevich, Suprematist Drawing, (c. 1916–17), Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38270 Carybé (Hector Bernabó), Hauling in the Net, (1957), Ink on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35617 Anatoli Lvovich Kaplan, Summer Visitors (Datschniki) from Tevia the Milkman, Volume II, 1957–61, published 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12711 Jean Tinguely, 50 RPM, 1965, Crayon, pencil, felt-tip pen, ballpoint pen and tape on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35860 Mikhail Larionov, Rayonist Composition: Number 8, c. 1913, Ink, gouache, and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/33457 Anatoli Lvovich Kaplan, Table of contents from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12785 Anatoli Lvovich Kaplan, Second Chapter: The Tailor Sets Out from The Bewitched Tailor, 1954–57, published 1957, One from a portfolio of twenty-eight lithographs (including front and back covers), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12770 Varvara Stepanova, [Untitled], 1919, Gouache on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38351 Félix Vallotton, Five O'Clock, plate seven from Intimacies, 1898, Woodcut in black on cream wove paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/62164 Louis Soutter, Head (Tête), 1939, Oil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/37348 Christian von Mechel, Marie-Thérèse-Charlotte, Duchess of Angoulême, 1795, color aquatint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3099 Mário Cravo Júnior, Studies for Sculptures - With Duelling Figures, 1956, Watercolor, pen and ink, pencil, and crayon(?), The Museum of Modern Art, New York. https://dartabase.art/cite/moma/34653 Hélio Oiticica, Metaesquema No. 4066, 1958, Gouache on incised board, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/35054 Anatoli Lvovich Kaplan, Balagula (Heavy Hauler with Horse) from Tevia the Milkman, Volume I, 1957–1961, publisher 1961, One from a portfolio of twenty-eight lithographs, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/12693 El Lissitzky, Proun GK, c. 1922–23, Gouache, ink, and pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36937 Tobias Stimmer, Scipios sejrstog i Rom, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22333 Jost Amman, The Ptolemaic System, 1579, Etching and engraving on off-white antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5326 Augusto Giacometti, Color Abstraction II, 1919, Gouache on paper mounted on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38559 Arnold Böcklin, Ruin by the Sea, 1881, oil on fabric, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149665 Alexandra Exter, Set design for the play Romeo and Juliet, c. 1921, Gouache and metallic paint on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38210 El Lissitzky, Proun, 1920, Collage of various cut-and-pasted papers, including abrasive paper (prepared with gouache and silver metallic paint), on cream wove paper, laid down on tan laminate board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/150814 Léon Bakst, Panel (Dress or Furnishing Fabric), 1924, Silk, twill weave; screen printed, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/11877 Félix Vallotton, Jura-Landschaft bei Romanel, 1900, Öl auf Malpappe, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4057 Gottfried Mind, Zwei junge Katzen im Streit, n.d., Aquarell über Bleistift auf glattem elfenbeinfarbenem Velinpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7526 Alexandre Chaponnier, Ce qui est bon a prendre est bon a garder, 1753, stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2990 Christof Murer, Lot and His Daughters, 1581, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5327 Alberto Giacometti, The Studio (Two Pieces of Sculpture), 1948, Pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38593 Aleksandr Rodchenko, Printer's proof of cover for Kniga o knigakh (Book about Books), no. 4, 1924, Letterpress, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14181 Alexei Jawlensky, Reclining Nude (Liegender Akt), 1912, Graphite pencil on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/36983 Nicolas Schencker, La cache-cache, 1760, hand-colored engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2764 Ivan Kudriashov, Suprematist Composition, 1919, Pencil and watercolor on paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/38244 Maria Martins, Explanation II (Explication II) from Maria 1946, 1946, Etching from a portfolio with nine etchings (four with aquatint and engraving and one with drypoint) and one engraving, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/9553 Aleksandr Rodchenko, Study for cover of Novyi LEF (New LEF), 1926, Pencil and colored pencil on graph paper, The Museum of Modern Art, New York. https://dartabase.art/cite/moma/14201 Tobias Stimmer, Hannibals rejse over alperne, 1574, Træsnit, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22279